To the H onourab le ,

The Lad y H O . ARD .

MA DA M ,

Ere i t i n h
t e pow e r of Mu fick to a bate th ofe
fi rong l mpr e fi i ons of Gri ef wh i ch h ave
c on ti n u e d u pon me e ver fi nce t h e Lo fs of
-

my d e ar l a m e n te d H u sb a n d t h e r e ,
a r e fe w ( l b e l i e v e )
w ho a e r fu r n i fh e dw i th l a r
g e r o r b e tt e r fu
pp l i e s o f C o m
m
zx

Sci t ce than h e h as l eft me i n h i s ow n

,

a n d i n t he Sa t i s fa c ti -

ar e n ot mO re v al u ed by me (w h o
fon d to a P ar ti ali ty o f a l l that w as
w h o ar e n o l efs fi dger tha n P a tr
I fi nd Mad am 1 have al read y fai d e nough to ju fti fie
’
, ,

t h e P refi i App li cati on to Y our Lad i i h i p ,

w h o h ave e fe C haraé ter s to the man ex

y
ce l le nt Qua l i ti es w h i ch make YO u the Ad mi r ati on of
,

a l l t hat kn ow Y ou Yo u’ r Lad i lh i p s extraord i nar y ski ll

.
’

i n Mu fi ck b ey on d mol t o f ei th e r Sex a nd Y o ur g r eat

, ,

Good nefs to t h at d ear P erfon w hom Y ou ha ve fome ,

t i me s b ee n p leafed to h on ou r w i th the T i t le of Y o u r
Mai l er makes i t har d for me to jud ge w hether be con;
,

t ri bu ted mor e to t h e vafi I mpr oveme nts Y ou h ave

made i h that S c i e n ce or Y o ur Lad i lh i p to the R ep u ta
,

t i on h e a i n d i n th e Pr ofe lfi on of i t : F or I h av e ofte n
’

g
h ea r d h i m T h at a s l eve r al of h i s b elt Co mpofi ti ons
d efi n d for You r L ad i i h i E
’

w e re o r i i t tai n
'

g g s n er
p
me nt fo r
, i ns h e b e ll ow ed i n fi tti ng the m for Y ou r
Iz a r w e re ab und an t ly r ew ard ed b y th e Sat i sfaéti o n h e
,

h as r ece i ve d fr o m Y o u r A pp robat i on a nd ad mi r ab le ,

P er formanc e o f the m w h i c h h a s b el t r e c omme nd e d

,
’

b o rh th em a nd th ei r Au th or t o a ll t hat h a ve had the

h app i nefs o f hea ri n g the m fr o m Y o u r Lad i lh i p .

An other
 Tbe D edi ca l ém .

d
An oth e r g reat a va n ta g e to w h i ch my H us b an has ,
d
p d
i m u te t he fu c ce fs of h i s La b o rs a n d w h i ch may
'

p d
b elt lea for Y ou r Lad i lh i p s fa v ou rab le Acce tance ’

p
re at j u l t nefs b o t h of
’
o f th i s C o l le cti on h as b e en t he, g
T h o ug h t a nd N u mbe r s w h i ch h e fo u n d i n the P o et r y
o f o u r m o ll: r e fi n d W r i te r s a nd a mo n t h e m o f t ha t
’

g , ,

\
H on o u r a b le Gen tl e ma n w h o h a s t he d e a re fi a nd mo l t
,
’

d e l er ve d R e la t i on to y o u r S el f a nd w hol e E x e ll en t ,
c
C o m oli ti o n s w e re th e S u bject o f h i s l a ll a nd b el t l e r
'

p
for ma nce i n M u li ch .

T h u s Ma a m , d Y
o ur Lad i lh i
, h as ever y w ay the p
l
’
j u t e ll: T i t l e to t h e P a t r o n a
g e o f t h i s B o o k t h e P u b l i ,

c c d
a ti on o f w h i h u n e r th e a u f i ci ou s I n fl u e nc e o f Y ou r
,
p’
N a me i s the bell: (I h ad a l mo l t l ai d t he on ly means
,

I h ave l eft o f Te l t i fy i ng t o the W o r l

‘
’
my d e fi re to d ,

p y
a t h e l a l ’
r H on o u r s t o i t s ea r A u t h o r Y o u r d
L a y ,
d
lhi p havi ng g e ner ou fl y re ve n te my i nte n e P erfor p d dd
c
man e o f t h e D u t y l owe to h i s All i es b y erecti n g a fai r ,

Monument over them a n d g ra i n g i t w i th a n l n l cr i pti

,
c
o n w h i h may
‘

c p p
er e tu a te b oth th e M ar b le a n d h i s Me
mo r y . You r Gener ofi t y w hi h w as too larg e t o be ,
c
c onfi n (1 ei th er to h i s Li fe or h i s Per fon h a s a l fo exten , d
e d i t felf to h i s P olte r i t y o n w h o m ,

h as been pleas d to en tai l

’

w i th a ll Gr a ti t u e b e a d ,
as th e m oll: v a l u a
p
ble art of thei r I n he r i tan e b o b y them and c , ,

’
Y O U R L AD I S H I P S

M o] ? al li g d a nd W/Z Ha méle Ser vant

’
‘

, ,

F r P ur cell
. .
 T H E

B ook feller to th e e a der .

H er ea r thi s E xcel/eat Co lleei i oa was a efig a a to ha ve hooe

’ ’ ’

V
‘‘ ’

P a hli/h a fome eoafia er a hle Ti me l efor e now the R eafoa

’
’
’ ‘

o i tr elela , wa r to ha ve i t a t eom lea t tl J po i hly i t t oa la he ma el e

fl
’
f y p ,

hoth i rt rega r a to the M emory of t ha t g r ea t M afler a aa the S a

’ ’
'

ti rfa el i oa o a ll tha t l a i t oa to ma ke a meaa r to tho G entle

f’ f
’ ’
‘
-

y A. e

men a nd La a i er whofohfer i ha ea r ly totha W or k they wi ll her e fiael

’
’

a o Aa a i ti oa o f hooe Thi r t S oa r mor e tha n wer e a t

fi fl
’ ’ ’ ’

a
y g r
p r o
p or a
-

whi t h ( eoa a er i a the extr a or di na r t ha r e o P a er SCC a t thi t

fi ’ g
’
y g f p ,
.

ti m e) i t a n a aeli ti oa a l Ex ea t e to we tho I ho e the Com lea tae r

f
’
'

p , p p
o the W o
f l i ll m m T hl T h h
’
C A
’

w
r e r et o
p ezzee
y a r e a aa r oa e e . e t er s

extr a or di oar Ta lent i n a ll for ty o M a eh i t fit i ei eatl haowa h

y f fi fl y at ,
’
c
ho wa r efpet i a lly a el mi r a for the V o a l hat/ lag a peea li a r Geai zos
’

,
’

to expr efr the E nergy of E n l i lh W or a r wher eh he moo a the

’ ’ ’

g ’ y
,

P a/floor of a ll hi s Aa a i tor r a e i oa oot ha t the P a r eha er

Aa a I o fi
’

f
’

.
[
,

wi ll he ver well plea t a i n the Choi te o l hlf Collee h h

’
f l i i i ll
’

y oa , w t w
he a g r eat Sa ti tfa el i oo to
‘

Your H umble Serva n t,

“

Hero Playfor el
.
A11 0 D E on the Death f Mr o . H enr y fl nother O de
'

on the
f mea occa
fi on .
y
lB
P urcell . W r i tten hy Mr . D ryden .

Ark how the La r a nd Li nnet Si ng, k

T hou, w ho a mong the t unefu ] N i ne, l
W t h r v a N otes i i l I n mournfull Me o y ar t h ef ld C i
T hey ll rai n the i r w a r ng T bli
I n M ufick, w i ng d w i th S ghs , fe ar,
’

d l
i
.

I
lc
w e ome i n the S pr n
g A f i
econd O rpheus to e ore
p
B ut i n the c lofe of N ght, i
Se on i n T me, but F i rlt i n Fa me c d i
W hen P hi l omel eg ns her Heav nly Lay b i T o hi m n F cti on ga e a N ame
’
b li d i v .

T hey ceafe the r mutua fpi ght, i l

he t ruthlefs Ta es, w h h fra nti ck P oets te l l ic l
D ri nk i n her Mufick w th D e g ht, i li
O f Theher, and mo i ng Stones, a nd Journey s v
’
And l i ll ni ng and frlent, a nd fi lent and l i ll ni ng,
’

( ow n toHell, d
(a nd l i lt n i ng and filen t o ey W ere on y P ro he i es of Mufick s for e w
’

p
a e w on erfu y feen fulfill d i n Thee
, h h b .

H v
l
d ll
c ’
’
c ic
(we .

W hat mor ta Harmony ou do l c d ’

N o Mor ta l e erv k new,

So ceas d the r i a
’
v lC
rew w hen P ur cel l ame
,
'

c Ti ll thy t ranfcendent G eni us c a me (fl ame

l
,

They Sung no more , or on y Sung hi s Fame W hole fi rength furpals d the P rai fes of F e eri k
’

c
S truck d b
um t he a ll ad mi r d t he
y o e M an :
li k
’
G dli k
.

W hofe R aptures w i for e er w ant a N ame ll v

w il
.

The God e Ma n O ut of t h
O rb a h e
y
bl
-

l
A as ! t oo foon ret i r d,
’

C
( ontent to w an er here e ow) d
A s he too ate egan l b . Thou di d fi v ouchla fe to blels our l lle,
’

W e beg no: He our O rpha n to refl ore ll i i C

(W th h gh ommands from Heaven, for ought
Had he een there, b T o try fed i ti ous Jarrs to re on i e [We know) c cl
i i l
.

T he r Sovere gns fea r B ut Difrat a, i n a fri g htfu ] for m

Had fen t h i m a efore b ck b . i
W th a l l her e ti nue of W a r,
,
R
T he pow r of Harmony too w e they new ,
’
ll k D
T he rum the P u p t, a nd the Ba rr , l i “

’
i
He lo ng e re th s had T u n t he r j arri ng Sp here,
’
d i c ki C
T he roa ng r ow s tumu tuous noi fe
,

d l
l
And eft no e elow H ll b . v
And e ry hoarfe O ut landi lh o e,
’ ,
-
v ic
P r oclai md lo ou th i mpendi n S torm
’

g l d ’

d c
,
That fri ghte hen e, thou di dll for Refu e fl
g y,
(hi gh T o reafiume t hy S ta t on i n the Sk i
T he Heav nly Qui te, w ho hear hi s Notes from
’
d
,
H vv
T here ea en y aro s to com ute and li n
H p
y
l C l
g,
i
d cl
L et ow n the S a e of M ufick from the S ky To ea ens harmoni ous K n
g
x ic
.

T hey han e hi m a ong, dd ( y S ung

t he l W here rapt i n tranfpor ts o f E ta t Son
g,
c
.

Ami dll th i nfpi r d Seraphi thron

’ ’

And all the w ay He taught, a nd a ll the w ay

Y e B rethren of the L y r e, a nd tunefu ] oi e, l V c Crow n d w i th Cre lell i al e er oom n Ba
’

Thou area di lfol v d i n

g
g ys ’
v bl -
i ,

L a ment h i s lot, but a t y our ow n rej oy ce

li v
.

N ow e fecure a nd nger out y our a s ,

y li d
Gd
T he o s are p leas d a one w th P ur eefl r L ayer,
’

l i ’

k
N or now to men thei r hoi e d
A La mentati on C c .

’ f or the D eath o
f Mr Henry .

P urcell S C“ to Mi l/{Ck by 17 115 B r o

.

i
Mr ,
D ani el P ur cell .

Thi s Ode i s S ett to Mufick hy Dr B low ,

T he Wor ds by N T a te, E
.
‘

a nd may he hound u wi th thi s Collefi i on

p .
/ qs .

Afi loom Mi l t o erfpreads the P a ns li

’

ore G oom y
y r efthe N y mphs St S wai ns ~ Gi
The S hep herd rea s hi s tunefull Ree
i
HIS pi n ng F o s refufe to feed
,
b
l ck
k '

d
l Gl d
.

S i ent a re the Law ns and a es ,

 The Hi l ls the Vales,the Groves theD ales
'

, ,
.

d
'

fi l l fileii f as E li z i a n S ha es
'

’
”
‘

N o more they S ng, no more Rej oy ce,

”

i
Eccho her lelfhas oll her oi e
‘

l V c .
k
Mar how the melanchol y F lute,
Ji
o ns i n l ad C onfor t i
w t h the a morous L a te,
i
Lament ng D a mon s haplefs Fate :
’

F rom hi m they learn d to te l t he Lo er s are,

’
l v ’
C
i
A Si gh ng W i n , a Ma rm ri ng ,

i
d
cc
Rill C
W i th loft omp a nts to mo e t he rue F a r,
cl
li vc c l i
H
O ur Ears w th dolefull A ents ti l ] T o a m her Anger, and to hange her a te.
aT he
y a re hear , a nd o ne y t hey , d l v i
The ar ous O rg a n ta ught by D a mon s hand
’

F or fadly thus they leem to fay , li

A ho er P a ll i on t o ommand, c
T he Joy , the P r e of Spr ng i s ea id i D d vi
T he ro ng Fan y t o refine, c
di v i
,

T he S ou of armony i s fl edl H . And fill the ra vi lh d S ou] w th harms ne ;

’
i C
P l ea fure s fl ow n from All i on s S hore,
’ ’

l i
N ow i n oud S g hs emp oy s i ts t unefu B rea th, l l
W i t a nd M rth s r ght e gn i s o er, i ’
bi Ri ’
id
And b s ea h fec ret S oun confpi re c d
S r ph n
t e o an d M ufi ck a re no m or e ! T o mou rn i ts ar ng D a mon s D ea th, d li ’

And W i th confien ti ng Gr i efto form one numr ous

'

Si n c e N ature th us pay s T ri ute to hi s U n,

r b ee p al l Mufes
’

Damon s Herfe,
(C h i o r

lhould a fad, forfaken B rother mourn W

’

ye , weep o re

And pay the g rate u l

f Honors ofy our V erfe .

An O de or the Con or t at Y ork B ui ldi ngs ,

f f
b
-

f M P urcell Ceafe , ceafe, y e Sons of Art, for ear '

the Dea th 3}
p v
'

u on o r. .

T o aggr a ate y our ow n D efpai r

'

olle e
J T.albot, F ellow
f
o T ri n i t
y C
g Coale to l a ment y our Learned h ef C i
i n C ambri dge i
W th fr ui tlefs S , a nd hopelefs r ef 5 k ill Gi
bl
.

For fure, i f Morta s here e ow l

O ught of D v ner B e ngs now , i i i k
Eep, a ll y e Mules, w eep o re D amon s Herfe,
’ ’
l
Da mon s arge M n nforms lome act e S phere,
’
i di -

iv
lH c cl
And i r es i n me o ous a ptures t here ; l di R
c
And pay the gratefu onors o fy ourV er fe:

E a h mournfull S tra n i n laddefl A ents drefs, i cc i

Mi xd w t h hi s F e ow C hori fi ers a ove,
’
ll b
bi b H v
-

i
H i s F ra les, a nd y our S orrow s to eX prels .
I n the r ght O r s o f ar mony and L o e .

Y e S ons of Ar t, a ment y our Learne hi ef l dC

i
W th a l l the S and armony of r i ef k ill H G w
ib bi The f g defig n d for Mr
’

H l i ollo L i nes
'

T o Da mon s orle y our tunefu ] T r ute r ng,

’
n w er e .

W ho taug ht ea h N ote t o lpea , and e very c k P urcell

’
s Monument ; whi ch hoi n
g fp
a

(M f t l l d
’

b otter H and, the Author o thi s

f
u ng
e o i .

py y a h
I nfer ipti on, i n Venera ti on to the Memory
’

f tha t Gr ea t Met/tor , pr efixes i t hi s

k
Har ! how the W arl i Tr umpet groans, k e
o to

T he W ar e Tr umpet fad ly moans , li k Golden Rema i ns .

l nll ruéted on e by D amon s Ar t c ’

T o w arm the acti e S o i er s eart, v ld ’

H Memor i a Sacr nm H P .

C
,

T o l often D anger, fw eeten are,

And fmooth the rugge T o s of W ar, d il En ! Marmor l o uaz
q
ow w th lh ri ll i
r ef, a nd me an ho y S trai ns Gi l c l (l ,
h eu p i e
r d o o r e) l
O f Damon s eath, and Alhz on s L ofs omp a ns
’
D ’ ’
c li .
L acry mas h i lla ti m fu ar d
M anes P urcellz lacros,
‘ '

T he fpri ghtly H oot hay s , a nd gay Vi oli n, (l ui fq ui s es, ator, Vi

v
-

B y D a mon ta ught to harm the l i ft ni ng E ar, c '

i
S ll e ac enerare
b
.

T o fill the ecchoi ng T heatre, E he u ! q uam fubi to O r i s armoni i H c

ic l i
And w th r h Me ody a orn ea h S ene ; d c c P r ocubui t Col umen
i v
Forg et the r nat i e Chear fulnefs ,
D H
ill
Angli acus e A ni pht on, O r phew , Apollo,
i
'

i d
he r w onte Ai r a nd V i gdr to exprefs ,
‘ ’

eus ar mon a: [ ta le A ngli a , -

nd i n ea d dd l l ‘
o efu S ou nd s Z tunelefs ri ef con G Cer té Cor al/i ns
Art s Mul i cee i
W eep a ll y e Mufes , w eep o re D a mon s
’ ’
H orle, P erquam d i fli ci l i s
And pay the gratefu onors of y our lH Ver le Fa eCoophre nr cil
v
. .

P er acuta Muli cae vi é tor i hat o ans.

 VI
W hen ! thy happy Compofiti ons V i ew,
g o

E heu !
xm
q ua
a rcefc i t
m bi v i
re
i m
T he P arts fo proper find , the Ai r (0 new ,
Y Cd c
a en e j ufl , y o ur A
’

cc v
P re ngen ent e er true

v id q i pp
co u our

I n N atura Juvenem
a u e How can l e re enough the Man a m re,
’

’
d i
Arte lenefcentem, c orri pui t W ho s ra i s d the B r i ri /h o re the Thr a ci an Ly re !
’ ’

v b
.

Arm d efi ne tande m

-
T hat B ar e/ cou d ma e the S a age n o ey ,
’
k -
ki d
M i feranti s q uxri moni ae : B ut t hou ha i l tam d y et greater B rutes tha n they
’

N on O mni s mor tur,

V i v unt Sy mphon i te i mmortalesi
i W ho e r e e P a r cel!
’

li k
ou d o ur P a li i ons mo e ! c
li l
’

v v
W ho ever fang fo fee ng y of Lo e !
Ang elorum hori P a r cellnm li i pantes, C W hen Thyr/i s oes i n d y ng N otes omp ai n d i c l
N eé tar i s i mmemores , Hi s ha plefs Lo e, a nd P hi l/i s o D i fda i n v c ld
Melli ti ore s lil os bi bunt Aure fonos B ri b d by the mag S ounds tha t fi ri ke the Ear,
’
ic
E t p la udentes rec i nunt . W e P a rt es turn, a nd i ame the r ue Fa r
; bl c l i
Vi
v ent, i n xter num

[ E ter nhmq ue placebunt .

i
Abi , v a tor, S , l i M uli cus, aemul are
b
t

S ed caloi bus a mum ev ter preme l i

v
-

Nenafcentes a tteras R ofa s H a il for e er hai Haymoni ous S ha e !

and l d
v vi
.

l l o el thee L i ng , a nd a mi re thee D ea
’ '
’

d d
c l did
.

M
y

Gi lhet t A ll
’

y h o annes
‘
. . Co . A poll o s Harp a t on e our S ou s ll ri ké ,
' '

W e l ea rnt t ogether, but not earnt a e l li k

T hough equa care our Ma ll et m g ht ell ow l i b
To the Memory o
f ym D ea r Fr i end l
Y et on y P a r cel l e re lhall equa B l ow (l ga ,
’
l i d ’
,

Mr Hen r y P urcell F or T hou by ea en for w o n rous th ngs d e H v d i

,
.

v
,

Left ll: t hy ompani on aggi ng far eh nd

’
C l b i
M G d Gd
.

U S I C K, t he chi efeli oo the o s ha e

S ometi mes R
HE O i n a n Age appear s
A nd w hat bl
ll l l a nte a tes our
e ow l d H B a t fear ce
a

a P U R ELL i n a Thonfi md C
Juli e a Sli k
p r t ,
b y ii
a a ll ng S e ,
p
“

l i ll
C on fi n d to I ta ly , di d Ages d w e
’
ll . B y H H a ll, O rgani l l of H er efor d
.
'

Long t here re ma i n d a pleas d w elcom Gu

’ ‘

b l
L oy d elt t o i ve w here elt lh e w as expre
’

b
B y Glory l ed , a t ength to F r a nce lhe a me,
fl
l c
A nd t here i mmor ta li z d great L a ly s N a me
’ ’

As y e t a S tra nger to t he B r i ti fh S hore,

ill
T L ock, a nd B low , ee p lear n d i n al l herLore, d ’
To the Memory o
f hie much la mented Fr i end

A nd happy artfu ] Gi hhoa r , fore t her o re l ’

’
.
'

Mr Henr y P urcell fby H P

‘

i c i d
. . .

