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Contemporary Philippine Arts from the Region

Combination of Different Art forms ● art is “the Queen of all sciences


as seen in Modern times communicating knowledge to
all generations of the world.”
Art
● it is a universal language that
•it is a tangible manifestation and
product of human activity that allows communicates feelings and ideas
the expression of individuality throught produced by human experience.
set of skills. ● art is a powerful form of
communication expressing
•art is a means of communicating or creativity and skill.
conveying insights and emotions
TALENT
The word originated from the Latin
● the term talent refers to an inborn
word “ARS” which means “SKILL” and
and the special ability of a person
the Greek word “TECHNE” which to do something.
means “TECHNOLOGY” ● talent is God gifted ability
Art as Defined in Varied Ways
SKILL
PLATO ● a skill is an expertise, which is
● according to Plato (427-347 BC), acquired by the person by
art is merely an imitation or acopy learning.
of reality ● skill is an ability in which you put
● art is an illusion, a collection of your time and efforts to develop
reflections
TECHNOLOGY
LEOTOLSTOY
In art, technology is the set of means
● art is the production of objects or
of tools, materials, devices, systems,
elements from the external
methods, and procedures in making an
environment that pleases the
art
senses.
● art unifies men as they produce
ART
the same feelings and sentiments.
According to the greeks, art is an
imitation of reality. Perhaps this is the
EUGENE VERON
simpliest and earliest view on the
● At is an external manifestation
nature and meaning of art.
created and produced through
lines, movements, asounds, IT COMES IN DIFFERENT FORMS
colors and emotions. WHICH WE CAN INTEGRATE.
This defines the subjectivity of art
INTEGRATIVE ART
as an external manifestation of It refers to inter-disciplinary art, art
human feelings and thoughts research, development, production,
presentation, or artistic creation of
LEONARDO DA VINCI work that fully uses two or more art
Contemporary Philippine Arts from the Region

disciplines to create a work for a -Prehistoric aborigines, a cross of


specific audienc Afro-Asiatic and Austro- Aborigines,
now called Negritos (Aeta, Agta, Ayta)
DIFFERENT FORM OF ARTS
Proto-Malays - a Mongol-Asiatic race,
VISUAL ART arrived around 2500 BC using oceanic
● It is used to describe a wide array vessels called balangays, and they
of artistic disciplines that are brought with them their knowledge in
appreciated primarily through
sight. seafaring, farming, building of houses
● Visual art are an expression of from trees and creation of fire for
artistic ideas through images, cooking
structures, and tactile work
Duetero-Malays - India-Asiatic race
PERFORMING ART (Indian, Chinese, Siamese, Arabic),
● It usually requires the musical that prevailed with a more superior and
theatre, dance, and drama, a advanced culture. They possessed
combination of different art forms, their own systems of writing,
such as literary art for the material knowledge and skills in agriculture,
and visual arts for stage design metallurgy, jewelry-making as well as
boat-building
LITERARY ARTS
● a literary art is an expression of Negritos - early settlers but their
ideas through writing. appearance in the Philippines has not
● There are many types of literary been reliably dated
artworks, and this can be
categorized into poetry, prose and FOUR DISTINCT KINDS OF
drama
● This art form denotes “letters” PEOPLES
which came from the Latin word ● Aetas
“littera” meaning “an individual ● Hanunoo
written character”.
● ilongots
● Mangyan
The Evolution of Philippine Art
WARRIOR SOCIETIES
● Isneg and Kalingas - practiced
PRE-COLONIAL
social ranking and ritualized
-these are the reflections by which the
warfare and roamed the plains
natives of these islands have
● Petty plutocracy of the Ifugao
expressed their culture and civilization.
Cordillera Highlanders - occupied
These are proofs that the earliest
the mountain ranges of Luzon
inhabitants of these islands were
learned peoples even before the
coming of the Spaniards.
Contemporary Philippine Arts from the Region

