Prof Prac 2

PROFESSIONAL PRACTICE 2
ADMINISTERING THE REGULAR SERVICES OF THE ARCHITECT, LAWS AND OTHER MATTERS
BS ARCHITECTURE 4 (AY 23-23, 1ST SEMESTER)
AR. ROLAND JAY S. ELLOREN, UAP

1
COURSE DESCRIPTION
1. ARCHITECTURE AS A PROFESSION
2. ETHICAL NORMS
3. OFFICE PROCEDURES
COURSE CREDIT: 3 UNITS / PRE-REQUISITE: PROF PRAC 2

2
GRADING SYSTEM
ATTENDANCE - 10%
QUIZZES - 40%
MAJOR EXAMS (MIDTERM & FINALS) - 50%
5 CONSECUTIVE / NON-CONSECUTIVE ABSENCES WITHOUT ANY

VALID REASONS - CONSIDERED DROPPED FROM THE SUBJECT

3
WHAT IS THE IMPORTANCE OF LAWS &
ETHICS FOR THE ARCHITECT TOWARDS
ADMINISTERING THEIR REGULAR SERVICES?

4
LEGAL COMPLIANCE
PROFESSIONAL RESPONSIBILITY
CLIENT RELATIONSHIPS
QUALITY ASSURANCE
RISK MANAGEMENT
LONG-TERM REPUTATION
COMMUNITY IMPACT
5
WHAT IS ARCHITECTURE?
ACCORDING TO SSP DOC. 200, SECTION 3.
IT IS THE ART, SCIENCE OR PROFESSION OF PLANNING, DESIGNING AND
CONSTRUCTING BUILDINGS IN THEIR TOTALITY TAKING INTO ACCOUNT THEIR
ENVIRONMENT, IN ACCORDANCE WITH THE PRINCIPLES OF UTILITY, STRENGTH
AND BEAUTY (UTILITAS, FERMITAS, VENUSTAS).

6
THE ARCHITECTURE
PROFESSION
THE GENERAL PUBLIC CONSIDERS THE
ARCHITECT, CREATIVE AND SCIENTIFIC - A
DILIGENT PROFESSIONAL WHO ENDEAVORS
DESIGN WORK WITH UTMOST DEDICATION.
A N A R C H I T E CT ASSU M E S U LT I M AT E
RESPONSIBILITY FOR A PROJECT THAT
JOSE MARIA REQUIRES ORCHESTRATION AND OVERSEES
ZARAGOZA IT FROM START TO FINISH.
THE FILIPINO ARCHITECT OF THE 21ST
CENTURY EXTENDS WITH ADDITIONAL
ILDEFONSO
OBLIGATIONS AND FUNCTIONS AS MODERN
PABLO FRANCISCO SANTOS JR.
LEANDRO JUAN ANTONIO MAÑOSA TECHNOLOGY, AND RAPID GLOBALIZATION
LOCSIN NAKPIL SPREAD WORLDWIDE.

7
QUIAPO CHURCH (MINOR
BASILICA OF THE BLACK
NAZARENE), MANILA
- FIRST ARCHITECT TO BE CONFERRED THE ORDER OF NATIONAL ARTIST

OF THE PHILIPPINES.
- WENT TO THE US, GRADUATED W/A DEGREE IN CIVIL ENGINEERING, ALSO

ENROLLED HYDRAULIC ENGINEERING IN CORNELL UNIVERSITY.
- IN 1933, HE FOUNDED THE PHILIPPINE ARCHITECTS’ SOCIETY, NOW

KNOWN AS THE PHILIPPINE INSTITUTE OF ARCHITECTS.
8
FAR EASTERN
UNIVERSITY BUILDINGS,
SAMPALOC, MANILA
- GRADUATED AT THE UNIVERSITY OF LONDON EARNING A DEGREE IN

ARCHITECTURE
- HIS DESIGNS WERE NOTABLE FOR HAVING STRONG ART DECO

INFLUENCES.
- NATIONAL ARTIST FOR ARCHITECTURE IN 1976, 1 YEAR AFTER HIS DEATH

9
CULTURAL CENTER OF
THE PHILIPPINES,
MANILA
- THIRD NATIONAL ARTIST FOR ARCHITECTURE.
- KNOWN FOR HIS CREATIVE APPLICATION OF

FLOATING VOLUMES.

10
RIZAL PARK (LUNETA),
MANILA
- NATIONAL ARTIST FOR ARCHITECTURE IN 2006.
- KNOWN AS THE FATHER OF LANDSCAPE ARCHITECTURE IN THE PHILIPPINES.
- SERVED AS THE FIRST PRESIDENT OF THE PHILIPPINE ASSOCIATION OF

LANDSCAPE ARCHITECTS.
CCP LANDSCAPING,
- HIS PRC LANDSCAPE ARCHITECT REGISTRATION NUMBER IS 0000001. MANILA
11
- INTRODUCED MODERN ECCLESIASTICAL RECONSTRUCTION OF
ARCHITECTURE IN THE PHILIPPINES. METROPOLITAN
CATHEDRAL, CEBU CITY
- GOT HIS ARCHITECTURAL DEGREE AT THE
UNIVERSITY OF SANTO TOMAS, MANILA.
12
ESKAYA RESORT
& SPA, PANGLAO
- MAJOR PROPONENT OF NEOVERNACULAR ARCHITECTURE IN

THE PHILIPPINES.
- EARNING HIS KEEP AS THE LAST (TO DATE) NATIONAL ARTIST

FOR ARCHITECTURE IN THE PHILIPPINES IN 2018.
TAHANANG PAMANA
(COCONUT PALACE), CCP
COMPLEX, MANILA
- HIS CONCEPTS WERE OF BAHAY KUBO & BAHAY NA BATO.
13
HISTORY OF THE ARCHITECTURE
PROFESSION IN THE PHILIPPINES

14
SPANISH PERIOD
THE ESCUELA PRACTICA Y PROFESSIONAL DE ARTES
NO SCHOOLS OF ARCHITECTURE OFICIOS DE MANILA - THE FIRST SCHOOL OF MAESTRO
IN THE PHILIPPINES. DE OBRA WAS FOUNDED BY THE SPANISH GOVERNMENT.
2 CLASSES:
MAESTRO DE OBRA - THE
MAESTRO DE OBRAS-ACADEMICO - WHO HAS WITH
CLOSEST A FILIPINO COULD ASPIRE
ACADEMIC TITLE
TO THE TITLE OF AN ARCHITECT OR
MAESTRO DE OBRAS-PRACTICO - FOR THOSE WHO
PRACTICE ARCHITECTURE. ACQUIRED THEIR EXPERTISE THROUGH PRACTICAL
EXPERIENCE LICENSED BY THE AYUNTAMIENTO DE
MANILA.

15
SPANISH PERIOD
FIRST FILIPINO GRADUATES FROM FIRST FILIPINO ARCHITECT - FELIX ROXAS Y ARROYO,
THE ESCUELA PRACTICA U WHO WAS SCHOOLED IN LONDON AND BEGAN HIS
PROFESSIONAL DE ARTES ARCHITECTURAL PRACTICE IN 1858. IN 1877-1880, HE
WAS EMPLOYED BY THE SPANISH GOVERNMENT, AS
OFICIOS DE MANILA
THE MUNICIPAL ARCHITECT OF MANILA.
JULIO HERNANDEZ (1891)
HIS OUTSTANDING WORKS WERE THE SANTO
ISIDRO MEDINA (1894)
DOMINGO CHURCH AND THE AYUTAMIENTO DE
ARCADIO ARELLANO (1894)
MANILA IN INTRAMUROS, WHICH, UNFORTUNATELY,
JUAN CARREON (1896) WERE BOTH DESTROYED DURING THE SECOND
WORLD WAR.
16
ORGANIZATION OF ARCHITECTS
IN THE PHILIPPINES
ACADEMIA DE ARQUITECTURA Y THE FIRST ORGANIZATION FOR FILIPINO
AGREMENSURA DE FILIPINAS (AAAF) MAESTRO DE OBRAS DURING THE EARLY
1902 1900. IT WAS CO-FOUNDED BY CARLOS
ALEJANDRO BARRETTO, ET AL. IN 1903.
THE LAST SERVING PRESIDENT OF THE

ORGANIZATION IS TOMAS ARGUELLES.
THE FIRST ORGANIZATION OF ARCHITECTS
WAS FORMED WITH THE SURVEYORS.

