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Piano I & II

Sonate Opus 13
Grande Sonate pathétique
Ludwig van Beethoven
Dem Fürsten Carl von Lichnowsky gewidmet
Arr. Peter H. Besseling
Komponiert 1798/99
         
Grave
      
         
        
   
     
 
                          
   
                
           

    
        
     
           
   
            
  


                            
4

            
     
   
                
                   

9

 
                  
4

        

 

      
             
 
            
  

                 

           
6

      
        
                
                    
        

    

6

                                 
 
             
              
           
            
      
Versie 11-5-2022
©PHB Baarn aug. 2014
2 Sonate Opus 13 - Piano I & II

                 
   
 
8

       
 
cresc.   
                          
       
8
                          

         

 

6

                      
cresc.

       

       


            
10

               
   
   
     
       
10
             
   

6
7

    
    
attacca subito il Allegro

11

Allegro di molto e con brio
  
              
  
  
  
 cresc.

                        

 
       
      
11

         
 cresc.

                 

             
Sonate Opus 13 - Piano I & II 3

 
16

                    


 

                           

     
  
16

            
   
       
            
     


22
     
       
cresc.    
     
                 

   
      

  
22

         
   

  
cresc.

        
      
       

  
       
28

        
 
         
       
  
 
  

28

       

    


            

  

  
 
   
4 Sonate Opus 13 - Piano I & II

       
 
      
33

      
   
 cresc.

    
              
 
     

33

          
  cresc. 

        
       
     

   

         
   

38

    
 
 
     
                    

   
  
     
38

     
      
 
   
          
           

   
 
       
44

  

    
   

                        

   
       
44

           
    

             

          
Sonate Opus 13 - Piano I & II 5
     
        
50
 
    
     
       

 
50

                        

  
 

              
 

 
56
                  
 
 
    
 

       


56

                   
  
   
  
   
  
         
        
 

               
    
62

      

       


62

        
     
       
     
   
  
   
  
 
 

               
 
6 Sonate Opus 13 - Piano I & II

       
        
b
    
68

   



 
 
       


68

           
  
                  
  
       

          

74
                        
   
      
  


74

                            
   
 

             

 
80
                
  
        

       
decresc.


  
80
       
                   
  
decresc.

         
 
Sonate Opus 13 - Piano I & II 7

       
    
86

      
  
 
    
   

    
   
86

          
 
       
 

          


91

                                      
 

 cresc.
     
        
        
91
  
         
            

         


cresc.

 

                                    
96

 

                   

       
         
     
             
96
  


       
         
8 Sonate Opus 13 - Piano I & II


101

            



 
cresc.

           

          
101

     

                                 
cresc.
 
    

                                   
106

         

                 
        
      

           
            
106

           

           
           
 

  
          
   
111

        
  
 
 
  
      

 
  
  2       3       4 3 
111
           

 
      

Sonate Opus 13 - Piano I & II 9
 2       3       4
116
    3        3
          2   
   
cresc.

               
   

  3
           
 2       3        3 
116 2 2
4

           
3 2

cresc. 
            
      

    
     
121

  
   
     
 
                         
                        
      

    
121

    
 
             
            

    
   
1. 1.
127

     
  
    
 
            
          

                 

   
        

127

 

    
 
   
        
     
        
10 Sonate Opus 13 - Piano I & II

 
133 Tempo I

   
                    
     

             
               
  
    
 
               
133

               

   
     
                    
          

    

  
Allegro molto e con brio
       
              
136

       
 
  

decresc. cresc.

     
      
           
 
            

      
136

             
    
decresc.   cresc.  
      
             
       

 
                     
         
141

    
 
 
  
cresc.

             
    

        
     
    
       
141

                      

cresc.  
           

    
Sonate Opus 13 - Piano I & II 11
      
         
147

 
cresc.

          
      

147
                   
                  
cresc.

         


       

       
153

 

    
              

153
            
              

   
 
       
  

                  
159

    
  
             
   


159            
                   
   
       
            

12 Sonate Opus 13 - Piano I & II

 
     
164

            
     

 
    
 

       
        
                
164

    
         
                 

    
 
169
        
              
  
cresc. 
 
          
        
       
                            
169

   
 
cresc. 
    
      
 

   
            
174

             

 
             
         
   
                                   
174



      

  
Sonate Opus 13 - Piano I & II 13
              
179
       
        

cresc.  
 
              
     
 
  
          
        
179

       

cresc.  
  