PRE - COLONIAL WRITING


SYSTEMS
PRE-COLONIAL CULTURE
-During the early period almost
Animistic - collection of beliefs and everyone in the society-male or female
cultural mores anchored in the idea knows how to read and write. They
that the world is inhabited by spirits have their own method of writing which
and supernatural entities they use sharp- pointed tools, leaves,
-spirits are said to be the anito or bamboo and trunk’s skin. They write
diwata that they believed to be good from top to bottom and read it from left
and bad to right
-the good spirits were considered as
their relatives and the bad were Alibata - script is different from China,
believed to be their enemies Japan and India. This account was told
by one of the first Spanish
Some worship specific deities like ; missionaries who came in the
Philippines, Fr. Pedro Chirino
● Bathala a supreme god for the
Tagalog Another account proved after
the discovery of a jar in Calatagan,
● Laon or Abba for the Visayan Batangas. This system of writing came
from the alphabet of Sumatra. The first
● Ikasi of Zambal Visayan, Tagalog, Ilocano and some
ethic groups have their own dialect
● Gugurang for the people of Bicol and form of writing too. They have an
alphabet composed of 17 letters; 3 of
● Kabunian of Ilocano and Ifugao which are vowels and 14 are
consonants. The Muslims have also
their own system basing on their
Aside from those supreme deities dialect. This is called kirim of Maranao
they also worship other gods like ; and jiwi of the Tausug, which they are
still using until this day.
● Idialao as god of farming
LITERATURE
● Lalaon of harvest -Our pre-colonial, ethnic literature is a
rich repository of ideals and cultural
● Balangay god of rainbow practices evident in folk speeches, folk
songs, folk narratives, and indigenous
● Sidapa god of death rituals as well as dances that shows
our ties with our Southeast Asian
neighbors
Contemporary Philippine Arts from the Region

FOLK SPEECHES Pilit panatilihin


These are the riddles which Para sa buhay natin
has the Talinghaga or metaphor as a
different object and therefore test the FOLK SONGS
keen analytical ability of the listener. - a folk lyric expressing the
Such is known as the tigmo in relationships, lessons about
Cebuana, bugtong in Tagalog, aspirations of people in the
paktakon in Ilongo and patototdon in community.
Bicol. - they are repetitive, sonorous, didactic
as well as naïve. O exemplify are
TALINGHAGA children’s song from Maguindanao
● Ang kanyang puso ay isang know as Ida-ida, tulang pambata from
walang katapusang balon the Tagalog region, Cansiones para
● Ang walang hanggang abbing from the Ibanag,
pangarap. - the lullabyes or Ili-ili from Iloilo;
● Umagos mula sa kanyang harana or serenade from Cebu
mga mata ang mga ilim na
kapaitan FOLK NARRATIVES
● Hayaan mong matikman ko Explains the origin of the world,
ang pulot sa iyong mga labi places, animals, and other creations.
Fables are the narratives about the
BUGTONG origin of animals relating lesson or
● Maliit pa si Nene nakakaakyat morals.
na sa tore.(Langgam) Epics on the other hand narrates the
● Munting tampipi, puno ng heroic deeds and unusual events while
salapi. embodying the beliefs, customs,
(sili) norms, and ideals.
Most prominent epic is the Bi – ag ni
Proverbs or Aphorisms Lam-ang of the Ilocanos
Encapsulates the rules of conduct and
community beliefs which instill values
though short verses with rhyme that is VISUAL ART
full of wisdom. Such is the tanaga,
which has insights and lessons on life 1.Pottery
according to life experiences. From - the most ancient art during the pre-
Panay are the basahanon, daraida colonial Philippines. The Manunggul
from Bukidnon and daragilon from Jar which was excavated in Palawan
Panay. during the 8th century BC and reflects
a high degree of artistry.
KALIKASAN 2.Weaving
Ganito nga ang hangin -it evolved from the pre-colonial
Simoy na lalanghapin communities and has been a
Contemporary Philippine Arts from the Region

