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Class 4
Class 4
Class 4
Imagine a whisper and a scream on the same audio track if they were the same
difference in loudness as they are in real life it would be pretty distracting. Compressors work
by (to attenuate/attenuating) the loudest parts of your signal and (to boost/boosting) the
result. After compression the quieter parts of the signal are more apparent since the dynamic
range has been reduced.
When you're (to dial/dialing) in a compressor you have (to listen/listening) for the
signals dynamics not its timbre, as you adjust your settings, ask yourself: What parts of my
signal are (to become/becoming) more apparently loud, what's happening to my transients
and dynamic range? Is it obvious where the gain production is (to occur/occuring), am I ( to
make/making) things worse? Most common settings on a compressor are threshold: ratio
attack and release.