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  • Como Não Entoar Teu Louvor - Violino 2

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    Matheus Cäsar
    40 views2 pages
    The document appears to be sheet music for the song "How Can I Keep from Singing" with musical notation, lyrics, and performance instructions written in both Portuguese and English. It provides the song title, writers, arranger, and includes sections for violins and other instruments. The sheet music contains multiple pages of musical staffs with notes and lyrics.

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    partitura

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    The document appears to be sheet music for the song "How Can I Keep from Singing" with musical notation, lyrics, and performance instructions written in both Portuguese and English. It provides the song title, writers, arranger, and includes sections for violins and other instruments. The sheet music contains multiple pages of musical staffs with notes and lyrics.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    40 views2 pages

    Como Não Entoar Teu Louvor - Violino 2

    Uploaded by

    Matheus Cäsar
    The document appears to be sheet music for the song "How Can I Keep from Singing" with musical notation, lyrics, and performance instructions written in both Portuguese and English. It provides the song title, writers, arranger, and includes sections for violins and other instruments. The sheet music contains multiple pages of musical staffs with notes and lyrics.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Violino 2 Como Não Entoar Teu Louvor?

    Chris Tomlin,
    Ed Cash & (How Can I Keep from Singing)
    Matt Redman Arranjo: Leonardo Oliveira

     
    Trad.: H.Rollo & L.Rollo Adaptação: I.L. & R.A.B.

         



      = 67

                               

    pizz. arco

                  
     
       
                         

    6

         

     
     
            
    12

          
      
         
              
     
    19

                     
        
    26

                        
              
    32
    To Coda

       
                           
                  
    41

    

      
     
    D.S. al Coda

               
    
    53

     
                                     


    61

      
       
      
                    
    68

               
                
    
    91

           
               
    
    97

             

         



      
       
            
      
    
    104

          
                         
         
           
    
    116

     
                  
              
     
    121

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