Professional Documents
Culture Documents
Works Cited & In-Text Citation & Quotation
Works Cited & In-Text Citation & Quotation
1. Journal Article
Demography, vol. 49, no. 2, Mar. 2012, pp. 719–46. PubMed, https://doi.org/
Fox, Liana, et al. “Trends in Deep Poverty from 1968 to 2011: The Influence of
Family Structure, Employment Patterns, and the Safety Net.” The Russell
Sage Foundation Journal of the Social Sciences, vol. 1, no. 1, 2015, pp. 14–
代替第二次及以后出现的条目中的作者名
Hansen, Camilla, and Washeila Sait. “‘We Too Are Disabled’: Disability Grants and
https://doi.org/10.1332/policypress/9781847428851.003.0006. Accessed 10
Mar. 2023.
3. Research Report
FAO, et al. The State of Food Security and Nutrition in the World 2017. FAO, 2017,
4. Website
# 如果非政府组织既是作者又是出版者,可以删除作者,并以标题作为条目的开头。若作
者是非政府组织的分支,则将其列为作者,非政府组织列为出版者。政府组织按一般原则
书写。
# 核心要素的 MLA 模板是:1 Author. 2 Title of Source.
# 常见的补充要素是:Date of Access
In-text Citation
1. Journal Article
(Wilde 227–29)
3. Research Report
(FAO et al. 6)
4. Website
(Riebeek)
# 作者为两人时用 and 连接,三人及以上时用 et al.
# 需从页数范围中选择引文出处的页码。若页码不连续可用逗号隔开,根据引用顺序排列
# 如无作者,则使用引用作品(Works Cited)对应条目中最先出现的信息(通常使用作品
的标题,但要注意对于标题的删减原则)
# 引用作品中以标题作为条目开头时,文内引用的标题格式要根据引用作品中的对应格式
*Quotation
# 引用材料通常前有一个冒号(如果引文被正式地引入),以及前有一个逗号或无标点符
号(如果引文是句子结构的一部分)
# 被表示“说”的动词(如 writes、says、states、exclaims)引入的引文会使用逗号来引入
(如果该引文与你的散文成为一体),以及会使用冒号来引入(如果该引文被设为区块引
文)
In Les Misérables, Victor Hugo writes, “We have all had those moments of distress when everything
falls apart inside us. We say the first thing that occurs to us, which is not exactly what should be said ”
(1246).
Explaining her decision to learn a trade, Hwang Sok-yong’s narrator, Bari, says:
I was well aware that most North Koreans in my position weren’t paid for their work—they
were grateful if they got so much as room and board. The police were not yet actively hunting
down defectors, but they did show up if complaints were made. Regardless of the type of
work they did, North Koreans earned no more than a third of what a documented Chinese
resident might earn; but I was lucky, and earned half, and that was for doing mostly small
# 删引文的一个词、短语、句子或更长时,注意对引文作者的合理性和你写作的语法完整
性。当删减引文不太明显时(读起来像完整的一句话),使用省略号或三个有间隔的句号
(. . .)来标记删减的部分(引文的句中或句尾)。当只引用一个词或短语时,不需要加省
略号
Americans trained by Balanchine, for example, raised their hip in arabesque and engaged in all manner
According to Jennifer Homans’s ballet history, Apollo’s Angels, “Americans trained by Balanchine . . .
engaged in all manner of distortions to achieve speed and a long, aerodynamic line” (xviii).
# 当省略和句尾同时发生时,在引文最后一个词后加一个句号,然后加三个有间隔的句号。
当括号引用跟着句尾省略时,加三个有间隔的句号,然后加句子句号在句尾括号的后面
In Apollo’s Angels, Jennifer Homans writes, “Americans trained by Balanchine, for example, raised
their hip in arabesque and engaged in all manner of distortions. . . .” The purpose of these movements,
(C3) Quotation with an ellipsis at the end of your sentence followed by a parenthetical citation
Commenting on the techniques of different national schools of ballet, Homans remarks, “Americans
trained by Balanchine, for example, raised their hip in arabesque and engaged in all manner of
distortions . . .” (xviii).
# 对于一段引文,是否将“其原来的出处/你构建的句子”的结尾处的标点符号包含在引号
内取决于三个因素:
(i)引文在你的句子中的位置;
(ii)标点符号的类型;
(iii)引文是否后面跟有括号引用。
# 紧跟引文的句号和逗号一般在结尾的引号内。
Suppose that you want to quote the following sentence from Shawn Otto’s The War on Science.
Nuclear safety measures, supported by business interests, drove the abandonment of US cities.
(* 你构建的句子的句尾引文后面跟有括号引用时,句号在引号和括号引用后。)
If you conclude your sentence with this quotation and a parenthetical citation, omit the closing
period inside quotation marks. A sentence-ending period should follow the parenthetical citation.