17
IN 1921, HE BECAME THE FIRST
REGISTERED ARCHITECT WITH THE
P R O F E SS I O N A L R E G U L AT I O N
COMMISSION LICENSE NUMBER
00001.
IN 1925, HE ESTABLISHED THE

MAPUA INSTITUTE OF TECHNOLOGY
TO TRAIN AND TO SHARE TO THE
FILIPINO ARTISANS WHAT HE HAVE
LEARNED FROM THE CORNELL
UNIVERSITY IN THE UNITED STATES.
TOMAS MAPUA
1888 - 1965

18
PHILIPPINE PHILIPPINE INSTITUTE
ARCHITECTS SOCIETY OF ARCHITECTS
FOUNDED JANUARY 19, 1933
1945, CHANGED THE NAME OF THE ORG
AT THE TURN OF THE CENTURY
ON 1933, DURING THE
AMERICAN OCCUPATION, THE
PENSIONADO AND THE
M E M B E RS O F T H E A I A A F
JOINED FORCES HAND-IN-
HAND TO ESTABLISHED THE
FIRST ARCHITECTURAL
PROFESSIONAL ORGANIZATION
THE PHILIPPINE INSTITUTE OF ARCHITECTS (PIA) IS AN ARCHITECTURAL
IN THE PHILIPPINES, THUS THE SOCIETY IN THE PHILIPPINES AND IS THE OLDEST ARCHITECTURAL
SOCIETY IN ASIA. IT IS COMPOSED OF NOBLE MEN AND WOMEN FROM
FOUNDING OF THE PHILIPPINE THE ARCHITECTURAL PROFESSION OF THE PHILIPPINES. IT WAS FOUNDED
ARCHITECTS SOCIETY ON BY RENOWNED ARCHITECTS IN 1933 WHOSE ULTIMATE ENDEAVOR IS THE
PROFESSIONAL DEVELOPMENT OF ARCHITECTURE IN THE PHILIPPINES.
JANUARY 19, 1933 AR. ROLAND JAY S. ELLOREN, UAP
19
UNITED ARCHITECTS OF THE PHILIPPINES
FOUNDED, 1975
THE UNITED ARCHITECTS OF THE PHILIPPINES WAS FORMED

THROUGH THE MERGER OF THREE ARCHITECTURAL
ORGANIZATION IN THE PHILIPPINES IN 1975. THESE WERE
THE LEAGUE OF PHILIPPINE ARCHITECTS (LPA), THE
ASSOCIATION OF PHILIPPINE GOVERNMENT ARCHITECTS
(APGA), AND THE PHILIPPINE INSTITUTE OF ARCHITECTS
(PIA). UPON ITS REGISTRATION ON MAY 19, 1975, IT BECAME
T H E F I R ST D U LY- AC C R E D I T E D P R O F E S S I O N A L
ORGANIZATION IN THE COUNTRY. AFTER THE PASSAGE OF
REPUBLIC ACT OF 2004, UAP APPLIED AS THE INTEGRATED
AND ACCREDITED PROFESSIONAL ORGANIZATION OF
ARCHITECTS (IAPOA) TO THE PROFESSIONAL REGULATION
COMMISSION ON MAY 19, 2014.
20
W O R L D WA R I I I N T E R R U P T E D T H E A R C H I T E C T U R A L
DEVELOPMENTS, BUT ARCHITECTS CONTRIBUTED TO CIVILIAN
EFFORTS DURING THE CONFLICT.
AFTER THE WAR, THE PHILIPPINE INSTITUTE OF ARCHITECTS (PIA)

WAS ESTABLISHED, WHICH LATER EVOLVED INTO THE UNITED
ARCHITECTS OF THE PHILIPPINES (UAP) IN 1975.
THE UAP AIMED TO UNITE DIFFERENT ARCHITECT ORGANIZATIONS

AND WAS OFFICIALLY REGISTERED WITH GOVERNMENT BODIES,
GAINING RECOGNITION AS THE PROFESSIONAL ORGANIZATION
FOR ARCHITECTS IN THE PHILIPPINES.
THE UAP PLAYED A ROLE IN BROADER PROFESSIONAL NETWORKS,

SUCH AS THE PHILIPPINE FEDERATION OF PROFESSIONAL
ORGANIZATIONS (PFPA) AND ARCHITECTS REGIONAL COUNCIL OF
ASIA.
OVERALL, THE PASSAGE PROVIDES A COMPREHENSIVE OVERVIEW

OF THE HISTORICAL MILESTONE AND TRANSFORMATIONS THAT
LED TO THE FORMALIZATION AND RECOGNITION OF
FORT SANTIAGO ARCHITECTURE AS A PROFESSION IN THE PHILIPPINES, AS WELL AS
THE ROLE OF ORGANIZATIONS LIKE PIA AND UAP IN SHAPING THE
DURING WORLD WAR II ARCHITECTURAL LANDSCAPE.
, INTRAMUROS, MANILA AR. ROLAND JAY S. ELLOREN, UAP
21
RA 9266
“THE ARCHITECTURE ACT
OF 2004”
AN ACT PROVIDING FOR A MORE RESPONSIVE AND COMPREHENSIVE REGULATION
FOR THE REGISTRATION, LICENSING AND PRACTICE OF ARCHITECTURE, REPEALING
FOR THE PURPOSE REPUBLIC ACT NO. 545, AS AMENDED, OTHERWISE KNOWN AS “AN
ACT TO REGULATE THE PRACTICE OF ARCHITECTURE IN THE PHILIPPINES,” AND FOR
OTHER PURPOSES.
THIS ACT WAS ENACTED ON JANUARY 28 & 29, 2004, RESPECTIVELY.

