Professional Documents
Culture Documents
The - Dolls.house August.2014
The - Dolls.house August.2014
SWEDISH
STYLE
Working
with a
natural
palette
A GMC publications
magazine
www.thegmcgroup.com
august 2014 issue 195
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COFFEE
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STORE WITH
OVER 12,000
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BOB
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CHRIS
For the
personal
touch LOUISE
10
Editor’s
letter
W
ith period interiors it can be a challenge to
find a new avenue to explore, but I think I’ve
cracked it – Scandinavian style. This
approach is more than just a nod to natty knitwear and
IKEA furniture. The precursor to shabby chic, Scandi-style
has its roots firmly planted in eighteenth century Europe.
And I think it’s asking to be invited into the dolls’ house.
I was inspired to explore the dolls’ house options after
visiting Madeleine and Jo Lee. In their Regency home
with its fabulously high ceilings and rich architectural
detail, original Swedish antique furniture sits
comfortably alongside modern creative elements. Much
of Madeleine’s advice for decorating the real size home
can be applied to the dolls’ house (page 10).
Amongst the projects this month you’ll find some
iconic Scandinavian pieces; the Dala horse (page 16),
Mora clock (page 18) and day bed (page 25). But my
favourite are the Nordic cushions (page 14) – so simple,
so stylish. If you want authentic classical pieces in your
dolls’ house, but don’t want to disappear under a sea of
mahogany, Scandi-style could be the way to go!
EDITOR
Christiane Berridge
tel 01273 477374
christianeb@thegmcgroup.com
Contents 1
4
HOME PAGES
Editor’s welcome
News
35
8 Fair dates
9 Giveaways
72 Coming next month
DOLLS’ HOUSES
35 Busy 18 roomed
Finnish dolls’ house
45 Neat modern house
INSPIRATION
10 Welcome Swedish style
32 Kensington showcase
42 Handbags of history
PROJECTS
14 Fur stool & cushions
16 Dala horse embroidery
18 Mora clock
20 Folk style dress
22 Ribbon quilt
25 Gustavian day bed
28 Side table with storage
48 Saddlebags
50 1:24 scale rocking chair
52 Floral display
54 1:24 scale Tudor
furniture
58 Pattern pages
All the templates
that you need
28
14
West Glamorgan
club show
West Glamorgan Dolls
House Club will be
exhibiting at the castle in
the grounds of Margam
Country Park, Port
Talbot on the 23rd, 24th,
Cheltenham exhibition
and 25th August 2014,
10.00a.m to 4.00p.m. An
amazing variety of dolls’
houses, room boxes and
miniatures will be on
A last-minute bidding war broke out at the
display together with
recent silent auction held as part of the
items for sale. Monies
Cheltenham Miniaturist Club’s exhibition.
raised via raffles and
With seconds to spare, final bids were
donations will be given
made as 30 wonderful miniatures went up
to a local charity. The
for sale. The exhibition, silent auction and
club will also be
raffle were held to commemorate the late
exhibiting at Swansea
Jean Kain and the late Eric Piper who both
Museum on the 28th and
produced beautifully designed and
29th June 2014, 10.00a.m.
detailed miniatures during their years
to 4.00p.m.
with the club.
Jean’s traditional dolls’ houses in both
1:12 and 1:24 scales lined the walls together
with Eric’s fully furnished caravan and
fascinating music room. Quilts, trains and
sailing boats delighted young and old
alike. Knitting, sewing and embroidery
were demonstrated throughout the day
with many people well impressed at the
detail in such a tiny scale of work. KEEP CALM
It is expected that a sum in excess of
£1700 from all fund raising activities will AND MAKE
be handed over to Maggie’s Cancer Support
Charity for whom the dolls’ house club MINIATURES
were raising funds.
Lighting Sale!
20% off all lights
and working fires
SF/24 £6.99 MF/04 £17.99 (excludes any items already
1/24 scale Unpainted Glazed Shop Front 10pc Pine Kitchen on offer)
ALTHOUGH OUR WEB SITE CONTAINS NEARLY 7000 ITEMS,OUR SHOP CONTAINS MANY
NOT SHOWN. WITH SEVEN DAY A WEEK OPENING WHY NOT PAY US A VISIT!
MAPLE STREET • WENDY • ROYSTON • HERTS • SG8 0AB • TEL: 01223 207025/208937 • FAX: 01223 207021
INFO@MAPLESTREET.CO.UK•WWW.MAPLESTREET.CO.UK• OPEN MON-SAT 10-5 SUNDAY 12-4
Fair dates
The Little Mermaids Doll’s House Club
Tel: 01507 477188
HOW TO ENTER
DON’T MISS YOUR CHANCE TO WIN THESE FABULOUS PRIZES!
Just visit our website www.craftsinstitute.com/dolls-house
click on August 195 Giveaways, tick the competitions you would like to enter and
enter code DH195.
Closing date is 31 August.
To enter via post please send a postcard with the competition names you would like to
enter and your contact details to DH195 Giveaways, The Dolls’ House Magazine,
86 High Street, Lewes, East Sussex, BN7 1XN. See www.craftsinstitute.com for full
terms and conditions.
