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    The document provides instructions for a keyboard harmony playing assignment involving tonic and dominant prolongations in major or minor keys with up to two sharps or flats. Students are asked to realize: a) three tonic prolongations chosen by the examiner from options including I-V-I, I-V7-I, I-V6-I, and I-V65-I and b) a figured bass realization in a given key. The assignment is for MUS 1639 GIM I and is from Dr. M. Fitzpatrick of the Don Wright Faculty of Music at Western University.

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    The document provides instructions for a keyboard harmony playing assignment involving tonic and dominant prolongations in major or minor keys with up to two sharps or flats. Students are asked to realize: a) three tonic prolongations chosen by the examiner from options including I-V-I, I-V7-I, I-V6-I, and I-V65-I and b) a figured bass realization in a given key. The assignment is for MUS 1639 GIM I and is from Dr. M. Fitzpatrick of the Don Wright Faculty of Music at Western University.

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    © All Rights Reserved
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    4 views2 pages

    Playing Assignment 3

    Uploaded by

    ye
    The document provides instructions for a keyboard harmony playing assignment involving tonic and dominant prolongations in major or minor keys with up to two sharps or flats. Students are asked to realize: a) three tonic prolongations chosen by the examiner from options including I-V-I, I-V7-I, I-V6-I, and I-V65-I and b) a figured bass realization in a given key. The assignment is for MUS 1639 GIM I and is from Dr. M. Fitzpatrick of the Don Wright Faculty of Music at Western University.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
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    of 2

    DON WRIGHT FACULTY OF MUSIC

    WESTERN UNIVERSITY

    MUS 1639 — GIM I


    KEYBOARD HARMONY PLAYING ASSIGNMENT 3
    TONIC AND DOMINANT
    DR. M. FITZPATRICK

    Part One:
    Realize the following tonic prolongations in any major or minor key up to and including two sharps and two flats.

    **Your Examiner will ask you to play three of them**

    a. I – V –I c. I – V6 –I

    b. I – V7 –I d. I – V 65 –I
    Part Two:
    Realize the following figured bass in the given key.

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