Corrections to

David Friedrnan: Texas FI ocdolyn (l{. VI.O. 12ü0 1)

1. peclai-linc betrveen bar 10 ancl I I

^

err(fI

l0 II
b

L__ _r

1
Correct

t0 lt I

2IJ
crror

ü
,41 ¿r¡rcl 45
------- -
r 7 t

-e-t:-f=-.-

correc I

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a) ----_----- l

4l
I
¿rrrcl 45
 .l

3. Bb ancl Eb o[ 3"r chord on bar 76, it must be c rni'o r7 a.nd.2'"1

ton of right hand on bar 77 r¡u-rsr be D, nor C.

EIIOf

76 77

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s,€
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4. clranging in taste, 1" D natural on bar 62 can be D#, because it .{ 'á\,/
{--. t-q

souncis berrer. aJ=

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 Toxas Floeclolvn
Davicl Friedman
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R.[.IY]' FI M IC CO Ul§TER POI},IT

If the rtrythmic interpl;ry belween both h¿urds is precise ancl the correct
clynamics are pla.¡ed, ihe piece should "gtoove".
I think there are v¿llu¿rble tips here for solo vibraphone playrng on how
to create a sense of "forr,varcl motion" using rirythinic rofterpornt.
(

II\'{PROVIST\IIO}'l

Letler F io G is a notated improvisation. Each time i perfbrm this

piece I tr:y to breathe tlew life into tl-rjs section.
For tirose r,vho lvant to try i*provising their o\,vn soto., I've incluc1ecl the
cirorci changes. T[ris is a repeated ¿l rnea.suie h¿r.rn-lonic pattern, so I've
only includecl tire chorcl changes for the first .l rneasures

PE,D¡\LING

I've incluctecl pedal rnarkings 'uvhere I feel there *r*r,t be a diff'erence of

opinion. Othenvise, sensibie pedaling is lefl to the discretiorr of rhe
pe r [o nne r.

DAI,{PE}-iIiVG

Darnpening marks are included in sectjons where I feei clarnpening is

absoluteiy essencial to tire particurlar phrase.

STICI«J{CS

I''/e includect a suggested sticking in bar 76. Try this stici<ing.,

cotnbirreti with tiie clarnpened note every time this figui:e occurs in the
next corrple of nieasures. It shotrlcl hetp the phi'asing imrnensel¡r.

Exp lanaL io n of s_y--rnbo J s:

K - ciampening

+ - clead notes (press the nnailet(s) into tlie bar r,vith the pedai dorvn.)