22
ARCHITECT’S
CODE OF ETHICS

23
ARTICLE 1
GENERAL PROVISIONS

24
TRAITSARTICLE
OF ARCHITECTS
1 -SECTION 1
INTEGRITY - ARCHITECTS ARE ENTRUSTED WITH DESIGNING SPACES THAT IMPACT THE LIVES OF INDIVIDUALS AND COMMUNITIES,
UPHOLDING ETHICAL STANDARDS, BEING HONEST, AND ACTING IN THE BEST INTERESTS OF CLIENTS, USERS, AND THE PUBLIC.
RESPONSIVENESS - ARCHITECTS MUST BE ATTENTIVE AND RESPONSIVE TO THE NEEDS AND DESIRES OF CLIENTS AND USERS. THIS
INVOLVES ACTIVE LISTENING, UNDERSTANDING REQUIREMENTS, AND ADAPTING DESIGNS TO MEET SPECIFIC GOALS.
BUSINESS ACUMEN - WHILE CREATIVITY AND DESIGN ARE CENTRAL TO ARCHITECTURE, A SOUND UNDERSTANDING OF BUSINESS PRINCIPLES IS
CRUCIAL FOR MANAGING BUDGETS, TIMELINES, AND RESOURCES EFFECTIVELY. BUSINESS ACUMEN ENSURES PROJECTS ARE
FINANCIALLY VIABLE AND SUSTAINABLE.
SENSIBILITY - ARCHITECTURE ISN’T JUST ABOUT AESTHETICS; IT’S ABOUT CREATING SPACES THAT ARE FUNCTIONAL, PRACTICAL, AND
MEANINGFUL. ARCHITECTS NEED TO BE SENSITIVE TO THE CONTEXT, CULTURE, AND ENVIRONMENT IN WHICH THEY’RE
WORKING.
ARTISTIC - ARCHITECTURE IS AN ART FORM THAT COMBINES CREATIVITY AND TECHNICAL SKILL. ARCHITECTS NEED
TO ENVISION INNOVATIVE AND VISUALLY APPEALING DESIGNS THAT ENHANCE THE HUMAN EXPERIENCE.
TECHNICAL - A STRONG FOUNDATION IN TECHNICAL ASPECTS SUCH AS STRUCTURAL ENGINEERING, MATERIALS SCIENCE, AND
ABILITY CONSTRUCTION METHODS IS ESSENTIAL FOR TRANSLATING CREATIVE CONCEPTS INTO FEASIBLE AND SAFE STRUCTURES.

25
DUTIES &
RESPONSIBILITIES
ARTICLE 1 - SECTION 2.
THE ARCHITECT’S HONESTY OF PURPOSE MUST BE BEYOND REPROACH; HE/SHE ACTS AS

PROFESSIONAL ADVISER TO HIS/HER CLIENT AND HIS/HER ADVICE MUST BE
UNPREJUDICED; HE/SHE IS CHARGED WITH THE EXERCISE OF MEDIATION AND
CONCILIATION FUNCTIONS BETWEEN CLIENT AND CONTRACTOR AND MUST ACT WITH
ENTIRE IMPARTIALITY; HE/SHE HAS MORAL RESPONSIBILITIES TO HIS/HER
PROFESSIONAL ASSOCIATES AND SUBORDINATES; AND HE/SHE IS ENGAGED IN A
PROFESSION WHICH CARRIES WITH IT GRAVE RESPONSIBILITIES TO THE PUBLIC. THESE
DUTIES AND RESPONSIBILITIES CANNOT BE PROPERLY DISCHARGED UNLESS HIS/HER
MOTIVES, CONDUCT, SENSE OF MORAL VALUES, SENSITIVITY, AND ABILITY ARE SUCH AS TO
COMMAND RESPECT AND CONFIDENCE.
26
ARTICLE 2
THE ARCHITECT’S RESPONSIBILITIES IN
RELATION TO THE PEOPLE

27
ARTICLE 2 - SECTION 3.1
- THE ARCHITECT SHOULD UPHOLD AND
PRESERVE THE COMMUNITY’S VALUES, AS
WELL AS ITS NATURAL, HISTORICAL, AND
CULTURAL HERITAGE. THEY SHOULD WORK
TO ENHANCE THE ENVIRONMENT AND THE
QUALITY OF LIFE IN A SUSTAINABLE MANNER,
CONSIDERING THE IMPACT OF THEIR DESIGNS
ON THE WELL-BEING OF ALL POTENTIAL USERS.

28
- SHALL PROMOTE THE INTEREST OF
HIS/HER PROFESSIONAL ORGANIZATION
AND DO HIS/HER FULL PART OF THE
WORK TO ENHANCE THE OBJECTIVES
AND SERVICES OF THE ORGANIZATION.
HE /SHE SHOULD SHARE IN THE
INTERCHANGE OF TECHNICAL
INFORMATION AND EXPERIENCE WITH
THE OTHER DESIGN PROFESSIONS AND
THE CONSTRUCTION INDUSTRY.

29
- AS A GOOD CITIZEN, SHALL ABIDE BY
A N D O B S E R V E T H E L AW S A N D
REGULATIONS OF THE GOVERNMENT
AND COMPLY WITH THE CODE OF
ETHICAL CONDUCT AND THE
STA N DA R D S O F P R O F E SS I O N A L
PRACTICE. HE/SHE SHALL AT ALL TIMES
ENDEAVOR TO PROPERLY OBSERVE THE
L AW S O N T H E P R ACT I C E O F
ARCHITECTURE AND ON THE PLANNING
AND DESIGN OF BUILDINGS AND THEIR
ENVIRONS. HE/SHE SHALL AT NO TIME
ACT IN A MANNER DETRIMENTAL TO THE
BEST INTEREST OF THE ARCHITECTURAL
PROFESSION.

30
- SHALL NOT USE PAID ADVERTISEMENT, NOR USE SELF-LAUDATORY, EXAGGERATED, OR MISLEADING PUBLICITY.
HOWEVER, HE/SHE MAY, IN THE CONTEXT OF ADVANCING PUBLIC KNOWLEDGE OF THE ARCHITECT’S FUNCTION IN
SOCIETY, AS WELL AS OF ARCHITECTURE ITSELF, OPT TO WRITE BOOKS, BE A REGULAR COLUMNIST OF A PUBLICATION,
OR BE A CONTRIBUTOR TO THE PREPARATION OF ANY OTHER LITERATURE, OR ACTIVELY PARTICIPATE IN ANY FORUM,
SEMINAR, WORKSHOP, OR SIMILAR ASSEMBLIES THROUGH VERBAL OR VISUAL PRESENTATIONS AND, IN THE PROCESS,
SHOW HIS/HER OWN TRUE WORTH AS A PROFESSIONAL, IN WHICH CASE HE/SHE MAY RECEIVE REMUNERATION OR
HONORARIUM FOR SUCH UNDERTAKINGS.
31
- SHALL NOT SOLICIT, NOR PERMIT TO
SOLICIT, IN HIS/HER ADVERTISEMENTS
OR OTHER SUPPORT TOWARDS THE
C O S T O F A N Y P U B L I C AT I O N
PRESENTING HIS/HER WORK. HE/SHE
SHALL REFRAIN FROM TAKING PART IN
PAID ADVERTISEMENT ENDORSING
ANY MATERIALS OF CONSTRUCTION
OR BUILDING EQUIPMENT.

32
- SHALL NOT DECEIVE THE PUBLIC AS TO
HIS/HER PROFESSIONAL COMPETENCE,
N O R C L A I M A N Y P R O F E SS I O N A L
SPECIALIZATION UNLESS SUPPORTED BY
ACADEMIC QUALIFICATION, TRACK
RECORD OR RELEVANT EXPERTISE,
PROFESSIONAL RESOURCES AVAILABLE
TO HIM/HER WHICH WILL ENABLE HIM/
HER TO HANDLE THE WORK
PA RT I C U L A R LY R E Q U I R I N G SU C H
SPECIALIZATION AND SANCTION, BY HIS/
HER PEERS IN THE PROFESSION.
33
ARTICLE 2 -
SECTION 3.7
- M AY E X H I B I T H I S / H E R
PROFESSIONAL SHINGLE OUTSIDE
HIS/HER OFFICE, OR DISPLAY A
PROJECT BILLBOARD INDICATING
RELEVANT INFORMATION, WHICH
M AY I N C L U D E P I C T O R I A L
REPRODUCTION THEREOF, IN A
MODEST MANNER.
34
ARTICLE 3
THE ARCHITECT’S RESPONSIBILITIES
IN RELATION TO HIS/HER CLIENT