      
     
 

                    

185

   
 
   
        
 
    
            
185
       
 
 
    

   

 
        
190
   
   
              
  
            
190

   

             
 
  
14 Sonate Opus 13 - Piano I & II
          
         
195

    
  cresc.

               
   
          
  
   
195

           


     
 cresc.

                         

               


201
  
        
      





 
 
 
     
           
        
 
201

  
 
               
   
                          

               

      
     
207

     
   
cresc.
 cresc.

           
      
       
 
       
207

       
     

cresc.  cresc.

                           


15

Sonate Opus 13 - Piano I & II

     
     
213

      

  
   
cresc.

      
             

213
     
             


   
                    
cresc.

  

 
219

                   

     
      
   
 
    
    
219

      
        

         


225

                          

 
      
 
          

                  
 

  
225

  

       

16 Sonate Opus 13 - Piano I & II


231

                       
           
     

 

          

     
        


231
     
      
 
       


237

              
  
   
  
       
     
  
  
       
       
 

          
 
  
237

    
 
  

       


 
        
  
243

          
  
decresc.

          
               
 
         b
       
  
243


 
decresc.

     

  
Sonate Opus 13 - Piano I & II 17

          
249

    

  
                   

 
249
          
        
       
 
        

       
      
255

          

                             
cresc.

              


255

                                          
 
   
    
cresc.
         
      

       
        
   
260

            

  
                     
 
  
                      
260

 

    
           



 

        
18 Sonate Opus 13 - Piano I & II

      

265

     
  

                                           
cresc.


265

                                 
         

 
cresc.

  
         

     
              
   
270

          

                  
                     
   
                              
270

         

                   
          
      

  

275

         
        
 
     
   


4          3     4
       
275

 
 
      
       

Sonate Opus 13 - Piano I & II 19


4          3     4
    
280

  
   
 cresc.

              
   
     
280 4

         4  
3

        
2

 
4

     
cresc.

           
  


       
   
284 4

                  
2



     
         
 
         
    4  2   
   
284

      
 
        
 

                  
     
               

  
   
289
  
   

  

  
     
      
       
   
  
289

  
   

  
     
   
              
            
     
20 Sonate Opus 13 - Piano I & II

                   
295

     
Grave
 

 

cresc.

                  
              

       
          
295

              
  
cresc.
     
                
         

          
298

Allegro molto e con brio
             
    
 

    
decresc.

                
              
    
       
298

        
 

decresc.

  
                   
   
        



302
       
  
cresc. 
           
     
            
        
      
302

      
cresc. 
       
   
      
Sonate Opus 13 - Piano I & II 21

      

306

              
 
  
             
  

306
    

              
   
   
          
  

  
Adagio cantabile

        
 


        


            
 

        
      


5

3

      
             
    
 

  

         
3

   
5
                 
    

    
  
    
  
22 Sonate Opus 13 - Piano I & II


                                                 
10

 
          
          

 
             
10

    
  
                           
    

 
               
16

 
  
           
     
         
          
   
   
  
16

          
   
                                 
  
 


                       
21

   
 

 
cresc.
       
      
  


21

                           
  

   
   
         
 
Sonate Opus 13 - Piano I & II 23

    
25
     
 


cresc.

                          
    

          
       
25

  
 
cresc.

        
   


            
30



      
       
 
   

30
   
      

        
        

           
36

      


                       
    
 
  3 3

     
36

3 3

  
                       
            
     
  
3 3 3
24 Sonate Opus 13 - Piano I & II


   
39
         
                             cresc.

      


  
39

                                     

cresc.

                    
    
 

     
42
        
  

  3  
              
3

                 

    
      
42

     
  3    
                            
3 3

      
  


44

     
                      

     
decresc.

    


44

           
      
            
     
decresc.

 
Sonate Opus 13 - Piano I & II 25


  
46

                       

                   
  

  
46

      
                      
    

                                           
48



     
cresc.
 
     

                 
         
   
48

         
             
                                          
cresc.


                                                 
51



      
      

    
51

    
      

      

26 Sonate Opus 13 - Piano I & II

                                              
55

 

      
    
  

   
55
  
3

               

  

       

      

59

  



                                  
         

          
59

           


 

 

      
       


           
63

      

                        
 
 


63

                 



 
         
  
   
Sonate Opus 13 - Piano I & II 27

                      
      
67

     

                      

          
  
                       
67

  
               
           


          
70

          
     

 
    
         
     
 
         

              
70 
      

 
 
  
  
            
  
 

 
Rondo
           

Allegro
    
   
    


         

  
                  
           
     

   
          
     
28 Sonate Opus 13 - Piano I & II
    
                   
5


         
  
 
5

    
         
           

 

                 

10
           
  
  

  
  

  
  
                 
 
        
        
10

    
 

cresc.