MAY’S WINNERS
The winner of the mannequin is Christine Silver from Great Yarmouth, Norfolk
and the winner of the cupcake patisserie box is Christine Phillips from Holbeach, Spalding, Lincs
Creating
scandi-style
T
he classic Swedish look is a work. It has a lovely chalky texture, such a calm holistic feeling which is
perennial favourite with its responds really well to different types just lovely. A fresh coat of paint on the
muted whites, greys and light of brush techniques and makes great walls really will make all the
blues mixed with the colours of raw washes. difference and you can always accent
timber and natural woods. Whether it with the woodwork colour or
it’s Christmas or mid summer, the skirting boards.
lightness of the Swedish style lifts IN THE DOLLS’ HOUSE If you can, strip the floors back to
the mood of any room, making the Throughout the seventeenth and the bare wood. Then either paint them
most of the available light and eighteenth centuries Swedish a fairly strong white or wood stain to a
providing a wonderful backdrop for aristocracy adopted the style of the light pine or a light oak to help
everyday living. Italian, French and English courts, complete the look. If you want a solid
Here are some tips to get the look – though softening its appearance. colour then it’s probably best to use a
perfect if you’re ‘crafty’ or love As Swedish furniture makers evolved specialist paint that can deal with
painting your own furniture. Of Gustavian influenced furniture (named high traffic or else you could go with a
course you don’t have to go the whole after King Gustav III) became a wash finish that will show off the
hog – instead just take inspiration or mainstay in European Neoclassical wood grain.
add a few of the ideas to create your period collections. Pieces often reflect
own version of the style. simpler design and execution, while
maintaining a humble yet still IN THE DOLLS’ HOUSE
PAINTING royal character. Painting the dolls’ house walls is easier
Starting with the right colour base is Choose your paint colour from one while your house is still in kit form. For
key. If you like the classic Gustavian of the many sample matchpots a ready-built dolls’ house cut a paper
style think off whites, greys and light available. Select matt or chalk paints template and paint this before applying
blues, while the Swedish folk art to maintain authenticity. it. Or find a plain sheet of paper in the
country look (called Kurbits) takes in shade that you want and glue it in
sunflower yellows, light greens, position as you would wallpaper.
russet reds, deep blues and ochres. WALLS AND FLOORS Buy a sheet of floorboard material
To begin with, invest in a couple of For the walls, a really light fresh off- and paint it before cutting to size and
tins of good paint. It’s best to use matt white or light grey will lift the mood – fitting into your miniature room.
paint rather than satin or acrylics or we used Ecos Dawn Mist in our own
even chalk paints if you like that look house. This is a great shade that shifts
(we tend to steer clear of the waxed across the colour spectrum as the FURNITURE
finish which looks too artificial to our light changes from a stunning off- Furniture can be completely
eye). I would recommend Ecos white through light blue to an almost transformed with a coat of paint.
superchalky paints for this kind of violet as the light dies. It gives off A heavy looking dark Victorian piece
ADD
A COLOUR
ACCENT WITH
A MINIATURE
RUG ON
FLOORBOARDS
MAKE YOUR
OWN DOLLS’
HOUSE SIZED
MORA CLOCK.
PROJECT ON
PAGE 18
can become a light elegant and look is not to add too strong a colour.
delicate centrepiece with the right IN THE DOLLS’ HOUSE Keep it predominantly neutral with a
paint finish – perfect for resurrecting Madeleine’s advice is effective on nice colour accent and for the
old furniture or a prized car boot or miniature furniture. Inexpensive pieces windows you can exchange your
eBay buy (look for beautiful shapes often have a heavy varnish, sand this curtains for white muslin, which is
and detail). away and re-paint, or use barewood both cost effective and lets a beautiful
Start by sanding down the piece pieces and paint up. dappled light into the room.
using 180 grit sandpaper to remove
any lacquer and give the paint LIGHTING
something to grip to. Then apply one MORA CLOCKS Lighting makes all the difference.
or two coats of white wood primer Every Swedish household has a Mora It’s good to use uplighters and
(unless you are doing a wash) – you clock – they are a design classic with diffused lighting to create atmosphere
need to keep applying until the their extended belly and have the and to think of your lights as an
underlying wood colour no longer most beautiful feminine and elegant important part of the design look
bleeds through. shape. They are very rare now but will as they will accent your walls –
Next, choose your top coat colour be a real centrepiece for your room lighting can make or break a room
and apply with wide gentle design. They tend to come in heights design. Using dimmers on electrical
brushstrokes to give the finish some from 186cm–250cm and in a variety of lighting and placing pretty lamps in
character. Usually two top coats will colours and finishes from off whites dark corners will create more
suffice. This should give you a nice and blues to blacks and reds, often atmosphere. Remember mirrors too,
flat finish but to make it more three- with hand painted swags or detailing. they create space and bring light to
dimensional, it’s good to gently Made by individual craftsmen every those darker corners.
distress and antique the piece. Mora clock is unique.
When you distress use 180 grit
sandpaper to ‘knock back’ places IN THE DOLLS’ HOUSE
where the piece would have natural
knocks from use; talking edges, feet
and around the handles. In a lot of
shabby chic furniture, you see this
‘‘ The secret of this
look is not to add too
Having lamps to brighten the furthest
corners of the miniature room is a
good idea, as is the use of mirrors
to reflect light.
