Bladedancer- Fighter Subclass your weapon’s range as you spin and dance

around, this attack does not count as part of the

Bladedancers are graceful and fluid
fighters. Using two weapons to fight in circles and
pirouettes, a Bladedancer can oppose multiple
enemies and dance away from danger with
elegance and might.
Nymiria fought with anger as her fellow
companions fell into the hands of the Lich. Her
blades spun as if in a rageful blender, slashing
and chopping her foes while dancing in sorrow.
As Forgol’s swords swang in the air, a
whistling, a happy song, joyful and vivid,
celebrating the birth of his son in a show with
lights and music.
Bladedance
Beginning at 3rd level you gain the Two-Weapon
Fighting Fighting Style if you didn't have it
before. Once every long rest you can start your
Bladedance, doing so gives you a +2 bonus to
your AC and Dexterity saving throws.
Additionally while your Bladedance is active, if
your bonus action attack hits, the creature can't
take reactions until the end of its turn. Your
Bladedance ends if you don’t attack a creature in
your turn. To start your Bladedance you cannot be
wearing Medium or Heavy armor or a shield and
you must be wielding a melee weapon. It ends the
moment you don any of the above.
Own’s Tempo
At 7th level a novice Bladedancer starts to reap
the rewards of hard work and passion. When your
Bladedance is active your speed increases by 15ft
and you can use your reaction to dodge and block
an attack by adding your Dexterity or Strength
modifier to your AC for that attack. You can
dance away a number of times equal to your
proficiency bonus, and you regain them when you
take a long rest.
attack action nor does it benefit from the
Two-Weapons Fighting off-hand attack benefits.
Extra Bladedance
At 10th level you gain an additional use of your
Bladedance per long rest and whenever you take a
short rest and you have no uses of your
Bladedance feature left, you gain one use.
Bladethirst
At 15th level your experience and skills are
clearly shown in your dances. You can give
yourself advantage on damage rolls for one Attack
Action. You can do this a number of times equal
to your Charisma modifier. You regain use of this
skill once you take a long rest. When you start
your Bladedance you gain temporary hit points
equal to your Charisma Modifier multiplied by 2.
Blade’s Chant
At 18th level your enrapturing movements shape
the battle as your blades dictate. While on your
Bladedance you are immune to being charmed and
the frightened condition, any ally within 10ft of
you shares this benefit and at the beginning of
your turn you can give advantage on damage rolls
to a creature within 60ft of you by spending one
use of your Bladethirst feature. When you start
your Bladedance you gain temporary hit points
equal to your Charisma Modifier multiplied by 3
instead of 2.