traditional sources of living,  courtship,


Communities from the Cordillera of the  weddings,
north are well-known for this art.  during illness
Similar tradition is evident in the Ilocos  death.
provinces and even in the Mindanao Tribal activities
among the Tboli of Cotabato through  hunting,
weaving of abaca cloth known as the
 fishing,
‘tnalak’ done through the process of
 rice planting,
tie-dye.
 harvest time
 engagement in tribal wars.
3.Sculpture
- carving in the Cordilleras focus on  express pre-colonial beliefs and
the Anito figures called ‘bulul’, which reflect the indigenous people’s
they believe has their ancestral spirits activities and material culture.
and gods. In the south, the Maranao
and Tausug have their ‘okir’ which are HISPANIC CONQUEST
ornate curvilinear designs carved
woods such as the ‘sarimanok’ is a -The coming of the Spanish
bird painted in multi-color and the Conquistador marked the beginning of
pako rabong which is a fern with cultural transformation through the use
broad base of the 'Sword and the Cross’. Divide
4.Jewelry Making and rule was implemented through
- pre-colonial dwellers adorn force to subjugate the native dwellers
themselves with highly intricate of these Islands. But the most feeling
ornaments made of precious metals strategy was the utilization of
such as gold. From the Cordillera have Christianity to maintain the submission
the ling-ling-o which signifies fertility. of the natives for more than 300 years
The Tboli wear the most splendid to the Spanish crown. Religion
ornaments made of brass such as became reflected in the practice of arts
multicolored beads for neckpieces, under the supervision of the Friars.
earrings, bracelets and anklets. These
body ornaments pleases the Gods and HISPANIC CONQUEST CULTURE
signifies social status. The Hispanic Conquest
culture refers to the cultural influences
5.Dances and aspects that emerged as a result
- these are performed during of the Spanish conquest of the
Americas during the 15th and 16th
Special occasions centuries. It is characterized by the
blending of Spanish, indigenous, and
 birth,
African cultures that occurred during
 baptism,
the colonization process. This cultural
 circumcision,
fusion resulted in significant changes
 puberty rites,
Contemporary Philippine Arts from the Region

in various aspects such as visual and  Lyrics


performing art.  Narratives.
 Latinos or interpreters translate
The Spaniards
Spanish verses into Tagalog and
The first European sighting of the
were used in Catechisms.
Philippines by Ferdinand Magellan in
Poems
1521
- Miguel López de Legazpi's arrival  Dalit
in Cebu in 1565  has no fixed rhyme scheme
- Relocation of the Spanish capital  identifiable only by their
to Manila in 1571 solemn tone and spiritual
-Role of Manila as the hub for civil, topic.
military, religious, and commercial
endeavors  Pasyon
- The islands' renaming in honor of  primarily a Religious narrative
Philip II of Spain
poetry recounts the:
- Philip II's reign from 1556 to 1598
 suffering, death, resurrection
of Jesus Christ.
THE SWORD AND THE CROSS
 strategies or tactics used by the  Awit and Korido (secular
Spaniards in invading the poetry)
Philippines.  colorful tales of chivalry from
 It made the pacification of the Europe.
natives easier.  made for singing and
 The cross symbolizes religion chanting such the lbong
 while the sword symbolizes force. Adarna and Francisco
Balagtas "Florante at Laura”
The Sword and the Cross ametrical romance."
These two symbols are what
constituted the strategies or tactics PROSE
used by the Spaniards in invading the Religious narrative prose consists of
Philippines. It made the pacification of those written to prescribe proper
the natives easier. The cross behavior.
symbolizes religion while the sword  channels for instruction in the
symbolizes force. Catholic faith and for
colonialization of the students in
LITERATURE all Catholic schools.
Example
Poetry  Manual de Urbanidad or conduct
Religious poetry during Hispanic rule book
Contemporary Philippine Arts from the Region

