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  • El Condor Pasa

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    Mapache Cadillo
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    The document is a musical score for the traditional folk song "El Condor Pasa" arranged for soprano, alto, tenor, and bass recorders. It contains the musical notation across 35 measures with parts for each recorder. The score directs the recorders in a slow andante tempo through the melody of the song.

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    El_Condor_Pasa

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    The document is a musical score for the traditional folk song "El Condor Pasa" arranged for soprano, alto, tenor, and bass recorders. It contains the musical notation across 35 measures with parts for each recorder. The score directs the recorders in a slow andante tempo through the melody of the song.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    16 views3 pages

    El Condor Pasa

    Uploaded by

    Mapache Cadillo
    The document is a musical score for the traditional folk song "El Condor Pasa" arranged for soprano, alto, tenor, and bass recorders. It contains the musical notation across 35 measures with parts for each recorder. The score directs the recorders in a slow andante tempo through the melody of the song.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 3

    El Condor PasaM.: Daniel Robles / T.

    : Jorge Milchberg
    1
     Andante (94)
        
    Soprano Recorder               

           
        
    1

    Alto Recorder      
     
     
    1

    Tenor Recorder       

    1
            
    Bass Recorder          

    5
                    
    S. Rec.    
                      

    5

         
    A. Rec.    
     
    5

          
    T. Rec. 
    5
           
    B. Rec.       

      


      

    9
            
    S. Rec.      
                  
              

    9

    A. Rec.    
     
         
    9

          
    T. Rec. 
    9
            
    B. Rec.             

      

    1
    14
     
                      
    S. Rec.  
    14                        
    
    A. Rec. 
    14
                        
    T. Rec.     
    14
                
    B. Rec.     

    18
                      
     
    S. Rec. 
                           
    18

    A. Rec. 
    18
                      
    T. Rec.     
    18
               
    B. Rec.      

    22
        
    S. Rec.                 

    22
                           
    A. Rec.     
      
    22
        
    T. Rec.                    
      
    22
             
    B. Rec.                  

    2
    27
                    
    S. Rec.    
    27         
                
    A. Rec.    
    27
        
    T. Rec.             

    27
           
    B. Rec.       

      


      

    31
           
    S. Rec.       

                  
    31

           
    A. Rec.  
    31
           
    T. Rec.           
    31
           
    B. Rec.             

    35

    S. Rec.        
    35
          
    A. Rec.    
    35

        
    T. Rec.    
    35
       
           
    B. Rec.
       

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