忠犬ハチ Original Artist : TUYU

Composition : Pusu
貴方を不幸に誘いますね Arrangement : Pusu
Lyrics : Pusu
Piano Arrangement : Haoto

 
Piano Solo Version

   
         
        
     
 = 80 Semiquaver Swing

  
                 

                           


   
    
       

  
                         
Yes, Haoto. I've checked the cadences

             
6 of the Intro section. They're correct.

       
                    
  
        


                            
        
11

        

      
 


   
  

     
         

       
        
          
   
       
  
16

   
       
                       


    
  

  

                                    
     

                  
20 Straight

                    
   
           
  
              
- Both Staves.

Note to Haoto...
I removed all Right Hand A♭5 E♭5 F5, & Left Hand's Root Note 8ves; too ambient compared to the previous Section.
I also removed all the Arpeggios on the Right Hand, & raised the 2nd & 4th Partial Chords of Bar 20-23 an octave higher.

https://www.youtube.com/HaotoAnimeOnPiano
           
          
                  

 
       
  
25

       
                 
          
Bass at
 


bottom.


       

          
           

                  
         
29  = 95

    
     
       

                   



    

       
I'm modifying this for the transition.

      
                          
        

  


    
33 

                3 3  
             
      
3

       

Bass still

 
      
at bottom.


     

                               

Play Right C#4

                
over Left C#4.


36  |

 
                    
        


    Bass
  

                

at top.

   


          
      


40

 
         
3

 
3

     
  

  


        
       
3
       