Best Part

Daniel Caesar [Feat. H.E.R.]

Transposing Score Adapt.: Renan S. Pomin

    = 70
 
 
A


Tenor Saxophone

  
  

Trumpet

    


Trombone

       
 

Drum Kit

   
 
D^7
Base

     
    
  

Contrabass
3
2 Best Part

             

3


3
3

T. Sax.

   
          
3
3

      
Tpt.

    
 
Tbn.
 3 3

            
Dr.
 3 3

 
  
C/D B/D G^7
Bs

 


       
  
Cb.
 
 Best Part 3

              

5


B
T. Sax.

   
 

 
Tpt.

    
Tbn.


                    
           
    
Dr.

 
      
Gm^7/C DÝ D^7('9) Am7 C/D

 
Bs

        
 D7
        
D Am

 
Cb.
4 Best Part

                
8

T. Sax. 
      
  
    

Tpt.

     

       


Tbn.

                
            
   
Dr.


  
G^7 Gm^7/Bb
Bs

  G       
           
Gm/Bb

Cb.
 Best Part 5

                 
  
10

T. Sax.  

  



Tpt.

   
Tbn.


                        
                   
      
Dr.


       
DÝ D^7('9) Am7 C/D G^7

 
Bs

  D        D7     
           
Am G

 
Cb.
6 Best Part

       
         
13

T. Sax. 

     
             
Tpt.


           
Tbn.

    

          
Dr.
    


    
Gm^7/Bb DÝ D^7('9)


Bs

  Bb   
  
D


Cb.
 Best Part 7

                        
15

T. Sax. 

      
Tpt.    
          
          
Tbn.


  
Dr.



    
Am7 C/D G^7


Bs

  Am
     
D G


Cb.
8 Best Part

  
        
 
 
17


C
T. Sax.


Tpt.               

     
   
     
Tbn.


        
    
Dr.



    
Gm^7/Bb DÝ D^7('9)


Bs

     
 
Bb D


Cb.
 Best Part 9

        
    
    
19

T. Sax. 

Tpt.                

    
   
          
Tbn.


  
Dr.



    
Am7 C/D G^7


Bs

  Am 
    
D G


Cb.
10 Best Part

   
           
 
 
21

T. Sax. 

                 

     
Tpt.

         

    
Tbn.
 

        
    
Dr.



    
Gm^7/Bb DÝ D^7('9)


Bs

   
 
Bb D
Cb.
 Best Part 11

        
     
   
23

T. Sax. 

              

          
Tpt.

       
Tbn.


  
Dr.



    
Am7 C/D G^7


Bs

   
 
Am D G
Cb.
12 Best Part

        
  

  
25


D


T. Sax.


         
    

      
Tpt.

    
Tbn.


          
         
  
Dr.


    
Gm^7/Bb DÝ D^7('9)


Bs

         
 
Bb D

  
Cb.
 Best Part 13

       
 
27

T. Sax. 


Tpt.       
         
   
Tbn.


                
             
    
Dr.


    
Am7 C/D G^7


Bs

  Am    D7     
         
G
Cb.
14 Best Part

    
29

T. Sax. 

Tpt.          
   
Tbn.


                
              
    
Dr.


    
Gm^7/Bb DÝ D^7('9)


Bs

  Gm/Bb
 
      
        
D

  
Cb.
 Best Part 15

              
 
31

T. Sax. 

 
 
   
      

Tpt.

     
     
Tbn.


                
            
   
Dr.


    
Am7 C/D G^7


Bs

  Am    D7     
       
 
G
Cb.
16 Best Part

      
      
    
33


E
T. Sax.

    
                
Tpt.


         
     
  
  
Tbn.


          
Dr.
    


    
Gm^7/Bb DÝ D^7('9)


Bs

  Bb   
  
D


Cb.
 Best Part 17

                        
35

T. Sax. 

      
Tpt.    
          
          
Tbn.


  
Dr.



    
Am7 C/D G^7


Bs

  Am 
    
D G


Cb.
18 Best Part

  
        
 
 
37


F
T. Sax.


Tpt.               

     
   
     
Tbn.


         
   
Dr.



    
Gm^7/Bb DÝ D^7('9)


Bs

     
 
Bb D


Cb.
 Best Part 19

        
    
    
39

T. Sax. 

Tpt.                