strong a colour
’’
done wrongly with big, obviously
sanded overdone circles across the
finish – remember less is more. Finally ACCESSORIES
add a patina by gently rubbing with a In Sweden we use candles everywhere
darker matt wax and then wiping it FLOORS AND WINDOWS and the candleholders and lamps can
off so the wax only remains in the If you opt for a bare floor it’s great to be works of art wrapped in lace,
crevices and cracks where dirt would have a rug underfoot to add both repainted or accessorised. You can
naturally accumulate. colour and comfort. The secret to this source inexpensive lace online or in
Create a
Nordic
cosy
corner
Susan Larkins explains how to add
simple seating and cushions with fur,
felt and thread
S
candinavian style is so on-trend SOLID FUR-TOPPED
this simple set will have your POUFFE
dolls’ house fashionably dressed
in no time. Why not make a set as a MATERIALS
gift for a miniaturist friend? Small cotton reel
Needle and thread
FUR-TOPPED LEGGED STOOL Fur fabric
Button
MATERIALS Glue
Fur fabric
Plastic bottle tops 1 Cut a piece of fur fabric to fit two for each cusion. I’ve gone for a
Kebab stick around the sides of the cotton reel, floor cushion, pillow-shaped, and
Brown paint and another piece for the top, scatter cushion. Judge the size to
Glue adding a seam allowance for suit your own furniture.
Clamps/pegs sewing them together. 2 Source Scandi-style designs and
2 Once sewn, slide the cover over the images from magazines and
1 Cut out a large circle of fur fabric cotton reel and trim the fur around knitting patterns for inspiration.
and glue it over the plastic bottle the hem. 3 Use three strands of embroidery
top and sides. Cut out a template 3 Glue a flat button onto the cotton thread and use back stitch, running
from kitchen towel first if you want reel base to very slightly raise the stitch and blanket stitch to create
to check the size before you commit fur hem edge away from the dolls’ your pattern. It can be as simple or
to your fabric. house floor. as complex as you wish. The
2 Gently stretch the fur fabric over reindeer is worked on long stitches,
the top and down the sides to FELT CUSHIONS and the fir tree and snowflake as
eliminate as much gathering at the Make a selection of cushions with relatively simple too.
sides as possible. Use a clamp or sizes to suit your home furnishings. 4 When you have finished your
pegs to hold the fur in place until pattern, blanket stitch the two
the glue dries. MATERIALS squares of your cushion together,
3 Trim the hem once the glue is dry. Felt in red, ochre, beige, grey leaving a gap for the filling.
4 Cut four legs from the kebab stick Toy stuffing/filling 5 Do not over-stuff your cushion, so
and paint them brown. Embroidery threads in red and white that they don’t become a solid lump
5 Glue the legs on the base, evenly but still retain their shape. Blanket
spaced out. Leave to dry. 1 Cut out square shapes from the felt; stitch the gap closed.
‘‘ Sourceand
Scandi-style designs and images from magazines
knitting patterns for inspiration
’’
making
Nordic
Romance 21
Makes for
stylish
living
FEBRUARY 2014
ISSUE 44
£4.99
>
02
9 772042 897009
Stitch a
Dala horse
Sara Scales explains how to represent a
traditional Swedish symbol
for your dolls’ house
W
hen Christiane suggested
creating a Dala horse I was
quite excited; I have seen
these images but in truth knew little
more. After researching I discovered
that the Dala horse has a long and
important status within its culture.
Many of you will know the image
originates from Sweden but perhaps
like me you did not realise how
important it is.
The horse is also called the
Dalecarlian horse and during the
19th century the horse creations
flourished and became a method of
helping, as a barter item during an
economic down turn. The horses are
hand carved and painted with bright
colours, originally as a toy. Today
though due to its popularity it has
become a symbol of Dalarna the
province it originated from as well as
Sweden. Its bright and bold designs
have also made it a collector’s joy and
a great interior design piece.
My interpretation is a simple design
worked in a single thread and full
cross stitches. I have chosen the main
colouring for the horse but you can
vary this if you wish. This bright, simple iconic design will cheer up any dolls’ house wall.
PHOTO: GMC/NORMAN ROWLINSON
35 years
www.mini-mundus.eu
email: info@minimundus.de
Make a traditional
Mora clock
PHOTO: GMC/NORMANROWLINSON
Beate Klotz explains how to make a
traditional Swedish timepiece
The completed clock stands 6½in tall, is 5⁄8in deep, and 17⁄8in wide at the base.
Dress in
folk style
Janet Harmsworth prepares a traditional
Swedish outfit inspired by those captured
by artist, Carl Larsson
Make this chair, project on page 25, and cushion, page 14.
MATERIALS Make any necessary adjustments. To acrylic paint. If acrylics are used a
Woman doll in her underwear make sure of fit or construction make coat of varnish or sealer will need to
Blue cotton fabric (skirt) the pattern up in kitchen paper first. be applied.
Green cotton fabric (bodice) Please note a seam allowance of ⅛in
White cotton voile (blouse & scarf) has been allowed unless otherwise BLOUSE
Red & white striped fabric (apron) stated. Once happy with your pattern 1 Cut the blouse from a lightweight
Embroidered ribbon (pocket) pieces lay them out on the relevant fabric such as voile or lawn. Seal
Permanent marker pens/Dylon fabric fabric, remembering to reverse the the edges with a beading of glue or
pens (optional) pattern pieces where necessary. Draw use Fray Check.
Nail art stickers (optional) around patterns with either tailors 2 With the right sides of the fabric
chalk or erasable fabric pen. Then run facing, stitch the underarm seam
FOR DIAGRAMS SEE PAGES 58 - 66 a thin beading of tacky glue along the and side seams from a to b. Clip the
pattern lines and allow to dry. This seam at the point marked x and
PREPARATION helps to stop the fabric from fraying. repeat for the other side.
