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Content and Contextual Analysis
Content and Contextual Analysis
Content and Contextual Analysis
” – Confucius
OSTATYTI
Content, Contextual, and Subtext Analyses are methods of data analysis in historical
research.
The simplest and most objective form of content analysis considers unambiguous
characteristics of the text such as word frequencies, the page area taken by a newspaper
column, or the duration of a radio or television program. Analysis of simple word frequencies
is limited because the meaning of a word depends on surrounding text.
A further step in analysis is the distinction between dictionary-based
(quantitative) approaches and qualitative approaches. Dictionary-based approaches set up a
list of categories derived from the frequency list of words and control the distribution of
words and their respective categories over the texts. While methods in quantitative content
analysis in this way transform observations of found categories into quantitative statistical
data, the qualitative content analysis focuses more on the intentionality and its implications.
There are strong parallels between qualitative content analysis and thematic analysis.
(Wikipedia, 2018)
There are two general categories of content analysis: conceptual analysis and
relational analysis.
1. Conceptual analysis can be thought of as establishing the existence and
frequency of concepts in a text.
2. Relational analysis builds on conceptual analysis by examining the relationships
among concepts in a text.
1. Conceptual Analysis
Traditionally, content analysis has most often been thought of in terms of conceptual
analysis. In conceptual analysis, a concept is chosen for examination and the number of
its occurrences within the text recorded. Because terms may be implicit as well as
explicit, it is important to clearly define implicit terms before the beginning of the counting
process. To limit the subjectivity in the definitions of concepts, specialized dictionaries are
used.
As with most other research methods, conceptual analysis begins with identifying
research questions and choosing a sample or samples. Once chosen, the text must be
coded into manageable content categories. The process of coding is basically one of
selective reduction which is the central idea in content analysis. By breaking down the
contents of materials into meaningful and pertinent units of information, certain
characteristics of the message may be analyzed and interpreted.
An example of a conceptual analysis would be to examine a text and to code it for
the existence of certain words. In looking at this text, the research question might involve
examining the number of positive words used to describe an argument, as opposed to
the number of negative words used to describe a current status or opposing argument.
The researcher would be interested only in quantifying these words, not in examining
how they are related, which is a function of relational analysis. In conceptual analysis,
the researcher simply wants to examine presence with respect to his/her research
question, i.e. whether there is a stronger presence of positive or negative words used with
respect to a specific argument or respective arguments.
2. Relational Analysis
3. Elements of the content are described and organized using these categories. This
process is called coding and, particularly if appropriate software is used to aid the process,
enables more efficient sorting and retrieval of data by each category.
4. Categories are used to describe the information that is emerging from this data. The unit of
analysis may be different than that used for data collection. This is the level at which data is
analyzed and findings reported. In the example of the discussion forum already used, the
purpose of the analysis is to provide insight into the interaction between the participants and
therefore analysis at the level of a single contribution would be meaningless. The unit of
analysis would need to be the whole discussion.
5. The coded content is quantitatively analyzed for trends, patterns, relation similarities,
differences etc. This may suggest further avenues of inquiry sus qualitative approaches that
seek insight into possible reasons for these relationships and trends. (University of Sheffield,
2014)
7. Can we identify any non-textual circumstances that affected the creation and
reception of the text?
Such circumstances include historical or political events, economic factors, cultural
practices, and intellectual or aesthetic issues, as well as the particular circumstances of
the author's own life. (Behrendt, 2008)
Historical context is an important part of life and literature and without it, memories,
stories and characters have less meaning.
But what exactly is historical context? It's essentially the details that surround an
occurrence. In more technical terms, historical context refers to the social, religious,
economic, and political conditions that existed during a certain time and place.
Basically, it's all the details of the time and place in which a situation occurs, and
those details are what enable us to interpret and analyze works or events of the past, or even
the future, rather than merely judge them by contemporary standards.
A strong understanding of the historical context behind a work's creation can give us
a better understanding of and appreciation for the narrative. In analyzing historical events,
context can help us understand what motivates people to behave as they did.
Put another way, context is what gives meaning to the details. It's important,
however, that you don't confuse context with cause. "Cause" is the action that creates an
outcome;" context" is the environment in which that action and outcome occurs. (Fleming,
2010)
... Whether dealing with fact or fiction, historical context is important when interpreting
behavior and speech. (Fleming, 2010)
...No work of literature can be fully appreciated or understood without historical context.
What may seem nonsensical or even offensive to contemporary sensibilities, might
actually be interpreted in a completely different manner by considering the era u n
(Fleming, 2010)
Scholars and educators rely on historical context to analyze and interpret WINS of art,
literature, music, dance, and poetry. Architects and builders rely on it when designing
new structures and restoring existing buildings. Judges may use it to interpret the law,
historians to understand the past. Any time critical analysis is required, you may need to
consider historical context as well.
Without historical context, we are only seeing a piece of the scene and not fully
understanding the influence of the time and place in which a situation occurred.
(Fleming, 2010)
3. Subtext
The subtext of a document or object refers to its secondary and implied meanings. The
subtext embraces the emotional or intellectual messages embedded in, or implied by
the document or object.
The epic poems of the ancient Greeks, for instance, which glorify prowess and physical
courage in battle, suggest that such virtues are exclusively male. The state portraits of
Napoleon Bonaparte carry the subtext of unassailable and absolute power. Andy
Warhol's serial adaptation of soup cans and Coca-Cola bottles offer wry commentary
on the supermarket mentality of postmodern American culture. Identifying the implicit
message of an artwork helps us to determine the values and customs of the age in
which it was produced and to assess those values against others.
Summary
Text
• What is visible/readable, i.e., what information is provided by the source?
Context
What was going on during the time period? What background informa tion
do you have that helps explain the information found in the source?"
Subtext
• What is between the lines? Ask questions about the following:
Author: Who created the source, and what do we know about that person?
Audience: For whom was the source created?
Reason: Why was this source produced when it was