W here w th y oung H a mphr z es lhe a qua nte

’

( g w
re

( O ur fi r li re formi n
g Muli c s Ri cheli en)
’ ‘

H Ark ! w hat d eep G roa ns tor ment the Ai r,

i l
W ho d y ng eft the Godde fs a l l to Y ou .
I s N ature funk i nto D efpa i r ;
T here a re , I ow n,a nu m r ous t unefu ] T hrong
’
l d
O r oes t he t remb ng Earth defcry li
C ompoli ng ll i l ] , t hough often i n the w rong A fi t of Fa i ng S i cknefs n g h 2 ll -
i
A nd w i th O ld Ai r le t for th a li ne N ew S ong O my P ropheti ck F ea rs he s gone !
’

T hele to thy j ull er Art ha e no pre te n e, v c

.

’
T was N ature s d i apafon d roa n
’ ’
G
k
.

F or i f t hey ma e a T une they mar the S eule

ki c
.

l f fparkli ng Ai r the ta ng Tr ehle gra e, H ar moni ous S ou] ! took ll thou offen e
’
c
’

T i s m u r d e r d q u te by the U
’
n odl y B a
g fi i '

.
At D i fcords here, and fl ed ll from hen e ?
’
c
T he le to old Mor ly s Ma i ms c ounter r un x c R
,
’

O r i n thy S a red a pt ures hea r

I n O v er tur e: rej oy ce, i n figgs t hey mo urn T he M uli c k o f Hea vens w ar b ng S phere 9 li
i
W hi lfi the r too g reat E a mp e, M ghty Y ou, x l i T hen mounte fi ra i t w here Ange s l ng , d l i
T hat y ou mi g ht lti l l mparti a Jufl i ce d oe,
A t o nce to Mafia, and t he Ma le: too
i l And L ove oes an e on e ery S tr ng d d c v i .

l l
E a c h Sy lab e l i t li w e i gh d or i bort, or ong ,
’

l l
For Ba ms thou need ll n ot r ob the B a ll ,
’

T ha t i t mi ght too be S eule as we as S ong ll N o r li r p the P ho i

eni x S pi y N ell c
ll k
.

W here e re thy w e ’
now n N a me w th t he rs i s i i F or, 0 my F r e nd, t hy har m ng S tra ns i c i i
( un ,
f d P erfume the S k es w i th l w eeter Gr a ns i i
i
l s a s f Cowley , u p w th Qi a r ler w ere oun
o
i b d .
c
T ou h but t hy Ly r e t he S tones w ome, ill c
.

F a r ce/l i
t he P r d e a nd W onder o f t he Age, d c
And an e themfelves i nto a Tomb
l l
.

T he G ory of the Temp e, and the Stage .

 T a ble of th e S O N G 8 .

Note T hat fuch Son g s as a r e t h u s mar ked f f

w ere n e e r v b efo re P r i n te d .

A .

H how fweet i t i s to li me i Lov e ar ms hi mfi lf i n C li a ’

Ey es
’

l bi
e s
""
l Ah me, to many Dea ths L ov ely A na

7 Ah Be n a
“
li d L et ector, A h es H c ill
l Am! i n ea ch Tra ck of Glory
‘ ‘

i L et Caefar and U rani a li v e

Ai feaa a r the Cha os L ove t hoa ca nfi hea r
' l

Let the dr ea dfa ll E ngi nes

N
Di v i ne No Refifl a nce i s i n v a i n
,
‘

N efto
’
r who d i d
' '

Now the Ma i ds a nd the Men

0 .

O h L ead me, l ea d me
O h S oli tude my [m et e/l Choi ce
TO let me weep
C

S
S oft N otes a nd gentl y r a i s cl
’

i S eeknot t o know what met/l not h

‘

1 S weeter t ha n Hofes
“

She l oves '

an d[
he con e
ffi ’
s t oo

1 S tr i pt of t hei r Gr een
‘

S i ng a ll y e Mafes
S ound a P a r ley
Si nce t he Ti mes ar e
[ha d
0

l S tr i ke the V i ol , t ouch t he L ate

' ‘

S i nce fr om my dea r
S ee wher e r epea ti ng C lie a l i es
S ee how the fa di ng Gl or i es
T .

The Ca r es of L over s
Tw o D aughter s of t hi s ag ed S t rea ms
Thoagh my Mifl r efi he
Tell me why my cha r mi ng F a i r
The ! wi
g
r e an r
g
i i h;
g
a

Th e r n t
was fli t r etchet l a L ov er
Thi s P oet fings the T r oj an W a r s
1 Thy Geni a s 10fr om hi s fweet B ed of Refl
‘

1 Thi s Na tur e s Voi ce

‘

W
W hi l/i I wi th Gri ef di d ony ou l ook
W hen T eucer fr om h i s F a ther fl ed
'

l O 7 W hen flffl I j a w the hr i g ht Aure a s Ey es

‘
li ’

W hen My ra fi ngs
I p f
attem t r om L ov e '
S i ehfl efi l W ha t a fa d F a te
' “

L W er e I to chnj ethe gr ea te/i B lij }

L eav e thefe ufielefi Ar t s Y
L ov e t hou a r t he/l of huma ne fey ! Ton twi ce Ten I f a ndr ed Dei ti es
-

ci
L u nda i s hewi tchi ag fa i r
’
Tonfizy tzlr L ov e cr eates the P a i n
L o/l i s my Q
i et
u C
 B OOKS Pr nted i f Henr y P lay ford a t the
’

or a n

Te m le Chan ge p - zn F l e e tftr eet .

»

L L t he C o E xc ll
m p fi ti on
e ents o f M r hi s h oi e Leffo ns for the C c
b
o

A
.

H enry P ur cel , l o th o a a n d l n ft r u n et t e V cl
n g r a ve n

b
,

mental, tha t h av e e n p ’ u b l i l h d Q )u i z h i s t o t h e S e on
’

c d
lv
e .

ft f T k S t s i F o u r P a r ts w h h t m e y ic i l
vd
B w a n
F i r oo o e e o n a

l
fai r y engra e P r i e fi i t c h d n sc a t o n
’
c i .

k
. .

l
.

Hi s Ay r s a n d S o n a t a s n e w y p r i n te , T h
’
e W h o e B o o l d
i n Four P ar , p
t s r e o f t h e A y r s 1ic5 s t h e S o fe d i n T hree P a rts , .

na ta s I O s
’
F o urth E d t on , i s ii
ic
.

i fi h d 8 f d i l ubli lh ed :
'

Th e O pe r a o f D i o cl e
j , a n i t c s p ee y p p r e 3 s 6 . .

Te D eum 59 f u h i l a te , i n S
°
o re , p
r i e a s c c . .

A ho e C o C ic
l l e é t i o n o f L e ff o ns for

H arpflchor d or Sp i t t w th l n fi r u fi i o n s fo r i
B eg nners, f y ia r e
n

n
e

g r a
,

e il T h e S e o n E dvdi . c d
i
t on, 3 pr ic e s
i gl
.

Th ele S i x pr nte for M a a m P ur cell , i d . d

S ongs i n the O pera a nd S n e

ld
fo for her by H enry P lay 0r d: ha , or A ugufi a s Tr i umph Se
’

P ur cell, p r e 1 s . ic
f l a rm n i S F i r fi a n d S e o n B o o S n g Songs i n the O pe
e c d k i l
bc db
o a a cr a , ,

pr i c
e of o th oun 1 6 s together d the M oon, p r e 6 d . ic
k
.

Th e S e on B o o ( w h er e n a r e fe v er a l ex i
E ur ope s Re vels : T hree
’

ll
co ent Songs o f Mr H en y P u r r c el l s n o t .
y et Mr 3ohn E ccles , (ui z l
‘
’

.
‘
-

know n to many ) pri ce fi i tch d 4 s

’
aree fhew , a nd the I r i j h .
R -

O r ph us B
e r i t ann i c us o r a ho i e C o l le é’
ti o n T he P ar a e : a n Hi lary c c ll l
o f hi s Songs , i n O ne, T w o and T hree P ar ts , and Marr age : by Si r H i
w h i S m h i fo r F u te s a n d i o l i n s t o O l
r oonoho T g y
e V d
bD
t y p on es a ra

fa me of them, pri e oun 1 8 s c p ri ce I s 6 d d . . .

l
T w o E eg i es on the eath of the ate Queen, T he L over s L uck, a l ’

p c
ri e fl i tch d t s
’
.
p r i ce 1 s .

c d
T he S e on P ar t of the Mufical ompani T he S he Ga lla nts , a C
o n, ontai n n a l ec i
P ur cell s h oi e a t hes , T h e lafl N ew P ay
'

c c C c l
g
v
.

t o w h h i s n ow a ic e 9 S heet more ne er T ra e dd d g y A a d t t he N ew T heatr e i n L i tt d

b
. e a

p r i nt e i n th e fd di
ormer E ti ons, pri e fi i tch d L i ncoln s l une F i elds ; oth w r tten by Ht he c ’ ’
-
i
a s 6 d . nourable Geo Gr eenv i ll, E fq ; pri e I s 6 d c . .

kl
. . .

An l ntrod uéti on to the S i l of Mufick, the T he S e on P art of the a n i ng Ma ll et ; c d D c -

i di
T h r teenth E ti on : to w h h i s a ed t he to w hi h i s a e a S heet of 1 2 ic an ces dd c dd d . D
l
w ho e Art of Compofrti on, ma e more p ai n d l
c
a nd a he, by Mr H enr y P ur cel l , pr e a s . ic . .

Mr H enry P ur cell s P i éture exaétly engra

'

i
.

ved , by Mr W hi te, pr ce i n a F rame 1 s 6 d .

. .

A P a fi oral on the eath o f Mr H enry P ur D .

cell, by G M A p ri e fi i tch d 6 d . . . c ’
.

An O de on the eath of Mr P ur cell; the D .

d
W or s by Mr Dry den, and Sett to M ufick by .

D r B low, pr e Pri tch d 2 s ic ’

. o

x ill
.

N e t T erm w be publi lhed D r B low s Fi rfi .

B oo of hoi e Songs k C c A fo an A i ti on of and 3 Thr ough B ofi , fee

. l dd .
 li a ha s t houfa nd , thoufa nd , thou
‘

E — a

Cha r mes f ti s H ea v n , ti s H ea v
’ ’ ’
n to

nd g zi her F a ce, fome ne w , a nd fome re fifi lefs g fill W i h f re lh

g
a n on ra ce, s t
7 6

l z w hi le 1 (l a nd g zi g her F a c ome
£
16 p a ce a n on e, T
6 s 3

new , a nd fome re -
fi lr J e fs
’
-
g r ace , fill w i h
s t Ma gi ck a
$6
 t hus a

il
w h e the N y mph
5 88 4
I th us , I th us
4 s
a -
d ore , I lh ou d my w re tched , w retched,
5
’

6 6 6 6 6

F a te d ep l ore for M r -
ti l -
l o, have a c a re , ha ve a c a re, h er

compa re, but then {he s fa lfe ,

’

falfe as we ll k
as F a rr ; have a ca re, ha v e a c a re, ha ve a c a re M ir -
ttl -
10, ha ve a

a c a re .
A S ong i n Ty r unni ch Love or the R oy a l llll a r t rr
y
‘

r
,

ah ! h o w (w eet,ho

ah ho w And w ha t

pa i n w e prove w he n l
fir fl , w henfi r ft w e fee a

of Love a ll, a ll . a ll Ot her

,
i
pa ns of L ov e a re then a ll, a ll , a l l, a ll
 on Mrs B r a ceg i r dle s Si ng i ng (
’

A S ong . 1 B ur n
I n the Sec ond pa rt o f Don Qui xote -

H i lfl I ih gi w t r ef did
6
on y ou l oo k , w hi l fi
6
I ih w t ,
di d on
yo u

l oo k ,
w hen
4
Love ha d
6
t ur

ou
y , I , I , o
’

the c n ; ta gi on too k ,
from y ou, I , L the
'

gi on too k ,
a nd for y ou, for y ou bor

— e th e i
pa n, for y ou, for y ou bor
4

M ar— ce " l l cz , t hen y our

-

; ve r
pr iz e , a nd be no t, be n ot
6 8€
 be not too fe —a — e ufe we ll the

for i
P r de,

i
P r de has co fi
'

y u
o d ea r .

3 y our ten i i
d er m nd , w thd ra w y our Sm il es, wi

s a nd F r ow ns re — turn , a nd p y
a hi m, pay hi m, pay hi m

i n hi s a nd pa y h i m, pa y hi m, pa y hi m i n hi s ki nd .
 F Mufick, if Mufick be the

ti ng on, fi ng

on, t ill I .
a m fill d
’

w thi j
o — m m _

-
y, t ill I a m fill d ’
i
w th j
oy ; l
for then my l i fi ni ng Sou y ou mo

ve, for then l

i ng Sou y ou mo

ve, u move, that ca n never, ne ver

y o -
 M
een, y our T on g ue dC ~

o - A

" 3 -
3

CV ” ; r y

y ur
o Ton g ue de — cl

,
n a- l — a
“Ck CV -
'
I y W here .

P learures i n— va de b h
ot Ey E ar, plea fures i nvade b h Ey e
ot a nd
 r q

cc the tra nfp orts a re, they w on — nd

,
(0 fier

tra nfp orts a re, they w ound , a nd a l l my fea fi ed a r e, a nd a ll my Sen res fea fl cd
-
-

T rea t is

r Sound , i s on - e
ly Sound ;

{a re l mull mutt pe -
t i lh

i n y our ArmCS o
 A Song ,
i n Ti mon of Athens .

He C a —res
, t he Car

the r i A — l ar

the ri Tears have pow ’

r

Ch ar ms, lo fw eer i
t he r

7 63
g

Gd
o s, ye Gd
o s how R i th i
av -
ng, ye Gods how R i th
av -
‘
i ng,how Ravi lh i ng t he

43%

bfi fs,
’

lo fol t, gen tle,

-

fo gem ti e
-
is i
the r p i
a n ;
 - l
fure to com p la i n .

4 33?

A Song i n the I ndi a n E m

peror .

r
and a w i i
w th n the B oo k of F a te, w here ma
'

-
ny D ay s

PPY: ha ppy H o ur l ea t u ,
p p l ea pt up, a nd fmi l d,
’

l ea pt U p a nd (mi
’
l d, to fa ve thy fin ki g
n State
.
 w hen i n th y ’
pow r thy cr u el F oes {h a ll be ;
6 6 76

"
p ow r th
’

y c r u — el F oes {ha ll be , then l

(h a l the La nd be
6 6 75 fig

a nd t h ou i n P ea -
cc -
lh alt R ige n, but

k
ta e tha t op -

por tu n i
- a t
y, wh ich c on e r e

—
,c m gai n 5w i ll
’
fus d , w i ll never , never, n ever o e a— never, never , never , never, never,

never, neve r , co me a —
gi
a n .
 A Song on a Ground ,
the W or s d by Si r Georg e E thri t/g e ;

E afe, anxi ous W or ld , y our i

fr u t — lefis P a i n ; cea fe,

W orld , y our fr urt — ~

l er
s Pa i n, to i
fp for — h d den S tore ; our
y

’
fi udy d La b ours {h a ll p rove va n, i y our Al eby — my un -
blefi ; w hi llt Seeds of far more

p re — cw us ri -

pen d
’
i n my B reafl : My B reafi, the F orge of

d oes (0 i mp rov e, as th e her Ar t e l

m— p oy s ; that cv
’
-
ry il
Sm e a nd c
T ou h the
 a ll
i
tn Go den l J oy s. ic
S n e then w e can fuch Trea rures rai fe, l ’
et s

D ay s ,how
’
t e — fuh ; Love let s l ay al l our
’

no E xpence in out ca n w e e re be P oore

How be P oore e How

’ ’
P oor, w hen
’

can we e re can we e re be cv

Ei cfli ng tha t w e ure, thouli md more ? W ’ —r

b hen e y B lelli ng t ha t w e
—
e gets a

Soft
.

g ets a thoufa nd more ? W hen cv

’ -
ry Blafli ng tha t w e ufe, be

—
g
ets a thot fa nd more
ge .

m . .

i ‘
A Ser anadi ng SONG .
 O ft Notes, a nd ell fome ha r {h found the

fa i r Co—
’
r i nna s RC“ do r ude — w nd ; di f fulé a pea ce f ll
-
u cal mnefs
6

gh
throu ea ch c
P ar t, mu h a ll the Spr i ng s of a
 e v ’
ry
“

l
P u te, a nd ki n d le
‘

v al l her Blood , a nd (w e ll the tor -

ass 488
ment of the li i g F l
e v n ood ;

6 388

(l i t up a ll the l o

ma g es of Love . T hus fe — ble Ma n does hi s g

a dva nta e ta e, to k g ai n in

l
S eep w hat he mull lore a —
k
w a e ; w henN ti gh Shades (hut up Co -
’

n n na s
-
’
Cha rms then, ,

to ta ke up ig
Arms : B ut N ht a nd Shad es her B ea m -
i
t es

6 6

con -
coa l , Ni to re
 i
th s flow — ry Pl i
a n and Grove! W hat perfetl: S c enes of
"
In -
no
 let us k now , how b ea u ti — ll
fu
'

the W orld at firft

”

w as

— fefli : s a ll the G ood , p ofellcs

f
'

a t ea fe, contented i
w th a li t Jtle F lock s encreafe,
-
‘

’
a nd
’

cover d
fi ra nger to hi s E rcall ; hi s Sheep, h rs Croo
’

k “
,
a nd i
P pe,
-
C H O R [TS i h Fi vePa rts .

-
tr ea t , v oi d
f
o t he Tr oubl es , the Tr ouhler t ha t
 ic D i di n i o w homw e d a il y
"
’
tw e ten hundred e a
l t es ,
t
to w h Saeri fice ; Ye pow 3
r s, y
3
-
, , _

Men are doom d ’

to doe l
w here E ements i n

C r oa ki n
g of th
 i t d find hi s
’
,
for row s more,
76 6
'

’ ’
hi s Defii ny , he w ou d not,w ou d noc

qi l ll w
l

En u re not then, w ho, w ho {h ai from Bond s be freed, w ho ’

ti s {h a ear a
 {h a ll B l eed a ll mull fitb— i — mi t ,

mi ti
0

a nd

q mck, q uack— l
y c me ;
o Lemme no more,no more, no

more w i th pow e I a bi
m for d by
no more, no more
6 6

to tell the
 L 55 1 ,

me w hemg
’
ev r y

her c
S orn
‘

d i f covers, but
-

c i
1

5
w ha t s her S orn or D ec pa
-
r, fince
a
us my F ate,

'
’
ti s my F ate; finoe
’
ti s,
’
ti s her , fince
 [34 ]

w ere (h e bur i
k nd ,

w hom a— d ore, I migh li

t ve

w ere the ba t ki nd ,

w — v -

ger ’ li ve

not Lo -
V€
‘
hfi l ’
more.
 A Tw o Par t S O NG in King Ari éfir
‘

g
D a u h te rs of t h i s A ged fi ream ar e
-
w e,

g
D au h ters of th s A —ged fl rea mi a re

tw o D ghau ters of th si A ged fi rea

- —m a re w e a nd
,

A ged fi ream
-
are

b oth our Sea -

g reen Lo ck s have comb d , a nd
’
b ot h our Sea -
g reen Lo ck mb d, ha
s h ave co
’
v e

a nd bo th Lo ck s ha ve

’
cornb d for y ee ; c
o me ,
c me ,
o cm o e, come B a the W i th us a n H our or t w o
,
c o me,

c me,
o c '

ome Ba the i
w th us an H our or tw o , c o me,
 c ome, c ome, c ome t

N a F — ked i n for we are fo, w h at d a n g er , w ha t d am get -

c o m e, c o me, come e a re fo, w hat d an ger

-
‘

fro

-
i

from a Na ked F oe ? c o me, c ome Bathe w th us, i c oi ne, com e

- v
m a N a — ked F oe ? c o me, c
o me, i
w th us,
43%

a nd {ba re w ha t in the F l oods a p — pear ;

v
a nd {h at e w ha t P lea m the F l ood s a p —
pear we
’
ll b
eat the

b ea t the W a ters t ill they b

ound , w e
’
ll b ea t the W a ters t ill the yb oun d, a nd

W a ter s t ill they b ound , we

’
ll b ea t the W at ers t ill they b oun d, a nd ci r h
 .»

cur— cle r ound

a

._

a nd ci r — cle round .

