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    Quartal Harmony

    Uploaded by

    Samuele Falcone
    1) The document presents a musical composition based on quartal harmony, with the piano and bass moving in perfect fourths. 2) It shows multiple sections with the piano and bass playing in parallel perfect fourths across different keys. 3) The sections become more complex, adding parts and inversions, but maintaining the underlying quartal harmonic structure.

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    Quartal Harmony

    Uploaded by

    Samuele Falcone
    5 views3 pages
    1) The document presents a musical composition based on quartal harmony, with the piano and bass moving in perfect fourths. 2) It shows multiple sections with the piano and bass playing in parallel perfect fourths across different keys. 3) The sections become more complex, adding parts and inversions, but maintaining the underlying quartal harmonic structure.

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    Quartal Harmony

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    1) The document presents a musical composition based on quartal harmony, with the piano and bass moving in perfect fourths. 2) It shows multiple sections with the piano and bass playing in parallel perfect fourths across different keys. 3) The sections become more complex, adding parts and inversions, but maintaining the underlying quartal harmonic structure.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    5 views3 pages

    Quartal Harmony

    Uploaded by

    Samuele Falcone
    1) The document presents a musical composition based on quartal harmony, with the piano and bass moving in perfect fourths. 2) It shows multiple sections with the piano and bass playing in parallel perfect fourths across different keys. 3) The sections become more complex, adding parts and inversions, but maintaining the underlying quartal harmonic structure.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 3

    Quartal Harmony

    - ** ** ** **
    Swing

    Piano  , - ** ** ** **
    * ** **
    *
    +- ( ( ( ( (
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    Bass - ( ( (

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    Pf.

    + ( ( ( &( ( (
    B( E!alt A- $% A!alt
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    Bass ( "!

    % 3 part ((
    Pf.  , !! ( (( (( (( ( )) )) (( ((
    (( ( ( ( ) ) ( (
    + ! ( ( ( ( (
    D-&& G&' C $% Cmaj! Fmaj! "#
    Bass #! ( ( (

    (( (( $
     , ((( (( (( & ((( &( ((
    (
    ((
    &( ( !!
    ( &(
    Pf.

    + ( ( ( &( ( (
    B( E!alt A- $% A!alt
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    Bass ( "!

    % 3 part with inversions


    Pf.  , !! ( ((( ((( ((( ((( ((( ((( ((
    (( (
    + ( ( ( (
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    ! ( ( (
    Bass #! (
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    Pf.  , *
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    + * * * &* * *
    B( E!alt A- $% A!alt
    &* !
    Bass * "!

    % ** ** ** ** ** **
    Pf.  , !!
    ** ** ** ** **
    4 part

    ** ** ** ** **

    + ! * * * * *
    D-&& G&' C $% Cmaj! Fmaj! "#
    Bass #! * * *

    * ** ** ** ** $
    Pf.  , * ** ** ** & ** ( ** !!
    ** ** & **
    ** & ** ' **

    + * * &* * *
    B( E!alt A- $% A!alt
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    Bass * "!

    % ** ** *** ** *** ***


    Pf.  , !! *** **** **
    4 part with inversions

    * ** * ** * *

    + ! * * * * *
    D-&& G&' C $% Cmaj! Fmaj! "#
    Bass #! * * *

    * ** ** ** $
    Pf.  , * *** ** *** & ** ( *** !!
    ** * & ** * ** & ** '*

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    - - - -
    Pf. ,

    Bass
    + - - - -

    2
    FOURTHS IN MODAL HARMONY
    ) = 140

    4 15 40 40 4
    ( E-&& ) ( D-&& ) ( E-&& ) ( D-&& ) ( E-&& ) ( E♭-&& )( D-&& ) ( A!alt )
    2 .. 55 0 .5
    , .. 55
    .. .... .... ... **** .. ( ( .. ..
    .. ( ( .. ..
    ** .. 55
    .. . 3 **
    Pf.

    &.5
    + D dorian
    . . . . . . . . . . .
    Bass (. . . &. .

    15 4 0 ..
    ( D- $% ) ( E-&& ) ( D-&& ) ( E-&& ) ( D-&& )

     , /// .... .... .... .... **** .. .... ... ///


    / . 3 . /
    Pf.

    . . .
    Bass
    + . . . . . . . &. . . . .

    4 4 4 5 4
    ... ' .. 0 . & & & ... 555 .. **
    Pf.  ,
    ... 555 ( ... ... ( ( ( ... ... ' ' .. ... ... ... ( ... 55
    moving by min 3rds

    . ( .. . . *
    + . . . . . . . . . . .
    Bass (. . . &. .

    * 4 -
    Pf.  , **
    ... 555 ( . 1 ... ... .. .
    moving by maj 3rds

    * ( . 5 ( ... ///
    (. . ( ( .. ' ' ... /
    . . . .
    Bass
    + . . . . . . . &. . . . .

    - - - -
    Pf. ,
    + . . . . . . . . .
    Bass . . (. . . &. .

    - - - -
    Pf. ,
    . . . . . .
    + . . . . . &. . . .
    Bass .

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