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VISUAL ARTS Notes
VISUAL ARTS Notes
Definition of terms:
1. PAINTING – application of color, pigment, or paint to a surface or support.
EARLY MEDIUMS IN PAINTING:
a. ENCAUSTIC – mixture of pigment, wax (beeswax), & resin.
b. FRESCO – pigment mixed with water and applies on thin layers/dry plaster/wet plaster.
c. TEMPERA – fast drying medium. Pigment mixed with glutinous material (egg yolk).
d. INK – contain pigments/dyes which may be in liquid or paste form. Used for pen & brush drawing.
e. OIL PAINT – pigment mixed with oil (linseed oil) as its binder.
f. WATER COLOR – pigment combined with water and gum arabic. Colors are less luminous, and
transparent.
g. ACRYLIC – a quick drying synthetic medium.
2. SCULPTURE – a three-dimensional artwork.
MEDIUMS USED IN SCULPTURE:
a. WOOD
b. METAL
c. STONE
d. GRANITE
e. MARBLE
f. JADE
g. IVORY
h. BRASS
i. GOLD
j. LEAD
k. ALUMINUM
l. GLASS
m. CLAY
n. PLASTIC
o. BRONZE
II. SUBTRACTIVE
a. CARVING – cutting away pieces of material until desired form is reached.
3. ARCHITECTURE – art and science of designing spaces and constructing buildings.
COMMONLY USED MATERIALS:
a. ORGANIC – wood, bamboo, yakal, sawali, etc.
b. CONSTRUCTION – cement, sand, gravel, reinforced concrete.
c. STONE – adobe, granite.
d. FABRICATED MATERIALS – bricks, tiles, glass.
e. METAL – structural steel, steel bars.
f. SYNTHETIC MATERIALS – plastic, rubber.
II. ELEMENTS OF VISUAL ARTS
1. LINE – a visible path traced by a moving point.
KINDS OF LINE:
a. HORIZONTAL LINE – rest, serenity, or perfect stability
b. VERTICAL LINE – dominance, height, power
c. DIAGONAL LINE – uncertainty, unrest, movement, or action
d. CURVED LINE – flow, softness, flexibility, grace.
2. SHAPE – are figures which define objects in a space. A two – dimensional figure.
3. VALUE – relative degree of lightness or darkness in anything that is visible.
4. COLOR – product of light reflected of objects.
COLOR WHEEL:
a. PRIMARY COLORS – red, yellow, and blue
b. SECONDARY COLORS – orange, green, and violet
c. TERTIARY COLORS – yellow green, blue green, blue violet, red violet, red orange and yellow orange.
COLOR HARMONIES:
a. MONOCHROMATIC – use of a single-color tint in different shades.
b. ANALOGOUS – 3 -4 neighboring colors with one color in all mixtures.
c. COMPLEMENTARY – any two opposite colors in the coloring wheel.
d. SPLIT COMPLEMENTARY – any three colors wherein two of which are beside the complement of the
third.
e. DOUBLE SPLIT COMPLEMENTARY – uses 4 colors arranged into 2 complementary pairs.
f. TRIAD – 3 colors that form an equilateral triangle.
PROPERTIES OF COLOR:
a. HUE – identity or the quality by which we distinguish colors.
Ex. Cool colors – dominance of blue
Warm colors – dominance of red or yellow
b. VALUE – lightness of darkness of a hue.
c. INTENSITY/SATURATION – strength of a hue.
PRINCIPLES OF DESIGN:
1. BALANCE – idea of visual equilibrium that gives an impression of stability/instability.
KINDS OF BALANCE:
a. SYMMETRICAL BALANCE – equal visual weight on either side of the canvas.
b. ASYMMETRICAL BALANCE – uneven balance.
c. RADIAL BALANCE – elements are distributed evenly around the central point.
2. PROPORTION/SCALE – size relationships of one part to another, and of the parts to the whole.
3. RHYTHM – repetition or alternation of elements.
RHYTHM CAN BE:
a. REGULAR – repetition of a single motif.
b. ALTERNATING – use of 2 different motifs.
c. FLOWING – a smooth and graceful type.
d. PROGRESSING – motifs may be presented in a gradual shift in characteristics.
4. EMPHASIS & SUBORDINATION – the focal point that rests on the subordinate space.
5. UNITY – also called as Harmony
6. VARIETY – use of differences and change to increase the visual interest of the work.