Trace pattern pieces, and check for Cut out pattern pieces. Paint shoes 3 Press the seam open and fit the
size against your doll. and stockings in either enamel or blouse onto your doll.
SKIRT
1 Check the skirt pattern against
your doll and adjust the length if
necessary.
2 Cut out the skirt and seal the raw
edges.
3 Turn up the hem and glue or stitch
in place.
4 With the right sides of the fabric
facing, stitch the centre back seam
and press it open.
5 Run two rows of gathering thread
for a tight fit around the waist,
arranging the gathers evenly.
BODICE
1 Cut the bodice from green cotton
fabric and seal all the raw edges.
2 Turn under a small hem on all
edges.
3 Fit the bodice onto your doll, pin
the fronts in place, before fitting the
straps. The shoulder straps fit
under the back piece. Once happy
with the fit, stitch or glue in place.
Stitch on decorative front lacing.
4 I have added a couple of nail art
stickers for decoration.
APRON
I created my stripped fabric, using a
smooth white cotton and a red Dylon
fabric pen. After carefully drawing
the stripes I pressed with a hot iron to
fix the dye.
Make a colourful
ribbon weave quilt
PHOTO: GMC/NORMANROWLINSON
Beate Klotz explains how to make stunning
miniature quilts using colourful ribbons
Beate used more ribbons on her Gustavian-inspired quilt, but as she says ‘I liked the
combination and didn’t know which one to leave out.’ If you find the right combination
they could all be patterned or plain ribbons, you need seven ribbons in total.
METHOD
Thame Leisure Centre, Oxford Road See fantastic craftsmanship supported by tools, materials and techniques
unique to this hobby making it a DIY heaven for modellers.
Thame OX9 2BB (on A418)
SUNDAY 7 SEPTEMBER - 5ʍʁ Yɾɺʋ!
The Rivenhall Hotel, Witham CM8 3HB (A12)
All fairs open 10.30am to 4pm.
Half price entry from 1pm. Children FREE all day!
www.facebook.com/dollysdaydreams Sunday tickets available in advance or at the door. Doors open 10am - No charge for parking.
DollsDolls
House &House BLACKPOOL
& Fair
Miniatures at
Miniatures Fair
The Inn On The Lake Hotel DA12 3HB (on A2 between Dartford & Rochester)
SUNDAY FAIRS 2014 DW
The
July 20thInn On The Lake
September 28th HotelNovemberDA12 30th
3HB
Admission £2.00 accompanied children free 10.00 am - 3.30pm
(on A2 between Dartford & Rochester)
BAR, REFRESHMENTS, RESTAURANT & LARGE CAR PARK
SUNDAY
Travelling from FAIRS
the south 2014
towards London on A2 The only dedicated Dolls
Turn left at motorway sign marked January
COBHAM, 3rd26th
exit off roundabout, follow signs to hotel.
March
Travelling 23rd on A2
from London House shop in Lancashire
Look for ‘Inn on the Lake’ sign, exitJune
at next 1st
slip road and follow signs for Cobham, (That we know of)
2nd exit at roundabout and follow signs for hotel.
July 20th
September
01634 370420 / 07867 28th
528853 peapa001@medway.org.uk
November 30th 99-101 Waterloo Road,
Blackpool FY4 2AB
Tel: 01253 341240
Out of hours:
07930 136 014
Make a
Gustavian style suite
John Cutts creates a sofa in chic Swedish style
I
n 1795 King Gustav III visited the Palace of Versailles and returned to Sweden to create his own
‘Paris of the North’ using many of the French and English influences. The Swedish furniture
was not as ornate as that in Louis XVI ‘s palaces and is usually painted in pastel colours.
MATERIALS
Stripwood 5mm x 5mm
Large size lolly (crafting) sticks (non
coloured)
40mm stair spindles
4mm beads & pins
Thin card
Wadding
Fabric
PVA glue
Double sided tape
Blu-tack STEP 1 STEP 2
Acrylic paint (or emulsion tester pot) Starting with the two end frames, cut Make the bottom rail (B) with two 40mm
Gold paint three 40mm pieces of lolly stick (A). long pieces. If they have a slight hollow
Sanding board & sanding sticks Glue and cramp the pieces together with ensure the hollow sides are glued
Craft knife the top edge of the middle piece raised together.
Rule 4mm, this will form a groove along the Construct the middle rail from two 6mm
Cutting mat bottom edge. When dry, carve and sand wide pieces (C) with the centre piece
Spring clamps or clothes pegs the decorative curves at the top and sand 5mm wide (D) giving a 1mm groove at
Paintbrush the ends square on a sanding board. the top. Sand the rails on a sanding
board.
FOR DIAGRAMS SEE PAGES 58 - 66
STEP 10
The back top spindle assembly is
constructed in the same way as the two
ends. Tip: Glue in two spindles at each
end and allow to dry. Then working on
one spindle at a time, dab on glue, push
into the top rail groove, and ease round
into the bottom rail groove.
Check the fit of the long rails before the
two stage assembly. Glue the two ends to
the back and hold with Blu-tack, two
STEP 9 temporary lolly stick spacers are needed
Two long rails required. Cut part (K) to under the bottom rail. The front rail
120mm and part (L) to 50mm and glue assembly is held in place with tape
centrally. Glue on the two short legs (N) (without glue) to help keep everything
and parts (M), leave over long and trim square. When dry, remove the Blu-tack,
when the glue is dry. Strip (O) is glued at turn the sofa over and glue the front.
the back, positioned 5mm down from the Spacers are needed again.
top edge, to support the seat slats.