    
   
          
Tbn.


  
Dr.



    
Am7 C/D G^7


Bs

  Am 
    
D G


Cb.
20 Best Part

   
           
 
 
41

T. Sax. 

                 

     
Tpt.

         

    
Tbn.
 

         
   
Dr.



    
Gm^7/Bb DÝ D^7('9)


Bs

   
 
Bb D
Cb.
 Best Part 21

        
     
   
43

T. Sax. 

              

          
Tpt.

       
Tbn.


  
Dr.



    
Am7 C/D G^7


Bs

   
 
Am D G
Cb.
22 Best Part

       
  

 
     
45


G
T. Sax.


             

         
Tpt.

 
   
Tbn.


         
      
Dr.


 
 
Gm^7/Bb B^7
Bs

   
 
Bb B^7
Cb.
 Best Part 23

  
            
47

T. Sax. 

    
Tpt.          

         
     
Tbn.


                
       
Dr.


  

A/B Em7('9)
Bs

   
 
A/B Em7('9)
Cb.
24 Best Part

  
           
49


         
T. Sax.


    
  
Tpt.

       
   
Tbn.


        
    
Dr.


  

G^7/A B^7
Bs

   
 
G^7/A B^7
Cb.
 Best Part 25

  
             
51

T. Sax. 

    
Tpt.          

          
     
Tbn.


  
Dr.


  

A/B Em7('9)
Bs

   
 
A/B Em7('9)
Cb.
26 Best Part

  
      
 
53 C#^7


H Improvisação
T. Sax.

        

C#^7


Improvisação


Tpt.

      
    
B^7


Improvisação

Tbn.

          
          
  
Dr.

  

G^7/A B^7
Bs

         
 
G^7/A B^7

  
Cb.
 Best Part 27

   
55


B/C# F#m7('9)
T. Sax.

  

B/C# F#m7('9)
Tpt.

   

A/B Em7('9)
Tbn.

                
              
    
Dr.

  

A/B Em7('9)
Bs

  A/B
   Em7('9)    
Cb.
           
 
28 Best Part

   
   
  
57


A^7/B I
T. Sax.



       
A^7/B
Tpt.



   
     

G^7/A
Tbn.

                
         

 
Dr.

 
   
G^7/A DÝ D^7('9)


Bs

  G^7/A
 
  
       
D


Cb.
 Best Part 29

        
    
    
59

T. Sax. 

Tpt.                

    
   
          
Tbn.


  
Dr.



    
Am7 C/D G^7


Bs

  Am 
    
D G


Cb.
30 Best Part

   
           
 
 
61

T. Sax. 

                 

     
Tpt.

         

    
Tbn.
 

        
    
Dr.



    
Gm^7/Bb DÝ D^7('9)


Bs

   
 
Bb D
Cb.
 Best Part 31

        
     
   
63

T. Sax. 

              

          
Tpt.

       
Tbn.


  
Dr.



    
Am7 C/D G^7


Bs

   
 
Am D G
Cb.
32 Best Part

        
  

  
65


Rallentando

T. Sax.

 
         

       
Tpt.

  
Tbn.
  

  

  
Dr.


 
 
Gm^7/Bb D^7
Bs

   
 
Bb D^7
Cb.
Contrabass
Best Part
Daniel Caesar [Feat. H.E.R.]
Adapt.: Renan S. Pomin

       


      
    
 = 70
A



3

       D7
           
4
B D Am

 
 
                      
8

  
G Gm/Bb D

  

                    
11

    
Am D7 G Bb D Am D

 

          
16
G Bb C D Am D G Bb D

 

       D7
           
23 D
Am G Bb DD Am

 
 
   
   
             
28

  
G Gm/Bb D

  

                    
31

    
Am D7 G Bb E D Am D

 
2 Best Part
Contrabass

          
36
G Bb F D Am D G Bb D

 

         
43 G G
Am D Bb B^7 A/B Em7('9) G^7/A B^7

       
           
51
A/B Em7('9) G^7/A H B^7 A/B

 

          
            
56

  
Em7('9) G^7/A I D Am D

 

        
G Rallentando
60
G Bb D Am D Bb D^7
Base
Best Part
Daniel Caesar [Feat. H.E.R.]
Adapt.: Renan S. Pomin