 contains prescriptions on social ● Baroque architecture


propriety in the form of proverbs, ● Retablos found at the San Agustin
maxims, dialogues, and short Church in Intramuros
illustrative tales of devout
behavior. Painting
 Modesto de Castro's The focus of painting during
Pagsusulatan nang Dalauang Spanish rule were the religious icons,
Binibini na si Urbana ani Feliza in saints and religious scenes were
1864 evident in the stone walls and ceilings
of the churches, monasteries, schools,
 shows how a Dialogo or Dialogue
and chapels. The most prominent-of
shows how behavior can be
the Filipino artists during these times
learned through an exchange of
as they excelled abroad specifcaly in
insights.
Ettrope were Juan Luna on his
'Spolarium' and Felix Resurreccion
Hidalgo on his 'Christan Virgins
Sculpture and architecture
exposed to the Populace ' which won
These art forms were
at the 1984 In the Madrid Exposition.
manifested through the building of
EX.
churches in every town and plaza all
● Spolarium (juan luna)
over the archipelago. It exhibited the
● Fernando Amorsolo- Farmers
combination of indigenous design and
working and resting
European classical or baroque. This
was evident in the stone carvings on
Printing
the facade of the Miag-ao Church in
This was done through the
Iloilo. Santos or holy statues are
xylographic method using woodblocks
carved and crafted following European
and the Spaniards have published the
aesthetic. Santos are carved from
first book, the Doctrina Christiana en
wood by the natives to embellish the
lengua española y tagala (Christian
interiors and exteriors of churches,
Doctrine in the Spanish and
houses, and othet structures. The
Tagalog Languages), the Doctrina-
grandest achievements in this manner
christiana en letra y lenga China
are the retablos or altar pieces which
(The Christian Doctrine in the
are the retablos or the churches,
Chinese Script and Language), and
similar to this is the one found at the
the Apalogia por la Verdadera
San Agustin Church in lntramuros
Rellgion (in Defense of the True
oarved in 1617 by Juan de los Santos
Religion) pubished by the Dominican
from San Pablo, Laguna.
order in 1593.
EX.
EX.
● Stone carvings on the facade of
● Xylographic method
Miagao church
● Doctrina Christiana en lengua
● Santo nino de cebu
española y tagala
Contemporary Philippine Arts from the Region

● Komedya, sarswela and other


Visual arts drama was presented by the
Overall, the Hispanic Conquest European Civilization to enriched
the language in the lowlands.
Culture in visual art represents the rich
and complex history of Latin America, Religious Dramas
reflecting the convergence of different ● PANUNULUNGAN
cultural and artistic influences during ● SALUBONG
the colonial period ● ALAY
Performing arts ● CENACULO
Philippine Dance in the Spanish ● TIBAG
Period For the past 300 years, Spain
AMERICAN COLONIAL PERIOD
Shaped the lives of Filipinos in terms (1898-1946)
of politics, economics, religion, and
culture. The hispanization infiltrated The independence that the
even the musical and choreographic Philippines gained after the revolution
practices of the people. Even Native of 1896 was cut short with the
dances took on the tempo and temper establishment of the American
Colonial Government.
of the European forms, like the noted
Bound by the Treaty of Paris in
tinikling and the Itik-itik acquired the In 1898, Spain “surrendered” the
tempo of the jota and the polka Philippines to the United States.
EX. From 1899 to 1913, the bloody
● Tinikling Philippine-American war occured.
● Itik-Itik
AMERICAN INFLUENCE ON
PHILIPPINES CULTURE
The Spaniards not only modified
our ritual, occupational, and imitative FACTS
dances, but also brought in their own  The period of American
dances. The most-known was the jota, colonialization of the Philippines
which later on took on numerous was 48 years.
regional variations. Another type of  The United States invaded the
dance from Spain was the fandango Philippines, which was then
that was restyled as pandanggo; it governed by Spain as the Spanish
equaled the jota in popularity. In these East Indies, during the Spanish–
American War.
ways, the Spanish dances flourished
 It began with the cession of the
and stayed for all social occasions
Philippines to the U.S. by Spain in
EX. 1898 and lasted until the U.S.
● Jota recognition of Philippine
● Pandanggo independence in 1946.
 English was introduced as the
official language
Theater
LANGUAGE
Contemporary Philippine Arts from the Region