6 6

efs Arts in l i
ov ng ; feemi ng

Leave, l eave thefe ufelefs Arts , leaue, l eave thefe ufelefs Arts in

l ig
eem n eu —
ger a nd d i f— da i n
T rui t,
’
u ni t to Nature , g ly g ly
ent
'

,
ent ,
- a v i ng, N a ttlre

Truff, ’
tr ufi to N a ture, g lyent , ge nt ly , g ent -
ly

ne ver, never, never , never, never, never, never , never, never , n ever , ne e -
v et
p l eads in

Nature never, never , never,never, never, never , ne ver, -

ne -
ver, ne -
ver

i
va n ; noth n ig , noth n i g g id
u es a
‘

Lo v ers pa lli on , nothi ng

i
va n ; noth n ig , no th ng
-
i g id u es a Lovers pafli on,
’

Fa i r ones i n— cli

li l e
é6 2
t e
6
Fa i r ones i n — cli — na t on i
, li k e the i
F a r ones i n -
cli — na — ~tton .
 thou a r t befi , Love thou ar t belt, L ove thou a rt b ell o f Huma ne joy s ; our

Love, thou a rt b fi
e , Love thou a r t belt, th ou a rt belt of H uni ane
’
i oy s ;

i
ch ef— ell , nefis l
be f ew ;

our c hi f
e -
efi , ne fs be — low ;

h
a ll o- t er P lea fures , res a re bur T oy s, a ll ,

P lea rures , all, all o

n
ther P leaf ures areh i t Toys all,

ali , all , a ll a re i
but Toy s, Mufick w thout tha t i s but Noi
'

a ll , a ll a r e but T oy s , M ufick i
w th — a d
 And Bea ut y ,

out tha t i s b ut Noi

B eauty b ut an empty (how , but an e mpty (how . H ea ven w hO knew be ltw ha t Men

B eauty bur an emp ty fhow , but an emp — ty

'

(how . H v
ea e n w ho k new b elt w ha t Men

c ou
’
d mo ve , cou d
’
move, a nd r a i fe hi s thou gh ts, and i
t a fe hi s

i
f a fe g
hi s thou hts , a nd ra i fe his

th ou gh ts a - b ove the B rute ; fai d J et hi m, let hi m be, lai d l et hi m, le t hi m

thou gh ts a -
b h
ove t e B r ute ; i
fa d l et hi m, let h i m be , ra id let h i m, let h i m
l et hi m Love ; I ha

l et hi m Love ; T hat, th at, that, tha t a -

l one, th a t a -
l one, th a t, that l
a one, muh hi s

d i f— pute, tha t, that,

tha t a lbne, tha t l

a one, mull
-r

h i s Soul i mp ro e v ;
'

l l lone, mufl hi s Sou mprov e ; li

'

tha t a ~
one, tha t a — one ; h
t at a -

di f -

pute
 l 4 2 J
A Tw o Part SONG ,

I Hbugh my Mi fl refs be too g ll

’
frow ard {he s ,
then ha n t he du

b
b

T ho my ’
Mi fi refs be F a i r, y et fr ow a rd {he s
’
too,

l
S ou , then ha n g the du ll Sou l ,
tha t w ill offer , w ill of fer to
-
W oo ; but

h an g t he ll
d u S ou , then l ha n g the d u ll S l ou , tha t w ill offer to W oe;
43

h is L iq uor,
’
ti s L iq uor , g oodL iq uor, tha t s
’
mu h mc
ore

W i ne , br a ve W i ne,
’
ti s L iq uor , g ood

a nd q ic k
u er, much, mu h c

a nd q i k
u c er ,
 me : T hen
'

’
tho (he frow n up ou -

Ti me a nd Age be -

gui le, o w e my Pi mp l es a nd Wr i kl
n es , o w e my P mpi l es a nd

Ti m e a nd Age be— g il
u e , ow e i l
my P mp es a nd W r n i kl es , o w e my P i mp es l a nd

to i
my D r n, a nd k a Smil e . C o me fill up, c me
o fill up my Gla fs , and

to my D rin k , a nd a Sm il C
e. o me fill Up my Glafs ,
c o me fil l up my Gla fs , a nd

a— poxon h er F a c e ; may i t never want Sca rs a nd S c tch

ra es, may i t never w

ar -

pox on her Fa c
e ; may i t v
ne er, may i t never w ant Sc a rs , w a n t Sca rs a nd
 c
Scra t hes, W a flt, Pa i nt a nd c
P a t hes G i ve me a ll

Sc ch
rat es, W a ll) ,

-
w up the S cornfull O g een , i
g ve me B a ttles a nd

G i ve me a ll, I ll blo
’
- . w
‘

up the Scor nfull d an ,

Jg l Mugs l le em em,
’
G a rfes a nd tug
’
a nd a nd h ug
” ’
u s, -

,
, l le

B ottles a nd J ugs , a nd Glaffes a nd Mgu s,

’

I le hug
’
m, l le
e
’
hug ’
e m a nd

t ug e
’
m, and C our t e
’
m than e r e
’
I did

t ug
‘

m, a nd
e C our t more, than e re
’
I di d
 t ha n e r
’
eI d i d, than
’
e re I ‘
did t he pee — u m vi flt

Gi r

A Tw o Part SONG ,

’
form d,
’
O r Lori e ev ry Crea ture i s for

by hi s Nature, fo rLove ,
e v
’

y
r

Love é vry
’

Creature, for Love

i
ev ry C reature is for m d by hi s
’
N ature

is foun d , is formd by h i s
’

N a ture
 are a — b ove t he

J o s
y a re a — b ove t eh

Love, no

th
“ J 4. p

Love l
r

,no J bove f of Love,

‘’
-
fures of oy s are a — i p ea urd s

CS a re a

no, no, no, no , no

a bo
ve, d o, no, no, no, no, no J oy s a re

b ove, no, no,

 Tw
’

A o Part S O N C .

hi s F a ther fl ed , a nd from the Shore of la — mzne ,w hen

’

—
Sa —

W hen Ti m— from hi s? F a — ther fl ed, a nd from the Shore, a nd

'

car

Shore f
o S a — J sz — mi ne , a nd

Sa —14 .
-. mi ne ; w hen Teaser from h i s F a — ther fl ed, a nd

i l
“

la mi ne ; w th W rea th he crow n d hi s
’

Shore of Sa - o -
a P op ar .

the Shore of S a —
—
la w -
mi m , i
w th a P op l ar W r eath he
 ’
crow n d hi s H ead , W i ne ; a nd thus to hi s

i i
.

p ng F r ends he

Chea r up my

H ear ts , i
N at ve So il

Fa te our i
Nat ve So il de -
bar,
5 6
C hance is a b
e tter, b et ter F a ther far, Ch c an e is a b etter, b etter F a ther

Ch c b b c
.

an e is . a etter, etter F a ther fa r , C han e is a better , better

a nd a C ount ry , a t L — t er , b etter C ountr y i s t he Sea

far ; and a b etter C ountry is t he Sea

T hen chea t u my
p .

Then ch eat H
‘
ear ts, then
a l
chea t up
I
my H ea r ts,
y our An hor c .

'

weig h C ome P lo w m Mates

y’
'
. -

C o me my Mates, come l! lo -v -i
 a nd fear not, fea r not

w ay , a nd fea r not, a nd fe ar not, fear not

un — d er my C o mmand ;

k now n the w orli a t v

. L a nd , wi h t h
t e morrow
’
s
.
D a w n,w i th the morrow ‘
s Da w n, w e
’
ll

Let us d r i k
n a nd d row n our C a res

we igh Let us dr i n k a nd d row n our C ares, let

y, let Us dr i n k and d rown o ur C a res —= w a
y ,
a nd d r ow n o ur
‘

C
a res
'

a ~s - w ay ; let us dr
6
i n k ,
let us d r
6
n i k ,
l t us
e

let u
s dr i n k , let

d rown our C ares a —T -

W a y ; les us

C a res a— w ay ;
'
let us dr ni k and d row n, a nd

d row n -
w ay .

d row n our
C a res
.
a— w ay .
 A D I A LO GU E i n k ng
i Arthu r:

0 u fay
’
ti s Love cr i
eates the pa n, of W ic
h h y ou c
o li
mp a n ;

a nd y et w ou d
’

fa i n enga e
g my H ea r t,
g

but how a -
l as, how
‘

a— i k
l as th n y ou tha t I can

— ic
d s of w h h y ou di e ?

b ea r the w ounds ic
of w h h y ou d i e ?
’
Ti s not my paf—Lfion ma k es my c
are,

but y our i di ff
n eren e c gi ves d e— fpai r ; th e ln— fly Sun , th e lu — fiy Sun be
g ig ill fhow bi g
£
]
’
rs, ti ll 4 ’
tle (how r s af fifl a nce to
' '

tl e
‘

Sp r gen r n
-

e ts no n ,
t gen
- “
,

fcor ches and d efl ro

y s ,
t l ki nd Q—il
L nefi
s a id s, t ill ki nd m
nefs a id s ca n
‘

thoufa n d nd :
'

Love h as
.

d , t h ufa
’
'

more, more to r ob us of our s afe , but more, more, more,

6 7

more, more, more, more to for w ak —i ng n igh ts

 -
fures he re pay s ;
~
B ut ab —
c
7 fen e foon, or j
’

eal l -
lous fea rs
’
0 f3 -
p

B ut one fort mm o ent

o ne foft
bri gh — than (he,
’

ter fa r ti s

tha n the,
’
ti s pure,
’

ti s pure, a nd r igh w i h
t, t out de -
cei r, and
 1 fuch, fuch no W o man
'
e re w ill be no, the y
’
re all fo

Wi th all thy fervi le pai nes c i

.

’ ’
,
w ha t au t thou

'

all, fo — phtfi l ca te
0 o
’

t hey re al l, a ll pa i nes, w ha t

é — cl ean -
J y Si n ? A i
th ng
 not T ears a re true ,
"

thole
'

i d e s ly
-
. l W , the re ld m ly ll
fa ;

nor Tears i
a re true, ne th er the r i Sigh 3, nor T ears a re true,

i i
ne ther the r g
Si h nor T ear s a re true, noth n i g li k e, noth n i g li ke to
 Hea t s to th ee a
’

all, but Si ght a nd T ea rs, but Si ght a nd Tea rs, ha v

e Sex— es

i i
fi

here s to thee thy

'
-
ga n, a— g ,
a n

to thee a— gi
a n, here s
’
to thee

’
t ill a l l thi ngs too g o rots

wa lk ,
"
t ill ig
a ll th n s toogo rou —i ud
n

,
.
 \
- ig
nd , ti ll all t h n s too go
’
round : A gi
a n,
g i
a a n, gi
a a n, a a n, gi f
ti ll the fe tw o ig
L hts be

v
pro e ; th y P afli on ,
Man decei v d thee more, none
’ '

y P alli on
th Man decei v d ’
thee more , none

l
‘

feeli ke Men i n
‘
d ou ble fee, d o n—
v

ove ; none -
none r

li k Men
n
a

none dou ble fee e

fee li k '

e Meni n l v
o e.
thi n k M i r — ti l
 be a fra id , the by hi mfhou d he berray d
’ ’

no, no, too w ell, too w e ll [L ove her, therefore can not -
be b
a ove

h
now , now , let t e no w , noui , now
,
ah !
»

w,
no now ; now , re — cei ve her . O h ! how g ad— ly l w e be — lei ve,

'

too
'

too w illi g ;
n ca n t hat lo ko , that fa c e de ci
e ve ? can
cutt ed there : So a de
-
h
i 1

Leg on i enter
’
d in

76

y
w as tod e; but Qu ci kl
y to my
 q i k ly
uc to

ma k e theml al v
es w h i l li i
L ove w th B ar b a rous c
mer y faves the va nq ui lh d
’

Li

-
ves to ma k e them fl aves .
 peli s a nd

t hY~ G alley s row , th ey P ant, a nd G roa n, a nd S h,ig but find the r i ‘

li k
e a nE —
‘ g pti nn T y r ant, fomc

dofi si li g u, to all the

the Mi ne ; of all the

— 3€3
t
- w orks t to all the Sev r al
’

S la ves of i
th ne, emp oy l me M i gh — t y

Love to the Mi ne .

A S O N G i n the Doubl e Deal er

-
.

I n tbi a frow ns w hen e r e

’

I W oe if I gi ve o — ver ;
s 65

th e fea rs I

d oubi t ng lhe rep - fu

 P rethee Cmrbza
’

l oo k i
be—h nd y ou

p rethee Cmtbi n l oo kb eh ndi y ou, Age a nd W r i uckles, Age and

'

then, t hen too l a te, too l ,

a te, too la te then, then too l a te De
6 6
 oh ! th n i k ,
oh ! fad con d ii
t on, to be

w i th , y et w i lh fr u — t ou ;ii to be pa h ,

w i lh fr u — ii
r on, y et w i th ,
i
w th fr u— ii
t ou .

An Elegy on t e h Death of Mr 701 m P l ayford . . W or ds by M r: Ta te .

G E ntle Shepherds, y ou t ha t k now the C harms

Gr i e La ment, L a ment, for P i

- -

Tber on, the g

ood , t he fr i end — ly g one Tber on, Tber on , the g ood , the fr i end -
ly
 a i ns , gr oan mg D ales , a nd
’

r ons

y u
o w a nt S kill,
w i ll teac h y ou h ow to moan , to moa

d i gM
n i
o unta ns , w ee p -
i ng F ounta i g
ns , r oa n n i gD l a es , a nd

Vl ill
'

w a nt S ki l l , vvi ll teach y ou how to moa n, to moa

’

ng a es, if y ou n
u; w tea ch ,w i ll

youh ow to moa n C ould nno . I c c en e or Pi -

e ry ,
-
a m ta m ; or

il il he P l i
-
‘

De l ti Tber on fl i ll, {t l ha d gra c d

’

Art pr e b elov d P a n,
’

of a nd
va on — ny , t a n,
 to
’

Ph h “Tra
t 7
a-
i n; Tkeron fi i ll had grac d the P ai n, belov d
’
l ’
of P a n, and

Tra i n. Mufes, br i ng y our Ro -

fes hi ther, li rew

on hi s H ear fe Mufes , b r i ng y our R o fes h

-
t he r, fi i
re w them g e nt -
Jy

{hot r li vd Glo a
-
e
’
- - i
r es w i ther, crow n i t w th a i l i
a k ng Verfe, crow n
‘

l
i t w th i a

Ver re
‘

an d w hen thofei b or t li v d Gl or es
-
’
i i
w ther, c row n i t w th i a

R oles foon will fad e a wa y ,Verfe a nd T om b ca y ; y et Tb

’
er on s Na me i n
6
 lhal l meet ; Verfe fo —
’

no du -
r a i

-
ble ca n be , nor R o— fes fo (F eet, nor Ro fw eet .

o
va /i no mor e, mor e ; t/oen w a
y? no t mor e i n S in y our B r ea th, nor

no hore,
w no mor e ; tken oua fi no mor e i n S ig /J: y our B rea th, nor i ki nk bi s

ba r d r ker e :
'

no
[
2l i
t ri ng a Sudda i n
: D ea th, to . tbo j é tha t ti l

’
ther e s no
f ut b t hi n as Sudd
g
-
 jo yn a tfij i r a
p p h
r oa c , to .
j o n at
j fi fir a
pp h
r oa c t he Sa m — cr ed
Q ui t e a — hov e ;
'
to
A —
e 1

to jy
a n at
fifl r a p roa ch, a t
p fifl r a r oa ch the
pp Sa — cr e d Qui n a hav e

j a n at
y fifl
r a
pp r oa c h, to j a n at
y fi] ?r t he Sa - Acr e d e e 4— how .

to j a n at
y fij
r i a
ppr oa ch , to j a n at
y fijrf a
pproa c h t he

A S O N G i n the gal Adi : . of t e h P r op hetef n

H en firlt I fa w the w hen firlt I

fa w the fudden

bli g n d i d my L m i b s fur — pr iz e,
’

ev ry Va i n, Va i n f
 l
Fe t a ti n
—v -
gli ng, ti ng - s li g
n rmat t, a nd a cc — f

nd my Heart, a ll a - e —s

oh '
the fi — ci ng
 a nd oh ! may bO th t en

-
fa nd Years,

(a nd Y
ea rs re ma n i .
 "
A S O N G i n the Teme3
p/ , Sun b
g y Mi s Cr
oft .

y our Ey e, unva il , unva il y our

l w can y ou, ca ny ou Sl eep how can y ou

”

y ou, ca n y ou S eep,
ho , , ca n y ou

to (
be, meth i k
n s Ic ’
ou d, meth nksi I ’
con d , iI
'
cou
’
l
d from S eep be free ; me

i k
n s I c ud m hi k I c
o
’

, et n s ou
’
d from S
le
é
I c
p, ou
’
l
d fr om S eep
 a— la fi, a — l a ls my D ’

ear, y ou r C ld
o , l
Co d as Stone y ou muh l
no onger,

l g l
no, no on er , no, no onger, no, no longer,
 T he R i ch R

H ey fay y ou
’

r e a ngy
r , a nd r a nt mi glr ti — l y , becaufe
-
I Love the fame as ou
y ,

a -
las ’
.
’
y o u r e ve r y
-
Rich ’
ti s tr ue l
; but prethee F oo ! w hat s
’
me ? Your

La nd a nd Money l et tha t fer ve, a nd k now y o

’
u re more by tha t th a n you d e -
ferve . W hen

x
ne t If ee my Fa i r one, (he i b all k now ho w thou art her B ed ; and ,

W retch, I ll fi i k
’
r e thee a nd d ead i
w th d en

“
fl ood by y ou w h il l
e thy fo e R het ri ck (ha
’

ll be Joy nture and J l

ew e s , a nd our
 i i
i

end s t hat d ote a nd mt L overs

o

P ox o f y our Fr “
d ou s- - neer, a re bet — ter Fr end s t ha n

t hey ,
l ’
e t s t ofeh in ther th n s ig o— bey , the and Sta rs, a nd God s mu l
_
l

go -
ver n here : Vi a n na l
me of B ood ! i n L ove, let none ad — vi fe w th ai -
ny B l ood , but
43%

i
w th t he r i ow n ;
’
l is
‘

that w h ch i bi d s me th si b igh
r t i
Ma d a — d ore,

v
g
T hou ht has d i d (he now beg , I d
’
no l ei s ; an d

w ere {h e an E mprefs , I ’
lh ou d L ove no more. W ere {he as i ui r a nd
’
 to a h, fim — pl e Soul ! w ha t w ou d
’
bcm e o e of t hee .

A 30 N G . i n Ki ng Arthur .

M E rr Ge d ng, l i l
“

e: -
S ea t of P ea -
fures a nd of Loves ;

Ve
n -
nu: here w ill hf
c uc her D we lli gn , a nd for — fa k e h er Cy — pr i a n Groves Cu pi d , .
-
,

from h i s
’

F av r i te i
Na t on, C a re a nd R emove ; Jea l orf fie,
— -
t ath

p y o ns P a fli on, a nd De fpa i r tha t d i es .

11
l C li i g
.

Gent e Murmurs , omp a n n , fw eet

ig
S h s th at ow bl
re of L o ve t he F i
Soft R epul fes ,
Sha ll
ki
nd D i fd a i ni ng,
be all the P a ns y o u p r o ve i
i D
.

E very Sw a n fhall pa y h i s ut y ,
l
Gra t efu l every Ny mph (h a prove ; ll
And a s thefe E ce i n Beauty , x ll
ll
T hofi (ha be Renow n d for Love
'

.
 A SO N G i nB ondnca, S ung by Mi ls
’

Cr afs .

l ead me to fome

w here none but g

li n— i ng, none bur l i gh
6

c o me ; v
w here the lhri ll, the lh ri ll T r umpets ne er fou m .

nd ; never, never, found , but one E — ter — nal H ulh , one e ter na l H ulh g oes round .

There let me (00th my ig pi

ln a n,

footh my p ea— l l i gp i
n v
a n, a nd never, ne er th n i k ne ver, never th n i k of
 never, never th n i k o f W a r, never , never; never, nev er , never , never

W ar a gi
a n

g
.
y ca n, ca n a Lover h av e to C on q e
u r, to C

V
be fl i ll wha t glo
—f W ha t glo
’

a -
ry ,

to C on q uer , to C on q uer , to

t,
'

y
et be ll i ll, y et, y ethe fl i ll, li i l l
'

a l
S a ve ?
 S weeter tha n Rofes, a ti ngle 30 NG .

Swee ter then

'

Ki ls ; F i rli
'

D ear, the dear, the dear, dear, de — —

'

i-é tre
‘

ar

firll tre mbli ng made me made me

,

-
z e, made me freez e ; then lhot li k F i
e re, al l
,
all ; all, all
 v
Lo e for all, all, a ll c
I tou h, all ,

all, a ll, all I t ch

ou or l
hour y. hom y e l
 all i s Love, all, all, al l, all, all , all i s Love, all, all, all, all, all i s

all, al l
,
-

all , i s Lo — L — ve
,
i s Love to me .

S O N G S ung by 7m m] Bowen, a t the ope n

i ng the O ld Play houfe -
.

Lu - ri n-
do i s B e— w i tch i ng
-
Fa i r,

’
o re i n— ga -
gi gn i s her Ai r ;

all
’
o re \ in w
ga —
gi hg i s her Ai r cv -
’
ry SongL u
L u ci n — do s P am d , She
’ ’
-
is the Q uee — n of L

d oes, S he does a l
F ame i m part, e x pi
-
i g Vi ct i ms
r n .
,
ex -

pi r i ng ,

v
Vic t -
im f ls ee her D art ; Lil — S1 C . S trephon for her has Lo v e

mplai ns,
'

wi th D efpai t eaeh one ~co nu

uh -
touch t ,
’
She all, She all , S he all di l
’
m
i
d a ns . Li t 4 8
-
m
.

76
This was the lall Song that Mr, P urcell Sett ,
it b eing i n hi s Si cknefs;

Cupi d: fly, fl

v
teach me, tea ch m e to loft

i
V o ce, to
" '

W in dear Str ep/7072 , ah

’
. l et the Sou l
b?

dear S tre hon w ho

p my Sou l en — o s
j y .

6 %3
 Step a nd a B ound , and . a Fr i kf
s ro mthe

D an ci g
n ,
were three Cc leli i al
-

D e fpatr mull end the F a

’
jti s al l, ti s all , 1n, D eath and tal
'
- -

co ld ,
-
’
D e lpai r d i fgui s d li k
e Sno wand
 [9 2 l

on my B reali , B leak W nds i n i Tempeli s w, i n Tempello

my Vei ns all Shi ver ,

and my F mgers Glow , my F a i fe beats a D ead,

lfe
Pu bea — ts D ead , c
D ead Mar h for loll te pofe, and to a fo li d lump of I ce, my
' ‘

a -
-

i s froz e.

