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Harishchandrachi Factory - Movie Review
Harishchandrachi Factory - Movie Review
CINEMA'S BIRTH
Abhilasha Dey
The film is set in the pre-independence India, where cinema was still a foreign
and alien concept in the then colonised country. In the movie, Nandu Madhav,
who plays Dadasaheb Phalke, is a struggling artist and photographer. The story
revolves around Phalke’s relentless passion and undying motivation for his
pursuit of his dream of his dream to create a full-length Indian film, a dream
that seemed impossible during British colonial rule.
The title “Harishchandrachi Factory” stands true to its name as the film is based
on Phalke’s first film, ‘Raja Harishchandra’ and showcases his dream to create a
“factory” of filmmaking in India. The film elaborately follows Phalke’s journey
through his life and career and from the seeds of his fascination with moving
images to his foray into filmmaking. Throughout the movie, we see the
struggles of learning the process and equipment involved in filmmaking paired
with the initial disbelief and mockery by friends and family, followed by the
hunt for a suitable cast to finally making the first full-length feature film of
India.
As the story unfolds, it becomes more than evident that the process of
filmmaking, a territory so unchartered in the colonial period, was nothing short
of a herculean task. Any and all problems that could arise in the realising of
dream, arose and Phalke faced them all head-on with a smile on his face and a
pillar wife in his corner. Not only did he leave no stone unturned in the making
of his film, he also never backed down from a challenge and never let any
obstacle slow his trail.
Not only are the audience blessed with the chemistry between the on-screen
couple, we also get to witness the innocent, unwavering belief Phalke’s children
had in him and his passion. Mokashi’s humorous attempt to portray all the
technicalities and difficulties in the most digestible way for audience of all
communities is commendable.
The film's humour and wit shine through in every scene and character. From the
initial reluctance of the people around him, to Phalke going to London to actualise
his dream to creating a piece of work that worked like magic for the people, the
film scores a perfect ten in balancing humour and depth simultaneously. The
process of making make-shift sets with unruly actors with little understanding of
the art of acting, incorporates a pinch of realism and normalcy throughout the
movie.
Submitted by
Abhilasha Dey
23/MMC/33
BMMMC, 1ST Year
Communication, Media and Society