3ª Gavota

Op. 9
Luiz Levy
Tempo di Gavotta
     
 
      
        
 
    


         

           
    
5
          1.
   
            
   
       
                
    
2.
9

                      
   
     
  
         
   
        
13
          
               
  
             
 
                

17        
         
   
    
           
            

     
  
      
21
    
  
 
   
 
                pesante

    
        
 
2
   
 
a tempo
26
    
                     
        
    

         

          
          
         
30
      
      
            
   
      
  
            
    
34
           
              


       
            
   
3
38
            
            
       
     
   
              
   


                    
42

      
  
            
 

      
  
46 5

                     
     
        
           

 3
50
    
           

  

       
  
3



rall.
    
     

   
  
  
 

54
                                      
             

             
      
            


       
58

   
          
          
           
                      
        
       

   
  
62
   
  
            
  
                  
      
              
           

a tempo
67
     
              
      
 
       
                    
       
   
73
     
            
       
              
 
  
        
     
        
       
4
78
         
        

   
3
          
        


82
 
   
                
      

           
              
   
            
87
        
         
  
    
    
       
     
 
  
93
             Presto  
          
  
                   
       
        


98
     
           
  
         
         
   
        


         
     
103
         
          
 
         
             
       
 
  