My paintings are created using thick layers of paint applied in quick, instinctive movements around the canvas to allow the unconscious to manifest, followed by slower, more meditative layers of transparent colored water that allow both intentional gestures and accidental effects, embracing imperfections as a form of beauty. This layering process creates complex works that reference humanity's inner complexity and sensitivity, and invite viewing to encounter positive emotions and transcendence.
My paintings are created using thick layers of paint applied in quick, instinctive movements around the canvas to allow the unconscious to manifest, followed by slower, more meditative layers of transparent colored water that allow both intentional gestures and accidental effects, embracing imperfections as a form of beauty. This layering process creates complex works that reference humanity's inner complexity and sensitivity, and invite viewing to encounter positive emotions and transcendence.
My paintings are created using thick layers of paint applied in quick, instinctive movements around the canvas to allow the unconscious to manifest, followed by slower, more meditative layers of transparent colored water that allow both intentional gestures and accidental effects, embracing imperfections as a form of beauty. This layering process creates complex works that reference humanity's inner complexity and sensitivity, and invite viewing to encounter positive emotions and transcendence.
My paintings are created using thick layers of paint applied in quick, instinctive movements around the canvas to allow the unconscious to manifest, followed by slower, more meditative layers of transparent colored water that allow both intentional gestures and accidental effects, embracing imperfections as a form of beauty. This layering process creates complex works that reference humanity's inner complexity and sensitivity, and invite viewing to encounter positive emotions and transcendence.
My paintings are created in a language of paint as a malleable material with multifaceted
appearances ; layers of thick paint forming textures sometimes inspired by nature, sometimes by architecture or urbanism, sometimes the intertwining of the two, done in quick instinctive movements, like some kind of transcending dance around the canvas where solely the unconscious manifests itself. Then follows the more meditative and slow rhythm of the process where playing with layers over layers of transparent coloured water claiming both intentional gesture and the “letting go” where the medium itself decides where to ow, puts forward surprising accident, imperfections, what in Japanese culture is well known as “Wabi Sabi”, you observe beauty everywhere and in anything, in the cracks, the defects and the incomplete, embracing it.
This process of layering creates a complexity referencing to us as the human species, as
fascinating creatures of this Earth, our delving in our inner selves, inviting to encounter emotions of positiveness and growing transcendence, triggering our innate human sensitivity. fl