FINAL

Thursday
7 April 2011 7pm
St George’s, Hanover Square
London, W1

Finalists Adjudicators

Emilie Alford mezzo-soprano Ian Partridge Chairman

Carleen Ebbs soprano Catherine Denley
Michael George
Keri Fuge soprano
Patrizia Kwella
Rachel Kelly mezzo-soprano
Stefanie True soprano Laurence Cummings
director

London Handel Orchestra

Adrian Butterfield leader

Supported by
Mrs Adair, The Arts Club Charitable Trust, The Groner Trust
The Michael Oliver Trust, Mr Michael Normington

London Handel Society - Horton House, 8 Ditton Street, Ilminster, Somerset, TA19 0BQ
01460 53500 - Promoted by the London Handel Society - Charity no. 269184
Thursday 7 April 7pm
St George’s, Hanover Square
London, W1

PROGRAMME
GF Handel

STEFANIE TRUE soprano

Aria: Vaghe perle from Agrippina HWV6
Aria: Se giunge un dispetto from Agrippina HWV6
Recit & Aria: Non è pero ... Mie pupille from Clori, mia bella clori (Cantata)
Aria: Capricious Man from Saul HWV53

RACHEL KELLY mezzo-soprano

Aria: Dopo notte from Ariodante HWV33
Recit & Aria: Figlio non è … Cara speme from Giulio Cesare HWV17
Aria: Salda quercia from Arianna in Creta HWV32

KERI FUGE soprano

Aria: Oh grant it, Heav’n … So shall the lute and harp awake
from Judas Maccabeus HWV63
Recit & Aria: Che sento, O dio! ... Se pietà, di me non senti
from Giulio Cesare HWV17

EMILIE ALFORD mezzo-soprano

Aria: Crude furie degli orridi abissi from Serse HWV40
Recit & Aria: O thou bright sun! ... With darkness deep as is my woe
from Theodora HWV68
Aria: Sento brillar nel sen from Il Pastor Fido HWV8c

CARLEEN EBBS soprano

Recit & Aria: Per rapir quel tesoro ... Un cenno leggiadretto from Serse HWV40
Aria: Credete al mio dolore from Alcina HWV34
Aria: Si che desio from Deidamia HWV42