Lingua Franca of this period. American introduced the different


English was introduced into the kinds of terrestrial vehicles, aircraft
Philippines during the US colonial and marine in country.
occupation and civil regime in the Tranvia early years of the 20th century
early 1900s and has now become -streetcar system in Manila
the second official language.
Literacy doubled to about half by CLOTHING
the 1930's and a fourth of the Clothing that America introduced to
educated population could speak the Filipino culture were
English. English became the  belts,
dominate language alongside  bonnets,
the official Filipino language of
Tagalog.
 hats,
Poem, and stories from books  suspenders,
were dramatized in classroom to  high heels,
facilitate teaching of the English  polo shirts,
Language.  tennis shoes,
Americans zealously taught their
 short skirts,
language through an efficient
public school system.  dresses,
In less than a decade, Filipino  pantyhose
playwrights began to write plays in  make-up.
English. FOODS
American foods like
EDUCATION  burgers,
During the United States colonial  canned meat
period of the Philippines (1898-1946),
the United States government was in
 corned beef
charge of providing education in the  spam.
Philippines.  technology like microwave
Every child from age 7 was required and fridge.
to register in schools. DANCE

THERE WERE THREE LEVELS OF BALLET


EDUCATION DURING THE an artistic dance form performed to
AMERICAN PERIOD. music using precise and highly
 "elementary" level consisted of formalized set steps and gestures.
four primary years and 3
intermediate years. TAP DANCE
 "secondary" or high school is a form of dance characterized
level consisted of four years by using the sounds of tap shoes
striking the floor as a form of
 third was the "college" or tertiary percussion.
level.
First teachers were called: SKIRT DANCE
THOMASITES in which women dancers would
manipulate long, layered skirts with
TRANSPORTATION their arms to create a motion of flowing
Contemporary Philippine Arts from the Region

fabric, often in a darkened theater with The United States occupied the
colored light projectors highlighting the Islands from 1898 until 1946 and
patterns of their skirts. introduced
 American blues,
ATTITUDE  folk music,
Filipinos became more frank,
and humorous. We developed a
 R&B
stronger belief in rights. “Pagmamano”  rock & roll
was replaced by kissing the cheeks
(beso) of parents and elders as sign of GAMES
respect.  The Young Men's Christian
Association (YMCA) became an
RELIGION integral factor in the assimilation
Protestantism was introduced process as an auxiliary of the
more or less than 300,000 Filipinos American government in the
became protestant. There was a Philippines.
separation the the church and state.  In addition to baseball, the YMCA
leaders introduced the
LIVELIHOOD organisation's own games of
Philippine economy improved basketball and volleyball to the
Increase in Agricultural production masses.
Development of new industries.
AMERICAN'S NEGATIVE
HEALTH AND SANITATION INFLUENCE ON PHILIPPINES
Filipinos learned the value of CULTURE
cleanliness, proper hygiene and
healthy practices Hospitals, clinics and  Americanization of Filipinos
health centers were established
 Colonial Mentality
including public hospitals for lepers.
 Respectful Filipino ways of
ENTERTAINMENT greeting were replaced by merely
MOVIES saying “Hi” or “Hello”.
Movies became popular they  Filipinos starrted to prefer white-
mostly shown documentation of public collar jobs.
and private lives.  Traditional Filipino food was
 American Guerrilla in the replaced.
Philippines (released as I Shall  Lost our sense of “bayanihan”.
Return in the UK) is a 1950  In summary, we seemed to reject
American war film directed by our own identity.
Fritz Lang and starring Tyrone
Power as a U.S. Navy ensign The American Colonization Periods
stranded by the Japanese
occupation of the Philippines in 1898 to 1935
World War II. Based on the 1945 During this time Washington
book of the same name by Ira defined its colonial mission as one of
Wolfert, it was filmed on location. tutelage and preparing the Philippines
for eventual independence.
MUSIC 1935 to 1946
Contemporary Philippine Arts from the Region

