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The Guilty
The Guilty
Ariana Karounos
Mrs. Spyrou
Psychology
4 October 2021
In the new Netflix movie titled “The Guilty,” A 911-dispatcher named Joe Bayler
struggles with his own personal life issues which leads him to bluntly judge every person who
calls into the station for help. He rolls his eyes, chuckles, and hangs up the phone on at least
three or more callers. However, when he receives a call from a young woman, Emily Lighton, he
changes his attitude towards the caller; perhaps because Emily’s situation reminds him of his
own. Emily makes it seem as if she is the victim who has been abducted by her ex-husband,
Henry, and they’re on their way to an unknown destination. Without having any evIdence, Joe
believes what she tells him. As the movie unravels, I come to find out Emily is not the victim.
Instead, the victims are her ex-husband Henry, their six year old daughter Abby, and their son,
Oliver, who is presumed to be killed by Emily herself. Nonetheless, Joe the dispatcher continues
As Sigmund Freud describes it, the Id, Superego, and Ego are parts of a single person’s
mind. The Id is the drive of sexual urges, buried memories, and basic needs/wants, and it is
driven by what is called the “pleasure principle.” On the other hand, the Superego’s intent is to
lessen or subdue desires influenced by the Id; it can be thought of as the moral conscience. The
Ego is what controls the two, it makes the most rational decision consIdering both the Id and
I am going to give an example of the Id, Superego and Ego in the scene where Joe
received the call from Emily. Joe’s initial thought when he picked up the phone was that it was
only another unimportant situation from a caller. Doubtful to believe otherwise, he proceeded
with the conversation. After his Id convinced him that the conversation couldn't get much
further, Joe had his finger placed on the button to end the call. Suddenly, Emily saId something
that caught his ear and he took his finger off the end button. In this case, Joe’s Id led him to
believe that Emily’s situation wasn’t important enough for him to “waste” his time on, hence the
reason he was about to hang up. The pleasure principle was he wouldn’t have to deal with
Emily’s situation, yet, he dIdn't think about the long term consequences, which could include
When Joe hears a man speaking to Emily in the background, his Superego or otherwise,
morality, kicks in and he takes his finger off the end button. The deep man’s voice (which we
later find out to be Henry’s) says “Come on. Come on now.” Immediately, Joe starts to take the
situation more seriously. As he tries to remain calm, Emily keeps responding with the same
answer: “no/yes sweetie, and everything is going to be fine sweetie.” Finally, Joe realises that
Emily doesn't want Henry to find out who is on the call with her, and so Joe continues to speak in
“code.” Emily is pretending as if she is on the phone with her six year old daughter, when in
reality she is talking to Joe, a 911 dispatcher. Joe’s superego helps him realize that Emily is
indeed in danger, and he can help her get out of it. By not hanging up, he thinks he can save her
life.
After asking Emily a series of questions, Joe’s next move is to put the call on hold to then
call the Highway Patrol to send a few police units Emily’s way. Unexpectedly, he receives a
personal phone call in the middle of the situation. He has been awaiting this phone call for quite
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a long time now, and finally got it, but at the wrong time. His ego guIdes him to do the right
thing and he dodges the phone call even though it is important to him and he focuses on Emily
and her situation. In this case, Joe listened to his superego over his Id to make the rational
Although there are many examples of the Id, superego and ego in this movie, I found that