Make a
Gustavian style
sideboardJulie Warren of Little Bits & Pieces explains how to build
this Gustavian styled sideboard complete with storage crates
This project uses Obeche wood, a softwood, which is easy to work with and takes paint and varnish well.
PHOTO: GMC/NORMAN ROWLINSON
Be careful not to
‘‘apply too much
pressure when
sanding
’’
STEP 4 STEP 5
Have a sheet of kitchen towel ready and Glue the top piece in position, leaving a
apply a thin coat of white paint to the top 2.5mm lip all the way round. Hold with
piece. Wipe off before the paint begins to clamps until the glue is dry to prevent the
dry. Sand the top piece, applying slightly wood from curling upwards. Use a sheet
more pressure in places, until just traces of kitchen towel to rub clear shoe polish
of the white paint remain. into the top.
WENDY’S WORLD
01895 834348
www.wendysworldfairs.co.uk
PHOTOS: BY AUTHOR
1 2
1 Snap happy! A cuddly crocodile from Elles 3 Jan Southerton, The Flower Lady, gets creative with
Miniaturen from Arnhem, elles_leenders@versatel.nl one of her pretty displays, tel: 01794 323158
2 Kevin Mulvany and Susan Rogers’ stylish 4 Miniature soil comes in its own special bag courtesy
department store drew the crowds. This is one of the of Andrea Thieck Miniatures,
atmospheric window displays. http://andrea-thieck-miniatures.blogspot.co.uk
www.mulvanyandrogers.com
8 9
10 11 CONTACT DETAILS
The Christmas festival takes
place 29 November 2014,
with the next summer festival
on 16-17 May, 2015.
Tel: 020 78129892
www.dollshousefestival.com
NEXT MONTH
Super shiny specials from
some of the top makers of
dolls’ house miniatures.
www.craftsinstitute.com 33
Craft Packs are DIY project
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Beautifully presented, with full,
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CONTACT DETAILS
You can read Maria’s blog at
maria-malmstrom.blogspot.co.uk
Glad bags!
Stephanie Richards acknowledges that handbags are a girl’s
best friend as she views their uses though the ages
EARLY STYLES
A brass handbag, c1300, features an
inlaid scene of a page wearing the bag
across his chest, on behalf of his
mistress. A handbag page – how
civilised! Leather purses, which
doubled as bags, were found in the
Tudor ship Mary Rose. These bags Dolls’ house scale shoes and bags from Patrizia Santi, Tel (+39) 340 746 3410,
hung on the belt from bronze purse www.patrisan.blogspot.com
bars. Handbags in the USA are still
known as a ‘purse’. drawstring bags, they evolved into ribbon. Sometimes women carried a
By the mid 1700s the way to carry bags with clasps, like small evening Miser’s Purse tucked in their belt.
items was in pockets attached to a bags of later years. Often made from These provided a discrete way to
tape round your waist under your scraps of dress material, they had carry money with the advantage of
clothes. Often home made, rich handles fashioned from chain, ribbon leaving your hands free for your
materials were used, sometimes or cord. Making reticules was a parasol, fan, gloves, and shawl. The
recycling a bodice for instance. The genteel activity for a girl and your purses were knitted or mesh and
pockets were never seen in public, the imagination and light touch with a resembled a tube, with sliding rings
way in was via a slit in your skirt. needle could be shown off. to keep the coins safe. They were
When the simpler style of the elaborately decorated and often had
Regency period dictated that wearing THE VICTORIAN TOUCH one square and one round end, to help
practically anything under your dress In Victorian times, girlish hands could with choosing the correct coin.
would spoil the line, pockets round be employed in a fit manner, as Mimicking housekeepers with their
your waist had to go. patterns were available for crocheting essentials of sewing kit, keys, scissors
Along came the reticule (reticulum a handbag, or crafting a smocked one. etc, hanging from their belt, the
is Latin for little net). Some were made For that finishing touch, both bags Edwardian period had chatelaine
from net, but not all. Originally could be lavishly decorated with bags. These bags hung from chains,
hooked onto or through your belt. rhinestones were popular on the Over the last decades, bags have
At least if your corsets got the better outside. If you were rich you could become ultra high fashion items with
of you, your vinaigrette containing choose from alligator or python skin, lots of bright colours and loads of
a sponge soaked in smelling salts or a silk bag with a glass fox for a bling. The clutch came round again,
would be to hand. Reticules still hung handle. Perhaps a clutch bag with a much bigger, in coloured patent
from wrists, made from velvets and built in watch? leather. Gold Lurex or tartan bags had
satin, or muslin and lawn for the their fans. As did ‘name bags’ where
summer. Whatever the season, tassels STRING & PLASTIC you paid a lot of money to have the
made from silk or beads adorned the The Second World War introduced a maker’s name written on the bag so
bag. Alternatively, muffs were new member to the handbag family. everyone knew how expensive it was.
fashionable and with the provision of Everyone was issued with a gas mask Such was the popularity of ‘It’ bags
an interior pocket, meant you had in a cardboard case. Patterns for that people joined waiting lists to be
warm hands and a clean versions of the case in other materials allowed to purchase one. Shapes and
handkerchief. And your sal volatile. quickly became available. Women’s materials came and went. Baguette
magazines offered patterns for bags. Bags made of feathers. Bags that
OUT AND ABOUT knitted covers or a fabric covered case looked like animals or cup cakes.