The United States granted The arrival of the new colonial


the Philippines Commonwealth status power brought a shift in art patronage
and promised full independence from native ilustrados to Americans.
The new patrons favored landscapes,
Key events and dates during the
AMERICAN COLONIZATION still life, and genre themes that
PERIOD showcased the beauty of the land and
1898- The United States acquired the its people.
Philippines from Spain as a result of
the Spanish-American War Literature
American literature during this
1901-The Philippine-American War period was influenced by
began, lasting until 1902  puritanism,
 colonization,
1916-The Jones Act was passed,
which promised eventual  revolution
independence for the Philippines It reflected the thoughts and
experiences of Englishmen who
1934-The Tydings-McDuffie Act was settled in America.
passed, which provided for a ten-year
transition period to full independence The period of imitation
(1910-1924) was characterized by
1946-The United States granted full Filipino writers imitating American and
independence to the Philippines on English writers. The University of the
July 4th Philippines' school publication, UP-
College Folio, published literary
Literature Visual Arts and
Performing Arts of the Philippines compositions in English written by
(American Colonization Period) pioneers in English poetry, essays,
The American colonization and short stories.
period had a significant impact on Some notable poets during
Philippine culture and arts. During this this period include
time, American influences were
introduced to Philippine society,
 Fernando Maramag,
leading to changes in language,  Juan F. Salazar,
education, religion, government, and  Jose M. Hernandez,
popular culture
American cultural products such as  Vicente del Fierro,
music, films, literature, and fashion  Francisco Tonogbanua,
also influenced Philippine society.  Maximo Kalaw
Notable Filipino artists emerged during
this period and incorporated American  Vidal A. Tan
artistic styles into their works. Overall,  Francisco Africa
the American colonization period  Victoriano Yamzon
played a crucial role in shaping
modern Philippine culture and arts.
Formal essayists during this period:
Visual Arts & Performing arts  Carlos P. Romulo
Contemporary Philippine Arts from the Region

 Jorge C. Bocobo ● Amorsolo is best known for his


illuminated landscapes which
Informal essayists: often portrayed traditional Filipino
 Ignacio Malapaz customs, culture, fiestas and
occupations.
 Godofredo Rivera
 Francisco B. Icasiano Some famous Artworks of Fernando
 Salvador P. Lopez Amorsolo
 Amado G. Dayrit ● THE MAKING OF PHILIPPINE
Colonization really changed American FLAG
literature. Introduced a new kind of ● DALAGANG BUKID
book called the novel. In short, ● ALAY MAIDEN
colonization had a big impact on
American literature. JEORGE PINEDA
Filipino artist Jorge Pineda was well-
known for his representations of
everyday life and nationalist themes.
His work, painted with loose, visible
EXAMPLE OF ARTIST AND brushstrokes and vibrant colors
ARTWORKS UNDER AMERICAN presented an idealized vision of life in
COLONIZATION the Philippines through images of
military victories, children playing, and
FABIAN DE LA ROSA women performing domestic chores.
De La Rosa was noted for his realistic
portraits, genre paintings, and Some famous artworks of Jeorge
landscapes in subdued colors. Pineda
● PORTRAIT OF A LADY
Some famous artworks of Fabian De ● TAUSUG PRINCESS
la Rosa ● THE FRUIT VENDORS
● YOUNG FILIPINA
● A REMEMBRANCE OF THE DOMINADOR CASTAÑEDA
VILLA BORGHESE Fernando Amorsolo was
● WOMEN WORKING IN A RICE good friends with and a contemporary
FIELD of the painter and author Dominador
Hilario Castaneda. His paintings
FERNANDO AMORSOLO diverged from the characteristic style
● He is the first and among the few of the Amorsolo School and a different
filipino painters who have direction, especially in terms of color.
captured the different striking Castaneda is well known for
colors and character of the landscapes rendered in cool tones of
country’s magnificent sunlight. white and blue.
Contemporary Philippine Arts from the Region