35
SECTION 4 .1
- THE ARCHITECT’S RELATION TO HIS/
HER CLIENT IS DEPENDENT UPON
G O O D FA I T H . TO E N SU R E T H E
CONTINUED EXISTENCE OF SUCH STATE
O F G O O D R E L AT I O N S H I P, T H E
ARCHITECT’S POSITION CARRIES WITH
IT CERTAIN MORAL OBLIGATIONS TO
HIS/HER CLIENT AND TO HIMSELF/
HERSELF. THE ARCHITECT SHALL
ALWAYS ENDEAVOR TO PROTECT THE
CLIENT’S INTERESTS BUT NEVER AT THE
EXPENSE OF HIGHER PUBLIC INTERESTS
AND PUBLIC WELFARE;

36
CONTRACT OF SERVICES
PROJECT : “A Proposed 1-Storey Residential Building w/ roof deck”
LOCATION : Taloto Dist., Tagbilaran City, Bohol
SECTION 4.2
OWNER : Atty. John Jeric Lim & Ms. Zeneline Bulalaque
ARCHITECT : Ar. Roland Jay Elloren ,uap
OWNER-ARCHITECT AGREEMENT
THIS AGREEMENT, made and entered into this __ day of Month, Two Thousand and
xxx by Mr. ________________ of legal age, Filipino and with postal address
__________________, the party of the First Part, hereinafter called the OWNER and
between ____________, a duly registered and licensed architect under the laws of the
Republic of the Philippines with PRC Registration No __________, of legal age, Filipino
and with postal address at ________________________, the party of the Second Part,
hereinafter called the ARCHITECT.
WITNESSETH,
That whereas the OWNER intends to build a (project title) building at (lot
- SHALL ACQUAINT OR ASCERTAIN FROM
THE CLIENT, AT THE VERY INCEPTION OF
number/street/barangay/municipality/city), hereinafter called the PROJECT.
NOW, THEREFORE,
THEIR BUSINESS RELATIONSHIP, THE EXACT

The OWNER and the ARCHITECT, for and in consideration of the foregoing premises
and of the other covenants hereinafter named, agree as follows:
ARTICLE 1. SCOPE OF WORK
That the scope of work to be done by the Architect, as herein authorized by the Owner
for the subject Project herein referred to, consists of professional services for the
following:
NATURE AND SCOPE OF HIS/HER SERVICES
1.01 Site development planning (SDP) of the grounds of the building, including other
concomitant structures within the Project site, as may be determined by the Owner.
1.02 Basic (Regular) Detailed Architectural and Engineering (DA&E) Design of the
AND PROPERLY INFORM THE CLIENT OF THE
Project to be located at ________________________________.
CORRESPONDING PROFESSIONAL FEES.
ARTICLE 2. ARCHITECT’S BASIC SERVICES
The Architect’s Basic Services consist of the following:
2.01 Project Definition Phase

37
SECTION 4.3
- SH ALL ADV ISE A CL IE NT
AGAINST PROCEEDING WITH ANY
PROJECT WHOSE PRACTICABILITY
MAY BE QUESTIONABLE DUE TO
FINANCIAL OR LEGAL IMPORTANT
AND/OR EXIGENT CONDITIONS,
EVEN IF SUCH ADVICE MAY MEAN
THE LOSS OF A PROSPECTIVE
COMMISSION TO THE ARCHITECT.

38
SECTION 4.4
- SHALL EXPLAIN THE CONDITIONAL
CHARACTER OF ESTIMATES AND IN
NO CASE SHALL HE/SHE
GUARANTEE ANY ESTIMATES OR
COST OF THE WORK IN ORDER TO
SECURE A COMMISSION, UNLESS
PROVIDED FOR BY LAW, AS IN
CERTAIN GOVERNMENT PROJECTS.

39
SECTION 4.5
- SHALL CONSIDER THE NEEDS AND
STIPULATION OF HIS/HER CLIENT AND THE
EFFECTS OF HIS/HER WORK UPON THE
LIFE AND WELL-BEING OF THE PUBLIC AND
THE COMMUNITY AS A WHOLE AND SHALL
ENDEAVOR TO MEET THE AESTHETIC AND
FUNCTIONAL REQUIREMENTS OF THE
PROJECT COMMENSURATE WITH THE
CLIENT’S BUDGET.

40
SECTION 4.6
- SHALL BILL HIS/HER CLIENT
FOR SERVICES RENDERED A
PROFESSIONAL FEE
COMMENSURATE WITH THE
WORK INVOLVED AND WITH
H I S/ H E R P RO F E SS I O N A L
STANDING AND EXPERIENCE
BASED UPON THE BASIC
MINIMUM FEE PRESCRIBED
UNDER THE “STANDARDS OF
PROFESSIONAL PRACTICE”

41
SECTION 4.7
- SHALL UNDERTAKE THE
CONSTRUCTION OF A PROJECT
EVEN WHEN THE PLANS WERE
PREPARED BY HIM/HER WHEN IT
CONFORMS WITH PERTINENT
SECTIONS OF THE “STANDARDS
OF PROFESSIONAL PRACTICE.”

42
TRIVIA

43
SECTION 4.8
SHALL BE COMPENSATED FOR HIS/
HER SERVICES SOLELY THROUGH
HIS/HER PROFESSIONAL FEE
BILLED DIRECTLY TO THE CLIENT.
HE/SHE SHALL NOT ASK FOR ANY
OTHER RETURNS IN WHATEVER
FORM FROM ANY INTERESTED
SOURCE OTHER THAN THE CLIENT.

44
SECTION 4.9
- SHALL BE FREE IN HIS/HER INVESTMENTS AND
BUSINESS RELATIONS OUTSIDE OF HIS/HER
PROFESSION FROM ANY FINANCIAL OR
PERSONAL INTERESTS WHICH TEND TO WEAKEN
HIS/HER STANDING AS AN UNPREJUDICED AND
HONEST ADVISER, FREE TO ACT IN HIS/HER
CLIENT’S BEST INTERESTS. IF THE ARCHITECT
HAS ANY OTHER BUSINESS INTEREST’S WHICH
WOULD RELATE TO, OR AFFECT THE INTEREST
OF THE CLIENT, HE/SHE SHOULD INFORM THE
CLIENT OF SUCH A CONDITION OR SITUATION.

45
SECTION 4.10
- SHALL INCLUDE IN HIS/HER
AGREEMENT WITH THE CLIENT A
CLAUSE PROVIDING FOR
N E G OT I AT I O N , M E D I AT I O N /
CONCILIATION AND/OR ARBITRATION
AS ALTERNATIVE METHODS OR THE
SETTLEMENT OF DISPUTES.

46
SECTION 4.11
- SHALL CARRY OUT HIS/
HER PROFESSIONAL WORK
WITHOUT UNDUE DELAY
AND WITHIN AN AGREED
REASONABLE TIME LIMIT.
TIME & PROJECT MANAGEMENT

47
SECTION 4.12
- SHALL KEEP THE CLIENT
INFORMED AT ALL TIMES OF
THE PROGRESS OF THE WORK
UNDERTAKEN ON THE CLIENT’S
BEHALF AND OF ANY ISSUE
THAT MAY AFFECT PROJECT
QUALITY AND COST.
PROGRESS REPORT
48
ARTICLE 4
THE ARCHITECT’S RESPONSIBILITIES
IN RELATION TO THE CONTRACTOR

49
SECTION 5.1
- SHALL GIVE THE CONTRACTOR
EVERY REASONABLE ASSISTANCE
TO ENABLE HIM/HER TO FULLY
UNDERSTAND THE CONTENTS OF
THE CONTRACT DOCUMENTS BY
FURNISHING CLEAR, DEFINITE, AND
CONSISTENT INFORMATION IN ALL
PERTINENT CONTRACT
D O C U M E N T S T O AVO I D
UNNECESSARY MISTAKES THAT MAY
INVOLVE EXTRA COSTS TO EITHER
THE CONTRACTOR OR THE CLIENT.