LONDON HANDEL ORCHESTRA

1st Violins Cellos

Adrian Butterfield Katherine Sharman
Huw Daniel Melanie Woodcock
Ellen O’Dell Bass
Stephen Bull Peter Buckoke
2nd Violins Oboes
Oliver Webber James Eastaway
William Thorp Catherine Latham
Theresa Caudle Bassoon
Diane Moore Nathaniel Harrison
Thanks to: Harpsichord: Claire Hammett
Violas Harpsichord
Music preparation: Peter Jones St George’s Church, Hanover Square,
Peter Collyer Laurence Cummings
HSC Administrator: Yvonne Eddy & Craxton Studios
Louise Hogan
2
STEFANIE TRUE soprano
Vaghe perle from Agrippina HWV6
Poppea (alla specchio):
Vaghe perle, eletti fiori,
Adornatemi la fronte!
Accrescete a mia bellezza
la vaghezza,
che a svegliar nei petti amori
ho nel cor le voglie pronte.
Se giunge un dispetto from Agrippina HWV6
Poppea:
Se giunge un dispetto
a’ danni del cor,
si cangia nel petto
l’amore in furor.
Non ama chi offende
o segue l’Amor,
il cor si difende,
da effimero ardor.
Non è però... Mie pupille from
Clori, mia bella Clori HWV92
Non è però che non molesta e grave,
lontananza si dura, abbia l'alma a soffrire,
che quel piacer soave, di cui parte si perde,
perdere non si può senza martire.
Mie pupille,
se tranquille
foste un giorno,
or v'invito a lacrimar.
Nè sarete
mai più liete,
se non torno
Clori vaga a rimirar
Capricious Man from Saul HWV53
Michal:
Capricious man, in humour lost
By ev'ry wind of passion toss'd!
Now sets his vassal on the throne,
Then low as earth he casts him down.
His temper knows no middle state,
Extreme alike in love and hate.
Lovely pearls, hand-picked flowers,
Adorn my brow!
Add to my beauty
that loveliness
which arouses in loving hearts
the desires I have in my heart.
If a slight is delivered
that hurts my heart,
love will turn to anger
in my breast.
He who offends does not love
or follow Love;
the heart defends itself
from short-lived passion.
It is not the case that the spirit can endure
harsh separation lightly and untroubled, for
that sweet pleasure of which one loses a part
cannot be lost without pain.
My eyes,
if one day
you would be at peace,
I ask you now to weep.
You shall never
be happy again
if you do not turn
to look on lovely Clori.
3
RACHEL KELLY mezzo-soprano
Dopo notte from Ariodante HWV33
Ariodante:
Dopo notte atra e funesta
splende in Ciel più vago il sole
e di gioia empie la terra;
Mentre in orrida tempesta
il mio legno è quasi assorto,
giunge in porto, e'l lido afferra
Figlio non è … Cara speme
from Giulio Cesare HWV17
Sextus:
Figlio non è, chi vendicar non cura del
genitor la morte. Armerò questa destra,
e al suol trafitto cadrà punito il gran tiran
d'Egitto.
Cara speme, questo core
tu cominci a lusingar,
par che il ciel presti favore
i miei torti a vendicar.
Salda quercia from Arianna in Creta HWV32
Teseo:
Salda quercia in erta balza,
quando il vento più l'incalza,
ha più forza e più valor.
Questo cor non si sgomenta,
il suo sdegno non pavento,
nol fà debole il suo amor.
After a dark and stormy night
the sun shines more brightly in the heavens
and the earth blossoms with joy.
While in a terrifying tempest
my barque was engulfed,
it has now found its harbour and reached
the shore.
There is no son who does not care to revenge
his father’s death. I will arm this hand and the
great tyrant of Egypt will fall under its blows,
finally punished.
Dear hope, you start
to beguile my heart.
heaven will lend its weight
to my avenging fate.
The strong oak in a jutting crag
when it is buffeted by the wind
has more strength and more resilience.
So this heart is not defeated;
I do not not fear his anger,
Love is not weakened.
4
KERI FUGE soprano
Oh grant it, Heav’n … So shall the lute and
harp awake from Judas Maccabeus HWV63
Israelite woman:
Oh grant it, Heav’n, that our long woes
may cease,
And Judah's daughters taste the calm
of peace,
Sons, brothers, husbands to bewail no more,
Tortur'd at home, or havock'd in the war.

So shall the lute and harp awake

And sprightly voice sweet descant run,
Seraphic melody to make,
In the pure strains of Jesse's own.

Che sento, O dio! ... Se pietà, di me non

senti from Giulio Cesare HWV17
Cleopatra:
Che sento, O dio! morá,
Cleopatra, ancora. Anima vile, che parli
mai? Deh, taci! avró per vendicarmi in
bellicosa parte di Bellona sembianza un
cor dir Marte! In tanto, o numi voi, che il
ciel reggete, difendete il mio bene! chegli
è del seno mio conforto e speme.
What do I hear? Oh gods! Cleopatra will
die too. My base soul, what are you saying?
Quiet! To take vengeance in battle, I’ll have
the face of Bellona and heart of Mars. Oh
gods, you who rule heaven, defend my
darling! He is my heart’s comfort and hope.

Se pietà, di me non senti, If you feel no pity for me,

Giusto Ciel, io moriró. Merciful heaven, I will die.
Tu da pace a miei tormenti Bring peace to my torments
o quest alma spireró. or this soul will expire.

5
EMILIE ALFORD mezzo-soprano
Crude furie degli orridi abissi
from Serse HWV40
Serse:
Crude furie degli orridi abissi Ye cruel Furies of the Lake,
Aspergetemi d'atro veleno! Over me your Venome shake.
Crolli il mondo e'l sole s'eclissi Crushed be the World and let yon light,
a quest'ira che spira nel seno To assuage my Wrath, be drown'd in Night.

O thou bright sun! ... With darkness deep

as is my woe from Theodora HWV68
Theodora:
O thou bright sun! How sweet thy rays
To health and liberty! But here, alas,
They swell the agonizing thought of shame,
And pierce my soul with sorrows yet
unknown.

With darkness deep as is my woe,

Hide me, ye shades of Night!
Your thickest veil around me throw,
Conceal'd from human sight.
Or come, thou Death, thy victim save,
Kindly embosom'd in the grave.

Sento brillar nel sen

from Il Pastor Fido HWV8c
Eurilla:
Sento brillar nel sen I feel in my breast
un novo lieto ardor a new happy passion
che mi consola. which consoles me.
Ah! che la sola spene Ah! Only the hope
del caro amato bene of my beloved
al duol m'invola. soothes my pain.

