- Lakshita is documenting her process of designing and making a dress for a school project about garment worker exploitation. She tries several dress designs before settling on using thrifted red clothing, including a dress, blouse, and bedsheet.
- Making the dress involves cutting, hemming, resizing pieces, and adding elements like an overskirt. The process takes a toll as Lakshita works late into the night to meet the deadline.
- By documenting her struggles, she aims to better understand the challenges faced by garment workers while bringing attention to their exploitation through her finished dress.
- Lakshita is documenting her process of designing and making a dress for a school project about garment worker exploitation. She tries several dress designs before settling on using thrifted red clothing, including a dress, blouse, and bedsheet.
- Making the dress involves cutting, hemming, resizing pieces, and adding elements like an overskirt. The process takes a toll as Lakshita works late into the night to meet the deadline.
- By documenting her struggles, she aims to better understand the challenges faced by garment workers while bringing attention to their exploitation through her finished dress.
- Lakshita is documenting her process of designing and making a dress for a school project about garment worker exploitation. She tries several dress designs before settling on using thrifted red clothing, including a dress, blouse, and bedsheet.
- Making the dress involves cutting, hemming, resizing pieces, and adding elements like an overskirt. The process takes a toll as Lakshita works late into the night to meet the deadline.
- By documenting her struggles, she aims to better understand the challenges faced by garment workers while bringing attention to their exploitation through her finished dress.
I just finished my second dress design. Technically, this is the fourth piece of paper with a dress design on it, but the second and third don’t really count, since Eli was the one who drew on it to help me out with this whole dress thing. I loved his ideas, but I thought they were a bit too “western” for what I had in mind, and though they were lovely, it wouldn’t fit with the particular subject I’m working with. But, anyways, enough of my chit-chat. I’m starting this dress log to document the whole process in making this dress. Mr. Grandi said my dress would still fit with my chosen topic, which is garment worker exploitation, if I could find a way to make the process count just as much as the product. To sort of put myself in the shoes of a garment worker, even if it’s only to a small extent. I don’t remember exactly what he said, but that gave me an idea, and so I started this dress log to document the process. But anyways, back to the dress design. I love it so much more than my original one. I added big gold flower motifs to the top and also at the bottom of the skirt. The entire dress (or most of it) is a deep-wine crimson red, and the sleeves this time reach past my elbows, with no white linings. Instead I chose to keep it simple, with perhaps some gold lace on the edges of the sleeves. I kept the gold lace of my original design, but instead of it covering the whole dress, it covers only half of it diagonally. The other half has the second gold flower motif, and on the edge of the gold lace half are some yellow and green flowers bordering it. And at the very bottom of the skirt, there is some yellow fabric hanging off of it. Originally, it was white, but I decided yellow would fit much better with gold. All in all, my new dress design is so much more detailed. I think it's because my first one was born out of desperation and a lack of creativity. Kind of like the cheaply-produced clothing in fast fashion. The new one is my very own originality and I gave it my all. And by all, I mean all. My fingers are hurting just typing this right now. More later. -Lakshita Sunday, September 11th, 2022 I just finished my third design of the dress. It deviates quite a bit from my second and original designs, but it’s still lovely. To be honest, I don’t love it quite as much as the previous one, but there are certainly some admirable elements. It’s a red dress, like the last one, but this time, the shawl is draped over the shoulder in a similar fashion to the way Indian, Bangladeshi, and Cambodian dresses are. It actually looks more like a saree now. The sari also has the big flower motif the original one had on the top, and on the inside of the sari are the orange and green flowers. The same orange/yellow and green flowers border each side of the split skirt, which opens to reveal the gold lace. In addition, there is no longer a separate top. It looks beautiful, but not as appealing as the first one. I do love the skirt, but it does look so much more complex and harder. I don’t know if I'll have enough fabric for that. I’m also kind of nervous about using the colors red and gold. My mom told me today that red and gold dresses in India are mostly used for weddings or very auspicious occasions. I don’t want to appropriate a wedding dress, or anything like that. And it does feel a bit awkward when I try to associate marriage with garment worker exploitation. On the other hand, I think I can get away with it because red also stands for bravery and courage. Like the courage of a garment worker. And it also stands for prosperity like gold and also femininity. It fits because the workers most badly affected by exploitation are women and girls. And even better, red also stands for Shakti in Hinduism, which basically means the divine feminine energy or strength of the universe. So red is for femininity, courage and power, while gold stands for prosperity and green for earth, and I’m not sure what orange stands for exactly. I suppose I could change it to blue as it means in Vietnamese culture hope and growth according to my research. Or it could just stand for its universal connotation, which is sadness. I don’t know what I’m doing. This is all Greek to me. -Lakshita September 15, 2022 I finished my third prototype yesterday and my fourth just now. I’m honestly not a great big fan of either. They look complicated and I don’t know how many yards of fabric they may take. I still haven’t decided whether or not to make the dress from scratch or from a thrifted piece of clothing. I’m starting to think this is a hopeless idea with a hopeless and futile outcome. I don’t have much experience with sewing and what little I do, it’s only little things like a stuffed pillow or a hemmed blanket. I also don’t have a sewing machine, which would have