50
SECTION 5.2
- SHALL NOT KNOWINGLY

CALL UPON THE
CONTRACTOR TO CORRECT
OR REMEDY OVERSIGHTS
OR ERRORS IN THE
CONTRACT DOCUMENT TO
THE CONTRACTOR’S OR
THE OWNER’S FINANCIAL
DISADVANTAGE.

51
SECTION 5.3
- SHALL, IMMEDIATELY UPON
HIS/HER PERSONAL
KNOWLEDGE AND INSPECTION,
REJECT OR CONDEMN
MATERIAL, EQUIPMENT, OR
WORKMANSHIP WHICH IS NOT
IN CONFORMITY WITH THE
CONTRACT DOCUMENTS IN
O R D E R N OT TO C AU S E
UNNECESSARY DELAY AND
ADDITIONAL EXPENSE TO THE
CONTRACTOR.

52
SECTION 5.4
- SHALL REJECT ANY OFFER OF
FREE PROFESSIONAL
ENGINEERING OR ALLIED
DESIGN SERVICE /S, OR
RECEIVE ANY SUBSTANTIAL AID,
GIFTS, COMMISSIONS, OR
FAVO R S FROM ANY
C O N T R ACTO R O R SU B -
CONTRACTOR WHICH WILL
TEND TO PLACE HIM/HER
UNDER ANY KIND OF
OBLIGATION TO RETURN SUCH
FAVORS.
53
SECTION 5.5
- SHALL PROMPTLY INSPECT
EACH PHASE OF THE WORK
COMPLETED AND IF FOUND
ACCORDING TO THE TERMS
OF THE CONTRACT
DOCUMENTS, ISSUE THE
C O R R E S P O N D I N G
CERTIFICATES OF PAYMENT
AND THE FINAL CERTIFICATE
OF COMPLETION,
R E S P E CT I V E LY, T O T H E
CONTRACTOR.
54
ARTICLE 5
THE ARCHITECT’S RESPONSIBILITIES IN RELATION
TO MANUFACTURERS, DEALERS, AND AGENTS

55
SECTION 6.1
- SHALL NOT SOLICIT FREE
PROFESSIONAL/ALLIED DESIGN
OR OTHER TECHNICAL SERVICES
FROM MANUFACTURERS OR
SUPPLIERS OF BUILDING
MATERIALS OR EQUIPMENT
WHEN THESE ARE ACCOMPANIED
BY AN OBLIGATION DETRIMENTAL
TO THE BEST INTEREST OF THE
C L I E N T, O R W H I C H M A Y
A D V E R S E LY A F F E C T T H E
ARCHITECT’S PROFESSIONAL
OPINION.

56
ARTICLE 7
ARCHITECTS CREDO

57
ACCOUNTABILITY
I SHALL WORK WITH THIS GENERAL OBJECTIVE: THAT I AM ACCOUNTABLE TO
GOD, TO MOTHER EARTH, TO MY COUNTRY, TO MY FELLOWMEN, AND TO MYSELF.
NORM OF CONDUCT
I SHALL UPHOLD THE IDEALS AND FOLLOW THE NORMS AND ETHICAL CONDUCT
OF THIS NOBLE PROFESSION.
PROFESSIONAL EXCELLENCE
ARCHITECT’S
I SHALL PURSUE MORAL AND PROFESSIONAL EXCELLENCE TO THE UTMOST
LEVEL OF INTEGRITY THROUGH INDUSTRIOUS DEDICATION AND MEANINGFUL
APPLICATION TO MY WORK THAT MERITS A REPUTATION FOR QUALITY OF
CREDO
SERVICES WORTHY OF FAIR REMUNERATION.
ETHICAL RELATIONSHIP
I SHALL PLEDGE MYSELF TO THE HIGHEST STANDARD OF PROFESSIONALISM IN
RELATION TO CLIENTS, COLLEAGUES, INDUSTRY PARTNERS, AND SOCIETY.
SHARING
I SHALL DEDICATE MYSELF TO THE PURSUIT OF CREATIVE ENDEAVOUR TOWARDS
THE GOAL OF ENLIGHTENED ART AND SCIENCE, GENEROUSLY SHARING IT.
RESPECT
I SHALL RESPECT THE RIGHTS AND WORKS OF MY COLLEAGUES IN THE
PROFESSION AND CONFINE MY COMMENTS TO CONSTRUCTIVE INTENTS.
LEGACY
I SHALL ENDEAVOUR TO DO MY DUTY IN THE PROTECTION OF OUR COMMON
ENVIRONMENT AND THE PRESERVATION OF ARCHITECTURAL HERITAGE FOR THE
SAKE OF THE PRESENT AND FUTURE GENERATIONS.
SO HELP ME GOD. AR. ROLAND JAY S. ELLOREN, UAP

58
ARTICLE 8
MISCELLANEOUS PROVISIONS

59
SECTION 9
- LIABILITIES & PENALTIES.
ANY REGISTERED AND LICENSED ARCHITECT OR A
GRANTEE OF A TEMPORARY/SPECIAL PERMIT WHO
VIOLATES ANY PROVISION OF THIS CODE SHALL BE
LIABLE UNDER SEC. 23 (F), ART. III AND SEC 29, ART. IV
OF RA 9266 AND UNDER SEC 23 (F), RULE III AND SEC .
29, RULE IV OF BOARD RESOLUTION NO. 7, SERIES OF
2004.
60
SECTION 9
- LIABILITIES & PENALTIES.
ANY REGISTERED AND
LICENSED ARCHITECT OR A
GRANTEE OF A TEMPORARY/
SPECIAL PERMIT WHO
VIOLATES ANY PROVISION OF
THIS CODE SHALL BE LIABLE
UNDER SEC. 23 (F), ART. III AND
SEC 29, ART. IV OF RA 9266
AND UNDER SEC 23 (F), RULE III
REVOCATION/ AND SEC . 29, RULE IV OF
CANCELLATION BOARD RESOLUTION NO. 7,
SUSPENSION/ REVOCATION
SERIES OF 2004.
61
SECTION 9
P100K TO P1 MILLION 6 MOS TO 6 YEARS

62
THE 2010 STANDARDS OF
PROFESSIONAL PRACTICE
(SPP)

63
DEFINITION OF TERMS
64
STATE
SHALL REFER SOLELY TO THE NATIONAL
GOVERNMENT OF THE PHILIPPINES

65
SPP
(STANDARDS OF PROFESSIONAL PRACTICE)
- IS A REQUIRED DOCUMENT UNDER SEC 41 OF REPUBLIC ACT

NO. 9266 (THE ARCHITECTURE ACT OF 2004) AND ITS
IMPLEMENTING RULES AND REGULATIONS (IRR)

66
COMMISSION
AS USED FOR THIS SPP AND THE
SUCCEEDING SPP DOCUMENTS
SHALL REFER ONLY TO THE
PROFESSIONAL REGULATION
COMMISSION (PRC ), DULY
CREATED UNDER RA NO. 8981
(THE PRC MODERNIZATION ACT
OF 2000)
67
BOARD
AS USED FOR THIS SPP AND THE
SUCCEEDING SPP DOCUMENTS
S H A L L R E F E R O N LY T O T H E
P R O F E S S I O N A L R E G U L AT O RY
BOARD OF ARCHITECTURE (PRBOA),
DULY CREATED UNDER RA NO. 9266
AND ITS IRR AND UNDER THE
SUPERVISION AND ADMINISTRATIVE
CONTROL OF THE COMMISSION.