SOME FAMOUS ARTWORKS OF the honor of being awarded a National


DOMINADOR CASTENEDA Artist of the Philippines.
● DEATH MARCH Some famous Sculptures of
Anastacio Caedo
● BAHAY KUBO ON THE RIVER
● Benigno Aquino Monument
BANK ● MacArthur Park Landing
● THE DOOMED FAMILY
Japanese Period
PABLO AMORSOLO History
His painting diverged from the Japan occupied the
characteristics style of the Amorsolo Philippines for over three years
(between 1942 and 1945). It started
school and a different direction,
on December 8, 1941 when Imperial
especially in terms of color. Famous Japan occupied the Commonwealth of
for creating scenic views characterized the Philippines during World War II.
by a palette of cool hues dominated by The Philippines at this time was a
white and blue. Younger brother of the semi-independent commonwealth
Philippine National Artist Fernando government under the colonial rule of
Amorsolo the United States of America.
However, after Filipino and American
Some famous Artworks of Pablo
soldiers were defeated by Japanese
Amorsolo soldiers at the Battle of Bataan and
● LIMPIA BOTAS the Battle of Corregidor in April 1942,
● EL CIEGO (THE BLIND MAN) the American and Filipino soldiers
● FRUIT VENDOR surrendered, marking the beginning
of the Japanese invasion.
SCULPTURES
CULTURE
GUILLERMO TOLENTINO It has become a Filipino practice to
In 1973, Tolentino was remove a slipper from one’s feet
named as a National Artist for before entering the house.
sculpture.Trained in the classical style  learned from the Japanese - they
in Rome, Tolentino's master piece were the only Asian colonizers of
include the Oblation in the University the Philippines.
of the Philippines and the Bonifacio Kite flying
Monument in Caloocan.  part of a Filipino’s childhood
 practice of kite flying was learned
Some famous Artworks of from the Japanese.(Japanese
Guillermo Tolentino even spend their whole New
● BONIFACIO MONUMENT Year’s Day while flying kites.)
● OBLATION
Others: Duck Farming/Raising or Fish
ANASTACIO CAEDO Breeding, Bonsai Planting More
He produced numerous recently, Japan has influenced the
commissioned representational Philippines by bringing similar cultural
sculpture mainly monumets of Filipino additions to our country, similar to its
Heroes, businessman, and educators. influence on the rest of the world.
He is also notable for having refused
Contemporary Philippine Arts from the Region

