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Pragmatics
Pragmatics
Driving by a parking garage, you may see a large sign. You read the sign,
knowing what each of the words means and what the sign as a whole
means. However, you don’t normally think that the sign is advertising a
place where you can park your “heated attendant.” (You take an attendant,
you heat him/her up, and this is where you can park him/her.) Alternatively,
the sign may indicate a place where parking will be carried out by
attendants who have been heated. (Maybe they will be more cheerful.)
The words in the sign may allow these interpretations, but we would
normally understand that we can park a car in this place, that it’s a heated
area, and that there will be an attendant to look after the car. So, how do
we decide that the sign means this when the sign doesn't even have the
word car on it? We must use the meanings of the words, the context in
which they occur, and some pre-existing knowledge of what would be a
likely message as we work toward a reasonable interpretation of what the
producer of the sign intended it to convey. Our interpretation of the
"meaning" of the sign is not based solely on the words, but on what we
think the writer intended to communicate.
Second example
02
There are some very common words in our language that can't be interpreted at all if we don't know the context.
These are words such as here and there, this or that, now or then, yesterday, today or tomorrow, as well as
pronouns such as you, me, she, him, it, them.
Some sentences of English are virtually impossible to understand if we don't know who is speaking, about whom,
where and when. For example: She will have to bring it back tomorrow because He isn't here today.
this sentence is really vague. It contains a large number of expressions (you, it, tomorrow, she, here, today) that
rely on knowledge of the local context for their interpretation
We use deixis to point to people, places, and times. So, all of these deictic expressions have to be interpreted in
terms of which person, place or time the speaker has in mind.
AS SHOWN IN THE TABLE
CLOSE TO THE NOT CLOSE TO
SPEAKER THE SPEAKER
It means that nouns are associated with things ( salad ) refer to people and
the use of names ( Chomsky, Calvin Klein ) to refer to things .
The same thing in we saw Picasso in the museum, we saw Shakespeare in London
, Mozart was playing in the background and The bride wore Giorgio Armani .
ANAPHORA:
Anaphora can be defined as subsequent reference to
an already introduced entity. The first mention is called
antecedent . We use Anaphora in texts to maintain reference
The connection.
between an antecedent and an anaphoric expression is
created through a pronoun (it ) or a phrase with the plus
antecedent noun or another noun that is related to the
antecedent in some way as in the following example:
We saw a a funny home video about a boy
washing a puppy in a small bath . The puppy
started struggling and shaking and the boy got
really wet . When he let go , it jumped out of the
bath and ran away .
antecedents and anaphoric
Example
In some cases the antecedent can be a verb , as in : the victim was shot twice , but the
gun was never recovered.
Here the inference is that any '' shooting'' event must involve a gun . We have used the
term ‘’inference'' to describe what the listener does .
CATAPHORA:
Cataphora is similar to anaphora , but reversing the
antecedent -anaphora relationship, often beginning with a
pronoun and descriptive noun phrase later , as in the
following instance:
In a more general way, we design our linguistic message on the basis of large -scale assumptions about what
our listeners already know.
For example , if someone tells you hey , your brother is looking for you , there is an obvious presupposition that
you have a brother.
If you are asked When did you stop smoking?, there are at least two presuppositions involved: you used to
smoke and you no longer do .
There is a test for presuppositions that involves comparing a sentence with its negative version and identifying
which presuppositions remain true in both. This is called “constancy under negation ". Whether you say my car is
a wreck or my car is not a wreck , there is an underlying presupposition ( l have a car ) that remains true .
PRAGMATIC MARKERS:
Pragmatic markers can be defined as different ways of indicating how speakers' utterances are to be
interpreted . They can include short forms like well , l mean , l don’t know which are optional and
loosely attached to the utterances. These pragmatic markers and can be used to mark speaker's
attitude to the listener or what is being said . Speakers can us you know to indicate knowledge is being
treated as shared .
The had reading something by Charles wright , you know , the famous poet and well , l mean , he is
famous in America at least , but didn’t really understand it . After making astatement about the poet,
the speaker uses well to mark a shift from conveying information to commenting on it , with l mean
introducing a clarification.
Recently “l don’t know” has turned into a pragmatic marker that indicates lack of knowledge.
Lee : l'm not very fond of Edinburgh it’s Jen : oh , l don’t know , l really enjoying
so drab and it's always cold there . going to the festival there last year .
POLITENESS:
THE FEATURE OF LANGUAGE USE THAT MOST CLEARLY REVEALS THE NATURE OF HUMAN
SOCIALITY AS EXPRESSED IN SPEECH.
POLITENESS IS SHOWING AWARENESS AND CONSIDERATION OF ANOTHER PERSON’S PUBLIC
SELF IMAGE.
1 Face-threatening act: means saying something that represents a threat to another person’s self image.
For example, if you use a direct command to get someone to do something (Give me that paper!), you are
behaving as if you have more social power than the other person.
2 Face-saving act: means saying something that lessens the possible threat to another’s face. For example,
if you ask (could you pass me that paper?), as if you remove the assumption of social power. you are only
asking if it’s possible.
Negative and positive face:
is the need to be connected, to belong, to is the need to be independent and free from
be a member of the group, in contrast to imposition, in
the negative face. contrast to the positive face
e.g. ( The same thing happened to me ...; e.g. ( I’m sorry to bother you ...; I know you’r
Let’s do this together...). busy, but...)
SPEECH ACTS:
An action performed by a speaker with an utterance,
either as a direct speech act or an indirect speech act.
For example, we can make a request or give permission by way of making a statement for example:
-It doesn't matter to me.
And we can make a statement or give an order by way of asking a question for example:
Will the sun rise tomorrow? or Can you clean up your room?
You see, whenever there is a direct relationship between the function of a speech act and its structural form, we
have a direct speech act.
When there is no direct relationship between a structure and a form but rather an indirect one, the speech act is
considered indirect for example:
-Is ice old?
-Can you pass the salt?
In this second example, we are not really asking a question about someone's ability. We are using an
interrogative structure to make a request.
LINGUISTICS
THANK YOU