68
DTI
- THE DEPARTMENT OF TRADE AND
INDUSTRY IS THE EXECUTIVE
DEPARTMENT OF THE PHILIPPINE
GOVERNMENT TASKED AS THE MAIN
ECONOMIC CATALYST THAT ENABLES
INNOVATIVE, COMPETITIVE, JOB
GENERATING, INCLUSIVE BUSINESS,
AND EMPOWERS CONSUMERS.

69
SEC
- THE SECURITIES AND EXCHANGE
COMMISSION IS THE AGENCY OF THE
GOVERNMENT OF THE PHILIPPINES
CHARGED WITH THE REGISTRATION
AND SUPERVISION OF
CORPORATIONS AND SECURITIES, AS
W E L L AS C A P I TA L M A R K E T
INSTITUTIONS AND PARTICIPANTS, IN
THE PHILIPPINES.
70
ARCHITECT /
ARCHITECTURAL FIRM
MAY BE USED INTERCHANGEABLY FOR SOME OF THE SUCCEEDING SPP

71
PROFESSIONAL/S
AS USED FOR THIS SPP AND THE SUCCEEDING SPP
DOCUMENTS SHALL REFER ONLY TO REGISTERED AND
LICENSED PROFESSIONALS (RLPS), ALL NATURAL
P E R S O N S U N D E R P H I L I P P I N E L AW A N D
JURISPRUDENCE WITH A VALID CERTIFICATE AND A
VALID PROFESSIONAL IDENTIFICATION CARD
(REPRESENTING THE RENEWABLE LICENSE) FOR THE
L AWFUL PRACTICE OF A STATE-REGUL ATED
PROFESSION OTHER THAN ARCHITECTURE.

72
CLIENT/ OWNER/
PROJECT PROPONENT
MAY BE USED INTERCHANGEABLY
FOR THIS SPP AND SOME OF THE
SUCCEEDING SPP.

73
SHALL ALSO MEAN
CONSTRUCTOR OR
BUILDER, AND MAY BE
USED INTERCHANGEABLY
FOR THIS SPP
CONTRACTOR &
GENERAL CONTRACTOR
74
BID & TENDER SHALL MEAN THE SAME.
IT REFERS TO THE CONTRACTOR’S PRICED OFFER TO THE CLIENT/OWNER FOR THE EXECUTION AND
COMPLETION OF THE WORK AND THE REMEDYING OF ANY DEFECTS THEREIN IN ACCORDANCE WITH THE
PROVISIONS OF CONTRACT.
75
ALTERNATIVE
DISPUTE
RESOLUTION
REFERS TO THE DIFFERENT WAYS PEOPLE
CAN RESOLVE DISPUTES WITHOUT TRIAL.
COMMON ADR PROCESSES INCLUDE
MEDIATION, ARBITRATION, CONCILIATION,
NEGOTIATION, & COLLABORATIVE LAW.
THESE PROCESSES ARE GENERALLY
CONFIDENTIAL, LESS FORMAL, AND LESS
STRESSFUL THAN TRADITIONAL COURT
PROCEEDINGS.
76
ARCHITECTURAL
DESIGN COMPETITION
AN ARCHITECTURAL DESIGN COMPETITION IN THE
PHILIPPINES IS A STRUCTURED EVENT WHERE
ARCHITECTS, DESIGNERS, AND SOMETIMES
STUDENTS ARE INVITED TO SUBMIT THEIR CREATIVE
DESIGN PROPOSALS FOR A SPECIFIC BUILDING OR
URBAN DEVELOPMENT. THESE COMPETITIONS AIM
TO GATHER INNOVATIVE AND DIVERSE DESIGN IDEAS
FROM PROFESSIONALS IN THE FIELD. THEY ARE
TYPICALLY ORGANIZED BY GOVERNMENT AGENCIES,
PRIVATE ORGANIZATIONS, OR EDUCATIONAL
INSTITUTIONS.
77
THE 3D WHEEL
OF ARCHITECT’S
SERVICES

78
GENERAL NOTES
ON THE SELECTION
OF THE ARCHITECT

79
DIRECT SELECTION
- REPUTATION
- PERSONAL OR BUSINESS
AC Q UA I N TA N C E OR
RECOMMENDATION OF A FRIEND
- RECOMMENDATION OF THE
ARCHITECT’S FORMER CLIENT
- RECOMMENDATION OF ANOTHER
ARCHITECT
80
COMPARATIVE SELECTION
- INVITATION
- PRE-QUALIFICATION
- INTERVIEW
- VERIFICATION
- EVALUATION & RANKING
- NEGOTIATION AR. ROLAND JAY S. ELLOREN, UAP

81
ARCHITECTURAL DESIGN
COMPETITION (ADC)
- IS USED FOR CIVIC OR MONUMENTAL PROJECTS. THE
COMPETITION MAY EITHER BE AN IDEA COMPETITION,
DESIGN OR DESIGN BUILD COMPETITION. VARIOUS
ARCHITECTS OR ARCHITECTURAL FIRMS SUBMIT PLAN/
DESIGN SOLUTIONS TO A PARTICULAR DESIGN PROBLEM
AND ARE JUDGED ON THE BASIS OF COMPETITIVE
EXCELLENCE.
82
ADC
ADVANTAGES DISADVANTAGES
- PROCESS MAY BE EXPENSIVE AND TIME
- OPPORTUNITIES WILL BE CONSUMING.
O P E N O N LY T O P R C - - THE TIME AND EFFORT REQUIRED MAY
DISCOURAGE QUALIFIED FIRMS FROM
REGISTERED AND LICENSED PARTICIPATING.
ARCHITECTS (RLA’S) OR PRC- - SOME POTENTIALLY UNSCRUPULOUS
PROSPECTIVE CLIENTS WILL SEEK FREE
REGISTERED ARCHITECTURAL SERVICES UNDER THE GUISE OF DESIGN
FIRMS (AF’S) COMPETITION. ARCHITECTS MUST ALWAYS BE
CONSTANTLY AWARE THAT OWNERSHIP AND
COPYRIGHT ISSUES UNDER SECS. 20 (4) AND
- THE CLIENT/COMMITTEE WILL 33 OF RA 9266 MUST BE FULLY ADDRESSED
HAVE A WIDER RANGE OF UNDER ALL ARCHITECTURAL COMPETITION
RULES.
OPTIONS.
83
THE PRE-DESIGN SERVICES HAS A WIDE RANGE OF
PROCESS BECAUSE THIS IS WHERE PLANNING
USUALLY TAKES. GATHERING DATA, ANALYZING,
PLANNING ARE CONSEQUENTLY THE BEGINNING
PROCESS FOR ARCHITECT’S SCOPE OF SERVICES.
THIS INCLUDES; CONSULTATION, PRE-FEASIBILTY
STUDIES, FEASIBILITY STUDIES, SITE SELECTION &
ANALYSIS, SITE UTILIZATION AND LAND-USE STUDIES,
ARCHITECTURAL RESEARCH, ARCHITECTURAL
P R O G R A M M I N G, S PAC E P L A N N I N G, S PAC E
MANAGEMENT STUDIES, VALUE MANAGEMENT, DESIGN
BRIEF PREPARATION, & PROMOTIONAL SERVICES,
INCLUDED ALSO ARE THE MANNER OF PROVIDING
PRE-DESIGN
SERVICES WHEREIN THE ARCHITECTS STATES TO THE
CLIENT THE SCOPE OF WORK, MANNER OF PAYMENT,
OWNER’S RESP ONSIBILIT Y, FINANCIAL AND
CONDITIONS SERVICES. METHOD OF COMPENSATION
IS ALSO WHERE THE ARCHITECT IS CONCLUDING THE
RATES. FINANCIAL FESS AND OTHER EXPENSES.
SERVICES
84
ON THIS TYPE OF SERVICES, DESIGN ILLUSTRATION
ARE BEING PROCESSED. TO GIVE CLIENT SOME
VISUAL PRESENTATIONS AND EXPOUNDING SONE
OF THE WORKS, THESE MAY INCLUDE; PROJECT
DEFINITION PHASE, SCHEMATIC DESIGN PHASE,
DESIGN DEVELOPMENT PHASE, CONTRACT
DOCUMENTS PHASE, BIDDING OR NEGOTIATION
PHASE & CONSTRUCTION PHASE. THE OTHER
CONDITIONAL SERVICES ARE CONDITIONS FOR
THE ARCHITECT’S FEE, PRESENTATIONS (SUCH AS
SCALE MODELS, 3D MODELS AND WALK-THRU),
EXPENSES (SUCH AS TRAVELLING EXPENSES,
PROJECT CONSTRUCTION COST, PROJECT
DEVELOPMENT COST, COST RECORDS, AND
ESTIMATES), PERIODS OF CONSTRUCTION DESIGN
SERVICES
(INCLUDES SPECIAL CONSULTATION AND
CONSTRUCTION SUPERVISIONS) AND OTHER
DOCUMENTS (LIKE GOVERNMENT TAXES AND
SERVICES, OWNERSHIP OF DOCUMENTS, AND
DESIGN AND PLACEMENT OF SIGNS). AR. ROLAND JAY S. ELLOREN, UAP
85
ARCHITECTURE IS A BLEND OF ART AND SCIENCE, WITH AN AESTHETIC
FOCUS IN ITS CURRICULUM. ARCHITECTS CONSIDER FORM, MASS,
PROPORTION, COLOR, AND VISUAL APPEAL, WHILE ALSO FOCUSING
ON STABILITY, SCIENTIFIC BUILDING TECHNOLOGY SYSTEMS, AND
CONSTRUCTION ANALYSIS.
SPECIALIZED ARCHITECTURAL SERVICES HAVE GAINED SIGNIFICANCE