(i) In a study of anti-scientific thinking, Shawn Otto writes, “Nuclear safety measures, supported by
号。)
If the quotation ends in the middle of your sentence, replace the period with a punctuation mark
(ii) “Nuclear safety measures, supported by business interests, drove the abandonment of US cities,”
# 紧跟引文的除句号和逗号的其他标点符号一般在结尾的引号外。
(* 这些其他标点符号是你用来构建你的句子的。)
Suppose you are quoting from the following line of Walt Whitman’s “Song of Myself.”
The punctuation—a colon in the first example, a question mark in the second— is placed outside
(i) Whitman refers to “mockings or arguments”: these concepts are central to the poem.
(* 这些其他标点符号是其原来的出处已经有的,则保留引文原有的问号和感叹号。句尾
的句号需跟着括号引用。)
(i) “How can I describe my emotions at this catastrophe, or how delineate the wretch whom with such
infinite pains and care I had endeavoured to form?” wonders Victor Frankenstein in Mary Shelley’s
Frankenstein (42).
(ii) Dorothea Brooke remarks to her sister, “What a wonderful little almanac you are, Celia!” (7).
如果该引文是你的句子的结尾,并且其后不跟着括号引用,则问号或感叹号不被句号取代
或跟着。
(i) The first sentence of Jameson’s Political Unconscious advises, “Always historicize!”
(ii) Whitman asks, “Have you felt so proud to get at the meaning of poems?”
# 在你的散文的表示“说”的动词(如 writes、says、states、exclaims)后,大写引文的第
一个词(无论其来源中使用的是大写还是小写)。使用方括号表示你改变了来源的大小写。
Our possessions outlast us, surviving shocks that we cannot; we have to live up to them, as they will
In The Mirror and the Light, Hilary Mantel writes, “Our possessions outlast us.”
Of our personal belongings, Hilary Mantel writes, “[T]hey will be our witnesses when we are gone.”
The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving,
divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe
down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George Emerson
cleaning his father’s boots; and lastly, to complete the catalogue of memorable things, on the red book
mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may
engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise
The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent,
unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom
windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss
Catharine Alan; on George Emerson cleaning his father’s boots; and lastly, to complete the
catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr.
Beebe moves, George moves, and movement may engender shadow. But this book lies
motionless, to be caressed all the morning by the sun and to raise its covers slightly, as though
[R]ays fell on the ladies whenever they advanced towards the bedroom windows; on Mr.
Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan; on George
Emerson cleaning his father’s boots; and lastly, to complete the catalogue of memorable
things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George
moves, and movement may engender shadow. But this book lies motionless, to be caressed all
the morning by the sun and to raise its covers slightly, as though acknowledging the caress.
# 当引文和你的句子结构成为一体,小写引文的第一个词的第一个字母(如果其通常在你
的散文中是小写)(无论其来源中使用的是大写还是小写)。使用方括号表示你改变了来
源的大小写。
For months, the air in their flat was like cracked glass. Everyone tiptoed around her mother, who had
In Americanah, Ifemelu’s mother is described as “a stranger, thin and knuckly and severe” (51).
Of the atmosphere at home, Ifemelu notes that “[e]veryone tiptoed around her mother, who had
Ifemelu stood by the window while Aunty Uju sat at the table drinking orange juice and airing her
grievances like jewels. It had become a routine of Ifemelu’s visits: Aunty Uju collected all her
dissatisfactions in a silk purse, nursing them, polishing them, and then on the Saturday of Ifemelu’s
visit, while Bartholomew was out and Dike upstairs, she would spill them out on the table, and turn
airing her grievances like jewels. It had become a routine of Ifemelu’s visits: Aunty Uju
collected all her dissatisfactions in a silk purse, nursing them, polishing them, and then on the
Saturday of Ifemelu’s visit, while Bartholomew was out and Dike upstairs, she would spill
them out on the table, and turn each one this way and that, to catch the light. (224)
# 短引文可能被冒号所引入(当其不和你的散文的句子结构成为一体)。当冒号引入这样
的引文,引文的第一个字母需遵照来源的大小写。
(F) Passage in source
She did not want to leave Dike—the mere thought brought a sense of treasure already lost—and yet
she wanted to leave Aunty Uju’s apartment, and begin a life in which she alone determined the
margins.
By the end of the summer, Ifemelu yearns for independence: “she wanted to leave Aunty Uju’s
apartment, and begin a life in which she alone determined the margins” (147).
Ifemelu mourns what she will lose when she leaves for school: “She did not want to leave Dike—the
mere thought brought a sense of treasure already lost—and yet she wanted to leave Aunty Uju’s
apartment, and begin a life in which she alone determined the margins” (147).