Karaoke is a pastime  life in the barrios, faith, religion,


practiced in parts of the Philippines, and the arts.
and many Filipino children watch Three types of poems emerged during
Anime shows on television and read this period.
Manga just as they do elsewhere.
1. HAIKU - a poem of free verse that
LITERATURE the Japanese liked.
Between 1941-1945,  17 syllables divided into 3 lines.
Philippine literature in English came to
a halt. Except for the Tribune and the
 The first line has (5) syllables,
Philippine Review, Pillars, Free  the second – (7) syllables,
Philippines, and Filipina, almost all  the third – (5) syllables.
newspapers in English were stopped
by the Japanese. 2. TANAGA - short, but has measure
and rhyme.
Victoria Abelardo has described:  17 syllables
Filipino Writing (japanese
occupation) 3. KARANIWANG ANYO (Usual
 pessimistic and bitter. Form)
Filipino literature  the usual and common form of
 renewed attention (writers in poetry. Genre paintings were the
English turned to writing in most widely produced, particularly
Filipino) those that presented a neutral
 Juan Laya, who used to write in relationship between Filipinos and
English turned to Filipino. the Japanese through works that
showed the normality of daily
• The weekly LIWAYWAY was placed living.
under strict surveillance until it was
managed by a Japanese named
Ishiwara.
• The only contact with the outside Performance Arts
world was done with utmost secrecy The Japanese also brought radio
through the underground radio calisthenics to the Philippines.
program called “Voice of Freedom”.  refers to the broadcasting of
• Tagalog was favored by the exercise music through radio
Japanese military authority and stations early in the morning in
writing in English was consigned to order to encourage exercise.
a limbo. Japanese were able to  Today, radio calisthenics may still
influence and encourage the Filipino be seen in the form of aerobics
in developing the vernacular performed in groups or popularly
literature known here in the Philippines as
zumba.
FILIPINO POETRY
 Common Theme: VARIOUS FORMS OF
 nationalism PERFORMING ARTS INCLUDES
 country
 love
Contemporary Philippine Arts from the Region

 theater (supported by japanese including in the arts. They


soldiers - cultural expression & encouraged artists to create works
propaganda) that reflected pro-Japanese
 music, sentiments and themes.
 stage events,
Many artists were compelled or
 Offered amusement while also pressured to produce propaganda art
promoting the Philippines' that glorified the Japanese empire and
inclusion in the Great East Asia the Japanese military.
Co-prosperity Sphere.
 Stage performances were LIMITED ARTISTIC FREEDOM:
encouraged, and a new license  Artists were subjected to
fee was imposed on all Manila censorship, and their works had to
theaters for stage shows, align with the occupiers'
vaudeville, opera, and similar propaganda goals. This resulted
events. in the suppression of critical or
oppositional art.
Music competitions promoted  While some artists resisted
development and performance of
Japanese influence, others were
music with native themes. Concerts
influenced by Japanese art styles
were also a popular type of
and techniques.
entertainment during this time period.

BODABIL is a type of stage act that


was popular throughout the Japanese
SOME FILIPINO ARTISTS
occupation. These acts, which began
INCORPORATED ELEMENTS OF
as intermission numbers in circuses or
JAPANESE ART,
plays in small theaters, dealing with a
variety of subjects, including Philippine  calligraphy
heroes, people, and ways of life.  traditional Japanese motifs
The subjects of the stage
plays were frequently modeled on This fusion of styles is evident in some
American models but included paintings and other visual artworks
Philippine melodies such as from the period.
kundimans. Apart from the normal
comedy and musical acts, bodabil War-Related Art: The Japanese
included full-length plays during the period also saw the creation of art
war years. related to the war itself. Artists
documented the wartime experiences,
Visual Arts including scenes of destruction,
The Japanese period art suffering, and resilience.
scene underwent various changes
influenced by the wartime Some artists used their skills
circumstances and the new to produce works that captured the
authorities Propaganda and Patriotism: impact of the conflict on Filipino
The Japanese occupation government society. Most of the artworks depict
sought to promote their ideology and the sentiments of artists during the
control the flow of information, war. Modern artists emerged, such as
Contemporary Philippine Arts from the Region

Victorio Edades together with Carlos


"Botong" Francisco and Galo
Hernandes who were considered as
the "Triumvirates" that pioneered
modern arts in the country.

During the Japanese


occupation, Filipino painters, both
early moderns and conservatives,
continued to create art. They even
competed in art competitions
sponsored by KALIBAPI (Kapisanan
sa Paglilingkod ng Bagong Pilipinas).
However, art creation was influenced
to meet the goals and needs of the
new colonial system, with an emphasis
on indigenous art and customs.

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