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  • ESTUDIOS SOBRE LA SÍNCOPAS Clase #7 Gramática

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    Erasmotrumpet
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    This document discusses studies on syncopation in music. It begins by looking at regular syncopation patterns where strong beats are emphasized with notes or chords followed by weak beats marked by rests or weaker tones. It then examines irregular syncopation where the strong and weak beats are not clearly defined. Examples of both regular and irregular syncopation are shown through musical notation. The document concludes that irregular syncopation can create complex and ambiguous rhythmic patterns compared to regular syncopation.

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    This document discusses studies on syncopation in music. It begins by looking at regular syncopation patterns where strong beats are emphasized with notes or chords followed by weak beats marked by rests or weaker tones. It then examines irregular syncopation where the strong and weak beats are not clearly defined. Examples of both regular and irregular syncopation are shown through musical notation. The document concludes that irregular syncopation can create complex and ambiguous rhythmic patterns compared to regular syncopation.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    6 views1 page

    ESTUDIOS SOBRE LA SÍNCOPAS Clase #7 Gramática

    Uploaded by

    Erasmotrumpet
    This document discusses studies on syncopation in music. It begins by looking at regular syncopation patterns where strong beats are emphasized with notes or chords followed by weak beats marked by rests or weaker tones. It then examines irregular syncopation where the strong and weak beats are not clearly defined. Examples of both regular and irregular syncopation are shown through musical notation. The document concludes that irregular syncopation can create complex and ambiguous rhythmic patterns compared to regular syncopation.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    ESTUDIOS SOBRE LA SÍNCOPAS

    Subtítulo

            
    GRAMÁTICA MUSICAL -

            
     

    CARRERA TÉCNICA

                       

           
                   
    9


                          
                      
    15


        

          
    24

              CORRECTO
           
            
           
    27

                     
                          

    CORRECTO

             
    33
    INCORRECTO

       
       
             
          
                
    41 INCORRECTO

                               

       
    51 Sincopa regular f d d Sincopa Irregular
    f d f d f d f d f

                          
     
               
             
    56

                      
               
          
              
    Síncopa irregular


    61

    aerasmojavier@gmail.com

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