’
l ay ye P ow rs, li ly , fay ye Pow
’
my P eace to Crown, lh all
’

O r, rs

T haw m ll tall I ,
ll
{ha I , lhal l I T ha w my
 m$ é a the fi i B i llow
' “

s in I lhed B eds of
'

— n ng on

lay dow n, down, dow n, lay dowb,

lay y e P ow
’
rs, l ay , fay y e P ow
.
’
rs my P eace to C r ow n lhall ,
I , lhall I ,

lhall I , fhall I , l hall or d rown ?

no, l
’
le li rai ght runMad , Mad
;Mad, Mad, M ad , that loon, that foon my
‘

H eart w i ll ,

he S enli : is fled; i s Love, L ove, has

 HQ, no
'

pow t
'

t o Char m L ove has no, Love ho

’

pow t,
’

no, no, no, no, no, no, no, no p

’
ow r to Ch m
ar d thro
’

thus, thus ,
t hus, thus be

thoulé nd
’
deaths l le d ye,
’
e re thus , thus in va n,i ’
e re thus, thus in i
va n,

i
va n a— dore .
T houghts de
k
-w -
ligh !
t Oh S o— li - o
mle !
t Oh S o— i i o - é

Oh H v
ea ens ! w hat Con - fl

the Na — ti -
vi - ty of
 i
T me ; a nd , w hi to oo l k to d ay a s fr elh a nd g reen, t o

d ay as fr e lh a nd g reen, a s w he n the r i B ea uty

’

s fir lt w e re feen ?
‘

6 56

O h how a -
g ree a
’

- — ble
'

a Sight thefe ha ngi ng Mounta i nes do

— h a p — p y w ou d m— vrre, to fi— n i rb a ll the r i Sorr ow s her e ;

135

h ard F a te ma k es the m end ure , fuch W oe s , fuch W oes , a s on

C ur e, Oh hO W I So —
lr -
tuo’e a
 li — tude a d ore, th a t E l ement
‘

S o— -
u

Ih av e learn d
’
A poll
u
i ’
s Love, w i thout the pa i ns, the p ai — ns, to li ndy i t
6 76

fi ke
'
I in Love a in grO W n, w i th w hat thy fa n y , thy c c
fa n y d
oes p ur fue; but w hen I '

hate i t, I hate i t, too ; becaufe i t need s mull:

i
h nder me from lee n , from flee n ig ig , a nd from ler vi ng thee
‘

S o— l i s tnde
- ’
. O h how I So li — e tmi e A— dore !
 -
bated l or
'

a l
w hi e, a nd .w elcome , w el
‘
c me j oy
o

w ha t P i ous Groans, w hat

the iy ldi g Sk ie
e n s

i
la d , w th i ge r ater fe r — v ncy tha n
i e
s
now , not i n the Ch p l l y
a e on , but the Streets , no

f l or t of P eop e l cou d
’

y ou t meet,
y et no

made; A i m -
hi m
'

is now bc
e o me a H ly L
o a nd , and g
w a es Ho ly -
W arr to li ay

n n i gH and ;
'

Oh O h ! that w e m ht ig

‘
never us
’
d to fa il , O h! O h! that w e m igh t preva il , Num b er s of

a i l l
W fe P re a te ed, w th Arms li retch , i ’ ’
t tow rd s Heav n too
’

k the F i eld, no e ther W ea ons

p
 ig ig
m hty , a m h ty Conq ueroU r did ye d il

C im
r es , T re a fons, R b lli
e e ons, P eri ury
i
s, w ih
t a l l, w i th all the me s of the

Le gi ons d oe a ga i nlt i
us r fe , th e po w ers th a t li ri ké

now the C row n i s fall n , now the

’
C row n

A SONG i n H enry the S econd , Sung by Mrs .

i
va n, in va i

-
n I ll ro ve , Rea fon nor H onour , Rea fon nor H onour c ld i
ou ts for
 Tho
‘
a our frelh j
ob eéti ons brO ti ght, a nd

4
— 2

Tth oug hr, ea ch ha d w on

Love, q e, q e m ore firo -

ng, y et Lo v e, Love
,

my T ongue i n my .
2

fo nd , my
'

lo O ne a n -
’

lw ers fa i nt — ly

no, but oh y es, y es, y es, o h y es , oh

 y es, y es ,
‘

oh y es, th e la lt c
mu h

A Tw o Part SO N G .

Hen M m S ng i — s
, w hen My ra

M yr a ig
Sn

l
ch ant

s, we feck th
’
i ch
n -
a nt
a- ou that g
T on }
ue
 l
fu l as a no — t her ,

b
ear ? the l
la v
e tha t from her
’

W i t, or Beau — ty fly es,

the fla ve that from h er W i t, or Beau

 Come let us leave the Town, a tW o Part S O NG
.

Noi fe
. w ere never, never, never , no ver
-
k now n, re

w ere never ,
 I n Pleafant, Fleafant P leafant, i n P lehfantfi lea lant
’ '

,
’

nt lh ades upon the Graft at g

Ni ht

fhad es, li p
’

-
on the Gra ls at N ht
‘

ig our felves we
’

ll lay ,

pals; thhs

l
i ba i pals ; thus
A Two Part S O N GS The W ords by Mr Congreoe
. .

Lover
ki nd , l oks ki nd m r w henlhel
o o ooks

nor w hen lh e l k
oo s

m let me a t rem
’
e
 a nd her Sm il es a re

g reat ,
’

lo gr ea t, (0 g rea t, (0

great, fo great, (0 g rea t, (0 g rea t, that I

fear, tha t I fear leli th ey lhou d be

‘
' ’
no more but d llfembli ng, l eli

more i
but d ll fembli ng
-
. , i
T hqn pr thee A mi rmt confent-
'

more but d i f
 ki nd, _
a , pox of t hsi EFO U l -

f
‘

d
n be ki nd, for I-
find ,
I i b li a

d o i ng,
-
‘

be
e n do i ng ,

éfi m - fi
 d o i ng,
-
b een

th ame, for lhame let y our

.

lhame let y o
ur Lo v er no

g lage that s hard, hard b

‘

ufa e tha t s hard, hard ha rd, of

’
’
-

, u-
a~ ove
-

7 4 3%

car ry
’
d , have car ry
’
d fuch loads of L o v ’

es pa i n, now let me, now

 let m;
e now let me , now let me ta k e Toll of t he pleafure
,
.

ll
ke T o ,
now let me, now let me k
ta e To ll of the
pleafure .

cred , bi d

bi d the

Turn over,
 Mi —
i

Bequeathi ng B lelli ngs c u c ur Ifle, the te -

d i ous nutes to

Conq ueli , t ill C onq ue li ,

t ill Conq uelt
’
to Ma

H e— ro
,
c
P ea e a nd her He — ro to d e pa rt
-
no more, no, no more, no, no

mo -
re ,
‘
P eace and her H e - v
c
r a,P ea e a n d her

more, no, no more, no, no more .

AN ACR E O N S D efeat
’

a -
no -
ther of h
t e Theha n

I II r at a «
ta- A A .“

Tr o j an W a rs ,
-

mb ers , in

W hi llt I in
 I in foft , in (0 ble V er le,
‘

-
n Cap — ti — v i ti es r ehea r fe ; I g
li n my ow n D e feats , w h h a re ic

-
vents of C ommon W a r ; I
'

li n g my ow n ic
D efeats , wh h a re not the E » vents

W a r, i
w h ch a re not the E vents -
of Common W ar

va nq ui lh d
’
me, nor R k
a n s a nd F il es, nor Ra nks a nd
 Sea have vanqui lh d me , nor B ri gad eers, nor C a m val
’ ‘

at - -

I n fa n
- -
try : No , no ,

no, no, no, no, no, A -

na — r r e — on ll i l de -
fies, ll
a ,

in k il li k il
-
ng, -
li g
n

E y es, each D ar t hi s Mi firels lhoots he c D

dy es , ea h a rt hi s Mi ltrefs lh oots he
 A S O N G i n the of t e h P referznenr
’

4th . Aét F ool s a

he D og Star ,
-
’
l le Sa il

t hen pur fue the Morn n ig , h

t e Morni ng ;

the
'

Moon t ill it he Noon, I le

’
t he Moon t ill

H mi g
o n .

Mounta i n I li mb F roli y Mounta i n , a nd there l le Coy n the W eather ;

’
the
’
,
le c

tea -
r
'

t he Ri
a n -
B ow from e Sky
th ,
’
I le tea — r t he
6 7
 ends to -

ge — t er h .

h
too, t e S tars p l ck
u from the r O i b
r s too, and crow d them i n my
;

And w hether I me
’
a R oa r

a R oar -
i ng B oy ,

a -
ll, let all t he i
Na t on jud ge it
.
 A S O N G upon .
a G round .

h ap —
py W o r k ’

s i
en— t re — ly d one, en ter the i
Tow n w h ch thou ha l l

i
fru ts i
of Conq uell now , now , now be g ,n I — -
o
,

W hat s thi s , y e Gods ! w ha t ca n

’

it be ! te

li i ll an E -
ne-
l
my ! B o d H onour li and s up i n the Ga te, a nd w ou d
y et
’

6 6

H a ve I ’
o recO me all re m -
al Foes, a nd fha i l th s i Pha ntom me n
p
Noi d y not h
'

ing , Tli alki ng S had e, by w hat W i tchcraft wert thou md a e, t hou emp- ty

d H ar ms But I "
l
fhai find out C ounter C har mt
'

y,

il
D ev 4 11 i p
-
to

x9
Sure I i b li
a ri d
—
my felf of thee, by the N i gh t s
’
ob a nd oh

Hn— li k e to cv
’
—i -
ry o t her S ri ght, thou a t;
-

p
 B ES S of B ED L A M
'

B l li z i um G roves, w here fad d e par ted Sp

-
-
ii
r ts

-
r n the r i Loves fro mCh y lt ll fi
r a rea ms, and
‘
from

il i
F eds w th F ow ers l a ll the y ear ,
’

come to c ure her ig

B r ht Gy m thi n -
k ept her

di d D c ,
a n e a nd O r — he— r on di d

Ve nm -
r an hi s La nc
e; In y ond er
'
Cow ll i p -
li es my D ea r , entomb d ’
in
 w i th a Tear, i tS fa d'
-
ig
n B loli om
'

to te

k
i

my L ove i s d ead , and a ll my Jy

o s are g one ; poor B ef: for hi s fa e a
‘

mk my Mti c k lh ll b I le lay me dow n and d y e ,

’
a e, -
li a e

y o u not he pa li by y ou ? H i s t w o fl mi g
a n

be w a re y e,
-
l eli h e lh ou d
’
 d a rt a Glance that may enfnare y e; H ar k ! H ar k ! Ih ear old Cha r on baw l, h

l g
on er fl ay , the F uri es l a lh the r i , com c e, ome a -
w ay ; come, come

1345w ill t
r e urn to the pi a e W or ld i s fo Ma d

C r t; f Lo bbl
‘

v es grow n a B u
’
S ha d ow ,
'

u e or e, a

-
d ure . C ld
o a nd H ng y
u r a m
'

Ig ro wn ,A
m -
br o— fi a w ill I
i

N ei i ar ig
Sn ; Who is con -
tent, d oes a ll Sorr ow
 r ,
Stra w , w hi lli free fr omthe La w , i n her thoughts i s a s gr ea t, g rea t as a
'
s Ki ng
’

of the r i g reen our Groves a p pear, our -

Vla es ly e bu — i
r ed i n Snow ; th

c ontrou s t l he A re, i a n ippi g c ld hill

n o c s al l be low .

17 5

’
d our deep li rea ms , P hwhns
5 6

hi s ki nd -
ly B ea ms , P hoehm W i thd ra —m — s ’
hi s

Bea ms . Yet W i nter ble lt be

 mourn a nd in

b urn, a nd in thy r
l ce w i th plea

a d Verle
. .

T oo foon the Suns t e - vi — vi g

n hea t w ill thaw thy I ce a nd me tl

pets w ill foun d , a nd D rums w

,
ill b eat, a nd te ll m
e the cl ear, cl ear

mull my we

-
to li ronger Ch ar ms , r el i gn hi m up
g 0
I

Ch
ar ms : W hat Flow ers, w ha t Sw eets, what Beauteous

p lea l ur e b i g?
r n W in
 O ve Ar m — _ s
b ..

ln Celi a
’
l Ey es , w hen e re
’
R ea w ou
’
d te b ll ;
e

Love Arm — s hi mfelf i n C li o s E y es, w hen

’
.
e—

’
w ou ; — d te -
b ll ;
e a nd
’
ev r y ti me I d are, I da

be W if
e, a— la s,
"

a é — l as , er w o und I

I m fi li i ll
'

u ,
w hi ch
fee i ng
-
I m ll li i ll I m ll lti ll lti ll i i ii i
u , u , ,
end ure ; ll
T hey te me, they te ll m e, they

ha s D arts to kill ,
a nd W i fd om has no pow
’
r , a nd W i fdom has no pow
’
r , no, no, no,

no, a nd W i fd om h as no to cure.

i
Reafon g ve me, gi ve me, gi ve me r el}; qi qi
u t, ut i n my H ea r t th y fe -
l
ble ho d ,

t ry t hy F o r c e, go tr y t hy F or c e in Ce — li a s
’

E rca ll , for t ha t i s di fingag d

’

—~d t ha t is
 felf, confe fs th y felf her
6 6 6

h ow
’
a nd a rgue w h i l lt lhe ll QW g re a t,

li k
-

how God — fa ve
‘

fl “
a t, e to

Mr H enry P M ”
!

ON G . Sett before hi s Si k
c nefs .

-
ly , L
ov e l
y Al m

w —h me a -
i hore, to ente r her jull ,

h
 Ly on
, as hi s bra vbvbv
e, ra e, ra e, the

b v
ra e, b rave, brave,thi s Beauty , thi s Bea uty w ill r eli eve, t hi s Bea ut y , th s
‘
i
6 6 6 . 6 6

w ill li
re eve, for noth n ig .

m b u —“ m m " e, a nd let her gri ev e, a nd let her gi

r eve.
 ng i n the Play call d; The Mafla ere i n P a ri s
S O NG Su
“

, .

’
ra i s d to fl op thy F ate, a Repentance never, never
‘
t r ue

Ai 6

c
ta n e never, never c mes
o too l a te : So foon as B orn lhe

a Shrow d , the fl eecy Man— tle of

'

a w eep — d ng Cl oud , a n
d {w lt i as

— . ry ourney took, l w i
J -
ft
,
as thou gh t her Ai
 w th i a — z
ma ement on

l ToneShe told thy yp

i
She to d thy Story i n fo fad 3 ,
Stor in ”
fo fa

Tng: the
o An gl e s li ar t from Bi lls a nd ga ve a g roa n.

b b

O h! d al ly O h! d a l ly be w a re, O h !
‘

-
not , -
not, -

'

6 6 s 6

i
th s no P a r d on, n o, no, no Pa r d on lh al l
-
' ’
be gi v n ; O h ! d al ly
 for ai -
ter thi s , fha i l '

be gi v n,
’
no, no

fhai l be gi ven .

A Tw o Pa rt SO N G .

Alf Cl o -
e my
i
’
B l Ca fi (O
J
a -
lar from hCI P O W
’ ’
F I ‘

no 1

my E rca ll fo a— la r -
ms , fro mh er P ow
’
r, fr om her P ow
’

r I no

a -

nothe r I k
ta e i n my Arms, y et my

k
i

If a ta e i n my A rms, y e t
‘

my
6 6
t hen i n my Mi nd : Unblelt i
w th t he Joy , li i ll a P lea fure I w a nt , ll
ll l a P lea lhre

then i n my Mi nd U n bleft
-
wi th the Joy , lli ll a P lea fune

g
”

w ant, w hi ch none but my Cl o— e, my Cl o— e ca n ra nt ;

- .
fmi —i — le
, I g row

Ig ro w

fee my l H ea rt i
fpri ng w th D e -
ligh t; oh Cl o— e 1 cou d
’
gz
a e al l the da

fee my l H ear t i
fpri ng w th D e — light; on Cl o— e 1 cou d
’
z
ga e a ll the
'
 ay ; on a ll t he

a l l, a ll the d a y , a ll, all the d ay ; on Clo -

e I cou
’
d gaz e a ll the

Cl o e d o w
-
i th f or, and Clo -
‘

e d o w i lh for ea ch ightn .

O h ! O h ! di d Cl o— e but

r
O hl O h ! di d Cl o— e, O h! O h ! d i d Cl o— e b ut

Lovi gn a gi
a n;

,
e a nd the P leafure of L ov i ng a — gi
a n; my P af -e- a —fl — li on her
 P af
v i
l on her F avour w o u d mo
’
my P af i
f on her

’
F a vour w ou d
— mo my Paf n - z l i on her F a~

mo — ve , a nd i n P r ud ence lhe d
’

pi
—
ty my P a i n

_ m ve, a nd i n P rudence lhe d pi

’
— ty _
my P a i n: Good
433?

U' t

I nt
’
-
reli lh ou d
’
b h ma
ot k e her ki nd , for he J y
t
"
o -

,
lhe m h t ig ’

’
I nt -
relt lh oi l
’
d
l

borh ma e k her ki nd , for the ,

Joy lhe m h tig

Joy lhe m ht ig ‘
find .
A SONG ,
,
Sung at the Knig hti ng of Don
-

Q
ui xote, i n the ad ! Aek

Mures, sm
'

I ng , Si n — g, a ll i
ye
-

a ll ye Mu— fes,

li ri ke, {tr i ke a— roun “ fi m m

I

w hen a Sold ier s

'
the

ant found when

 w ho D an g
er d rd a i i

g
Tonue a
c n w ant found ; w ho D an g
er g
di lda i ns , w ho D an er d i fd a i ns,

W o ti nd s , B r ui fes
'

a nd Pa i ns , w hen the H onour

‘

of

nds , B r ulles a nd P a i ns, w hen the H onour of F i ghti ng is

6 %6

P ro fic
t o mes ea fy , c mes
o

Ri h c P ro fi t comes ca
f y,
-
f ‘
ea -
fy
'
i n Ci -
i
t es o f Store ,
6 6

Ci l
bur the Go d i sedr ird ha
.

nnons do -
a r,

l
but the Go d i s ea rn d har d w here t
’
he C a nnons d o
 how they run, how the r un a t the
y
“

S torm n ig ,
t he

r un a t t h e Stor mn ig ,
t he
’

Tow n, t h ro
’
B l d, a nd thr o F
oo
’
i r e, to

H lf M
a
'

oon thro
,
’

Blood , a hd thi o
’
F i re fo
w '

ta ke the H lfa

-
le the ig
h h W a ll , the ig
h h .
 c
en e they

W a ll , c
w hen e they k c o thers fa ll ,

-
ry pur — i
lu ng, tho
‘
’

Mi ne is f
ull bl w i
o ng,
 fl

more, more, more, y et more w il l

B r de i g
-
roo ms to

hali en to di e t ill ,
F a te cl p ,
a s

bah en to di e ; an F a te cl aps,

F ate cl
a ps ,
 c b
B rea h ei n g enter
’

d, a nd

c bi
B rea h
t "
v
e ng
I
f ,
enter
’
d, and
‘

th en , then, the n, then, then, then, t h en t hey r

’
all

ha ppy She w h o
le F a ce can
'

’
s

Then She, then ha ppy s

’
happy
’
s
s

S l
o d i er s
’

Gra ce, they Ra n g b

e a out i n S ta te,
t hey R ng bo
a e a ut in S

no L ux u
- -
ry in P eace, nor

God s d i F pol n -
ig P l ea fure
par
-
i al -
le1 the pa
-
ral — lel the

w hé n fl ulh d w un Ra l
’
o
~
C r own -

C row n

’
-
ge, and forc d by w ant ,
 at the Riba n ow F ea li ;

t Moonlh i nemhi lttthe W i nd s w hi ttle loud ; it vy , ti vy , ti v y, i

t vy ,

i
w h te Cloud, a nd l li
e our l ea
p

w h tei Cloud ,
 fromthe Sky lhou d prove too fa r t,
’

a nd left out e l ap

-
rr, we
’
ll fli de, w e
’
ll flid
e on

fromth e Sky

Sta rr, a nd d rop, d rop, d rop from a bove, in l ly ,

‘

_
m
a ge - w

dr
op from 3

Lov e a nd d rop ,
B ut now the Sun s
’ ’

dow n, a nd the E lement s R ed, the Sp

’
ii
r ts of F i re a gai nli us ma ke

'

hy mufier they muli er li

li er, t e , ke Gna ts tn the Ai r : a— la s Iml l ’
u t v
ea e thee my

A— las I m ll l
u eave thee,

’
ob i tay ! ll ay, fl ay , o h lta y , li ay ,

a las, a— la s I m tt l
u l
eave thee, muft eave th ee m
y Fa i r
.
for y ou need
’
not to fea r e m,y ou need not to

ws ll i ig n
fu i n the r l ht, a d o re
’
the w id e

B ut the i r
 T rumpeter, H ornet _ o
t l
B att e, to

lou d; no mortals that fpye hé w we

fear li i ch e -
v
ents as w ill ’
ne re com e to pals,

T hen c ll
a the B attle i s won .