DUE TO EVOLVING TECHNOLOGY AND CONSTRUCTION TRENDS.
THESE SERVICES ENHANCE THE ARCHITECTURAL COMPONENTS OF

PROJECTS AND ENSURE ADHERENCE TO HEALTH, SAFETY, AND
WELFARE STANDARDS.
EXAMPLES OF SPECIALIZED SERVICES INCLUDE ARCHITECTURAL

INTERIORS, ARCHITECTURAL LIGHTING AND DESIGN, ACOUSTIC
DESIGN, SITE PLANNING AND DEVELOPMENT, HISTORIC AND
CULTURAL HERITAGE CONSERVATION AND PLANNING,
CONSTRUCTION MANAGEMENT ARE GAINING RECOGNITION FOR
ARCHITECTS’ EXPERTISE IN MANAGING COMPLEX CONSTRUCTION
PROJECTS.
ARCHITECTS PLAY A CRUCIAL ROLE IN HISTORIC AND CULTURAL

HERITAGE CONSERVATION AND PLANNING, PRESERVING AND CONSTRUCTION
SERVICES
RESTORING SIGNIFICANT STRUCTURES WHILE RESPECTING CULTURAL
HISTORY.
FORENSIC ARCHITECTURE IS AN EMERGING FIELD WHERE ARCHITECTS

ANALYZE BUILDING DETERIORATION, RECOMMEND RETROFITS, AND
ENSURE STRUCTURES’ LONGEVITY IN A COST-EFFECTIVE MANNER.
86
BUILDING ADMINISTRATION AND MANAGEMENT GOES
BEYOND MAINTENANCE AND UPKEEP FUNCTIONS. IT
REQUIRES THE SERVICES OF A MULTI-DISCIPLINARY
PROFESSIONAL WHO CAN PERFORM A WIDE RANGE OR
FUNCTIONS FOR THE EFFICIENT AND ECONOMICAL
OPERATION AND MAINTENANCE.
IN POST-CONSTRUCTION SERVICES, THE CHANNELS OF

COMMUNICATION ARE KEPT OPEN AMONG THE
BUILDING OWNERS, OPERATORS, ARCHITECTS,
ENGINEERS, BUILDERS, MANUFACTURERS, BUILDING
RESEARCH GROUPS, UTILITY PROVIDERS, FURNITURE AND
EQUIPMENT VENDORS AND BUILDING ADMINISTRATORS/
PROPERTY MANAGERS TO PROVIDE ACCESS TO
INFORMATION REGARDING THE PERFORMANCE AND
UPKEEP OF BUILDINGS.
THE ARCHITECT MAY BE ENGAGED AS THE BUILDING
POST-CONSTRUCTION
ADMINISTRATOR AND/OR PROPERTY MANAGER OF A
C O M M E RC I A L , I N DU ST R I A L , R E S I D E N T I A L O R
SERVICES
INSTITUTIONAL BUILDING, FACILITY OR COMPLEX TO
MAXIMIZE THE LIFESPAN OF THE BUILDING/S IN ORDER
TO PRODUCE THE MAXIMUM ECONOMIC RETURN.
87
COMPREHENSIVE ARCHITECTURAL SERVICES
REFERS TO THE RANGE OF PROFESSIONAL
SERVICES THAT COVERS PRE-DESIGN SERVICES,
SPECIALIZED ARCHITECTURAL SERVICES,
C O N ST R U C T I O N S E RV I C E S A N D P O ST-
CONSTRUCTION SERVICES.
IN THIS EXTENDED DIMENSION, THE ARCHITECT IS
THE PRIME PROFESSIONAL. HE FUNCTIONS AS
CREATOR, AUTHOR, AND COORDINATOR OF THE
BUILDING DESIGN WHICH BECOMES THE BASIS
FOR THE CONSTRUCTION OF A PROJECT. IN
ORDER FOR HIM TO BE ABLE TO PROPERLY ASSIST
AND SERVE HIS CLIENT, THE ARCHITECT HAS TO
BE KNOWLEDGEABLE IN OTHER FIELDS IN
ADDITION TO BUILDING DESIGN.
COMPREHENSIVE
THE ARCHITECT IS NOT EXPECTED TO PERFORM ARCHITECTURAL SERVICES
ALL THE SERVICES. RATHER, HE IS TO ACT AS THE
AGENT OF THE CLIENT IN PROCURING AND
COORDINATING THE NECESSARY SERVICES
REQUIRED BY A PROJECT.
88
BY ADMINISTRATION
THE BUILDING INDUSTRY AND THE ARCHITECTURAL
PROFESSION HAVE DEVISED SEVERAL METHODS OF
PROJECT DELIVERY WITH THE ULTIMATE GOAL OF
HANDLING PROJECTS IN THE SHORTEST POSSIBLE
TIME, AT THE LOWEST POSSIBLE COST AND AT AN
ACCEPTABLE QUALITY AND PERFORMANCE.
AN ARCHITECT WITH HIS EDUCATION, TRAINING
AND EXPERTISE QUALIFIES HIM TO TAKE A DIRECT
ROLE IN THE PROJECT, FROM CONCEPTUALIZATION
TO IMPLEMENTATION.
DESIGN-BUILD DESIGN-BUILD SERVICES SIMPLIFIES AND EXPEDITES