As women began to be more mobile, to match your coat. One such cost one In 2014 anything goes. Big, small,
practical handbags came into fashion. shilling and used ⅝ of a yard of colourful, classic, leather, or even
Bigger and more robust, often made material. Perhaps the bag was used as recycled plastic bottles, what ever
of leather or skins, they could a combination gas mask and handbag. takes your fancy. A final thought.
accommodate everything the You could knit yourself a string bag Reticules were known as
Edwardian lady would need whilst and get all your shopping in as well. ‘Indispensables’. As a confirmed Bag
out and about. Femininity still Plastic handbags were the big news Lady, I couldn’t agree more.
reigned at home. So a Dorothy bag, in the 1950s. Novelty shapes were
with its drawstring top, decorated popular. The acrylic was often CONTACT DETAILS
with as much as you could fit on to it disguised as tortoiseshell, marble, Museum of Bags and Purses,
was the bag de jour. Some had a lace, wicker… take your pick. Some Amsterdam
bottom section that opened to reveal were totally transparent and let www.tassenmuseum.nl
a mirror, thus ensuring your everyone know what was in there.
complexion remained flawless. The Sackrider Museum of Handbags
By the 1920s women went out to THE 60S AND BEYOND A virtual, online museum dedicated to
work, dined in public and drove cars. The nineteen sixties and seventies saw collecting, interpreting, educating,
Clutch bags became popular and a revival of crochet and tapestry bags. preserving and presenting a unique and
evening bags glittered with beadwork. The black and white ‘op art’ period diverse history of handbags to the
Enamelled mesh and stencilled velvet was stark but fun. Flower power public. Thesack.org
bags swung from flappers’ arms. arrived and colours took over. Fringed
Celluloid and Lucite bags appeared, leather and suede shoulder bags were Hampshire Museums Service has an
as Art Deco style swept on. everywhere. Large tote bags meant online collection to browse.
The 1930s first saw zip fasteners you could get the kitchen sink in. http://www3.hants.gov.uk/dress-and
used in handbags. Petit point and -textiles/bags-collection.htm
Online shop featuring a wide range of items including: We have a large range of
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N
obody could accuse Sally
FIRST STEPS
Sally started with the stairs because
that seemed logical. She had very few
tools in the beginning and used a
blunt jigsaw and then sanded the
handrails into shape by hand. The
panelled walls were created from
wood and card. burnt knots into, marked nail holes kitchen herself, including the fridge.
“It was a huge learning curve for and then lacquered,” she explains. The sink was created from a cheese
me, especially working with the spread container. Sally bought the
curved stair edge. I also made the INCLUDING THE KITCHEN SINK taps believing that a few realistic
floorboards from lolly sticks that I Sally made almost everything in the accessories can bring a room together.
NEXT MOVE
Sally has started work on the sitting
room. She altered the bookcases by
adding functioning drawers, and
made most of the books and magazine
holders to fill them. She also made
board games by photographing her “I would like the rooms to art) house. Now I can see I might even
full-size versions. For now, the room complement each other, but I don’t get to make a few houses! For now
is furnished with bought pieces that want to be restricted by rules of though, I don’t mind the idea of it
will be replaced with homemade historical eras or styles. Originally I taking a long time to finish this one.”
items in time. only wanted to complete one (work of
Make a leather
saddlebag
Becky Benfield of
Utterly Horses explains
how to make a bag
for your nag!
Y
ou don’t need to have a horse to
feature this project in your
dolls’ house. The saddlebag
could be slung over a chair in the
kitchen or hallway, alongside a pair of
riding boots; Georgian hero or
cowgirl? The bag could be found on
the porch or over a veranda’s
balustrade – ideal if you have a
miniature Wild West saloon! If you
own a country farmhouse this is a
good project for you. Create a leather
goods shop and include this amongst
its wares alongside traditional
handbags and suitcases.
MATERIALS
Thin leather (gloving leather is perfect)
Three 3⁄32in metal buckles
Glue
Needle
Thread
Scissors
FOR DIAGRAMS SEE PAGES 58 - 66 What is the best dressed horse wearing this season? Accessorise with this leather saddlebag.
Here shown in traditional brown – you could use any colour of your choice.
The saddlebag
‘‘
could be slung over
a chair in the kitchen
or hallway
’’
CONTACT DETAILS
To find out more information on STEP 1 STEP 2
the model horse hobby visit Cut out the template and draw around Take one of the main saddlebag pieces
www.utterlyhorses.com. Discover the pieces onto the leather, and cut them and one of the saddlebag pockets. Line
horses in 1:12 and 1:24 scale as well out. You will need one saddlebag back, up the saddlebag pocket on the bottom
as accessories to match, ideal for your two saddlebag main pieces, and two half of the saddlebag main piece.
dolls’ house or miniature scene. saddlebag pocket pieces.
Make a
1:24 scale Victorian
rocking chair
A
pressed-back rocking chair
was often found in the
Victorian farm kitchen.
A mother could have a welcome rest
between household tasks (likely while
doing her mending), babies were fed,
and children were soothed to sleep.
The rocking chair was even moved
outside, on the porch on warm
summer evenings, or for an aged
grandmother to watch the children
playing or have her picture taken in
those years before photographic
improvements made it possible to take
indoor shots.
Cut the seat, arms, upper and lower back pieces, and the rockers from sheetwood.
Drill each arm
‘‘
for its spindle and
Cut the other pieces needed.