Turn over fi t the C H O

O
‘

no, no, re n -
fiflance, reu
"
fifiance i s but
,

no, rew -
mance ,
“
re -
fifiance, re -
.
fifiance i s'

but
‘

te -
fifiance, re -
fiflance is but; va n,i v i
a n, a

ho, re
n
fiflancefi ef— fifiance is but vai n, vai n,

fifiance
'

te -

. Q

on— Jy adds new wei ght to Cu i d

’

p
-

wei ghf, new w ei ght to Ch —

i d: ’
‘
p r
 "
no, no, no, no, no, no, no, no, no,

no, no, no, no, no, no, no, no, no, no, no,

no, no, rcn

fifiancc i s but vi
a n; no, no, no, no, no,
'

no, rcfifianéc i s b ut vai n no, no, no,

M i ce i s but vai n A thoufand thontand , thonfand ,

a thouland, thonfand , thouland , thoufand wa s ; y a

a . thoufand , thoufand , tho

- Q Q - . Q - A — ~ O O 0
? - o m
thoufand , thoufa nd Arts the Ty rant, the y y
t rant, the t r a nt , th e ty rant k n ws
o to C a p — ti

a thoufand Arts ,
t he y
t r a nt, t he
‘ '

t y ra nt k no w s to C a p—4t h .

the u— n i ver of
'

the E y es ;

_ i
w th ten -
det mers de n
—
g, he ki lls the fl ron ~

-
y , be ki lls the nrong w th i

~
-

y, he kills t he fi rong w i th
7 3

t he w ea k wi h
t i
pa n, the pa n i . No, no,
 Part S O NG
‘

a P ar -
ly
'
f
f
ye : Fa r i a nd fur
s -
ren found a P ar 49 ye
-

yé F ai r and fur — t en

fet yonr {e
’

l ves and your

Fa i r, found a P ar e — i “
y ur (e
o lv es and our
y

He s a
’
gratefu ll , a ,
gratefll
u O i l-
fender

, w ho pl ea

the i
w hi n ng pr e o -
tender , the

t he '
hi
w n ng , i t he
 ,
w hi nei ng pretenu d er i s

g p reten -
der i s (a re to di f— plea fe :

found ,found , found , found a .

'

P arly ye P a i r, fou

fur — ren d er , found a

Fa i r a nd fur -
e
r nder } fince the fr u t of d h i e— te
'

i s poflelli ng,
’
ti s

F a i r and fur -
render i
; fince the fru t of ti e fi re i s
-

p fi
’

o efli ng .
’
ti s nu
-
man~

ma n ly to
.

figh n
a nd co l pla i n ; W hen

_
m anly to ngh a nd co m 7p an;
-
li W hen we k nee l
6
 Lo v e w as made for a

mo - a -
ve y our d i f d a i n Love w as

Lo v e w as maae for a B lefl fing, w as

-
 ,

Let H efi or, Achi l les , a t wo Pa rt S O N G .

E T H eéfof , A -
bi l
c — l e:
,
a nd each bra v e Q m mo
a n — d er
n
,
let Heéi or

La Hefi or

N i
a t ons a nd Ki
 more than i
a ll th s , y et mor e h
t an all t hi s, i
br gh t

t hi s, y et more than all i

th s , y et mor e tha n al l i
th s, more more, br ght
,
i
98 hi 45

to Cc— Iza
’

s i i
br ght C har n s ; i n C ha i ns a nd in

Cc l za
-
' ’

s . i
br g ht Charms ; a nd in
 -
umph ,
in C h i
a ns i
carr es the m

(he i
ca rr es the m

i f th e but frow n, then dow n, then down the y all fa ll d

,
h
ow n t e y f ll d
a ,
ow n

i f (be but frow n, then doi zvn, then dow n the y a ll

76 76

d ow n s then d ow n thef
'

a l l ll
'

fa

’
u p
m h {he i
carr es them a ll; a nd

a nd i n Tr i i
ca rr es them a ll, a
6 6
nd
d ow n t hy
e a ll -
y
—

ll
l l, dow n the fa ,d ow n the y a ll fa

fa ll , d ow n, d ow n, d ow n, d ow n, d ow n, d ow n t he y

W : [d F t a tw o P art 8 0 N C
“

a 4 a e, .

.
v
Lo e, my L
g ve, my L o v e is
 i
d a n {h e ca n

ma k e me Lov e

(elf to v
Lo e more ; more, to ma k e me Lo v e
 l i n the th A l: f the d Part of Den Qui xote
A D i a og ue 4 i o a -

. . .

I nce i
T mes a re {Q bad , l
I mull te l Y u M eet Heart
o , I m th n
'
i ki ng l v
t o ea e off my

a nd my
'

C a r t, a nd to t he
‘
P a rt C i t — ty
o
‘

v
a Journey
g

wi ll g , to
oe better
6 6 6

to l
be R u ers a nd w allow d m
’ 0

i
R ches,
o o C 4

from thy
Q

come, come, come , l

hee for i f Gy pfies d on t l y e,
,
’

I l h ll l
a ,

by all , by a ll thy
6
'

6
l a te

6
i
d o ngs
 r
for row and t oub e ,
'
i
w th forrow and trouble i the P ri de of thy i
m nt}; our S h p ee n ow

5 7 s 6

d if -
or d er -
ly r un, a nd now , a nd now Snndas acket goes e- v ydy
er a on Ah 5

ah ! wha t d oft thou, w ha t d ofi thou, w ha t

To ma ke my Shoos clean and foot i t, a nd foot i t to th

’
Court, to the
6 6 6

i ng my p ar ts I p e
r u
ferment {hal l win ;
1
6 s
—6 -
4

better,
6 s
'
’
ti s better for to
6
P l ugh
o

6
a nd
v
to Sp n ;i for

4 3
 ‘

as to the C our t w hen h

t ou ha ppen fi
’
to tr y,
t hou t
’
l i
find noth ng got
“
h
t ere unlefs thou can
’
lt
% 6 6

buy ; F or Money th
4
e D ev
-
6
il , the De v il a nd a ll’
s to be found , b

no, no, no good P arts mi nded , w i t hout the good P ound W hy then I le ta eArms, w hy then .
’
k
886 .

Ar m s ,l.
’
le ta k e Arms, and fo ll ow , a nd fol l ow Allarms, hunt Honour tha t

C har ms : And (0 l ofe a i " Sg

L mb b
;
a
3 h t or
6
a Bl o w , a nd curfe th
y
“

(elf a f»

l viea n
g, for l viea ng the P l ough. Sup -
p or
e [t urn G a me fl er
/
3
So C h ea t
.

and be
 ’
thi nk fi of t he R oa d then i -

T he H i ghwa y ‘
to be Ha ng d
’ '

. Ni ce P i mpi ng how
_
-
e - ver yi e ld s

%6 6 %6

to a -
norher s
’
i
fi ne W fe : T ha t s d angero
’
us too, a

38 s

for fome of em
'

by y ou ; a nd th en I to .

6 6 6 6 6 6 6 6

mb ay e dr a w
’

n i n , fa th i Col li n
'
’
ti s better I fit here and Spi n, fa i th Co li n l ‘
ti s

I fit here a nd S pi n . W ill i
noth ng
"
prefe r me, w hat thi nk i i
’

of t he L a w O h

’
P aw . l le C a nt
a ll l
our w ho e ca re be o
ur F a r mi g af
n
s
-
fai r , To ma ke our C or n grow , a

z V oc .

Ambi ti on s,
’

no, no, no,

no, no, no, no, no, no,

,
 I

no, no,

'
no, no, n o, no, n o, no, no, no, n o, no
,
n o,
no, no no,
,

n o, no, no, n o, content ment

no no, no
,
no
,
no conténtment
. ca n
fl ww , no, no, no, no, no no,
,
con tent ment m
co

6 5 6 5
6 . 4 43 4 3

cchus i s a
Ba Poo r di v i ne ,
a . fing le S O N G .

vi n fill
.
‘

my H ead
’
A ocbu: is a P ow r di — ne, for H e no foo er s

ty W i ne, but a ll my Cates refign ,an d

dow n d ea d . Then, then t he pl ea -

fing t h ou ghts be gi n,
-
a nd I
~ i n Ri — che s
 i l
w th F ow ers W ea . L - m
g
— l ’
d in -
to 3 l
Ga r a nd Cr ow h d ;
’

43%

to liv e, a nd rec r u w ha t all the w or ld can lh ow or »

g iv e
. La the

n oi fe a nd
 dr ik
n . T hen fill my G lafs , fill, fill i t hi gh, fome perh aps thi nk i t
6
fit
6
to

dy e, but w hen the B ott le s rang

’
d ma k e W ar wi th me the ,

fun k , the di E
’

rence
‘

to ly e

i
_
i
IX
“

X
D r un k; the i
F ghti ng F oo l lhall fee, w hen I a
5
m funk , the di ff rence’

d ea d , ari d l ye d ead d r un k .
a t once the
“

l
P a li ons to
 v ates the i
M nd , a t once it C har

fing le S O N G by Mr 7 Crown '

. . .
W ar, (2) ;W a
-
r goes e v y
’

hour he goes

{hou d he
’
fl ay :
‘

Yet, y et I woud ’
, y et I ’
w ou d, y et Iw ’
ou d , y et

I w ou d I wud I
‘
'
’ ’

y et, y et , y et o , y et I y et

Ah me ! to ma ny Deaths decreed ,
B y Lo e or W ar,v d y e, I h ly
W hen I
our

W hen l fee not my L o e b eed ;

ha e h i m i n y E y e, v
v I
m
l
kill i
‘

He s me w th exce fs of Jo y .
e H ours , ma ke ha lt, ma k e

a nd i
d r v e the
' ‘

o u, the te l
- -
d i ons

on : Bi
r ng ck my
ba

to my li ght,
 i i
Sw fter tha n T me my e a — ger Wi -
(hes
Yet tho
’
her cr u el Scorn prow a
-
k es D e— fpai r,
 h i her
’
y et t o cr u

(ti ll
h '

0 i s fl rong , my P afli on \li i ll i s -

fng , my P a ffion fi i ll i s

m
f

ng, as . h
t e i s fa i il l m
r ; St a ll I v
Lo e,

hil l co r t u ml u— i ne, a nd emf-

brace .
my C hai n ;

fi i ll court my my C ha i n
.
 ma k e the B il
-
l ow s th a t
7 ?
an d

li
va an i
tM nds, but fpi ght ofthee w e l li ve ,but rpi ght orthes w e l
’ '

my Hearts, 5nd be nor a w d , but li ce

’
’

i
’
s bro k l
e ogi c, a nd the vl
De i s roar a broad , w hi l i t w e ha e v

By v
o s , ne er fear, ne v v
er , ne er fear . Hey ! how (he
‘

tofles up ! hovvfa r the

Meteors bla z d
’
a s thro the C oud s
’
l we ca me, a nd S ex I d - o

B b b
 no w we god ow n to the

p
d ee -
efl _
Shades be
-
low . A g las !
- -
a— l as ! w here are w e now
,
w ho, w ho can

C H O R U S.
S tri ke theVi l, touch the Lute: fingle S O QN G;
‘
'

o a
‘

fir i ke the Vi a - 1
0,

t ouch ; the -
L a te g e the

k
w a e the H a rp, I n — fpi re the

Pa -
t ro

fing, in cheer
 l

-
ly torn, my Sou l has

to mo urn, nu — lefs, un —
lefs , i t w ere to mourn, mourn .
‘

B ll t

a nd l di
b ee ng, l
b eed -
i ng
 i ki
th n ng on he r, on
’
ti s that ma k es mq w i i h to d y e,

“
to dy e,

A S 0N G i n Ma rri ed fi end
}

the
“

coke, a nd mel

— t i ng E y es ; be — mo
a n ng,i ’

i
th e r u ns , t he ru ns i i n her H ea rt
 [ 1 9 2 1

F ame ,w hi ch fin
’

— ~fu ll L ove has mad e : O h!

th y T ears , fa
’

i r,

w ond
’ ’
rous, rous ,
h
-

on thee w ill be — Itow , than

’
l, a ll,
al th a n a ll, al l, tha n _
,tha n
a l l, a ll
 ah ! B e— li n— l
cn
p reft i
w th

to be ex I a m

tor -
_ ments not to be and I a re

g ro w n, P ea ce a nd
kn w
o n, y et

VI O L I N .

0 let me let me weep !

,
 1 11 99 J

— re, n o more, more l

{h a l

’
i ’
i
l le h d e me, l le h de me fromthe li ght of Day ,
‘

a nd figh,
 l et me, let me w eep lo , O ,

— 6
sb -

"

let me for v
e er, ve w
e r eep, for e— ver, for e -
ver , for e ver , for
-
-

pl ore; he s gone, he s gone, he s gone, hi s lofi

’ ’
’
s l
d ep ore, a nd I (1
1

v
ne er fee hi m mor e
 v
ne er, v
ne er fee hi mmore

I
Q
”
(ha ll nerer, (h a ll v
ne er, l
(h a l never
"(h ll
, a v
ne er fe
e hi m more
'

A Tw o P art S O N G the W ,
ords by Mr H erzl} .
.

-
Ul -
cL -
£cl -
la , D uc - -
’
l el l a , w hen e r e I fi l e for a Ki fé ; D ulci — bel l n,
w
D relci

Dnl— ci -
bcl l n, -
D eb i —
bel le ,

n e re
’
I B li fis,
’
cry s no,

w hen e r e
’
I th e for a i
K ts,t e -
fu~fing the
6
 [ z oo ] 7?

no , cr y ’
s

no, no, no, no, cr y ’

s no , no, no, no, l v
ea e me,

ah w ha t w ou d y ou, w hat w on d y ou
’
w ha t w ou d do ?
’
’
’

y ou,

wha t w ou d y o u,
’

a b1 w hat w ou d
’

y ou,w hat
’

w ou d y ou, w hat w or d y ou d o ? l

w hen 1 te ll her
’
l le go, h ill the cr y ’
s no, no , no, my

tell her l le go,

h
’
ill the
’
cry s no, no, no , no, no, no, no, no, my

no my A — l ex— i s, ah l tell me nor, te ll me not fo ;

no , my A ~ lex— i r, a h ! tel l me not, te ll we not fo ; ah !

ah ! ll
te me not ll
T e me fa i r one, ll
te me fa i r o ne, te ll me w hy , w hy ,

fl ay , w hy fo ki nd , (0

te ll me fa i r one, tell me

w hy . fo coy , a nd wh y (0 .
ll m
te e fa r one, te ll me

one, ll m
te e, x
tell me w hy
o , , i
y ou l ne ther let me F |g
’
.
Let Cst far d U rani a l i ne,
an a Two Part 5 .
0N G .

let '

a ll de
'

-
li g h ~ ts t he Sta rs can g iv e

Let Coo
/or a nd U — m nu: liv e, let

a ll de
 — ts the Stars ca n giv e,

let all de— l i gh — ts the Stars ca n gi v e, upon

g i ve, o p on -

fcend ; let D i fc or d the fhad es be d ri v n, let D i fcord

’
-
to to the

to .
the .

E a rth a nd Sky at tend ,

u
o t -

w hi le E ar th and Sky and thus our Loy -

ai v ow s
 a nd t u h s our Loy -
al Vo w s i af — z cend ;
‘

_
O ,
"

O
“

; P referve

'

al Vow s r
af cend ; O , . O ,

P re -
fer v e
’

em, P re -
fer v e
' ’

e ni
‘

} P ré
‘

-
fer e v

P ro fer— v e
’
e m, P re é — fet ve i
P re L fe r -
v e e m ,
,
P re -
fer v e

v
R ea o; O
’

,
P referve e
’
m, Pr r -
fer v e

P referve
’
em
-

P re fer -
v e
’
em,
'

0, P r e fer -
v e
‘

e m I I ea v n
— ’
.

"
em Hea v n
’
‘
P refcrve .
 W ere I tot /ooof e zbe
fl Bl i fis Two Par t 30 N C
'

r ea te
g a
.
.
_ , ,

W ere . I '

to ehoofe, w ere l h
to c o ofe the g ea
r — teft B lifls tha t
,

w as k now n ;

w as k now n; twou d be’ ’

'

t he h ghi -
h
e of my

3 l one : i
K ngs

y our H ea r t a v -
l one : i i
K ngs m ght pa f fefs the r -
i
43%

free, a nd C row ns nu -
vy
’
d w ear ; the yn i ca
’
d no Ri -
va l ha

free, a nd Crow ns nu -
vy
’
d w ea r ; the y lh ou d
’

no
Ri — val, the y fhou d
’

no Ri —
’

va l ha v e of no, mi ght ! i
re gn

1,W fi
‘

h
t ere ; t e h y (h ou
’
d no Ri — v al ha v e of me,

v
Monarch the re ; t ey h {h ou d
’
no Ri v al hv
a e of me, no,
'

t he y
4335 f ’
“ 65

ih ou d
’
no . me, m ght i

no R iv l a , hy
t e (h ou d
’
no Ri - va l ,
ha
6 4356
me, m ght i

I re i gn M o ~ na r c h there .

I re i gn '
Mo -
nare h there .
 Nd i neach tragk of f

"
And in eacl f trac k of
'
- “

ha te, i hai h ate

’
R ome s Ty - L ra nm n
y joy u t he . Na ti ons r i gh t, w i th

Ty — r an - l ri y d
an jo
yn'
the N i ih
a t ons r
g t,
 none , none, none, none, none w ere more ,
none w er e mc r

none; none, none w ere more r ead y

“

in d i e
s
- J i tt ers to fa v e, no , none w ere

none w ere more read y i n di — ftr efs to none w ere

none, none, none, none, , none, none w ere more

‘

none, none non

e,

Loy al, none, none mre o brave .

Loy — al none, none more brave .

'
 i
to thr ce Ma n s
’
Rge

n B umpers
’

pa fs d not
 i
d ri nk, d ri nk, but d r nk, a nd (o ra ppor t the

Sta te, a nd fo ra p p rt h
o t e Sta te;
l

but d r i nk, d ri nk, but d r ik n ; d ri n

k, d ri nk, a nd fo

fo rapport the Sta te, bU t d ri nk, d ri nk, d ri nk,and fo fl rpport the Sta te ;
_

State ; but dr nik , but dr n ik i , d r nk, d r ik

n , and to fupport the State ; but d ri nk,

k
d ri n ,
but d r nik , and (0

but dr nk i , bur d r n i k, k
d ri n , a nd to fupporg the Sta te , a nd i i)
6 4s %

State ; but d ri nk, a nd fo the Sta te .

 P li
a ns , the ‘
Shepher d s a nd the F armers ga nes ; fa i i r B r i tai n , a l l, a l l, a l l, a ll , all

al l, a ll, a ll , all the W or d l ont -

vi es , a ll, all, a ll,

a ll, a ll, a ll, a ll, all, . a ll the W orld a ll, 511 the

W or ld v i o ut es : a nd Pa n as i n Ar -
ca u di a re i gns , and

W or ld vi out es : a nd Pan as i n Ar -
ca u
dra
'

rei gns, a n d Pan as

W or ld i
outv es : a nd P an as i n Ab td -
dlfl re i gns, a nd Pa n as

i
w th pro- fit ly es. T ho
?
f /
‘

a on s
’

l
F eece w a s fa w w as famd
’
of

m xt i w thi r
p o
-
fit ly esu Tho ff afi ms
’ ‘
’ ’

F l eece

w i th pr o
-
fit ly es. T ho
’

’
3f
‘ ’
a on s F l eece

4 3%
ol d ,the B r i ripr W l
oo , the B r i riflo W 001, i s g rowing g
, ro w n i
g Go l d no i
M nes ca n more no
'

, ,
no, no,

B r i riflz W ool , the B i os/h W oo l is G old ;

the B r i ri
j la W
'
oo l , t he B ri t no , no,

no, no , no, -
no, no, no, no, n o Mi nes ca n more o f W l
ea t h fup p y , ~- y
.
o

it k p
ee s, i t
"
3

Mi nes ca n no, no Mi nes ca n mor e l

of W ea th l up -
pl y ,
i t keeps , i t

n o, no i
M nes
6%
ca n more, can more of ‘N eal t
’

h fii p w
pl y , i t k p
ee s , it

from the co l d, d k
ta es for i
K ngs the T yi r an die .

nt fr o m th e k
cold , and ta es, a nd ta es for k T y ia r n di e.

fro
m the co d, a nd l k k
ta es , a nd ta es for i
K ngs the T y r ani di e .