     
    
Gm^7/C
 = 70

 
A D^7 C/D B/D G^7 B DÝ D^7('9)


          
7
Am7 C/D G^7 Gm^7/Bb DÝ D^7('9) Am7 C/D G^7

  


           
13
Gm^7/Bb DÝ D^7('9) Am7 C/D G^7 Gm^7/Bb C DÝ D^7('9)

  


          
19
Am7 C/D G^7 Gm^7/Bb DÝ D^7('9) Am7 C/D G^7

  


           
25
Gm^7/Bb D DÝ D^7('9) Am7 C/D G^7 Gm^7/Bb DÝ D^7('9)

  


          
31
Am7 C/D G^7 Gm^7/Bb E DÝ D^7('9) Am7 C/D G^7

  


           
37
Gm^7/Bb F DÝ D^7('9) Am7 C/D G^7 Gm^7/Bb DÝ D^7('9)

  

    
G

    
43
Am7 C/D G^7 Gm^7/Bb B^7 A/B Em7('9) G^7/A


2 Best Part
Base

       
H


50
B^7 A/B Em7('9) G^7/A B^7 A/B Em7('9)

 
          
57
G^7/A I DÝ D^7('9) Am7 C/D G^7 Gm^7/Bb DÝ D^7('9)

  

 
    
Rallentando


63
Am7 C/D G^7 Gm^7/Bb D^7


Tenor Saxophone
Best Part
Daniel Caesar [Feat. H.E.R.]
Adapt.: Renan S. Pomin

     
        3 
 
 = 70

 
3
A



  
            
5


B

                   
 
8

      

      
     
11

   

                   
14


    
  
       C  
   
16


        

    
    
19


           

   
   
21


        
    
   
23


2 Best Part

     D
     
Tenor Saxophone

    
   
25



                  
29

      
          
  
33


E

           
           
35


        
       F    
   
37


          
 
    
40


            
       
    
42


     G 
                
 
45

     
             
48


   
                  
 
51


 Best Part 3
Tenor Saxophone

   
H

     
  
C#^7 B/C# F#m7('9) A^7/B


Improvisação I

        

    
    
59

           

   
   
61

        
    
   
63

        

 
  
65


Rallentando
Trombone
Best Part
Daniel Caesar [Feat. H.E.R.]
Adapt.: Renan S. Pomin

  
  
A

 = 70
    

       
  
3 3

      
   
5


B

6-8  11 - 12

             
    
13

          
         
   
15

     C
         
        
17

           
      
          
20

                   
      
23

      
       
D

26 - 30
2 Best Part


Trombone

          
       
    
33
E

          
         
   
35

     F
         
        
37

                  
          
40

                   
       
43

 G              
   
 

            
 
49

          
            

51


H



        
B^7 A/B Em7('9) G^7/A
Improvisação I
 Best Part 3
Trombone

 
               
           
59

                
   

      
62

       

   
65 Rallentando
Trumpet
Best Part
Daniel Caesar [Feat. H.E.R.]
Adapt.: Renan S. Pomin

            
 = 70

  
3
A 3


  
          
5

       
B


                  
6-8 11 - 12
13

 

                  
  
15

 
           
          
17

  
C


                       
20

  

                       
23





    
   
         
D

 
                       
29


2 Best Part

 
Trumpet

                
  
33

 
E


                  
  
35

 
           
          
37

  
F


                       
40

  

                       
43



    
              
G

   
         
49

        

    
H

    
52 C#^7 B/C# F#m7('9)


Improvisação


                       
57


A^7/B I


                        
61

 

 Best Part 3
Trumpet

 
               
64

 
Rallentando


Drum Kit
Best Part
Daniel Caesar [Feat. H.E.R.]
Adapt.: Renan S. Pomin

                       
 = 70


A


 3 3

               
     
5

           
B

    
                       
   
8

              
     
                 
     
11

       
   
 
         
14
C


        
19

                 
  
25

           
D

   
                       
    
28

            
     
2 Best Part
Drum Kit

                 
     
31

       
   

E          
          
F


35 - 37 39 - 41

  G  
                  
42

  

43 - 44

          
47

         
    
51

      
H

 

                       
    
55

            
     

I        
         

 

    
63


Rallentando