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Ib oB—_BIE BrdXWOKo agh JoBo Oddbd, any Gab OBYgoL bogebo,6d Ho Qo9,.gboygd- JRO BbgMDS SogsErb meen qo Bobo ayvdo.gogS—BG0GE, BobHGH gatsbo Loggbb dosb~enBb bogvynst ghraghgdsb «9 jab sBmBb EodmgyoEPermbs'bg. adoergxPGObob Go3WOD marbogg InabHerbab IHmgsgmbob 0,90 g9%9Z960 gdb Asbbgrgqb]- (¢0 BoBBgdob Boxybgwog9@.gHan0 gdon-ECoby}Ho deo > Gob FoBs»gAcogg, BHdmerab Inzjnstio eyeqBatimdoor s6036 Bg3MyerbO. DYBGoIE gd-erdOhINHOGO JO@IB VIBH HHO JI FLAG ONBd YOGIC’ TyIQI’ Me Hoffowrdo-BHesbeeJembovs @d Lagoregys Go3wO odg6b. 457Eliso Pan ‘The Problem of Young Protagonists: James Joyce “Dubliners” Keywords: Dublin, paralysis, indecisive, freedom, youth, routine Abstract ‘The collection of short stories “Dubliners” belongs to the early period of James Joyce’s creativity author termed the book as a “chapter of Dublin's moral history”, where he puts the blame for the lamentable state on its citizens. The collection is subdivided into four main branches: childhood, adulthood and social cycles. The second cycle is a matter of our focal interest. It consists of four “Eveline”, “After the Race”, “Two Gallants” and “The Boarding House”, Despite the age, gender, differences, all the young protagonists have the unifying traits-their indecisiveness to take inde; actions, fear of freedom, deadly routine that drains life out of them and leads to paralysis, which i natural state of Dublin, The young protagonists undertake their first and last feeble attempt to themselves from their stale environment, but their defeat in doing so proves to be the deadly blow- surrender and join the humble and mute majority-Eveline’s inability to escape with her beloved, bitter regrets over his moments of craziness, Lenehan’s passive-aggressive dependence on Corley Doran’s fear of social judgments prove to be the nets and traps, capturing the protagonists ,depriving of life in full flavor. ‘The paralysis of the key characters in the collection of short stories is emphasized by means of n artistic devices, Joyce refers to such symbols as colours, associated with death and decay-yellow, brown; the weather- which is usually drab, gloomy and rainy; constant darkness and the lack of colours; the symbol of the circle- despite its positive connotation in general, as a form of harmony, in collection the circle denotes enslavement, deadlock, constant repetition of the monotonous routine lives no way out. The grave situation, the young protagonists are in becomes even more complicated in the foll adulthood and social cycles of the collection, where the grown up characters have to face the outc their cowardice and indecisiveness in the period of youth, BoBMOMMSyoo: Joyce, James. ( 2006). Dubliners, London: W. W. Norton & Company. Kenner, Hugh. ( 1956).Dublin’s Joyce. London: Ghatto and Windus Mahaffey, Vicki. (2012). Collaborative “Dubliners”. New York: Syracuse University Press en 458aRPOber qsbgb9go asbseypsbOys SQSBOs6Cl SeBeeyBs ON Neovod coTVCoGgePGBOY™ GobyxwgOm™. Beth qBs Bds3900 Ra otentefigo: iter npobqodero5sto'e80 ji A Sayed Ahmad Hosein Kazeron Satire in the literature of the Constitutional Persian revolution to Islamic Revolution. ..... Bsthobs dogstisgs Boge coextrorjogibodg - 3ySlinBsgans Sboegoqwo Lsbol ByGBBols LoMebosdo. 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