"Pescador de Hombres": Flauta P

"Pescador de Hombres" Arr. J. M.
García Pulido
                      
Flauta   3 3 3
3 3
p
                    
Oboe   3 3 3
3 3
p
                     
Requinto MIb  
3 3 3 3 3
p

                
3 3
Clarinete Pral. y 1º     
p 3 3 3

                
3 3
Clarinete 2º y 3º     
p 3 3 3
                     
Saxo Alto  
3 3 3 3 3
p

                
3 3
Saxo Tenor     
p 3 3 3
 

                 
Saxo Barítono
   
p

Trompa FA                        
 
p

Trompeta 1ª         

Trompeta 2ª         

                
3 3
Fliscorno 1º     
p 3 3 3
                 
3 3
Fliscorno 2º     
p 3 3 3
   
      
      
Trombones
                
p
                      
Bombardino
3 3
3 3 3
p
  
                   
Bajo
  
p

 
Caja                      
p
             
tutti
Bombo y Platos 
p
 
  
2
         
  
8
Fl.  3 3 3
3 3 3
f
        
Ob.        
3 3 3
3 3 3
f
            
Rto.     
3 3 3 3
3 3
f
    
3
   
3
    
Cl.
   
 3 3
3 3 f
 3
 
    
3
     
Cl.
   

3 3 f 3 3
         
        
Sax. A.     
3 3 3 3 3
3
f
  
        
3 3
      
Sax. T.
  
3 3 f

                     
Sax. Bar.
    f

                         
Tpa.
 
f

        
 

Tpt.
3 3
f
   
       

Tpt
f 3 3
 3

3
        

Flis.      
 3 3
3 3 f
 3

3
        

Flug.      

3 3 f 3 3
     
  
       
Tbn.                        
f
   
       
Bdo.
        
3 3 3 3
f

  
                 
Bjo.
      f
 
 
Cja.                            
f


B. y P.
             
f
     
 
      
3
         
16
Fl.  3 3 3 3
3 3
            
 
3
Ob.         
3 3 3 3 3
                     
 
Rto. 
3 3 3 3 3
3
             
3
       
Cl.   
3 3 3 3 3
  3
     
Cl.                
3 3 3 3
                   
Sax. A. 
  
3 3 3 3
3
    
Sax. T.             

       
        
   
 
Sax. Bar.

                      

Tpa.
             
3
       
Tpt.   
3 3 3 3 3
 3
     
               

Tpt
3 3 3 3
             
3
       
Flis.   
3 3 3 3 3
 3
            
Flug.          
3 3 3 3
     
          
Tbn.                
  
    
  
   
Bdo.  

  
      
        
Bjo.
    
 

Cja.                            


B. y P.
            

 
4
             1.    
23 2.
Fl.     
3 3 3
3 3 
Ob.                  

3
                 
Rto. 
3 3 3
 
         
3
 
3
Cl.      
3
  
   
3 3
 
3
Cl.            

                       
Sax. A. 
3 3 3
      
Sax. T.                      
 

    
   
          
       
Sax. Bar.
         
                    
Tpa.
   
  
       
3
 
3
Tpt.        
3
 3 3 3
 
                

Tpt
  
       
3
 
3
Flis.       
3
 3 3 3
 
                

Flug.

                  
Tbn.                     
Bdo.
        
        

        

  
     
          
      
   
Bjo.
 
Cja.                                 
      

            
maza plato
B. y P.
Flauta
"Pescador de Hombres" Arr. J. M. García Pulido
          
  3 3 3 3
3
p
7
             
 3
3 3 3
13           
 3 3 3 3 3
 
f
        
 
19
 3 3 3
3

        1.       
25 2.
 3

3
Oboe
          
  3 3 3 3
3
p
7
             
 3
3 3 3
 
13
         

f 3 3 3 3 3
 
19
   
3
       
3 3 3
25 3 3 1. 2.

               
Requinto MIb
           
 
3 3 3 3 3
p
           
7
   

3 3 3
3
13
           

3 3 3 3 3
f
19
           
  
3 3 3
3

    
25
      
1. 2.
 
3 3
Clarinete Pral. y 1º

       
3 3
   
p 3 3 3

7 3
   
3
          

3 3
    
13
     

3 3 3 3 3
f
    
19
   
3
    
3 3 3
25

1. 2. 
    
3
 
3
      
Clarinete 2º y 3º

       
3 3
   
p 3 3 3

7 3
   
3
          

3 3
  
13 3
        
f 3 3 3 3
  
19 3
          
3 3
 
25 1. 2.
3
 
3
             
Saxo Alto 1º
           
 
3 3 3 3 3
p
           
7
   

3 3 3 3
13
           
 3 3
3 3 3
f
19
            

3 3
3
25
         1. 
      
2.
 
3 3
Saxo Alto 2º
           
 
3 3 3 3 3
p
           
7
   

3 3 3 3
13
           
 3 3
3 3 3
f
19
           
 
 3 3
3
25
     
      
1. 2.
 
3 3
Saxo Tenor

           
3 3
   
p 3 3 3

7
    
3 3
          

3 3
13
  
          
 
f
  
19
             
25

1. 2.

                    
Saxo Barítono

  
    
  

      

p
 
7
             
    
 
13
                 

f

19
                
   

25 1. 2.

       
  

 

  

 

Trompa FA "Pescador de Hombres" Arr. J. M. García Pulido
                   
p
7
                   

13
                   
f
19
                    

25 1. 2.
                      
   
Fliscorno 1º

       
3 3
   
p 3 3 3

7 3
   
3
          

3 3
    
13
     

3 3 3 3 3
f
    
19
   
3
    
3 3 3
25

1. 2. 
    
3
 
3
       
Fliscorno 2º "Pescador de Hombres" Arr. J. M. García Pulido
         
3 3
  
p 3 3 3

7 3
    
3
          
 
3 3
     
13 3
         
f 3 3 3 3
     
19 3
          
3 3

25 1. 2.
3
 
3
                

Trompeta 1ª
         
   
 3 3
f
   
16
   
3
    
3 3 3
   
21
      
3 3 3
26
  3 1. 2. 
 
3
          
Trompeta 2ª "Pescador de Hombres" Arr. J. M. García Pulido
 
            
 3 3
f

16 3
           
3 3
  
21 3
       
3 3

26 1. 2.
3
 
3
         

Trombón 1º
          
       
p
7
            
      
13            
       
f
19
   
         
        
25
          
 
1. 2.
         
Trombón 2º
        
      
  
p

                
7
 
               
13
   
f
    
        
19
      
25
      1.
     
2.
   
      
Trombón 3º
                  
p

7
                  
13
                   
f
        
19
            
25
      
               
1. 2.

Bombardino "Pescador de Hombres" Arr. J. M. García Pulido
               
3 3
3 3 3
p
            
7
   

3 3 3 3
 
      
13
     

f
    
        
19
  
  
       
25
   
1. 2.
      
Bajo
              
   
p
7
            
   
  
13
   
          
 
 

f
19
   
              
 
25

1. 2.

     
 

 

 

 
   
Caja
      
            
p

 
7
                  
13
                        
f


19
                      
25 1. 2.

                        
Bombo y Platos
           
tutti

p
7

           
13
            
f

19
           
   
25 1. 2.
             
maza plato

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