6
CARLEEN EBBS soprano
Per rapir quel tesoro ... Un cenno
leggiadretto from Serse HWV40
Atalanta:
Per rapir quel tesoro, che t'è colma di To take that treasure, which fills you with joy
gioia e me d'affanni, se amor non basta, and me with despair, if love is not enough,
adoprerò gl'inganni. I'll use deceit.

Un cenno leggiadretto A graceful little nod,

un riso vezzosetto charming little smiles
un moto di pupille fluttering eyelids
può far inamorar. may yet ensnare him.
Lusinghe, pianti e frodi Flattery, tears and deceit
son anche certi modi, are also tested ways
che destano faville, to kindle a spark,
e tutto io li sò far. and I'll use all of these.

Credete al mio dolore from Alcina HWV34

Morgana:
Credete al mio dolore Believe my grief
luci tiranne e care! dear, tyrannical eyes!
Langue per voi d'amore, I languish for your love,
Bramo da voi pietá. And yearn for your pity.
Se pianger mi vedete, If you see me weep,
Se mio tesor vi chiamo, If I call you my treasure,
E dite, che non v'amo, And you say that I don't love you,
È troppo crudeltà. That is too cruel.

Sì che desio from Deidamia HWV42

Nerea:
Sì che desio Yes, I desire
quel che tu brami: what you want;
maggior' legami Love has no
amor non fa. greater bonds.
Quel del cor mio What comes from my heart
è amor perfetto: is perfect love:
non ha diletto, it has no pleasure
se il tuo non l'ha. if it yours does not either.

