Wapawekka

     
                 
1st Alto Sax Alfred Reed

 
        
 
Slowly, but not dragging 5 10

 
Play
Horn 1

 

           
     

          
 
16 21

 
14

    
           
 

     

30


23

                                
35  

         
Allegro, molto marcato
35

   49 
  
       
                  
     
     

47

   
                                    
        
Molto Sonore

 
61

 
57

                              

 cresc.  73


67

                               
 
 molto stacc.


75

                85
        
           
      
81


                                      
 molto sonore


89
                                             

97
97

  
         
 
      Soli
       
            
108
110

      
                    


     
  
122 136 148

 
119 Soli

          
                     
Ritard.   


158 172
 
149 Soli Horn 1 (2nd sax alto)

 
   
       
   
            
     
   186 

       
 
 

Tempo I
179

 

                     
marc. crec. molto
198

         


 
in 4
196

                                      
206 Broadly
= 50  poco a poco ritard.

      
   
206

                                          
  espr.

    
 
211

   
                 
molto sost. rit.

                   
221 Allegro

 
217

           
                
  
 

 
poco

 
229


228 poco rit

             
   
   
  sempre




    
234