43%
thus I touch y our H and , w hy I
 I w ri h I w as a Man ? How ih ou d I ’
k now more than y ou? Yet W ou d
'

too .
_
W hen y ou w a fir y our felfa d
.
n pl y a , I meth ik
n s c l k
oo a ll d ay ;

fo w e ll ,
lhou d y on, fhou d y ou Ki i s m
’ ’

fhou d y ou h ou d y ou K fs
'
i ,
’
i te ll ; no, no I ’
w on t te ll no, no I w on ’
t

. b SS

no, no I w on t
’
ll
te ; {h ou d y ou K fs me
’
i I ’

won t tell .
e /
T ho I Cou d
’ ’

-
fire no . bet -
ter pl y ;
a Sure, fore i n more , w hi ch
lo
ves to fh i ne, Ih e
‘

f
 ’
lh e ful — ly d

i
fi s h ng
{ 53351 15 3
1 3
03 . v
Lo e thou, an,
the pow erfu ll Ch
ar — n — s- e ,

pi de ; l le fummons, fhmmons
’
r

het I mage to d eface

‘
.
 y
i ng Jo v
s , of e er

J y
o s ; al l N ature to
'

her C ha rms

blui h out a ll the r i F eet ; w here Nigh i g l s h i

tn a e t ero
-
wn Love Songs
-
lay

by , a nd her u
n
 Gro v es te -
‘

jy
o ce, l
faint y to

hea
’
v n—
y
l i
Vo ce, fa i nt -
ly to cc
‘

— cho b ac k '

her
43%

C H O RU S .

but my P a i ns s
m g g tbe

t o me a bur n — i ng Clafi f
o I ce ; P an
*

me
"
is to a

me a h orn
-
i ng fi lsfs o
f
m
. -
. .

y
o

6
,

u
”
”
4

Mmm
 to fl

m my E lf my
’

a ow n

Heart w i th
’

P ow
’
r , a nd lefs Mercy than F a te, k
to ma e us feek
 of Mu — fick and of Love, all l
the T a ents

rent y ou, pleas d to i ts , to fee what they hé fi ow

’ ‘

- r

. .

thr i v li v
e, v
e a nd thri e

i
thr ve fo w el l be

al l the l
Ta ents the yh
a ve l ent y ou, a ll t he B lefli ng s the y ha ve
 fent yow pléai d to fee, to
' ‘
’

be— low , pleasi

'

d to fee, to fee w ha t the y

,
th i v e (
r is we l l be — low .

he C ha —s ma de i n for m, a nd the fir fi ,
“

a s (no n a s t wa
‘ “
os , -
os to
 of Men k new a good ,
k new a good .
from a y
harm; th e q u c i kl y di d

th a t th e l
W or d schi efeft
’

i ne e
“

that the W orld s chi efei i B l ili ngs w ere

’

a n
d W i ne W,
omen a nd W i he,W omen and W i ne l
that the W or d s chi efeff
’
B lefli ngs w ere

a nd W i i
ne l
S nce w hen by exa mpe i m p rov ni g d elghts ,i(i nt o w hen by er a m e, fince
p -
l
 t l
i 0
2 3

Lo v e on

a nd d ri nk, d ri nk, d ri nk,

a nd dr i n k,
 i ce, than w hen

reem P i ous, w hen Kna v ‘

es w ou d feem P i — ous , a nd .
’
i
F ooi g w ou d feem W fe .
 i
Men a re ma k ng .
of
‘

H ay , w e
’
v l ll
e eft the d u

l h d u l Fools a
e ft t e l

merr i ly , merri ;ly

a -

4338

l
bo d ? I
’
d hav e y e,

-
i
ga n,
6
a~ g
6
ai n a
 k p
renew and ma e et pe tu al
-
Nigh t;

the W a rs of
’
E urope i n my B ai
r n; I
’

eall
v , a ll,
“
fi l l the W art of E urope
‘

i
i n my B ra n
-
fue, purrue, purfue , purfueb purfise, purfue, purfue, urfue D ri vee m
p ,
’
ore’

i
B y th s d i sjoy nted ma tter th t
a
 k i nd
'

find the i r a r t one of t he ,

thou a r t one of

i nhi s F ace,
’

my Cl ub, S he fTi s true, my d ea r A lci der,

.

T hmg s tend to d lffO lU t fl ,

.

Ft: of t eh Gown,

wi th th e W or k,

ma d, t i ny ma d, 8 c.
 C an i
noth ng, ca n i
no — th ng w arm me,

w arm me ? y es , y es, y es,

 mme
‘

w afm me ca n nothi ng , ca n no thi ng w ar

’

hi ng

v i t

s, yr y
"
Lu ci nda
’
s
g
e es , s,
ye , y e

y I
‘

Ye pow r s he r name,
’
E es . d i d but ufe

n owthe l
G obe more fei rcely burns tha n once a t
’

P ha eton s f a; ll

a n, w —d a h
a nd
,
’
0 re, p v
r o es a
 l tei z e, w i ll tei z e a nd

6 Be
“

a nd w il l k l
Cuc od ye the n yw
ext ; the ere all contr i v d
’
i n fpi ght, to
’

ton ment
-
us ,

ne t one ofth

F I N I ‘
S
'

.
 T o th e R i g h t H ono ur able

A u d i t o r o f Hi s
‘

Maj e fi i es E xch e q ue r, j

MY Lo a m
'

Sboa d l o a nj ajl to the Me ory

[ m f w e a dmi r ed P u rce l l
‘
‘
’
, o ,
.

H i s W or kr j boa d I pa t
-

a nd f S ma ll Va la e
’
et t oo a on ,

t /Jem a n er d an
y P a tr onag e l a t Toa r ow n . F or Toa r
d l hi p ba r Doa l le Ti tle t o t be e f P ap er y l otb {I f Toa
r

a ,

t lJe l ejl d
f g e a , a; well at too Gr ea tefl a oa r a
g er
f
o

M u fick ; Gr ea t M Tu l a t
Ty a nd fi a t afl f
er o to o t

toat l j Good at Tefl of Toor j udg m

'

ent
fl oa ld Cla z m ,

P r otefl z on: S z noe no Gr ea ter Cba r a el er con l a g z oen of

mpofitl oa t ha n tba t i t ha s plea s d f E xaa lfte Ta/l a
’ “
o o a

d lh i p a
’

f
a m not p t a P a
o oa n,ne
gy r i ti l
e o n Ta s to a ttem
o a r

i p nor to E xpa tta te on the fieoer a l E xoellent i er of a t;

,

ed Aa tbor : Tbe e a r e S a l el l t
f j f or t o
‘
e S a l li m e
fl P ea t ,

d a r e a lr ea dy tr a n/m
z t ted to

B at my fig
d e n bor e 2 5 to a
py y m G r a t i t a de to
, r oar L o r d -v

i p for the ma ny F a ooa rf I ha ve r et ei o d ; I n a P r efent wo

,
’
ofe

W or t/1 , 2 3 tt s Apology of N, a tz oe Gr a t e; wz ll r ea
a nd wb e

p l l
to At t e t ae . And to a dd i f pofitl le to the F a me of P u r ce l l
, ,

Endea r bz m mor e to the W or ld : W /Jl t b t a n do only done ,

re xl n t/Je N a me o
p fi g f M ou nta g u e to H i s W ar / u .

My L or d,

I a mToor L or d/l ap: mo/l H omo

/e a nd Ol llg ed S er vant

H E N R Y P L A Y r o nn ,
 The B eokfel l er to th e

He late P ub li cati on of thele E xcell ent Pe rfor mances i n

'

fu
fli ci ently a ton d for , by t he Ca re t ha t has been
’

m;
’

Co llecti on of c a nd I ca nnot bu t t hi nk I have

enoug h to t he P urchafcr i n the Cho i c e of k m
, T he g r

have been a t 5 t he D i li gence I have mad e ufe o f to obta i n the Afli fia nce
of F ri ends, and t he D earnefs of P aper i n w hi ch t hefe Ad mi r able Co m

nfmi tted to the P ubli ck a r e fu fii ci ent E xcufes : And I

’

i
’

p o nt es a r e tr a .
,

{ha ll i n fill U pon that Subjeél no fa rther Than that a s I have been al
‘ ‘

W ays e mploy ed i n pro moti n g the encreafc of thi ng s of thi s N ature

.
, a nd

the utmo lt tow ards t hei r E ncourag ement,fo I i ba ll

’
cont ri b uted to

make i t my E ndeavour s to g o on w i th fo L auda ble an U n derta k

I mi g ht i ndeed make my Compli ments i n l
re a ti on

my Expences i n bei ng B enefici al to the P ubli ck a nd ,

t ha t bui ld u on my Fou n
p da ti on; bu t a s I d efi re t he

i t s my Bufinefs to make ufe o f i t i n Refpeét to O ther

’

nori ce [ ha ve more than enoug h Di fcou ragement to

,

ofO Bli g i ng my Country , fince F 0

'

i s i nconfifi ent w i th the I nter efi o f one, tha

B ut let em U nd er fell me as long hey p
’
N ati ve . as t

pla nt thei r Forei g n Mufic k i n to t hefe Cl i ma tes t he Ju

m
,

my fide, w hen they ma ke a n Efi i ate of Mr P ur ee11 s

'
-
.

eq ual to thofe of the B elt Matter s of I ta ly , and conc ud l

have now made a co mpl eat Col leé ti on of all hi s Choi cefi
‘

deferve a b etter E nter tai n ment fr om the Ha nds o f the

a ny P retenders w hatfoever .
theD E A T H of the late Fa mous M H E N R Y P U R CE L L;
r .
'

Author of the Ph i l a nd Seco nd Bob ks of O rpheus B r i t/i nni t a s .

Ake m
roo

Art thou the

And thou my Mule(how e er the Cri ti cks b am

’
l
P l eas d w i t h hi s W orth,a nd fa t hful to hi s Fa me,
’

Art Mufick w hi e are hallow i ng Pur cell sN a me ly ’

i ’

h
O n ot er S ubj eél s y ou Appl aufe m ght mi fs,
vy
B ut En w l l i t { elf be Charm d w i t t si ’ '
i h hi
.

vy y
.

How oft has En a t hi s A rs been foun d

i
T a dm re, enchanted w th the B l i fs ful found ?
’

Ah ! cou d y ou qu te forget h i s ear D oom,

’
i i ly
U

I w ou d not fr om the R apture ca l y ou h ome

’
l
l
B ut gent y fr om our fi eepy e ght d efcend ;
v
You e prai s d t he Ar ti fi , and now mourn the
’ ’
y h i
(F ri end
Ah moft unw orth ! fhou d we lea e unfung
’ ’
y v
S uch w ondrous Goodnefs i n a Li fe fo oung y
I n fpi ght of P raEti ce, he th s Truth has fhow n,
’

That Harmon a nd Vertue fh ou d be one y

i ’
.

N
.

So true to o ufi to W i t,
a ture, a nd T j
Hi s Mufick w as t he er Senfe y ou W ri t v y
B
.

N or w ere hi s eaut i es to hi s Art confin d ;

’

So j ufi ly w ere hi s Soul a nd od j oi n d , B y ’

i
You d t h nk h i s F orm the P roduél; of hi s M nd
’
i .

(no more be fe t l
i
P r de w as the fo e averfion of h i s Ey e,
Hi mfelf as Humb e as hi s Art w as H g
‘
l
l ih h
.

Ah ! let h i m Heav n (i n L fe fo muc a d or d)

B e now a s uni y erfal ly D epl or d !
’
i ’
.

The Mufes Si gh d at h i s a pproach i ng D oom,

’

Amaz d and ra ng, a s the r ow n w ere come !

’
vi i
Art try d the l afi E fi orts, but cou d not fa e
’ ’
v
B ut fl eep, O fl eep, i n a n unenv d Gra e !
’
v
I n Li fe and D eat h t he nobl el c a re y ou [
’
hate
P oets a nd P r nces thy Compan ons a re,
And both of em w ere t hy Adm rers ere
i
’
ii h
l N
.

but t hy nob er a me
’
There rel t thy Albes
Shal l foat a oft, a nd l afi as ong a s Fa me l '

l .

N or fhal l thy W orth be to our I ll e confin d,

’
5
me! B ut fi le and ea e t he agg ng d a y be
.
l v l i
a
hi nd .
 Rome t h at d i d once extend i ts Arms flo far,
'

Y ay e
’
d in a conq ue r
To i ts fpro ud Sons but onl Ea rt w as gi v n,
’
ly
nob er Ar t t a n W ar
h
h ’

h
B ut t ou halt tri umph d both i n Eart and Heav n
‘ ’ “

h .

And n ow Farew el nor Fa me, nor Lo e, nor Art, v

i
“

v v
.

N or Tears a a l ! w e mul t for e er part !

' ’

F or ever ! di fmal Accent ! w hat a one ! l

B ut tha t can te our Lofs, or reac our Moan !
-
ll h
W ha t term of Sorrow P reference da re contend
W hat but the tenderefi dearelt name oi Fr end -
i
i
Ha l hi m ye Angels to the E lifia n Shoat,
The noblel t F re g t tha t ever C ha ron bore ,
’
ih
Tho O rpheus a nd Ampbzon pa ls d before
’

B know n as ong, he w ou
l
Hi s Ski l a s far exce eds, as had hi s a me
a e o ne n Fa me l ’
d h v d
N
i
.

een

Th o the w i de Gl obe for t une u ou s ou cu ,

Hope no more fuch, the a py Qui t e i s ful l hp
f l S l y ll .

iv ih
-
.

The S acred Art ca n here arr e no h g er,

v
And Hea en i t fel f no fur ther w i l I nfpi re l .

To Mr Hen r y Play fo r d on hi s
.

S
,

bi t/hi ng the econd P a r t of

h
o

P 6 0 8 B r i ta n n i cus
To my Fr i end Mr H ) P l ayfor d
r
m ,
,
. e ,

on hi s P ubl i ca ti on of Mr H en r y .

P urcell s r pheus B ri ta nn i c us ,
’
O
W hi t/a i s now r ender d Compl ea t
’

S
,

by the a ddi ti on of t/91 s e cond B ooé,

'

(Throng
8 w hen t he God of umbers cha rms the N ,

i
‘

And g i es Me od ous Tunes to e er Song, v l v y

The Voi ce d ea s I nfpi ra ti on a nd B efire l
vy
To e r Mule, to fill t he Sacred C oi r 5
’
h "

E a ch of the ne, a ppears w th her A Ni

p a ui e, i l
And j ufi i fies the God a nd M ufick s Cau e 3
’

v
As e ry tender Accent gent y mo es ,
’
l v
And fhew s t ei r D ut , as i t fli ew s t ei r h y h
h N pi
-

E v n l o mul t I w i t I nfant otes re a r,

’
’
,

And w a nt ng fl i g ment, prove I w ant no Ca r ei .

W hat Great Apollo does to us deny ,

hi
He let t s Chofen Son of hi s enj o y
W e P oets fow the Feed of Fa me i n Va n,
T expeEt a Cro w e w e a ve rema n
’
p hil li
i i
,

h
p
He uts us O PE t ll Deat , a nd t en w
W en w e are not perm tted to rece e
g e, i i h h il l i v
iv .

(Crow n d
’

Ah ! w ho d be pl ea s d to have there Temp es

’ ’
l
i v i ll B
W hofe ra ns are oft, and Heads are under ground
B ut P ar Eelt s P ri ege w as val tly more,
’ ’ ‘

hi
fi h g i
e pla nte a l l the La rel w ch he w ore,
Xp
{l flyamfiflfii gg
nd hi s w de pp aufe fl a l l a round,
il
ear
F or {t l hi s F a me d i d w i t hi s t a t found
B
h .
h h .
e

i
All th
To P a r cell s
s to
’
P urcell, but there s fomethi ng d ue
a nd A oll o s F ri end , to y ou,
’
’

F rom i n ur i es of i me y ou
And re cue hi m from Fate,
'

lvl
a e h i s La s ,
to c ai m our Prai fe
y
.
,
 .
A p ere g ri neS O N G S C o n ta i

P a ge
Next W mter co mes S low ly , Pa le 11/1t a nd

OF: tbs B r ow i
f R
on: F a i r Ced a ri a ,
chi md0
on Hi d

[
O b ! tbs w eer delig bt: of Low ,

F a i r Ir i s and atr S w ai n,

Geni us i f E ng l and,

H a r k boa}; a d Thi ngs i n one Sound Rej oy ce,

H a r k ! t bé E ccbozng Aer a Tr i umph S ongs,
'

H er e s tbs S ummer fi r tg btlj Gay,

’ ~

H ar k " bow t be S ongfier s of the Grow ,

.

Heme w i th y our tri fli ng Dei ty,

H er e J s Gods ofB ri ta i n,
'

H a rk ea cb Tree i t s filenoe fin a l s,
’
t
,

J J
”

1 go W ha t can w e poor Females do,

W a ke Qui vcr a , W a ke,
W 757 [hou d M en qimr rel here,
’

W hen a cr uel Ian (ff/ tnttr 174 ; e

L et the F fe: i a nd the C li
a r ons , W bo ca n fr om 07 refr a i n,
M en on] Acmeli a S mi les S he W ands me,
1 52 W h en L ov e
ly P hilli
s 150“ a rt ki nd,

W onder ous M a chi ne,

1 2 6

a, { i
end fof the Tabl e
w ‘

.
 T he Second no 0 K .

(
C roam t
.
he f ear
.
) A fiu g le S O N G .
 Orplteza B r i ta nni ozos
'

An E P I T H A L A M I U M .

Lo v ers, may y

from a ll the

-
ten -
dr
6
a Ma rr ed i
4 4 i

hi h
t r ce a pp y h ppy h ppy
, a ,
a , ha p
 O rp/Jezos B r i ta nn
'

z t zo
s .

Be to one a h .

ki nd, ki nd to her as (he s’

to y ou ;

be v
e er, e ver

li a nt, {he be e . -
ver, {he be e e - f-
ver , e ve r
-
C h a li .
 Orpbeaa fB r i ta nn
i cza .

(Ab cruel Ny mph .

) A fing le SO NG .

H ! l
c rue , crue l , ah ! cr uel
'

Ny mph, a h ! ah

d ef p i
a r, h
w en w t ih d e—
'

li

o w n, I ow n, too lo n g h
t e ha s mai nta i n d her Conq uell w
’
h v
en her Lo e w a s fei gn d, but
’
C h m ng
ar i “

A 6
 O rpha n B r i ta nni a /s f

(Cr own t he Al t a r , Decé the

.
Sh i
r ne . ) A fing le S O NG ;

Be -
h ld
o ,
be -
h o l d the ih
Br g t Se
BO O K II . O rpheus B r i ta nni t as .

ih
Br g t Se -
ta p ck
—b i h
t ro ng, the Br gih t Sera phi ck t h rong , pre
. -
p a re

cred mi
( r e a ttend to l ong .

Crow n the al -
tar D ec k the S hi
r ne, Crown the
 Orpheus B r i ta nni eza . BO O K II ,

A S O NG i h
n t e 2 d All
. o t he
f F a i ry -

Q
l ce n .

a ll , co me a ll y e Song

Sky , W a kea nd
_
a
'

k
flemble, wae

Wa k e

t hi s W ood
 t he G ood , no, none, no, none bur the H a rmlefs , none but the

a nd the G ood , no, none, but

“

the Ha r ml efs , a nd

A SO N G f
or Thr ee Voi ces , i n the Fa i r y

Ay t he God of W it ih -
fpi re the Sa cred Ni ne, to bea r
“

May the God of W it in the Sa cred Ni ne, t o bea r a

M ay the God of W it in -
fpi r e
. the Sa cr ed Ni ne, to bea r a

Heav nly ’
Q i
ui e , th ew the ut -
mofi h
of t e r i

Heav nly’
Q i
u t e, fbew the ut— moh h
of t e r i
i‘

H ea vri ly ut— mofi

'

’
ui r e lhew the ‘
W hi lli Ecc ho, w hi l ft E ccho (h a ll i n fo und s remote, rep ea t ea chN O te, r e p ea t

W hi lft E ccho , w hi lfl E ccho { h a ll i n ro und s p

r emote, r e ea t ea c hN ot e, re p ea t

W hi lfl

f
s o t er

'

w hi lli E ccho , w hi llt E ccho , E ccbo, w hi l fi

‘

w hi llt E ccho , i
wh m E ccho , E ccho, w hi l lt E ccho, w hi llt E ccho, E ccho, {ha ll in
"

w hi lfl E ccho, whi l lt E ccho, E ccho, w hi llt E ccho, w hi l lt E ccho, E ccho (h a ll i n founds te

 Orpheus B r i ta nnl cta .

N ore, re -

peat ea c hN hN
ore, e a c ote.

A S ONG i n t he 5 th. A8 f
o the Fa i r y Q l ecn .

t h us , h h
t us, t us the G 100

h
T us, h
t us, h h
t us , t us the
 O rpheus; B r i ta anlota
"

. BO O K II .

Gloo l
my W or d at fir lt
‘

bega n to hi
S ne ;

from the P ow
’ —~
r De -
i
v ne, a nd from a

roun

w hi h m d
c a e it br g ih t, w hi ch mad e i t br g ih t,
 O rp heus B r i ta anl t us .

i rth i n li h
g t w hi h m d
c a e i t bri g h t,

i t, g av e i
i t b rt h in :

h
T h
en, t en w e re a ll as
p ure,

as pure E -
the r ail fi r ea ms
In ln
-
nocence fe -
c ur e,

caufe for i
P r de , no ca ufe for i
P r de,
O rpheus B r i ta nni cus
.

ca ufe for i
P r d e, no
‘

Th h
us, t us, c e h
'
.
(
4: before ).
 '

O rpheus B r i ta nntczu .

SO LO A fin O N G .

w h i h my H a
c
’
e rt s betra y d, ’
h
t en l et no t y our d i fda i n nu

’
Ti s mi ldnefs, Daphne, mull ma
pi h
E m re t at you once a e w on ; hv
i i
nta n ,
the

hi
h
W en B ea ut d oes y lih ki y y
e T r a nts re gn,

T e r Subjea s from t e r D ut run

i
h
T en force me not to be untrue,
Lee I compell d by gen rous fhamo,
y ly
’ ’

Ca li off my Lo a t to y ou,
i li
To ga n a g or ous Rebe s na me
’
l .
 O rp heus B r i ta nni cus .

SO LO .

n one foun -
d re

— ce te
-

joy

—
cc, t e— jy
o ce .

6
— jy
o ce
. a nd the

to hv
a e o ne Vi
o c e, the

a
ce, to hv
a e one Vi
o ce ;

one foun d te
-
jy
o ce , r e
 O rp heus B r i ta nnz ous
'

jy
o ce , t e— j o
y te

j
r e oy

“
C8 ; t e— jy
o ce .

A fl a
g /e SO NG .

e ec hi
’
ng Ai r a tr i
Or phezu B ri ta nni ous .

And al l a

lp lp
c a , c a ,

ei r w i ngs ; a nd all a round , a nd a ll ai bund pl e a

lp
c a ,
i

cla p ,
 B O O K II .

A SO N G f or TW O Voi ces i n the F a i ry (b

, een .

B C the F ife: a nd the Cla ri ons , 3

fo und , found, found : And t

‘

h e Arc h of ih
hg

found, found , found, found , found, found And the Arc h f h i gh H

o ea v n the
’

6
C l a ngo r te

H ea v
’
n, t he C l a ngor r efound, a nd t he h
Arc of h i gh Heav n, the C
’
l a ngo r re -
foun

found , a nd the Arc h of h igh

 hi gh Hea v en, t he

Arch of h i gh

-
d, the Arc h “

of hgih

l
C a ngor refound .