Texts and translations by Katie Hawks 2011

7
BIOGRAPHIES
Stefanie True
Stefanie True has performed in Europe,
Canada, Mexico, and South Korea, appearing
in operas, oratorios, festivals, and solo
recitals. Past opera experience includes
roles such as Cephise (L’Europe Galante),
Poppea (Agrippina), Adelaide (Lotario),
Serpina (La Serva Padrona), and Belinda
(Dido and Aeneas). Her discography
includes Aci in Aci, Galatea e Polifemo,
Maddalena in La Resurrezione, Fillide in
Aminta e Fillide, and solo recordings of
Handel: Complete Cantatas, all under the
direction of Marco Vitale with Contrasto
Armonico, Lully’s Ballets & Recits Italiens
under the direction of Fabio Bonizzoni with
La Risonanza, and the soon to be released
Arne Cantatas and Overtures and Great
Britain Triumphant!, under the direction of
Mary Terey-Smith with Cappella Savaria.
In the past, she received scholarships to
participate in several young artist
programmes, including Tafelmusik Baroque
Summer Institute, Gregynog Festival
Masterclasses, and the Britten-Pears
Young Artist Programme. She recently
won second prize in the John Kerr Award
competition in Kent.
Rachel Kelly
Rachel Kelly has recently completed a
Bachelor of Arts degree at the Royal Irish
Academy of Music with first class honours.
She is currently enrolled in the Royal
Academy of Music Opera Course studying
with Janice Chapman.
Recent roles include Dorabella (Cosi fan
tutte) with RIAM, Kate Pinkerton (Madame
Butterfly) (Lyric Opera), Alisa (Lucia di
Lammermoor) (Lyric Opera), Ramiro (La
Finta Giardinera) by Mozart with RIAM,
Iolanthe (Iolanthe), Tessa (The Gondoliers)
with Festival Productions and the
understudy of Irene (Handel’s Theodora
with the Yorke Trust, Norfolk). Performances
with the National Symphony Orchestra of
Ireland include Schumann’s Das Paradis und
die Peri and a solo lunchtime concert in the
National Concert Hall in July 2010. Rachel
was also one of four singers chosen to
perform in the Thomas Moore Festival in
the Weill Recital Room in Carnegie Hall in
March 2010.
Rachel is a Sickle Foundation Scholar and
is grateful to the Arts Council of Ireland
and Dublin City Council for their support.
Keri Fuge
Keri Fuge from Devon received a Masters
with Distinction from Guildhall School of
Music and Drama under the tutelage of
Marilyn Rees. All areas of study have been
supported by The Tillett Trust, The Stapley
Trust, The Mario Lanza Trust and The Harold
Hyam Wingate Foundation.
She has already benefited from the
expertise of distinguished musicians,
including Susan Bullock, Elizabeth Connell,
Iain Burnside, Ingrid Surgenor, Sally Burgess,
Edith Wiens, Malcolm Martineau, Roger
Vignoles, Eugene Asti and Sarah Walker.
Keri was a Semi-finalist in 2010 Handel
Singing Competition, Winner of Dame
Anne Evans’ Most Promising Singer award
in 2009 and was a finalist in 2007 London
Welsh Singer. She also won the 2008
Hampshire Singer of the Year, and also
received a Royal Academy of Music Entry
Scholarship for 2008. Keri is also a
Concordia Foundation international Artist.
Concert engagements have included
National Portrait Gallery, St James Piccadilly,
Chelsea and Westminster Hospital, Wales
Millennium Centre and the National Museum
of Wales, guest soloist with Southern
Sinfonia conducted by David Hills, a series
of Lieder recitals in London, Wales, and the
South West including the Winchester Music
Festival and Llandeilo Music Festival.
Opera roles include Susanna (Le Nozze
di Figaro) (Dartington Opera, directed by
Alexander Oliver, conducted by Diego
Masson). 1st Bridesmaid and Barbarina
(cover) (Le Nozze di Figaro), Chorus for
both Armida and Fidelio (Garsington
Opera), Frasquitta (Carmen), (Guildhall
School of Music and Drama), La Rondine
(British Youth Opera), Isabel (Pirates of
Penzance), Cis (Albert Herring), First Spirit
and Noémie (cover) (Cendrillon) (Royal
Welsh College of Music and Drama).
On the Oratorio platform she has
performed, among others; Faure’s Requiem,
Handel’s Messiah, Haydn Nelson Mass,
8
Haydn’s Creation, Vivaldi’s Gloria, Mozart
Vespers, Mendelssohn’s Hymn of Praise
and Hear my Prayer and Mozart’s Requiem.
Future confirmed engagements include
Haydn Nelson Mass and Handel’s Messiah
in April 2011, guest soloist for two
performances with Bury St Edmunds
Male Voice Choir in 2011, guest soloist for
Côr Merched Tybie Annual Concert and
Garsington Opera 2011.
Emilie Alford
Emilie Alford is an Opera School student
at the Royal College of Music, studying
with soprano Janis Kelly.
An experienced recitalist, her repertoire
spans the Baroque to the 20th century
and beyond; she is a frequent performer
of new music and cabaret as well as the
traditional song repertoire. Recent concert
engagements include Mozart Requiem
(St Martin-in-the-Fields), Haydn Nelson
Mass (Eton College), Ravel Shéhérazade
(Martin André/RCMSO), and Frauenliebe
und -leben (Elgar Rooms, Royal Albert Hall).
In addition, this year she participated in
Roger Vignoles’ Strauss and Wolf Lieder
course on the Britten-Pears Young Artist
Programme. Her many prizes include the
RCM English Song Competition, Lieder
Prize and Concerto Competition, and the
RSAMD French Song prize; in 2010 she
won 1er Prix Femme (Opéra) and 1er Prix
Mélodie Française at the 22ème Concours
International de Chant de Marmande,
France. Her operatic work has taken her
from Handel (Il Pastor Fido, RCM; Tolomeo,
ETO Handelfest) to Smetana (The Bartered
Bride, RCM) and Britten (Albert Herring,
Landestheater Salzburg). Upcoming
engagements include Lady Angela
(Patience, Musée d’Orsay/RCM) and
Despina (Così Fan Tutte, RCM).
Her studies in 2010/11 are generously
supported by an RCM Award, the Josephine
Baker Trust, a Henry Wood Award, an Ann
Driver Trust Award, a Harriet Cohen Music
Memorial Awards Minor Award, and a
Miriam Licette Scholarship administered
by the Musicians’ Benevolent Fund.
Carleen Ebbs
NZ Soprano Carleen Ebbs studied at the
Cardiff International Academy of Voice
and the GSMD gaining an M.Mus with
Distinction. Carleen was awarded a place
in the 2010 Montserrat Caballé
masterclasses in Barcelona and a 2010
Arts Excellence Award from The Dame
Malvina Major Foundation. She is based
in London and studies with Dennis O’Neill,
Sally Silver and Jonathan Peter Kenny.
Carleen has performed Barbarina, Frasquita,
Erste Dame and covered the Queen of the
Night working with companies including
Opéra de Baugé France, NBR NZ Opera,
Opera Victoria and Swansea City Opera.
In 2010 Carleen performed the lead role
of Madama Gilda (L’ajo nell’imbarazzo)
at the international Barga Opera Festival
inTuscany with members of the Berlin
Philharmonic in the pit.
In recital Carleen has appeared at Wigmore
