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  • Ave Maria - Violoncello (Con Octavas Altas)

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    CRISTINA DIAZ LOPEZ
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    This document contains sheet music for "Ave Maria" composed by Franz Schubert for violoncello. The sheet music provides musical notation including tempo markings, dynamics, articulations and phrasing for the solo cello piece. It is a slow, lyrical and melodic work intended to be played in a gentle, sweet style.

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    This document contains sheet music for "Ave Maria" composed by Franz Schubert for violoncello. The sheet music provides musical notation including tempo markings, dynamics, articulations and phrasing for the solo cello piece. It is a slow, lyrical and melodic work intended to be played in a gentle, sweet style.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    1 views1 page

    Ave Maria - Violoncello (Con Octavas Altas)

    Uploaded by

    CRISTINA DIAZ LOPEZ
    This document contains sheet music for "Ave Maria" composed by Franz Schubert for violoncello. The sheet music provides musical notation including tempo markings, dynamics, articulations and phrasing for the solo cello piece. It is a slow, lyrical and melodic work intended to be played in a gentle, sweet style.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 1

    AVE MARIA


    Violoncello

    arco            
    F. Schubert

     
                                      
     
    Sehr langsam
    pizz.


                                   
        
    dolce

       
     
    6


                                          
    6 6 6

         

    9

      
                       pizz. arco     

             
                      
    6 3

           

    12

     
                 
                      
     
    dolce

     
    6

       
              
    19


                                                  

    6 6

       
    dolce

       

    23

     
     pizz.
           arco                            
    6 6 6

                   
    27

      
              
                                      
            

    32

    dolce
                                     

        
    6 6 6

             
    dim.

         
    36


      pizz.        
    6 6 6

      
                       
    6 6 arco

      
    40

    dim. 

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