The F our S E A S O N S in the F ai ry -

Q reen .

Spri ng
.
 Orp heus B r ita nnicus .

T h us the 6

h
T v
us t he e er l i
g ra tefu Spr ng, does her y ea r ly Tri bute bri ng, d oet her

y ear ly Tri
 Thus the e— ve r g ra t efu l

i
Tr bute bri ng, d oes her y ea r ly T i
r a
buse br ng i .
 Orp heus B r i ta nni ousu
’

BO O K II .

Hen s i h ly
the Summer Spr g t G ay , ‘
Smi — li ng W anton F r efh a nd i
Fa r , a d orn d
’
i
wth

Autum
 i
All the F ru t th ’
at
Or pheus B r i ta nni ous
.
 Sun to r e fl ore

SO L O
’
i n the l a te Q
t een s B i r th day
-
.

l l ~
mourn d, cla ps, c a ps, c a ps for lo
’
y hi s l
Sa b e W i n
 Orp heus B r i t a nni a /s .

he co u d
’
i
br ng, M i ar a s
’
B i rt h -
day, M a ri a ’
s B i rth -
da y ,

M ’
ar i a s B i rt h— d y
a , Ma -
rz
’

fee, to ,
fe e, to fee w th i - e

C hoi fe ll B le f fing s
u
he cou
’
d i
br ng : M a ri a ’
s

M ar i a s
’
B i rthdy -
a
, M ari a s ’
B i hdy
rt -
a ,
 O rp heus B r i ta nni cus .

A fi n
g l e SO NG .

Fa ta l Hour , the Fa

i
c er ta n, cer - 4 -
ta n i Mi — fer y . The

it W k
ra c s me i n ea c h Vi -
ta l
Orpheus
'

B r z ta nni t us .

W l ll brea k;fi nce l for y ou fo much , for yo u

not h ope y ou w il l , y ou w ill

a re the F ounta i ns of my Gi r ef:

 O rpheus B ri t a nni cus
’

A S O N G f
or Two Voi ces , on t h La te
e Q
ueen s B i r t h day
-
.

Ri — ta i n now, now, now , now , now , now ,

now , no w, mow , now , now, now , now ,

now thy il
Ca res begu e

now, no w, no w, no w ,

-
w thy Ca res begui l e : B lefis the D ay ,
 t he D a y, t he D ay t ath B lefs o ur
l/l
‘

e, B efs
i ,

B lefs the D ay , h
t at B lefs our
I/Ie, B le fs ,

O GY p
u on t he Dea th o
f Mr T homa s Fa r mer B
.
,
M . .

O ung Tbl T: -

fi5 F a te y e H il l s a nd

the Sw a i ns, is no
 Orpbew Br i ta nni m .

more .

W h a t, w h at ma kes the S pi
r ng ha t, w h a t, w h a t, w h at ma ke

- i
t re , a nd G v h
ro es t e r i

li
—c ne W h a t,
 Orp/Jm B r i t a nni cm .

he G v
r o es in -
lpi re
'

a nd d i d the G v
ro es i n—
‘

fp i r e h
w ole

rm the Ca re: i
o f L fe, a nd ca -
fe the Lover s rmat t,
’
‘

a nd

W hi l h
e t us, thus in d i fmall N a tes we mour
 J
d tl -
ma l Norcs we mourn, m d l f — ma l N e tes w e mour n, t he sk il l
fu

—n
, w h il h
e t us i n di f mal N otes we mour n, t he s kilf l
u
A fi g 6

_
ll m; to

to t he gl a

Harmon he y hea rs,

t he E arth, tra n fport g rr a nfports the S

’
 B r i mnmcm
'

Orp/ v .

r ti ne d efi roy d )
’
.

to Arms, to

i c lr P r nce i

to Arms, to to Ar mt s, o
 l

to Arms, to Arms He
-
to

Pr i nce

C h ms,
ar
 Orpbm B r z mmzz m
' '
'

h
C ar ms ; let G lo let G lo

a nd r eco mpence i ts Ri

p
bi d Tr um ets found, bi d Tr umpets fo und, fou
.
 Orpbm B r ita nni ca5
/ .

-
m
u ph s,

-
h
ump s
ye gen tle pi i
S r ts of the

p p
re are,
 a nd jy
o u y o ur ten

t e, p pa re,
r e
Pa re
o o
. .
o

j
oy n y our
'

t en
-
der Vi
o ces h er e
.

-
bl i g f
n oun
—d s 11
G od of v
Lo e a~
 W h at can

P r elIi ng, Te a fi ng, P r elli ng, I ea fi ng

F relli ng, Tes ti ng,

p ,
oo r p oor

p oor, p oor F e ma l es

-
n —
y i ng, or Com — pl y — i ng, but D e— .
ny -
i ng, or Com— ply— i ng ;

-
ny -
i ng, or Co my ly — i ng, but D e - ‘
ny -
i ng, or Com -
pl y — i ng ;
 s B r i tmmz czk
’

r heu
Op

ti does a; lk our Hopes y

’

n ng, o r Confenti ng,

‘

or C o nfenti ng i e betr a .

lay me, no r a a -
i i ill h
g g
n F res w t e re di f

Curr e nt
'

ly i ng, nea r fo me filver

Po ppi es d yi ng
°

a nd a i
m b gger t h an 73p
’
e re Wa s
'

h
wi t a i
fl rong hand of Bra ts oh ! b nd me, oh !
 O rpbrus B r i ta nni cw .

i
b nd me a bour ! l e li my Bofom

I c a nnot, I w il l not, l ca nno r, l w i l l no t be v

g e I g roww ea k ,
a nd the Godd efis g rows fi ronge r
'

.
 h i
to t e r I fee the rou
 O rpheus B rita nni ca/3 .

S A w w a— J et a nd Tbi r— fi r lay , an A mo - r ct
,
as

As A mo - -
m an d Thi r -

fi
r la y as

n ip —
fir la y ; Me
'
lig
t n , [
me li
t ng me li g
t n , l i
me t — s ng the h ours in

pl y ;
a J o
y ni ng, joy ni ng, joyni ng

pl y
a ; J oy ni ng, i oy ni ng , | o ni n
jy g Fa -
ces ; M ngi li ng

mi gli
n ng Ki f— les ,
’

Ki f— le s
‘

, m ngi li ng
 ea ger, ea -

ger h a lt let me, let me,

oh
’
. let m
e

l et me, F eed as we ll as Ta li ; l dy e,

oh l let me F eed as w e ll as _
Ta li ;

not w h lly
o Bl efi .
 SON G
'

A fi / he I ndi a n
n
g e i n t
Q
ueen .

re li mulc cea rc ;
’
BO O K II .
‘

Or pbezts B ri m/ m
i ner .

p ea ce ; no mor e, no more, no

under
”

P l an -
ta ni made , whi ch ih
ne t er Hea t l pi
cou d e rce, nor

never fe ll s de

’
op i
— nn
g B uds, a nd op
’ -
i
:n ng B uds dr iv e
 O rp heus B r z tmm OO
'

z cus B K II
'

.
.

A S O N G i n the I ndi an Ql ccn , S b

g y
un Mr . B ow en .
 to exceed, a s to exceed "
Ma n s ufe tho not hi s
’

w hy, w hy lhou’ d Memq ua rrel,

‘
w hy , w hy lh ou d
’
Men qua rre l hr
e e, w h e re
a ll, W h ere a ll

as muc h hy
as t e can h ope for by fuc -
c efs .
 O rp h s
eu B r i td na i em

A S O N G i n t he I ndi a n Qq een , S un b
g y Mr F r eema n
. .

’
n d En vy h ’
ere s nothi ng, h ’
ere s not hi ng t a th h
t ou, h h
t at t ou c a nlt
’

i es a re too br gih t,

to be o re—
’
ca fi .
 A S ON G i n the I ndi a n (l ueen , S ung by Mr .

He i l k
r oo s a r e foch t ath Me rc y fl ow

from h
t ence,

By h
t er i p ro— o
tec n
ti on let us , let us, let us beg to liv hy
e, t e me
co not

— .
q ner but for — g
‘
iv e ; by
’

h
t er i p r0 — t ec— t on i

let us beg to liv h y

e, t e come

come not h er e no con q uer but for — g iv e

.
A .

S 0 N C i n t heI ndi an Qg een, S un

g b
y Mr s l C ro ls
‘

p k y
‘

a bov ma
’

ow er s e, e P erfe ct o ur

there ; to
‘

grve a p oo r Lo v er fuch fad tor ments

i
gr ef l en -
d ure, my Love i b all l ike ‘

w as an a he
c 1?
a nd th e d am N i Cha i n s .

o u'aL ha ve . me n o me r e .

Ad a r e w A d o r e;
h ) (W X G O J S ) ‘

AA JC ho o Z /( C A
A so N G i n t he I n d i an

ah ! how ha p— py a re we , a re w e,

ah ! how ha p— py a re

ah ! how hay — py
‘

a re
 .
d Tenants of the B rea li ; no v
ne er, v
ne er , no v
ne er,

-
d Tena nts of the B r ea fi ; v
ne er,

c an d i li urb o ur

h ppy
a are w e, a re w e, are .
ah ! how h ppy
a a re

ha p py -
a re

Yet w e

Yet we pi t -
ty , w e pi t ty , tender Sou s
-

l w h o m the
Lo v e,
‘

W horn the y
T ra nt

T y r a nt vew h
Lo , o m the T y r a nt v
Lo h
e, w om the

how ha p— py a re

P a fl i on, from h mane

u

from h ma ne
u

v
-
fion fr ee
.
 O rpheus B r i ta nni a /s .

befor e t he F our S eafons f

o the f ea r , i n Pa g e
’

P hoebus S qft .

W h '

en a Cr
i mpr i fon d feeks
’ — in v i
a n to be F ree : 1

t hi ngs a Brea i b, make i ng i

Spr ng for the P l a nts, ev
’
-
ry

w ar mth a nd .
V i gé ur to

t hi ngs i n E art Ai rh and Sea, woud La ngui fh

f
a nd fade a nd to
The foll owi ng F i t/ e Ve rfes t
'

, a re ta ken ou
B i r t h Day S O N G
-
‘
 ’J—
w ond r ous d ay ; W ond w oud ’
'

’
rous, - r o us ,

w ond
,
w ond
’
r o us da y .

The Second 8 0NC f or Two Voi ces .

Fo r tho the Sun has all, has a ll hi s Summers Glo

’

has a ll, a ll, a l l hi s Summers Gl i

or es

a l l, a l l , a ll hi s Summers Gl i or es
 O rpheus B r i ta nntcm .

Thi s u ay ha s ih
br g ter,
_
bri gh
'

— t er fplendors , t hi s d a y ha s

T hi s d ay ih
has br g ter, bri gh — t er Spl end o rs , t hi s

bri gh— fplendors, ha s

’

ter

li t— tle ri — hug
”

a
 The Thi r d S ONG .

Pr i nce of G l0~

d efcend -
ed, _
ar hi s h ap p y, at hi s hap py, hep FY,
- -

r i ous r a e c d efcend ed, at hi s h a y h ppy

pp a B i h
rt , at hi s h ap p y

-
'
r
y Smi -

lin h
g ours to lhow, he w ill G l o d en Da y s be
 O rpheus B r i ta nni ezu .
B OOK II .

—
li ow s, he W l ll, he w ill , he w ill , he
.

w il l G l
.

.
o d en da y s he fl ow , he

wi ll , he w ill , he w ill , he w i ll G l
o den Days be -
li ow .

The F ourth S ONG wi th V I OLINS .

’ ’
e re w a s Da ne, a s e re w as
 O rp heu
s ,
B r i tuuui etu .

und ri ng w h ore .
T hund r i ng, Thund ri ng,

Thund ri ng, Thundri ng Sword, ha s Thoufa nd s , thoulands, has thoufa nd s, thoula nds,
‘ '

thoufa nds,
’
made hi m ’
o er h a lf
,
’
o er h a lf E ur ope i
Re g n

h a lf E urope Re g i

D d fl e, a s ’
e er w as w as Da ne
.
 G
"

The F i fth S O N ,
wi th a Tr umpet .

O un: d the Tr umpet,

And beat t he W a r li ke D r ums,

u
 be
”

ih
w t La w rels C row n
.

Ah ! how pleas d
’
be is a nd Gay ,
’

plea s d h’
e
 Hi s bands li k e {h a k -
i ng L im l y
es P a 5

hi s ha nds li k e fha ke

a tch, a nd c a tc h ,
a nd ca tc h ,
a nd ca tc h at e v5 -
’
ry Sp hea r , a nd ca tc h

at cv ry
-
’
S ph ea r .
M U 5 1 C K i n T i mo n of Ath en s .

S O N G, wi th F lutes .

h k!
ar how the Song— h ers,
of t he G v
ro e Si n

Har k h k
ar

Har k! k
har ! h rk ! h k !
a ar
ha k ! h k ! h k h
r ar ar ow eac h Am — arous W i nged p i
a r,

h k! h kh
ar ar h Am
ow eac — a rous
'

w i nged
 the h ll
o ow Woods , does from the h ll
o ow W oods, the

does from the h o ll ow W ood s, does from the h ll

o ow

found d oes from the ha ll ow , h oll ow , holl ow W oods r e— boun

C h ar i
m ng found d oes from the h ll
o ow W ood s r eboun
 -
d; D oes from the h o ll ow ,

d does fi om the ho ll o w, h ll
o ow , h ll
o ow ,

b
— o n
u d, r ew -
bound .
O ve i h
nt e ri li l V i
tt e e ns i h fpi res, Love i n
-
h i
t e r li t -
tl e Vi e ns i nlprres , thei r

h a l f the y ea r t hy
e
 ut ah ! but ah how muc h “

a re our li h
d e g ts mor e d ear , mor e, more, more dea r 5 B ut

li h
I

ah ! but
‘

ah how muc h a re our de g ts more dea r , mor e, more, more dea r B ut

B ut ah but ah ! how muc h a r e our de g li h ts more d ea r more more more d ea r

, , B ut

ah but
‘

ah ! how much a re our d e ligh ts more , more, more d ear ;

h! but ah ! ho w muc h a re our d e li h

g ts more, more, more d ear ;

ah but ah
O n ly H uma n , ki nd , for on -
ly Human k nd,i F or on -
ly Hu mn a i lv
k nd ; e e,

on -
ly Huma n ki nd , on - ly Huma n i lv
k nd 5 o e

ki nd Lo v e , love,l ove

the y ea r , a ll, a ll} ,

a ll, a ll, a ll, a ll the y ea r ; s o}

y ear, a ll, a ll, a ll, a ll, ,

a ll a ll the y ear ; F or on -
ly , on ly

a ll the y ea r, a ll, a ll, a ll,

‘

all , a ll, a l l the

y ear .
 O rpheus B r i tunui eus .

H AU T B O Y S
'

h e nce w ihy
t u
o r tr ii
fl ng . iy
De t ; a g rea -
ter, grea

ter w e a d ore ;
-
O rp heus B r i turzui ezs .

h
t at
‘

li
b nd Chi ldi lh

a ll wa y s, a ll y k p
wa s
v
ee s us free ,
 figh, figh a nd w hi ne, but o v er us no
p
i
gr efs p re va il , N o, no, no,

p v re a il h il
, w e we hv
a e

i
g r efs v
pre a il hil
, w e we h ave
.

l u fi y W
-
i ne, w h il e w e have l n— fi y W i ne
.
 A j i ng l e S O N G ma s s SI MP HO MY .

O me a ll, co me a ll, »

come all, co me a ll, co me a ll to

u
r

a ll to me, . come all, come a ll me . a nd w ea r my h

C i
a ns ;
 Orp heus B r i ts uoi eus .

Lo v e, t he j
oy . -
s t
of v
Lo e w t ih out i ts p i
a ns .

A SO N G wi th I rgfirumertts

R eturn, r eturn,
k now , d
’
ye
 t '

B r z to zi eus .

ca re ; To T y ra nno us '
h
C i
a ns, to T y
r a nnous Cha i ns, to

J
ea -
lou fy ,
-
B a rbarous ) ea -
lou fy,
-

K mi t,
er as befor e.

to To rments, Torments a nd p i
a ns . Return, or befor e .
 S O N G bet we Ba
'

en Cu i d d ud
p cc hus .

O me l et us a gree, co me let u s a . -
'

gr ee, come le t us a g ree, come, come

-
, co me,

Come let _
us a g ree co me let us a -

g e, co
re ml e et us a —
gr ee, come ,

me, c ome, come, come;come, come, ho me

'

r us a gree co

co me

Th ere a re
'

pl ea fures di — vi h
ne, t e re a re p l eafures
‘

di

Ther e a re plea fures di — vi ne,

. v
i n Lo e a nd in W i ne, in
"
Lo v e a nd . ln W i h
ne , t ere a re
.
p le a fur es d i - l
— vi ne, in W i ne a nd in Lo v e, in Love
'

a nd in W i ne, in W i ne a nd
'

in

-
vi ne, in W i ne a nd ~
ih Lo v e, in Lov e a nd in W i ne, in W i ne

L v
o e, i n Lo v e and
‘

in W i ne .

S O NGS i n B ond uca , ‘

And h k
c ec the
O rpheus B r i t uuutezs
’
’

Tow ’
i i
t n gp de
r of . Rome , of _
R hme, o
f Rome
, of Rorhe
.
Orp heu
s B r i tuuui eus .
a ll, a l l, a l l y n:o V oi — ces
‘

r a i fe ; Al l, a ll, a ll , a ll y our

a ll , a ll y our Voi -
ces r a i re ; All, a ll a ll, a ll y u
o r

-
to

all y our V oi — ces r a i fe

 de - ter, di

vi ne An — J d— J CS, di -
ter
.

l ig
n ,
l i ng. i
l ng y e D rui ds ; (mg, l li
ing, ng ye

fing, fing, fing y e Dr ui ds l i ng, li ng, l i ng y e

-
. vi ne . An— da — ter, di — vi ne
 A VE R
-

SE f
br Tmo Vai ces i n the Yo r klh i re F eufl Sorzg .
- -

R ig a ntzum
’

Honour d w
’
ih
t a

B ri g a nti ne: Honour d ’

ih
w t a
’

B r i g a nti i trn Honour d w

’
ih
t . a

B rig a mrum Honour d w

'
’
ih
t a
'
 (

Co llony , whi lll lp a nted t h

s ere , frelh l i
b oom ng Glo . i
r es li i ll r e— q i
Orp heus B r it a nni a/s .

d roo
 O rpheus a B r i tuh hi eus .

Tow ’ o
r ngi F r ont (0

p
'

t hen d i d d r oo

now lhe r ea r s her Tow r i ng F r ont (0

’
h i gh tho now
’
lhe r ea rs her Tow ’
r i
 OO KI I ; Orp heus B r i tuuui ezs
'

B .

-
i
r ng F ront (0 h i gh , her Tow
'

-
i
r ng F ront lo h igh .

A SE
i

VE R wi th V i oli ns i n the Yorklhi re F eafl S orzg -

.
O rpheus B r i ts uni ous x
.
 O rpheus B rz tuuui eus
'

fo ma ny , ma B low s ,
'

-
ny lo

y
ma n , y
man ns foug h t a Pr i ce
 O rp heus . B ri ts nni eus .

(o d ear ly
-
h
boug t By the l
Bo d W or t hi es
V

of t he hi
S r e, li i ll
fl
bell il
by S word a nd Sh e d , d e fend -
d
e w ere ,
 O r:phe11s B r ztuuuz ezu O (l K)
'

«
I 1 o
-

. B W;

A VE R SE 1

wi t h
‘

i li
V o ns i n t he Yor kfli i r e F e u/Z i S on
g
-
.

0 w
h en the
’
g
g li t ri n (b een or Ni h i h
g t
,
w t l k
b ac E— lip
c
 Orpheus B r i tuuui eus . B OOK ,
IL

mm
,
ih
1. B r g t .
t ha
n be— fore.
B O 0 K I I . O rpheus B r i t a nni a /s :

Hen my l a me li e Sm
f -
il e a -
s the w ounds me w
‘

ih t 55

embra ce ; W h en lh e fp ea ks, w h en (he (p eaks , y et more con

her W ord s does fl i s de ih

w t fuch a .

ki
'

it fl ow, a ll ot her s W i t does now oli -

l end me, fi nce by nd ,
 O rpheus B ri tuuui eus . BO O K . II
A SONGf or Two Voi ces .

h
t en l
'

thi nk t ee
l h ’

lo D i vi ne, t excel l
’
the mi gh -
ty P ow
’
r of W i ne : B ut h h
w en t ou ih »

t enh I t hi k h
n t ee lo D i vi ne, t excell
’
the . i hy
mg t P ow r ’
of W i ne

h
w en t h ou l
i nlu t
’
ll , a nd l au E l ghs
'

at my P a n, 1 i w alh thee a

a nd hi s Mot h er, a nd dr iv e out one

 T

w ond ’
r ous ,

— c hi ne, to h
t ee, the w ar b li
— n
g

Lute, tho
’ ’
us d to C onfl uelt
’

mu i
’

l be
'
 O rpheus B ri tuuui ezu . B O O K II .

Tho’ ’
us d to Con— q uell , t ho us
’ ’
d to

Conq ueli ,
 Orp heus B r i tuuui eus
’

y il
e d mull be forc d mufi be forc d , mult be lorc d to y ei l
’
,
’
'
’

mult be forc d, mull be l ore d mull be lore d

’ ’ ’
y ei ld ,
to
I

A S 0N G i n D onq ui xote,
' S li n
g Mr FI € Cman d fl d Mr s Clbbe l
.
'

.
‘

Tr umpet ,

E ng land from thy l

p ea fa nt B ow ’
r ol
'

i
E l ls a

W i ngs ; G uar d, g uard from F oes the B ri ttzjh Sta te, t h ou o nw h ole
 -
Mrs . Ci bber .