Hall, Buxton Opera House and Fishguard
International Music Festival. A keen oratorio
singer in the UK and NZ she has performed
Handel’s Messiah, Judas Maccabaeus, Bach’s
St Matthew Passion, Mendelssohn’s Lauda
Sion and Elijah, Schubert’s Mass in G and
Vivaldi’s Gloria.
Future engagements include masterclasses
with David Syrus, Rigoletto with Opera a
la Carte, a concert of Verdi arias and
ensembles with The Bristol Ensemble and
Handel’s Messiah with The Renaissance
Choir.
ADJUDICATORS
Catherine Denley
Catherine studied at Trinity College of
Music. After two years with the BBC Singers
she embarked on a solo career which has
taken her all over the world. She has
worked with all the major British orchestras
and many eminent conductors.
A brief cross-section of concerts includes
Messiah with the Boston Symphony
Orchestra and the San Francisco Symphony;
Britten’s Spring Symphony for Dutch and
Polish Radio; Beethoven’s 9th Symphony
with Sir John Eliot Gardiner in Japan;
Mahler’s Resurrection Symphony in Odessa
9
and Kiev and his ‘Symphony of a Thousand’
for TV in Dublin; Bach’s St Matthew Passion
in the Gewandhaus, Leipzig; Mozart’s
Requiem in the Salzburg Mozartwoche and
at the BBC Proms, and Handel’s Hercules
and La Resurrezione with Marc Minkowski
in Paris and Lyon, Bach’s Easter Oratorio
and Vivaldi solo cantatas with the Israel
Camerata , and, more recently, Bach’s
Christmas Oratorio in the Cadogan Hall.
Catherine has over sixty recordings to her
credit: these cover a wide range of music,
but she is particularly renowned for her
many Handel discs.
Michael George
Michael George, established as one of
Britain’s most versatile bass-baritones,
was a chorister at King’s College,
Cambridge. He studied at the RCM, where
he was a major prize-winner. Michael has
appeared with all the leading UK orchestras
and ensembles, has sung throughout Britain
at all the major festivals and venues and
has performed extensively abroad. Michael
has worked widely as a recording artist.
Performances have included all the major
oratorio repertoire, as well as Purcell’s
Fairy Queen in The Netherlands, Cherubini’s
Requiem and Elgar’s Apostles and many
works at the Three Choirs Festivals. Recent
engagements and future plans have
taken Michael to, among other countries,
Denmark, Russia, Switzerland, France, Italy
and Canada. He sang Aeneas in a new
Jonathan Miller production of Purcell’s
Dido and Aeneas in Europe in 2008 and
2009; also in Europe, Acis and Galatea in
2010 and in 2011 he sings Purcell’s Fairy
Queen, again with Philip Pickett and The
New London Consort.
Patrizia Kwella
Patricia studied three subjects at the
RCM, winning the McKenna scholarship
for singing, and a separate bursary for the
cello and the piano. Whilst still a student
she was the soprano soloist in a televised
performance of Messiah from the Royal
Albert Hall, subsequently appearing
throughout Europe and the US in concerts
and festivals in repertoire ranging from the
16th to the 20th century. She is best known
in the great Baroque and Classical
masterpieces; Patrizia’s many recordings
include La Resurrezione and Esther with
Christopher Hogwood, L’Allegro with Sir
John Eliot Gardiner, St John Passion with
Sir Harry Christophers, Holst’s The Dream
City with Richard Hickox, and a Mozart
series for EMI. Patrizia Kwella retired from
the concert platform in early 2006.
Her final performances included Dido in
Dido and Aeneas, A Sea Symphony at the
Royal Festival Hall, the St John Passion in
Cadogan Hall and John Tavener’s Lament
of the Mother of God in Winchester
Cathedral in the composer’s presence.
Ian Partridge
Ian Partridge has an international reputation
as a concert singer and recitalist. His tenor
voice, with its most distinctive timbre, and
his unfailing sensitivity to words have
earned him a devoted following through
his hundreds of broadcasts and recordings.
His wide repertoire encompasses the music
of Monteverdi, Bach and Handel,
Elizabethan lute songs, German, French
and English songs and first performances
of new works.
Ian Partridge’s phenomenal list of
recordings includes Die schöne Müllerin
(first choice in BBC Radio 3’s Building a
Library), Dichterliebe and Liederkreis
op 39, and Britten’s Serenade. Vaughan
Williams’s On Wenlock Edge and Warlock’s
The Curlew have just been released on a
new double album by EMI.
Ian Partridge sang the Evangelist in Bach’s
St John Passion and was the tenor soloist
in the complete set of Handel’s Chandos
Anthems recorded with The Sixteen,
conducted by Sir Harry Christophers.
Ian Partridge has also enjoyed taking
masterclasses on Lieder, English Song
and EarlyMusic at venues as diverse as
Aldeburgh, Dartington, Trondheim,
Versailles and Helsinki. He is a professor
at the RAM, and was awarded the CBE
in 1992 for services to music.
_____________________________________
Adrian Butterfield violin/director
Adrian Butterfield specialises in performing
music from 1600-1900 on period
instruments. He is Musical Director of the
Tilford Bach Society and Associate Musical
Director of the London Handel Festival.
He directs the London Handel Orchestra
and Players and is increasingly invited as a
10
guest soloist and director in Europe and
Canada. His solo recordings include CPE He has made numerous recordings
Bach sonatas (ATMA), Handel’s Violin including the first recording of Handel’s
Sonatas (Somm) and Leclair’s 1st Book newly discovered Gloria with Emma Kirkby
of sonatas (Naxos, 3 discs). on BIS and CDs with Angelika Kirschlager
and Lawrence Zazzo with the Basel
He leads two chamber ensembles in Chamber Orchestra for Sony BMG and
London. The London Handel Players, and Deutsche Harmonia Mundi.
The Revolutionary Drawing Room Future plans include productions for
performing and recording classical string Garsington Opera and Glyndebourne,
quartets on period instruments. concerts with the Zurich Chamber
He works regularly with the Southbank Orchestra, English Concert, OAE and at
Sinfonia, is professor of Baroque Violin at the City of London Festival, along with his
the RCM, gives masterclasses in Europe commitments in Porto and at the Gottingen
and North America and teaches on the Handel Festival.
Aestas Musica Baroque Course in Croatia.
Highlights of the 2010-11 season include
conducting Bach’s B minor Mass at the
Tilford Bach Festival, recording Leclair’s
Book 2 sonatas in London and Bach Suites
in Toronto, organising a ‘Chandos’ day of
events at Cannons in north London in the
London Handel Festival, directing the
Handel Players at the Wigmore Hall and at
the Goettingen Handel Festival and
directing the Croatian Baroque Orchestra
in Zagreb as well as giving a solo recital in
Montreal.