made the sewing process so much easier and faster. But then again, I don’t have any idea how to use a sewing machine, so . . . Plus, I have a bunch of other work to do and I don’t know how to get it done in time, ugh.. . But back to my dress designs. I added a sash across the middle and a large overskirt with two slits on the sides, kind of like a mix of Cambodian and Vietnamese culture. But it doesn’t suit well with the different colors and I don’t think it’s easy enough for me to make it. I really don’t know. And what’s worse is that the project is due on the 27th, next Tuesday. So it means, I have to get my thrifted clothing (I think that would be my best course of action, as it would be quickest), by the end of the weekend, and await further instructions and assistance from Eli, as I have no idea what to do next. I can hardly wait . . . -Lakshita Tuesday, September 20, 2022 I got the materials for my dress on Saturday. I got a big red dress that was a dark crimson shade and made of a stretchy material. It’s actually very big for me, and it probably might’ve been used as maternity wear for the previous owner. But I can adjust it, so that’s okay. I also got a bright cherry red blouse with long sleeves. It’s very cute and adorable, actually. In addition, I also got a Chinese style red dress with gold embroidery atop of it. It doesn’t fit me, but it was so beautiful, I couldn’t resist. Perhaps I could make use of it somehow. I also got a red bedsheet I think I could use as a shawl, or my dupatta. That’s what the shawls or drapings are called for sarees, salwar kameezes, and lehengas. I don’t think I could ever make a lehenga as beautiful and gorgeous as the ones I find online. I have one lehenga myself; it's a two-piece with an ombre white-to-red color scheme and it also has tiny beadwork in red and pink. It’s so beautiful, yet I can’t help but wonder about how much work it must’ve taken to make or who made it. Was it made at a factory, under terrible conditions, by a poor lady who made it out of desperation or ready-made by a small business, made with love and creativity? I don’t know, I think I’m just getting a bit too deep about it all. I think it’s ironic that I’m taking a piece made using exploitation and now I’m flipping it about, using it to bring awareness and compassion to the makers of fast fashion and victims of such a horrible industry. Anyways, toodle-oo! Until next time. Lakshita Wednesday, September 21st, 2022 Eli told me to cut and hem the dress and it took all of last night to do so. I stayed up until 12:00 AM, and now I’m completely exhausted. My room is a mess right now, scattered with little bits of fabric and pins. I borrowed the pins from Eli, and believe me–they were a life saver! I’ll have to pick up the pins as soon as possible though. I warned my family not to entire my room lest they find a painful surprise at the bottom of their feet, but still. You can never be too careful. But that is the least of my worries. I have so much ahead of me now. I have to make the blouse longer because it’s too short and revealing and not my style. Eli recommended that I use the top part of the red dress instead of the blouse because he said the colors were very clashing. I think he was right of course, but now I think I cut too much off of it. I also have to make an overskirt out of that chinese-style dress I found. I think if I could turn it inside out, it could work splendidly and fit well with my dress. I don’t know if I can find the yards of lace I originally intended because they are far too expensive. At least 20 or more dollars on Amazon! I can’t make Mr. Grandi spend that much money on a school project. I think I’ll make do with some pretty lace trim that I found. Hopefully, it will pair nicely with what I have in mind. I also have to finish the lining of the makeshift blouse because it’s far too big for my size. And I also have to get working on the history portion of my project. -Lakshita Thursday, September 22, 2022 I had a meeting with Mr.Grandi today. He gave me his thumbs up and his approval on what I was doing and when I asked for feedback, he said I was doing fine and I needed none. There was a very nice person who let me borrow his sewing machine to hem the dupatta. I was so glad. That was the part I was dreading the most, because I thought it would take the longest. But actually, with the sewing machine, it was the simplest part! I can’t talk more now. Work to do. - Lakshita Saturday, September 24, 2022, I am so tired. It’s 11 PM now, and I should be sleeping but it took me forever to finally finish that stupid overskirt. I resized the skirt yesterday, but I had no mechanism to fit it over my waist, so I spent half of today trying to stitch an elastic from an old pair of pants I once had. It worked, but it took forever because I kept tangling my thread and I accidentally put the elastic on the wrong side of the skirt! Talk about frustrating! On top of that, I also couldn’t attach the overskirt over the skirt because it would restrict the elastic from moving all the way up. In other words, I couldn’t pull it up all the way, and it got stuck at about mid-thigh. So I had to remove it and tried to stitch it again and again in different areas of the skirt to no avail. Finally, I decided to create a casing along the edge and pulled a piece of red yarn through. My plan was to tie it around my waist over the skirt. It worked! But now I have to go to sleep. Good night! - Lakshita Monday, September 26, 2022, My project is due tomorrow and I finally, finally completed the dress. It took so long and it gave me a greater appreciation for craftsmanship and quality. I don’t think my dress is necessarily very high quality, but I think I put more craftsmanship into it than any fast fashion retailer does with any of their outfits. I suppose that’s the point; to signal the difference between a work created by craftsmanship and creativity and love, rather than one created by exploitation and desperation. I decided to use the cherry red blouse I originally intended to use. The other red blouse looks really crappy in comparison to the cherry red one. I don’t think I really mind if the colors are clashing. But anyways, I finished some final touches. Eli gave me some stickers with jewels and I used them around the blouse in any place I thought it looked pretty. Overall, I’d say that this dress looks pretty. I’m very pleased with the results, though I must admit it is far from the grand expectations I had. But I like it. And I hope it’s enough to get an A, because I spend at least a week of all-nighters. - Lakshita