T h en fo ll ow br a v e Bo y s,

then
i

follow bra v e B oy s othe W a rs

t ,
fo ll ow , fo ll ow , l
fo l ow , ll
fo ow ,

ll
fo ow , fo ll ow , fo ll ow, fo ll ow , ll
fo ow bra v y
e B o s to the W ar
 O rpheus B r i t uuui eus.

ve Bo y e ro t he W ar

the La w r el y ou

i
W ho br ngs home the noble li ,
the no blell ,
 O rp heus B r i tuuui ezu .
BO O K II

-
eft in

—
ke off the fl othful Ra re,
6
 O rpheus B r i tuuui hzu . B O O K II I .

bi e li of a ll h
O t er

Aj i n
g l e S O NG i n CE di pus .

U S I C K, Mu -
li k
c for a

w hi l e , lh all a l l y o ur Ca res beg uil e; fhall a ll, a ll, all, lhall a ll, a l l, a l l, lh al l al l,
,
y ur Cares begu
o il e
be plea s d , ti ll A— lec
’
-
to fr ee the D ea d , t ill A -
lec -
to free the D ea d , fr om

-
na l, E -
ter l n al B a nd

Muli ck, Muli ck for a w hil

e i b a ll

a ll, a ll, a l l, a ll, a l l, . a l l, fh all a ll y our car es be

a l l, a l l, a l l , a l l, lh a ll a ll, y o ur cares be — il
gu e .
 K II
‘

O rp heus B r i tuuui eus . BO O .

. A
,
pg l e
e S 0 N G .

N the B row of

'

E y e l uc h W onders fil l,
'

to vi ew the P rofpeét r ound ; w h er e the S ilv er il

The mes d oes g de , a nd

lta tel y C o ur ts a re E— di fi d , Meadow s d eck d i n

-
’ ’
S ummer’s P r de, w
”

i ihv t erdant B ea ut i es

Crow n d
’
: v ly
Lo e Cy nthi a p a l l ng
-
i by , w ih i h
t br g ter G lQ -
i
r es bl eli .
my E ye, Ahl then i n

i
va n, in v i
a n, (a n
d l , the F il
e ds a nd F low ’
rs d o lhi ne ; N a ture in t h i Ch
s ar i
m ng Pl ace, cre -
a ted
-
BO O
’

K II
. O rp heus B r i tuuui eus .

A
i

3o n e wi th a Tr umpet i t: D i oclefian
'

t hy B ra z en Tr um p et fo und ,

Stand, li and i n the Centre, “and i n the

a nd ca
‘

ll ,
a nd .
ca -
ll the li fi ni ng
 O rp heus B r i tuuui eus .

1
- -
4=

W orld a— round ;

l ll N
'

—
u otes t e— ber le, i n Ar t fu
-
ll N umbers, in
’

Ari l ull
’

—o -
c e l -

fi
un s
’
Gl or y ,
BO O K II O rp heus B r i tunnz eus
'

f
. .

AL OGU E between T hi rfis ,

‘

a nd D a phne .

H Y my D aphne, W hy com pl ii
a n ng, and my Sghs a nd Tea rs d i fdai ni ng,

th ey lhou
’
d ever la lt, lhou d
’
v
e er e— ver , e é ver a li
-
l , lh u d
’

o
’
v
e er , e— ver,
'

e la lt.
 O h! i ng r a te fu l fly D ece iv e r, a nd 1,

hi s to Eg J e -
w as a To k en, w i tnefs a ll y our

V ow s a r e bro k en, and l ,

l, a nd
‘

l , p oo —r i m
’
und one by y ou Cou d
.
l h
t at

fa lfe ma— li ci ous Crea ture ,

w or k up o n y our ea — fie N a tur e cou ld lh e h
fa y, T a t Gi ft w as

i
m ne ; No, h
t at Gl
a r a nd Eg J u ga
-
v e me, but her Arts cou d ner e l ’
enll ave me ; N o, no, my

i
L fe, my Al l i hi
, st ne, my All, Al l, All, my All is t hi ne .
BO O K I I . O rphezu B r i tunni eus;

D aphne .

ui
q ck
‘

my Hea rt is O h ! how qik

uc , how qik uc , my

Hea r t is bea t— i ng ,
’

ev
’ Lry
-
P u le l '

the j oy r em pea ti ng, the Joy .

re p i
ea t n g, the

Thu— fi r my oh -
ly Tr eafure, Thu —
ta
r

v
‘

1 Lo e, on1 1 be

—
y d
on al l mea l ure,
‘

. a nd w ou d
’
qi ut th
e
W or dl !
for y ou . CH O R U S .
 O rp heus B r i tunni em . BO O K II .

C H 0 R 7} S .

O h! how qik uc my Hea rt

~

is Oh ! i how
‘

O h ! how qik uc my Hea r t beat— i ng ! bb l ho w qik uc my

H ea rt is bea t— i ng,
'

’
cv - »
ry P ul fe the j oy re u -

peati ng, the j oy re p i

eat ng, the

Heart is
‘

i
bea t ng, cv
’
-
ry l
P u le the Jy o ,
the J oy re— peati ng, the
-

j oy, the

-
peat -
i ng ; plea s d ’
to find my Swa i n {0 tr ue, plea s d
’
to

find my Swa i n
'

lo t rue : Thi rfir is my on -

ly Tr ealure,
'

is my

find, my Nymph l o true : Daphne y

B KI I .

O h! I lv
o e, O h! I lv
o e, I lv
o e, y
be ond all mea fure,

A VE R SE out
of the l a te Queen s Bi r thday S O N G
’
-

ar i ng Sou l p
\
o(

'

l of Str a i ns, to lof—w —

ty Stra i ns , her t une— 4h ] Lyr e
 O rp heus K II
'

BO O
'

B r z tunnz ezu . .

Str ung , thus , t hus the G od d efis P la y d , ’

h
t us lh e lof -
ty Str a i ns, to l of— é — t
y S t ra i ns
"h er

h
t us the God -
de(s P la y d ; ’

a nd t ush lh e Sung ; lof — . ty Stra i ns her

‘

tunefu l Ly re lhe

Strung ; a nd d efs P la y d, a nd
-
’

h
t us, lh e Sung .
 s B i r t hday SO
i

’
out f
o t he l ete Q
. ueen -

NG .

_ o

A -
ny , ma n y ,

my f
an uch Da y s ma y [
he be -
h o ld ma n y , ma n
y ,

Man y , many ma ny , l
‘

hD
uc ays may lh e be

be h ld
o ; many , in any, ma ny , man y , ma n y , ma n y , ma n y f uch

Da y s may {he ma n y ,
ma n y , man y , ma n y

li k e t he gla
 O rpheus B ri tuuni eus . B O O K II

ih
Sun w t out d e— cay

the g l a ~

y
man l uc D a h y s may lhe be

m an yl hD y
uc a s may {he be h ld
o ; y
ma n , y
ma n , y
ma n ,
l uc h

Da y s may
.

lh e be -
h o l d
 ih
W t w ih
t - e ca y

d Sun w ih
t — ou t de a
c ay ;

me h
t at t ea r i
may T me h
t at tear . -a
‘

he l ‘
ay s h o l d; On -
ly Sail — J ute her, on -
ly Sa - ; l ute her,

in hi s w ay ; i
May T me h
t a f tea r
 Orphezu B r z runni ezu .
BO O K II .

ma y Ti me r
tha t
‘

t ea r . .
s, h
w er e he ly hl
a
’
s o d;

tea r . -
s, ma y T me i h
t at t ea r —
s, w here he l ay s
’
h o l d ;

O n— ly Sa -
. l ute her, ou— ly Sa J ute
-
her, on
- Z ly
-
Sa ll ute he
-
r ih hi s w a y ; Sa
a

l ute
‘

her, on -
. ly Sa — l ut e her, on ly Sa — ll ute her, Sa— l ute her in hi s w ay ; Sa

-
l ute —
'

her in hi s w ay .

l
— u e
t her in hi s w ay .
 The E P I C U R E .

N d
— e
r -
nea t h hi t s Myr t l e S hd a e, o n

N — d er— nea t h hi t s M y rt e l S h a d e , on F l ow
’ — r
y Beds Su p rne ly
- -

l i ih
a d w t Od ’
rous O y ls my Hea d o erfl ow i ng,
’
a nd a -
r ou -
nd it R oles

' l i ih
a d; w t Od ’
ro us O y ls my Head o erfl ow
’ -
i ng , a nd a— rou ,
a nd it Rufes

g r i
ow ng : W ha t lhould l do but dr ik
n a -
wa y , w h at lh ould l do but d r ik
n a
l

w a y, d ri nk, d r ik
n a -
w a y , the Hea t - . a nd Trou -
b l es
~
of the da

the da y
i

of , t he Hea t a nd
 Orpheus B r i tunui eus .

Troub es l of the d ay . ln t hi s i l
mo re th a n K ng y Sta te Lov e ,

Troub es l of the da y . in t hi s more t h an i gl y

Kn Sta te, Lo

Tl il “

to me, na y fi ll i t up, and i l

m ng ed, ca — fi,
i

ca ll i n— to the

F ill ‘

to me, Lo v e, my fil l it U p, a nd i l
m ng ed ca -
’
ir ln— to the

W heel of i
L fe no i ers w i ll P ay , i n

W h ee l of L fei no lefi; w il l h ay , i n a fmoo - th h

t an r ug ged W a y ; fince i t
 t he Mo -
i
t on p le a fa nt b e, l et the Mo

t he Mo i
t on
'

plea fant be, , l et the

-
ti on pl ea be, let — fa nt be
.

do w e
. fp rea d, up -
ou . the Mo— nm -
ments of the D ead ?

D ull can
‘

lhow , or Bones t ha t ha é — ’
lten to ,
be lo .
 O rp heus B r i tunni ezu . : BO O K
'

.
II .

Crow n me w ih
t Ra m -
(es

Crow n me w

Af— ter

hi v li v hv
i

Af— -
ter Dea th l not ng, norhi ng cra e, let me a— e my P lea fure a e ;

a ll a re Sto— i cks, a ll, a ll a re Sto— i c hs in

a ll a re Sto c ik s, al l a ll a re ik
Sto c s

S to— i c ks in the G v
ra e .

ik
Sto c s in t he G v
ra e .
 A S O NGf or Two Voi ees
'

U li e , F a hd y out ,
un -

j
ult di f da
-
i n, mo v es, mo — ves me; to co m

d i fdai n,

h
t at V ow d ’
to be (0
E rue ; a -
las, a— las, a- la s, a

a ‘ _
l a ss a — las, a Q -
'

-
h '

ve t ole t ou h
g ts a h
 O rp heus h ummus .

—
con -
fl an
~ -
cy oh h ow h ppy
a ,

-
con
‘

oh ! how h ppy
a , how h ppy
a ,

oh ! how h ppy
a , how h ppy
a , lh ou d I
’
be oh !

oh l how h ppy
a , how h ppy
a , how hap —
py lh ou d ’
1

be Oh! oh ! how

h ppy h ppy h ppy h p py ; h

a . a , a , a a
ppy fl w ud
’
l
B O O K I I . Orphezu B r i tnnni eus
’

H! fa i r Ca lor i e, onr .
-
fa i r Gednri n hid e t hofe

v
w on ; for w ho fo— e er fees t em d i e
-
h

E y es , for w ho lo
- -
v
e er, w ho fo - -
v
e er fees t eh m di e -
s ; and ca nnot , a nd ca nnot, ca nnot

Suc h B ea ut y a nd Cha

— ni in y our face;
 O rp heus B r i tunni ezu . BO O K II .

Suc h Bea ut y a nd
'

Cha

fa ce, the p rou deli , the p rou -

d eft ’
ca n t

feen u— ui — ted in y our fa ce ; the P roudell , t he Prou de l:l

c an t
’
bti t ow n y ou, the P rou — l
de l ca n t
’
but ow n
y ou, c a
’
nt but ,
ow n y ou

Q ueen o f B ea u ty
 O rpheus

-
ty W i t, a nd G race ; h
t en pi — t
y me ,
h
t en

pi h pi
-

m y our Sla ve ; then — ty me g t en

am y our Sa lv e ; a nd gr a nt me, me a R e pr
-
iv e,

Fa v u
o r hv a e, I can t,
’
I ’
can t one moment l iv a; l

1 may y our Fa v
o ur hv a e, I ’
c an t, I ’
ca n t one
 Orp heus B r i tunni eus .

A fing l e S O N G .

Lov d fa
’
i r Cc— li a ,

Her Beaut y firlr,

’
her H

B ea ut y firli ,
her Humor next, by tur . .
n,

e nga g
’
d my Hea r t
. And h
w en to thefe, w hen to thefe lh eF ri endlh i
p joy n d
’
, her

Ch ar
 O rp heus B r i tunni eus .

L l out b i
e ng D U I] ,
a nd B li nd ,
‘

i c ou d none e fe,
’
l none, none, no ne, none, l cou d
’
none l
e fe,

A s 0N G on the l a te Q t een .

Ay her Blel rex

'
-
a m ple,
-
h
c afe Vi ce in troops
p ut
'

of the Land ;

tre mb ng li Ghofl s w h en da y ’
s at h a nd ; May h er
’

h o me bred -
 Orphezu B ri tunni eusu
'

Aj in
g l e SO N G .

ET us D a nce, let us i
S ng ,

a ll to the ‘ grea t God of

te -
ve l a nd pl y a , let us , let us t e— vel a nd p ly
a , a nd te -
‘
n
i oy

cc w hi l lt w e i
may : S nce old T me, fince i old

-
ts w il l te -
v
mo e .
 O rpheus B r ttunni rzu .

A D I AL O GU E bet ween T hy r fis, an d I ri s .

Ai r 1 —
r i r a nd her Sw a i n, w er e i n a fha dy B ow ’
r, w her e Thy rfir
‘

l ong in

the ha p — p y h our ; at l engt h hi h s a nd

‘

v
a d a nc ng i u onp her Snow Br ea li y , he

il i
y e d ng Ma d, by i truli i ng is undone ; our Sex i s oft betr ay d by
’

too foon i f y ou de fire to ga i n me, y our Tuff r i ngs

’
to r ed r efs , pre

ger y et a nd lon -

g er , b efore y ou
 Orphezu B r i tunnz ezu
' '

1 54 .

I
.

fli a ll p of fefs :
'

-
'

The li l tt e ca r e -

y ou

L fe i toc ong to l la fl ; F a i r L ri r
-
k if
s me ki nd -
ly , i n pi -
, ty of my Fate, a nd ki nd— ly
'

li i ll, a nd
“

ki nd— ly i l i ll before i t be too a te l . Yo

u fond ly court y our B li fs, a nd no a d v a nces

ma k e ti s not
’
for Ma ds to i g iv e, but ’
ti s for Men to k
ta e : So you may
_

ki f s me

ki nd— sly , a nd ki nd -
J n ti ll a nd ki n J— ly , a nd I w il l not reo -
bell ; but do not kif s a nd
 O rpheus ~
B r i tunui ezts .

k i dl y
n li i ll, a nd k i dl y
n , a nd w ill you not re -
be ll ?

re c

No,
no, no, no, no, no, I ll
’
ne erv ki fis a nd ll
te , no, no, l ll
’
 B O O K II .

CH O R U S .

.
Th us a t the h i gh
e t we Lo v e a nd li ve a nd

Th us a t

W e g iv e, a nd we g iv e,
‘

we g iv e a nd we g iv e, we g iv e a nd we

p or
o ; We g iv e a nd we g iv e, we g iv e a nd we g iv e,

g iv il l
e, t w e ca n g iv e no mor e : B ut w h at to d ay , w ill k
ta e
"

a— w ay, to

g i v ill
e, t
'

we
‘

c an g iv e no mor e : B ut w at h ,
to day , w il l k
ta e a— w ay to

morrow , to mor
‘

-
row w ill re — l’tor e .
A SO NG on S t Ceci li a
.
’

s Day 1
2
69 2 .
O rp heus B r i tunni ezu
. BO O K I I:
O rp heus B r i munz ezu
'

Tr ee i ts

k h kt
Har ! ar r ei n
each T e li -
l ence

Ha r ! k
Ha r k
Th at ih t he F lute d i li i nétly , li i nCt— ly fp eaks , d i li i n& ly, di -
fl i n£t -
ly fpea ks ;

T hi s i n the Sp i gh
r t ly ” M y” ;
 II O rp heus B r i t unnz eul
'

BO O K . .
 y p hy h
S m at i
t e r li li ’
ni ng B r et h ren d re w , ’
t w as Sy m

y p hy
S m at ,

-
n ngi B reth ren drew ; w enh to the Thraci an Ly re w ih
t i
lea fy w ngs
- h
t ey

n ngi B ret h ren d rew ;

.
to
i

the Thra ei lm Ly re, w hen t o the

'

Thr a ci tm L y re w tih l f y wi gi
ea n the
y

i
wt h
‘

l ea fy w i ngs
u
t ehy fle
l y
ea f w i hyfl
ngs t e ew , w h en to
“

di d Thra ci a n y
L re, ih
w t lea fy
-

fl ew, w ih t

l
f ew, w th i
 E y es me, Celi a E y es me, I a pp hh
roac er, but (he

I a
pp ro ac hh er , l p
a p roac h he r, but the

l
 Mo re more coy I find her ; [f eem

More y
co ,more coy , more, more coy I find her ; l fecm ~

‘ h h
t en, t en, t en lh e sh ‘
ki nder, he s k nder
[ ’
i t he ,
n thtn, t en h (he s ’

h h
t en, t en, t en lhe s h ’
k i nd ,lhe s
er
’
ki nd er ; h h
t en, then, t en (he s
’

h h
t en, t en, then, th en lh e s’
ki
« nd er My words

h "
t en, t en, t en, h h ’
then, lh e s

— e her, a nd ! lv
o e
‘

her, a nd I l ove her, I lvo e her, I .

lv o e her ; not B lefll ng

lv o e her ; I n nor
'

B lefl i ng moli moli lh e

, B lelles ,
'

“
in not B lell i ng

.
mofi moa lh e
,
a nd not p ol — fe C l ng,
-
i a nd not l
'

p l e lli ng,
o a nd not

B leffes, molt lh e B lelfes, a nd not p lf f

o efing, a nd nor
p olfe f— i
f ng, a nd no t

h h h hp
"

polfeli ng,
'

each, each polfelles ll

o elfes ea ch each each
”

eac ea c ea c ea c ll
, , , , , , po

—
: feffes, e ac , h ea ch
’

p oflelfes N ow , now

— felfes
,
eac h ,
ea c h , eac h p lf
o cl e s l
'
BO O K II .
”
O rp heus B r i t unui ezu e

B lulh es ; lh e w ou d
’
l v
ea e me,
“

— ld her, 1

l gr o w s bol — ld h er,
‘

l h l
o d hé r, I

I a m r ed
 O rpheus B ri ta nni eus .

T h en, then, then l plea fe her , h h

t e n, t en, t en h I

h h
t en, t en, t en h I

h
t en, t en, h h
then, t en, t en h l plea fe her, h
t en, h
t e n, t en h T plea fe her

1 l ove her, Il ove her .

l lv
o c her, I lv
o e her . In not B lelli ng é '
c .

E nd w i th t
he part, I
(E ach pa l elles é
'
’
s )
.
 A D ri nki ng
‘

W i th Chorus for Three Voi ees;

’

13 W i ne was ma de to R u e l the W i ne,

’
ti s W i ne, ti s
’
W i ne ,

’
ti s Lo v h
e t at

na is 5
th a ma z ement f
«o the 01d, t h at B li fs w ou d fa ’
i n rei
 07 75176 114 fB r i tzmni m ’
. B 00 K H
‘

CH O RD S .

Let my Que en l iv e ,
for
 be l m— mor ta l , a nd my Li -
q uer di — vi ne
'

; let my

let my R age be l m— mortal,

'

a nd my Li -
q uer
'

di - é - h- vi ne ;
l
‘

lm
l

my Rage he lm
'

4
Ra .
g e be let

Li — q uer di é
- -
vi ne .

Li — q uer di — vi ne .
 Off /Jew B ri ta nni m .
,
B OOK ‘
II .

c hor us agai n.

’
ne er from
'

me k
ta e ; E x— p h d
ce t t e Go s w il l ia— ter —po fe, a nd l
x te me
 A S 0N G for Two Voi ces .

H ! the M ee t
”

li h
de g ts of Lo v e, oh ! o h!
'

the

O h l the fwee t d e g
7 6 56
li h ts of Lo v e oh ! oh ! oh
“

! oh ! '

oh ! t he

W ho, w ho w ou d
’
li v e,
~
w ho W ou d
’
li v e end

Lo v e , W ho w ou d ’
liv e, w ho, w ho w ou d ’
liv e, w ou d
’
liv e a nd

Me r efufe the T h rone of 7 0m, lhou d power ’

or Ma -

jefl y fhou d
,
’

l de
’
t efare the T h rone of 7m , fhou d pow ’

ia -
fly defl roy e
’
m .

d efi roy e
’
m .
 O rp/mos B r z mnni m
'

Gi v e me, gi ve me, g i ve me d oub

Giv e me g
, iv e
-

me, g iv e me, d oubts , or g i v e

Lo v e, let Lov e remo e e v ’

m, but le t Lo v e m v
re
’
o e e m,

-
fies a nd Ca r es : B u: le t Lo v ,be ur l et

-
p ov
r
’
e e m, l a pprove e
’
m, I a pp v ro e e
’
m .