Feminist

In Hugh Co’s poignant poem “ADAM,” the biblical narrative of Eden is reimagined, unveiling the
patriarchal grip on traditional stories. Through the feminist lens, this poem becomes a canvas upon which
the constraints of gender roles and expectations are vividly painted.

The portrayal of Eden as ’boring’ takes a feminist twist, challenging the age-old notion that paradise is a
male-defined concept. The absence of explosions and ‘trans falling off tracks’ symbolizes the lack of
excitement when life is confined within the narrow boundaries set by patriarchal norms. The poem
captures Adam’s sense of lacking, reflecting the void within him, which echoes the emptiness often
experienced by those who conform to gender norms that suppress individuality.

The ‘One Forbidden Thing’ in the poem becomes a symbol of liberation and autonomy. In the feminist
critique, this forbidden fruit represents the knowledge and power that women have been historically
denied. The serpent, traditionally a symbol of cunning and deceit, here becomes a harbinger of
enlightenment, urging Adam to grasp the freedom that lies beyond societal constraints. However, Adam’s
rebellion is short-lived, halted by the angel’s command. This moment mirrors the suppression of feminist
movements throughout history, where societal norms curtail the pursuit of equality and freedom for
women.

The poem’s closure, with ‘something on two legs’ chasing Adam, leaves the reader with a sense of
ambiguity. In the feminist context, this pursuit can be seen as the relentless pursuit of change, symbolized
by the women and feminist allies who challenge patriarchal norms and push for equality. “ADAM” thus
serves as a critique of the patriarchal constructs within the Edenic narrative, inviting readers to question
societal norms and contemplate the true meaning of liberation and equality.

*Formalist Perspective: The Craftsmanship of “ADAM” by Hugh Co*

Hugh Co’s “ADAM” is a masterful exploration of form and language, using poetic devices to convey
profound themes within a concise structure. Through a formalist lens, the poem’s structure, imagery, and
wordplay come into sharp focus, revealing the meticulous craftsmanship of the poet.

The poem’s brevity is a testament to Co’s ability to distill complex ideas into succinct verses. The concise
lines mirror the simplicity of Eden while encapsulating profound existential questions. The use of
enjambment, such as ‘Grats unholy or otherwis / “Out!” says the angel,’ creates a sense of urgency,
propelling the reader forward through the narrative. This deliberate choice in structure enhances the
poem’s impact, emphasizing the tension between obedience and rebellion.
Co’s imagery is vivid and evocative, painting a picture of Eden that is both mundane and tantalizing.
References to modern items like ‘broadband’ and ‘plasma TV’ juxtaposed with biblical motifs create a
unique atmosphere, bridging the gap between ancient narratives and contemporary life. The ‘itch’ that
Adam feels and the absence of something as basic as ‘scratching’ serve as powerful metaphors,
illustrating the profound emptiness within the confines of societal expectations.

Wordplay is another notable aspect of Co’s craftsmanship. The word ‘impabanca’ cleverly combines
‘impotence’ and ‘bonanza,’ encapsulating Adam’s sense of helplessness and unfulfilled desires within the
constraints of Eden. This neologism adds depth to the poem, inviting readers to dissect its layers of
meaning.

In conclusion, “ADAM” is a testament to Hugh Co’s poetic prowess. Through careful attention to
structure, imagery, and wordplay, Co crafts a thought-provoking narrative that challenges societal norms
and delves into the complexities of human desires and limitations. This formalist analysis reveals the
intricacies of Co’s poetic technique, showcasing the depth and artistry of “ADAM.”