Professional Documents
Culture Documents
Annotated Bibliography
Annotated Bibliography
Blackstone, William. “Women and the Law in Victorian England – the Victorian City.”
victoriancity.wp.st-andrews.ac.uk/women-and-the-law-in-victorian-england/.
According to Sir William Blackstone's Commentaries on the Laws of England, a woman's "very
being or legal existence is suspended or at least is absorbed or merged into that of her husband."
For example, one theory suggests that the phrase "by marriage" means that "the husband and
wife are one person in law; that is, the whole existence of the woman is suspended throughout
her marriage, or at the very least, is blended into that of her husband." Lawmakers in Victorian
era England passed anti-coverture legislation in response to the practice of mandating that
married women wear veils. When a woman gets married, she gives up certain personal autonomy
archive.vcu.edu/english/engweb/webtexts/hour/.
Character Louise Mallard in "The Story of an Hour" was deeply touched by Brently's death. The
tragic news that their brother was murdered in a train accident is broken to Louise by her sister
Josephine. After her husband dies, Louise goes to her room to grieve, but she soon finds she is
glad. Louise never felt resentment or animosity against her ex-husband, but now that he has
passed away, she can focus on her own goals. Her newfound optimism has given her such
indescribable joy that she "breathed a brief prayer that life could be lengthy." If Brently returns,
she will be waiting for him in the cellar. She didn't make it since the shock snuffed out any joy
she would have felt by unexpectedly meeting her husband or wife. The physicians said it was "of
Ultimately, Chopin "intended to have her heroine perish," as Emily Toth puts it in her biography
of the author, Unveiling Kate Chopin. In an article for the year 2020, Cihan Yazg explains why
Chopin let Louise Mallard's sad events occur. Yang thinks the story can be understood by
applying Aristotle's formula and analyzing the text's style. He argues that without the tragedy,
Chopin would not have been able to make his readers care about Mrs. Mallard or critically
consider gender politics. Chopin excels at "revealing in half hiding," a technique that heightens
the impact of melancholy components. When you think about how long Mrs. Mallard suffered
from untreated anagnorisis, you'll begin to see the significance of this sentence. Professor of
English at Arizona State University Bert Bender claims that writers in the 1890s were affected
by Darwin's idea of sexual selection. As Chopin experienced the complexities of love, he became
more cynical. It is exemplified by Mrs. Mallard's skepticism and ultimate rejection of love.
Author Selina Jamil uses the word "heartbreaking" to describe Mrs. Mallard's sorrow
over the rumored death of her husband in her article titled "Emotions in 'The Story of an Hour.'"
Once upon a time, Mrs. Mallard was so uninterested in life that she questioned her entire
existence, as related by Jamil. Because of Mr. Mallard's efforts to "smother" and "mute" her,
Mrs. Mallard may be unable to express her true feelings. When her controlling husband finally
died, she finally felt free. Mrs. Mallard is first distraught by the news of her husband's death.
She's overjoyed and glad to have achieved independence (because she can finally devote her
attention to herself and her ambitions). If the ancient adage that "pleasure kills" is true, then Mrs.
Mallard's premature death could have been caused by her inability to voice her thoughts and
feelings.
Conclusion
We conclude that "The Story of an Hour" is analyzed from a psychological perspective. The
reader quickly learns from the beginning of Mrs. Mallard's story that Chopin has a heart
problem. Her family and friends struggled with the decision of whether or not to break the news
to her that her husband had passed away. The story's central subject is freedom, and that message
is hammered home throughout. Louise's initial grief over her husband's death gives way to a