THE
SERVICES AR. ROLAND JAY S. ELLOREN, UAP

89
WITH GUARANTEED MAXIMUM
PROJECT CONSTRUCTION COST
THIS METHOD IS ESSENTIALLY THE SAME AS DESIGN-BUILD SERVICES
BY ADMINISTRATION EXCEPT THAT THE ARCHITECT PROVIDES THE
OWNER/CLIENT A GUARANTEED MAXIMUM PROJECT CONSTRUCTION
COST FOR THE CONSTRUCTION OF THE PROJECT.
THE ARCHITECT GIVES THE OWNER/CLIENT AN ESTIMATE OF THE
PROJECT. IF UPON COMPLETION, THERE IS REALIZED SAVINGS FROM
THE ESTIMATED PROJECT CONSTRUCTION COST; THE SAVINGS IS
DIVIDED EQUALLY BETWEEN THE OWNER/CLIENT AND THE ARCHITECT.
THE PROJECT CONSTRUCTION COST GUARANTEED BY THE ARCHITECT
NOT TO EXCEED 10% OF THE ESTIMATED PROJECT CONSTRUCTION
COST. SHOULD THE ACTUAL COST EXCEED THE ESTIMATED PROJECT
CONSTRUCTION COST PLUS 10%, THE ARCHITECT SHALL BE LIABLE
FOR THE EXCESS AMOUNT BUT ONLY UP TO THE AMOUNT OF HIS
ADMINISTRATION FEE.
SHOULD THERE BE ADDITIONAL EXPENDITURES BEYOND THE
GUARANTEED MAXIMUM PROJECT CONSTRUCTION COST WHICH ARE
DUE TO LEGITIMATE CHANGE/VARIATION ORDERS. EXTRA WORK
ORDERS, SUBSTANTIAL ESCALATION OF PRICES OF THE COSTS OF
DESIGN-BUILD
MATERIALS OR LABOR AS EVIDENCED BY DATA CERTIFIED BY A
NATIONALLY RECOGNIZED AGENCY SUCH AS THE NATIONAL
ECONOMIC DEVELOPMENT AUTHORITY (NEDA), OR TO OTHER CAUSES
SERVICES
NOT ATTRIBUTABLE TO THE FAULT OF THE ARCHITECT, THE
ADDITIONAL COSTS SHALL BE BORNE BY THE OWNER/CLIENT.

90
ARCHITECTURAL
DESIGN COMPETITION
- THE PURPOSE OF THIS STANDARDS
OF PROFESSIONAL PRACTICE FOR
COMPETITION (ADC) IS TO STATE THE
PRINCIPLES UPON WHICH
COMPETITIONS ARE BASED AND BY
WHICH PROMOTERS/OWNERS SHOULD
BE GUIDED IN ORGANIZING ADC’S. IT
HAS BEEN DRAWN UP IN THE INTEREST
OF BOTH PROJECT PROPONENTS/
OWNERS AND COMPETITORS.

91
COMPETITION
Supermanoeuvre, Sydney
Cullinan Ivanov, Sydney
92
OWNER
- THE PERSON OR ORGANIZATION THAT
UNDERTAKES OR PROMOTES AN ADC WITH
THE PRIMARY OBJECTIVE OF OBTAINING
EXCELLENCE IN DESIGN FOR A PROJECT OR
FOR A DEVELOPMENT CONCEPT. THE
OWNER ISSUES THE INVITATION TO
ARCHITECTS TO SUBMIT PLANS/DESIGNS IN
ACCORDANCE WITH A PROGRAM AND
FINANCES THE ADC.

93
JURY
- THE PEOPLE APPOINTED BY THE OWNER TO
ASSESS THE ENTRIES TO THE COMPETITION.
THE MEMBERS OF THE JURY ARE CALLED
JURORS. IT CONSISTS OF A MAJORITY OF
REGISTERED AND LICENSED ARCHITECTS
ASSISTED BY A LAY JUROR TO REPRESENT AND
VOICE THE INTENTION OF THE OWNER. THEY
ARE NOMINATED BY THE OWNER AND
A P P R OV E D BY T H E I N T E G R AT E D A N D
ACCREDITED PROFESSIONAL ORGANIZATION
OF ARCHITECTS (IAPOA).

94
PROFESSIONAL
ADVISOR
- AN ARCHITECT NOMINATED BY
THE OWNER AND APPROVED BY
THE IAPOA TO ORGANIZE THE
ADC ON BEHALF OF THE
OWNER.

95
TECHNICAL
ADVISOR
- SPECIALIST PERSONNEL WHO
MAY BE CONSULTED BY THE
JURORS DURING THE CONDUCT
OF THE ADC ON BEHALF OF
THE OWNER.

96
COMPETITION
SECRETARIAT
- THE BODY FORMED BY THE OWNER
AND APPROVED BY THE
PROFESSIONAL ADVISOR, TO ASSIST
THE PROFESSIONAL ADVISOR, TO
A S S I ST T H E P R O F E S S I O N A L
ADVISOR AND THE JURY IN THE
ADMINISTRATIVE CONDUCT OF THE
ADC.

97

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PROFESSIONAL PRACTICE 2

BS ARCHITECTURE 4 (AY 23-23, 1ST SEMESTER)

AR. ROLAND JAY S. ELLOREN, UAP

COURSE CREDIT: 3 UNITS / PRE-REQUISITE: PROF PRAC 2

AR. ROLAND JAY S. ELLOREN, UAP

5 CONSECUTIVE / NON-CONSECUTIVE ABSENCES WITHOUT ANY

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

- FIRST ARCHITECT TO BE CONFERRED THE ORDER OF NATIONAL ARTIST

- WENT TO THE US, GRADUATED W/A DEGREE IN CIVIL ENGINEERING, ALSO

- IN 1933, HE FOUNDED THE PHILIPPINE ARCHITECTS’ SOCIETY, NOW

- GRADUATED AT THE UNIVERSITY OF LONDON EARNING A DEGREE IN

- HIS DESIGNS WERE NOTABLE FOR HAVING STRONG ART DECO

- NATIONAL ARTIST FOR ARCHITECTURE IN 1976, 1 YEAR AFTER HIS DEATH

- THIRD NATIONAL ARTIST FOR ARCHITECTURE.

- KNOWN FOR HIS CREATIVE APPLICATION OF

AR. ROLAND JAY S. ELLOREN, UAP

- NATIONAL ARTIST FOR ARCHITECTURE IN 2006.

- KNOWN AS THE FATHER OF LANDSCAPE ARCHITECTURE IN THE PHILIPPINES.

- SERVED AS THE FIRST PRESIDENT OF THE PHILIPPINE ASSOCIATION OF

- MAJOR PROPONENT OF NEOVERNACULAR ARCHITECTURE IN

- EARNING HIS KEEP AS THE LAST (TO DATE) NATIONAL ARTIST

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

THE LAST SERVING PRESIDENT OF THE

AR. ROLAND JAY S. ELLOREN, UAP

IN 1925, HE ESTABLISHED THE

AR. ROLAND JAY S. ELLOREN, UAP

THE UNITED ARCHITECTS OF THE PHILIPPINES WAS FORMED

AFTER THE WAR, THE PHILIPPINE INSTITUTE OF ARCHITECTS (PIA)

THE UAP AIMED TO UNITE DIFFERENT ARCHITECT ORGANIZATIONS

THE UAP PLAYED A ROLE IN BROADER PROFESSIONAL NETWORKS,

OVERALL, THE PASSAGE PROVIDES A COMPREHENSIVE OVERVIEW

THIS ACT WAS ENACTED ON JANUARY 28 & 29, 2004, RESPECTIVELY.

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

THE ARCHITECT’S HONESTY OF PURPOSE MUST BE BEYOND REPROACH; HE/SHE ACTS AS

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

THEIR BUSINESS RELATIONSHIP, THE EXACT

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP

AR. ROLAND JAY S. ELLOREN, UAP