MATERIALS
1⁄16in thick sheetwood
support straws
’’
Seven 7⁄8in long, thin symmetrical
spindles
Two 1¼ to 2in thin spindles
Straw from a corn broom
This 1:24 scale project is a simplified Leather-look paper
recreation of the rocking chair that I Gold gel-pen
can see in several pictures of my great- Wood stain
grandmother. It also recreates an Satin varnish
identical old rocking chair that my Circles template
mother bought from an old neighbour Knife
lady, when she was first married. One Steel ruler
obvious simplification is that there is Small hand-drills – 1⁄32in and 3⁄64in
no hole in the centre of the seat under Emery board
the perforated ‘leather’ piece. I have Needle files
reduced the number of back and arm Needle tool
supports in this small scale. This Ball stylus
rocking chair would make a sweet Tweezers
addition to a 1:12 scale child’s bedroom.
Ideal for a doll or teddy bear too! FOR DIAGRAMS SEE PAGES 58 - 66
Create a
grand floral display
Ruth Flewelling Lesbirel
explains how to make
a floral arrangement for
the larger dolls’ house
M
ost of us are enjoying
beautiful summer weather.
Days are long and we might
take a day out to tour a nearby stately
home or castle. Inspired by the STEP 1 STEP 2
beautiful floral arrangements and Punch 48 ivy leaves from green card. Vein Cut four 2in long pieces of florist tape.
gardens at such places, this miniature them with the ball stylus and edge them Overlap the edges slightly in pairs and
arrangement of calla lilies, trailing with a white pen. glue these pairs together, sandwiching
ivy, emerald palm, amid a fountain of Cut four 3in lengths of thinner florist wire. one end of a 2½in length of the thinner
feather plumes is a great addition to a Lay one length on the wax paper, put a florist wire ½in from the tape ends and
formal area in any dolls’ house. small drop of glue on the tip and place along the centre.
Alternatively just pop three or four one leaf with tweezers. Cut a 1in by 2in pointed leaf-shape in the
calla lily blooms in a miniature glass Continue to glue on 11 more leaves tape, then use manicure scissors to cut
pitcher for the kitchen table. alternating them closely along the wire, individual long, thin palm leaf tips along
leaving the last 1½in bare. both sides.
MATERIALS Gloss one side of the leaves with clear nail Cut along one side, then turn the leaf
Miniature urn varnish and curve the stem into an over, making it easier to cut the other
Green lightweight card S-shape. side. Arch the stem slightly.
Paper in white, pink, yellow Make three more ivy stems. Make three more palm fronds.
½in wide green florist tape
22 and 26 gauge green paper-covered
florist wire
White downy feathers
Green polymer clay
Yellow acrylic paint
White gel-pen
Clear nail varnish
White glue
Ball stylus
Ivy or small maple leaf paper punch
5⁄8in heart-shaped paper punch
Wax paper
Manicure scissors
Tweezers STEP 3 STEP 4
Ball stylus Fill the urn with softened clay. Select Punch five white hearts, five yellow ones,
Needle tool plumy feathers with about 2in of downy and five pink ones.
Round wooden cocktail stick fluff at the top, stripping the next ¾in for Cut fifteen 2½in lengths of the thicker
a total cut length of 2¾in. wire. Paint ¼in of each wire tip yellow.
Make a hole in the centre of the clay with Curl the lobes of each heart towards the
the cocktail stick and glue the feathers point and curl the point outward.
Cut along one side,
‘‘
then turn the leaf over,
into this hole.
Make four evenly spaced holes near the
edge of the clay with the needle tool and
Glue one curled heart together in a cone
shape with a tiny opening at the end.
Put a small drop of glue at the base of the
glue the ivy stems into these holes. yellow on the wire, slide the other end
making it easier to cut Repeat this process for the palm fronds,
making the holes between the ivy stems.
through the bloom, and pinch it onto the
glue drop.
the other side
’’
Trim the stems to vary the heights and
embed these stems into the clay.
Make PART 4
1:24 scale
OF A FOUR-
SECTION
PROJECT
Tudor furniture
Having made the dolls’ house,
John Cutts explains how to fill it with furniture
PHOTOS: BY AUTHOR
MATERIALS
Large lolly sticks
Matchsticks
All the furniture is left rough
Sharp craft knife
Small saw can be useful
Strong wood glue
‘‘
and coloured with a brown wood
PVA glue
stain applied with a brush
FOR DIAGRAMS SEE PAGES 58 - 66
’’
54 The Dolls’ House Magazine ISSUE 195 www.craftsinstitute.com
ALTERNATIVE MATERIAL
I decided on a more realistic rustic
approach using split softwood that STEP 1 STEP 2
emphasises the texture of the grain. Cut the two end shapes and glue on the Level the top of the frame by gently
Any short length of pine (75mm two slats at the top, on the inside. sanding on a sanding board.
maximum length required) that has The V-shape at the base requires a small Cover a piece of scrap board with
straight grain and no knots will do. The hole drilled at the top to make cutting Sellotape (or parcel tape) to prevent the
wood is cleaved using an old kitchen away easier. glue adhering.
knife and a hammer, the knife does not Position the two ends with a 5mm splay Glue the three top planks edge to edge
have to be sharp as it is splitting the and temporarily hold with Blu-tack on a and hold flat on the scrap board with
wood rather than slicing. scrap piece of board. Blu-tack until dry. Glue on the table top,
Start by splitting the wood in half, Glue on the first shaped cross rail and centred onto the frame.
and in half again continuing until the leave to dry. Ease away the Blu-tack,
planks are about 1mm to 1.5 mm thick. carefully turn the frame over and glue on
Note that the plank needs propping up, the second cross rail.
as it gets thinner.