Laurence Cummings
Musical Director of the
London Handel Festival

Laurence Cummings is one of Britain's

most exciting and versatile exponents of
historical performance both as conductor
and harpsichord player. He is Music Director
of the London Handel Festival and a trustee
of Handel House London. He is also Music
Director for the Orquestra Barocca Casa da
Musica in Porto and was recently appointed
Music Director of the Internationale Händel-
Festpiele Göttingen beginning in 2012.

Opera credits include productions for

English National Opera, Glyndebourne
Festival Opera, Gothenburg Opera,
Garsington Opera, English Touring Opera
and at the Linbury Theatre Covent Garden.
He regularly conducts the English Concert
and the Orchestra of the Age of
Enlightenment and has worked with the
Royal Liverpool Philharmonic, Ulster
Orchestra, Handel and Haydn Society
(Boston), St Paul Chamber Orchestra
(Minnesota), Wiener Akademie, Hallé,
Britten Sinfonia, Northern Sinfonia, SOPHIE JUNKER
Jerusalem Symphony and Basel Chamber
Orchestra.
WINNER - HSC 2010
11
HANDEL SINGING COMPETITION 2002-2010

ANGHARAD GRUFFYDD-JONES
ANDREW KENNEDY 2002 ELIZABETH ATHERTON 2003 2004

FFLUR WYN 2005 NATHAN VALE 2006 DEREK WELTON 2007

RUBY HUGHES 2009 SOPHIE JUNKER 2010

ERICA ELOFF 2008