       
       

14
 
  
         
  
     
  
  
 
                
  

       
               
14

     
  
  
    
       
    
 
Sonate Opus 13 - Piano I & II 29

                      
20

       

      


 
20

     

    
   
     
          

 

 
25

                
 

             
                 

    


 
25

      

     
dolce

  
           

           

30

    
cresc.  3 3

          
 

                   
30

         

 
  
                  
cresc.

      
 
30 Sonate Opus 13 - Piano I & II

                      

34

      
3 3


       
3 3

      

34

              
3 3




     




    


    
38

     
 
   
    

     
      
                  
38

       

        
   


42

                    

 
     
   

  

  
 

       
    
42

       
   

         
    

Sonate Opus 13 - Piano I & II 31

  
         
48

     
 
cresc. 
  
             
   
           
48

          
 
       
cresc.
         

3

  


53

         
        
    
     
cresc.

     

           
53

         
   
 
 
    

        

      
  
57

  
      
  
  
       

    
57
       
  
5

   
 3


   
     
 
32 Sonate Opus 13 - Piano I & II
 
  

62
       

   
  
       

  
                
62

        
   

   
     
       

  
                    
66


         
  
 
66

   
    
      
       

                   
 

71
           
  
  

  
  

  
  
                 
 
        
        
71

    
 

cresc.

       
       
Sonate Opus 13 - Piano I & II 33
75
   
   
    
               
   

               
  
 
         
                 
75

   
  
         
         


81

     
               
       

      
81



        
 
   
      

    
    
87

      

           
 
  


87

          
       
 
                  

  
34 Sonate Opus 13 - Piano I & II

          
93

  
  
 
    
         
     
  
        
93

           
  
 

           

    

           

         
     
99


cresc. 
      


            
99

        
  
    cresc.    
         
                  
     

   
104

           
   
               
cresc.

 

              

    
104


cresc.

    
         
    
Sonate Opus 13 - Piano I & II 35

 
108

      
  
  
        
       
  
 

   
108



             
     
  

        
     
 
         
111
  
3

  
 
    

   
111


         
           
  
3

     
          
     
114

        
 
     

 
   
114


3

        
     
  
36 Sonate Opus 13 - Piano I & II
   
      
118

           
  
            

      
             
  
118
5

   
  
  
        
 
   


123

  
             
  


  
       
    
 
           

         

      
123

 
  

       
  

  
     
127

  
     
   

              
     
   
            
127

 

     
 

        
Sonate Opus 13 - Piano I & II 37

                

132
    
 
 dolce
    
  
   
      

132 
          
  dolce
        
    


                        

137
 

cresc.
    


     

137

            


cresc.

              
 

       
        
141

       

  
         
3 3

 
  
141

            
3

  
3

 
 
               
 
38 Sonate Opus 13 - Piano I & II


145

        
3 3

     
   
      

   
            
145

       

   
       
3 3

        
                 
148

  

   
3 3

     
    
3 3

     
148

      
 
 
3 3

         

              
    
151

        

 

    
       

       
     
151

  
   

       
            
  
Sonate Opus 13 - Piano I & II 39

       
156

  
             

          

                

    
156

           
   

          
         

     
162

                          
ca - - -

       
  
      

162
        
        
ca - - -

  
             

       
                    
168

  
- lan - - - - - - do

   
     
  
      
  
168

         

- lan - - - - - - do 
  
           
40 Sonate Opus 13 - Piano I & II
  
   

      
173


  

       
  

173

            


            
   
 
            

                       
177

    

cresc.
          
      


177
                     
        
   
     cresc.
     
      

 
                
    
181

      
 
 cresc.  
   
       

          
181

   
   
cresc.

     
            

     
Sonate Opus 13 - Piano I & II 41


185
       
  


 
                           
   
    
                           
185


   
 
   
          
   


189

    
cresc.

      

  
  
   
    
   
189

            

 
cresc.

     
    


 
     

 

         
192

 
   
  

          
     
             
192

    
 
  
        
          
  
42 Sonate Opus 13 - Piano I & II     
196
       
   
   
   3

   
         

196
         
  
     
   
         
   

           
200 6

       
7


 
 decresc.

          

200
               
      
 
    

 
     
 

         4 

4
205
                3   2   

    
  
 3
             
  

   
          
205

          
  
3

 
  
 

decresc.
                
 

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