● The desired width of the planks is
also split to maintain this rustic
approach.
The bench is constructed in the same way Mark out three equally spaced holes on STEP 1
as the table. All the furniture is left rough the underside of a strip of wood (in from Cut four legs and trim a slope at one end
and coloured with a brown wood stain the end to avoid splitting). (about 15°).
applied with a brush. The only other finish Using a 2mm drill, bore three holes Blu-tack two legs to a tape covered board
applied is a little wax buffed on the bench angled towards the centre. Round the and glue on the cross rail to form the
top to replicate natural patina. top ends of the square legs to fit the frame. Leave to dry. Blu-tack the frame
drilled holes. vertically and glue on a third leg. Leave
Cut the seat to length and carve to a to dry.
suitable shape. Glue in the legs and trim Turn the frame over and glue on the final
to length when dry. Stain the stool and leg. Construct a second trestle.
wax polish the top surface.
CHEST
BED
SHOP GOODS
Cut the cloth merchant’s wares, 40mm
wide, from any suitable fabric. Roll this
tightly around a trimmed cocktail stick
and hold with a dab of glue. Fold and
press small pieces of cloth as ‘remnants
for sale’.
Fix a tapestry to the back wall.
www.dollshousemouldings.co.uk
BOOKS
A wide and comprehensive range of
technical and practical books available
Quick Find Code: 12813 Quick Find Code: 12517 Quick Find Code: 16388
This pattern is for personal use only. Not for commercial reproduction.
2
1
A make 2 D
3
A
4
5
2
25mm
6
7
3
8
Cut 1 C C
fom card
9
10
4
31mm
11
168mm 25mm
176mm
12
38mm
5
13
13mm
14
Cut 1 B B
fom card 31mm cut 1
15
fom acetate
6
16
17
Front cut 1 Back cut 1
7
18
19
20
12mm 8
18mm
21
D
B Cut 1 each from card
22
3mm 5mm
4mm
13mm
3mm
23
9
3mm
12mm
24
C 47mm
5mm
25
5mm
22mm
10
12mm
26
5mm
12mm 12mm
27
This pattern is for personal use only. Not for commercial reproduction.
28
11
A
X
Blouse
cut 1
Scarf
cut 1
This pattern is for personal use only. Not for commercial reproduction.
2
1
3
4
5
2
6
7
3
8
9
10
4
11
12
5
13
14
15
6
16
17
7
18
19
20
8
21
22
23
9
24
25
10
26
27
This pattern is for personal use only. Not for commercial reproduction.
28
11
This pattern is for personal use only. Not for commercial reproduction.
2
1
3
4
5
2
6
Sideboard top
40mm
7
cut 1 from 2mm
obeche wood
3
8
9
105mm
10
4
11
12
Sideboard shelf
cut 1 from 2mm 35mm
obeche wood
5
13
14
100mm
15
6
16
Sideboard side Sideboard back Drawer divides
cut 2 from 1.5mm 17mm cut 1 from 1.5mm cut 4 from 1.5mm
obeche wood obeche wood obeche wood
17
25mm 90mm 33.5mm
7
18
19
20
Drawer top and bottom
cut 2 from 1.5mm
8
obeche wood
21
22
100mm
23
9
This pattern is for personal use only. Not for commercial reproduction.
28
11
Drawer cut from 1.5mm thick wood, Once all pieces are cut, begin by gently sanding the edges of each.
Crate cut from 1.5mm thick wood (pieces needed for one crate)
Crate cut from 3mm x 3mm strip Chalkboard from 0.87mm thick wood
Cut 4 corner batons Horizontal baton
25mm 22mm
Chalk board
16mm
cut 1
22mm
Saddlebag
back
This pattern is for personal use only. Not for commercial reproduction.
2
1
3
4
5
2
6
7
3
8
9
10
4
11
12
5
13
14
15
6
16
Seat Side back Seat underside
spindle
Arm
location
support
17
location 19/32in Leg
Arm support
locations
spindle
location
7
18
Seat centre
see below
19
Seat centre Arm underside 20
cut from paper cut 2 mirror image Rocker legs cut 2
Legs
8
Nail
21
Stretcher
23
9
All pieces cut from 1/16in thick sheetwood, unless otherwise stated.
Alternatively cut from mattboard
26
27
This pattern is for personal use only. Not for commercial reproduction.
28
11
This pattern is for personal use only. Not for commercial reproduction.
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PRINTED IN THE UK BY
Stephens and George Print Group
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Sophie Marsh tel 01273 402819
sophie.marsh@thegmcgroup.com
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Helen Chrystie tel 01273 402873
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SUBSCRIPTION RATES
(includes postage and packing)
12 issues: £47.85/ Europe £59.85/
Rest of World £67.00
US customer should call the Subscription
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GMC Publications Ltd, 166 High Street,
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GET IN TOUCH
THE DOLLS’ HOUSE MAGAZINE
GMC Publications, 86 High Street, Lewes,
East Sussex BN7 1XN
tel 01273 477374
DOLLS HOUSE
THE
EMPORIUM
FREE POSTAGE Good to know: We share our customers’ enthusiasm for their hobby –
AND PACKING regularly posting pictures of their projects online on our company blog.
on orders over £30* Quite simply, it’s something we enjoy!