Blademaster
Bladedancers of 10th level have mastered their
weapon’s natural rhythm. You can activate your
Bladedance if you are wearing Medium Armor or
wearing a shield. While on a Bladedance any time
you score a Critical Hit you can immediately
make an attack roll against another creature within
Swordsinger- Bard Subclass
Swordsingers, a branch of the old school
of Bladesinging, which separated to focus on the
art. Emotion and magic through swords and song.
A Swordsinger is a bard that fights with an arcane
dance, its Swordsong.
A tear of anger fell from the Half-elven’s
face as his foe felled a friend. His rage clouded
his judgment and arcane flames sprouted from his
hands and he began to dance with ire towards his
enemies.
When Thelius found himself near the
shores of the River Styx, his foggy memories
parted for a moment, he remembered the pain and
sorrow that had doomed him. He mourned. He
cried and his emotions manifested into a cold
embrace.
Swordsong
When you choose this subclass at 3rd level you
gain the Dueling Fighting Style if you didn't have
it before. Provided that you aren’t wearing
medium or heavy armor or using a shield you can
spend a use of your Bardic Inspiration to start the
Swordsong. It lasts for a number of rounds equal
to your Charisma modifier multiplied by 2
(minimum of 2) it ends early if you are
incapacitated, if you don medium or heavy armor
or a shield.
While the Swordsong is active you get the
following benefits:
● Your speed increases by 15ft.
● You gain resistance to Psychic damage.
● You cannot be grapped or restrained. If a
creature attempts to grapple you, you can
spend a reaction to deal twice your
weapons damage to it.
Battleborn
Additionally at 3rd level you gain proficiency on
3 martial weapons and learn 2 cantrips from the
wizard’s spell list; these cantrips are bard spells
for you and don't count towards the number of
spells you know. Your weapon works as your
spellcasting focus.
Whistle Melody
Your Swordsong has evolved, its melody now
changes as you wish it. When you start your
Swordsong you gain temporary hit points equal to
your Charisma modifier and you can select a
Melody:
● Joy.
o You lose your resistance to Psychic
damage.
o Your healing spells have a bonus
equal to your Charisma modifier.
o You can cast a cantrip right after
making a weapon attack.
● Anger.
o You gain the Extra Attack feature.
o You get a bonus to AC equal to
half your Charisma modifier
(rounded up) and allies within 5ft
of you get a +2 to their ACs.
o Allies within 30ft of you gain
temporary hit points equal to your
Charisma modifier.
● Sorrow.
o You gain a bonus to Constitution
saving throws to maintain
concentration on spells equal to
your Charisma Modifier.
o Allies within 30ft of you gain
resistance to Psychic damage and if
they have two failed death saves
the next roll is made with
advantage, this feature only works
once per creature.
o If an ally rolls your Bardic
Inspiration die on a saving throw it
can roll the save with advantage as
well.
To change a Melody you must spend a use of your
Bardic Inspiration and a bonus action.
Sword’s Chorus
At 14th level your bardic prowess has reached its
mortal peak. Your Swordsong is as powerful as
your will itself. Your Melodies have grown. They
maintain their previous effects but now gain the
following:
● Joy
o When you cast a spell that restores
hit points to an ally you regain a
number of hit points equal to your
charisma modifier.
o Your melee attacks deal an
additional 1d8 Radiant damage and
are considered magical.
● Anger.
o Your melee attacks deal an
additional 1d8 Fire damage and are
considered magical.
o If you were to drop to 0 hit points
you can choose to drop to 1
instead. You can use this benefit
only once per long rest and once
your Swordsong is finished you
take a level in exhaustion.
● Sorrow.
o You can concentrate in two spells
at the same time, but to do so you
cannot take actions or bonus
actions and can only move up to
half your speed per turn. If you fail
the concentration check both spells
are dropped.
o Your melee attacks deal an
additional 1d8 Cold damage and
are considered magical.
Royal Oath- Paladin Subclass
Paladins of the Royal Oath hold the crown
and its institutions with high regard. Banners and
symbols the Royal Oathkeeprs command the
battlefield with their oppressing charisma and
authority.
Felicia tended to shy away from
confrontation…well that was before she met the
Queen. Now Felicia of Tolur leads the Guards of
the Citadel with might and feminine charm.
Silaenerel commands the battlefield with
an oppressive force. A scary man with a long
history of fighting dirty makes him a feared
warrior in the Underdark.
Channel Divinity
When you take this oath at 3rd level, you gain the
following two Channel Divinity options.
Sound the Bells: As an action any hostile creature
within 30ft of you must make a Wisdom saving
throw against your spellsave DC or be stunned
until the end of their next turn. Any non-hostile
creature that you choose within 60ft of you heals
2d6 hit points and removes the blinded, deafened,
paralyzed, stunned, charmed and frightened
conditions.
Protectorate of the Faithful: As a bonus action
you can mark a creature for a minute. This
creature has advantage on death saves if it's within
15ft of you.
Oath Spells
As a paladin of the royal oath you obtain the
following spells as listed.
Royal Oath Spells
Paladin Level Spells
rd Compel Duel-Guiding bolt
3
5th Aid-Ray of Enfeeblement
9th Slow-Spirit Guardians
13th Black Tentacles-Fire
Shield
17th Hallow-Hold Monster
Shielding Authority
Starting at 7th level, you can mark a creature as a
bonus action. A marked creature gains a +2 to
their AC bonus when they are within 10ft of you.
Additionally, as a reaction whenever the marked
creature takes damage, you can take half that
damage, negating the damage to the creature, you
can do this a number of times equal to twice your
proficiency bonus until you finish a long rest.

Commanding Authority
At 15th level you can issue a verbal command to a
creature that can understand you. You can make a
Charisma (Intimidation) roll as a bonus action and
the target must make a Wisdom saving throw with
your intimidation DC or be compelled to do as
you command. The creature can only attack or
move to make an attack. The creature can cast
spells, but only spells that deal damage. The
creature will have a -5 bonus to attacks made
against other creatures than yourself.
As a bonus action on each of your turns you can
intimidate the creature again, and the creature has
to repeat the save. If the creature makes the save
you cannot use this ability again until you take a
long rest. If the creature is reduced to 0 hit points
by you, you can immediately command another
creature.

Royal Authority
As the peak of mortal capacity, at 20th level, you
can command death herself to stay away. If you
were to fall to 0 hit points you instead fall to 1 hit
point. This feature lasts for 5 rounds or less. You
cannot heal yourself while in this state and if a
creature were to heal you the feature would stop.
When you are at 1 hit point to shed bright light on
a 30ft radius and dim light 30ft beyond that. When
5 rounds have passed or you have regained
hitpoints you take levels in exhaustion equal to the
number of rounds this feature was active
(minimum of 1).
You cannot use this feature again until you take a
long rest.