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Piano Scales-How To Apply Them
Piano Scales-How To Apply Them
START HERE CHORD THEORY SONG TUTORIALS THEORY TECHNIQUE MUSICIANSHIP CHORDS & SCALES LIBRARY
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Piano scales are one of the first things you learn as a beginner piano player, but why are they so
important? Well, playing your C major scale up and down isn’t just about practicing your
technique; scales are a foundational musical concept. Understanding scales means you’ll
understand keys and chords, which together form the building blocks of Western music.
In this post, we’ll discuss the role of scales, types of scales, and ways to apply the concept of
scales to your piano playing.
Table of Contents
What are piano scales?
Level 1: Major Scales
Level 2: Minor Scales
Level 3: Chromatic Scale
Level 4: Pentatonic Scales
Level 5: Blues Scales
Level 6: Modes
Level 7: Jazz Scales
will help you play faster and more smoothly, scales are important for understanding theory, too.
Practicing scales helps us understand concepts like key signature (how many sharps and flats
there are in a key).
major scale to improvise on top of a chord progression in C major. Blues and pentatonic scales
are also popular tools to improvise with.
We must also understand that scales and chords are closely related. Every scale has a strong
relationship with a chord. Scales and chords “imply” each other. For example, C Mixolydian and
C7 share many similarities. So, knowing what scale is related to what chord will help you
improvise over that chord.
But scales are so boring! How can I practice them
without falling asleep?
Many students find piano scales tedious to practice. That’s why we at Pianote love creating
practice routines that are fun, musical, and engaging. Here are a few:
Make Scales Fun (I Bet You Didn’t Know They Could Sound Like This!)
3 Tips to Make Your Scales More Exciting
Piano Practice Routine for Beginners (Not Boring)
Complete Practice Routine in D Minor
���� HOT TIP! Practice your piano scales over a chord progression. Not only will this
sound more musical, but it will also help you internalize the relationship between scales,
keys, and chords.
Now that we know what scales are and why they’re important, let’s explore some in ascending
order of difficulty. We’ll start with the scales every piano player should know regardless of the
style of music they play: major and minor scales.
The notes of a scale are called scale degrees Major scales have seven degrees and they each
.
have a name: tonic, supertonic, mediant, subdominant, dominant, submediant, and leading tone.
You may hear scale degrees and degree names mentioned when musicians talk about diatonic
chords .
E Major FMajor
Notes: E-F♯-G♯-A-B-C♯-D♯-E Notes: F-G-A-B♭-C-D-E-F
***These scales can be notated in either a sharp key or a flat key, but we’ve chosen the more
common “spelling” of the scale for the diagram.
Every minor key has a relative major key and relative keys share the same key signature (number
of sharps and flats). To find the relative major key of a minor key, count up three half-steps.
Here’s a summary:
Relative Minor Key Relative Major Key Key Signature
A-Flat Minor C-Flat Major Bb, Eb, Ab, Db, Gb, Cb, Fb
A Minor C Major No sharps or flats
B-Flat Minor D-Flat Major Bb, Eb, Ab, Db, Gb
B Minor D Major F#, C#
C Minor E-Flat Major Bb, Eb, Ab
C-Sharp Minor / D-Flat Minor E Major / F-Flat Major F#, C#, G#, D#
D Minor F Major Bb
E-Flat Minor G-Flat Major Bb, Eb, Ab, Db, Gb, Cb
E Minor G Major F#
F Minor A-Flat Major Bb, Eb, Ab, Db
F-Sharp Minor / G-Flat Minor A Major F#, C#, G#
G Minor B-Flat Major Bb, Eb
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Ascending Ascending
Descending Descending
Ascending Ascending
Descending Descending
Descending Descending
Ascending Ascending
Descending Descending
Ascending Ascending
Descending Descending
Ascending Ascending
Descending Descending
���� TAKE NOTE! When we say ♭3 or ♮3, we mean lowering the note by a half-step and
leaving the note in its natural, diatonic state. So, for example, in E major, ♭3 is G-natural and
♮3 is G-sharp.
LEVEL 6: MODES
Main Lesson: Play Like A Jazz Pianist (An Introduction To Modes)
By now, you should be comfortable with major scales. Did you know that there are seven ways to
play one major scale? We can do this by starting and ending on each of the seven degrees of the
major scale. These are called modes For example, playing the C major scale starting and ending
.
Here’s an example of how we can figure out what notes belong in C Dorian using the borrowed
key signature method:
Dorian is the second mode. Therefore, treat C as the diatonic second note of an unknown
scale.
In what scale is C the second note of? B-flat major.
Therefore, C Dorian starts and ends on C and follows the key signature of B-flat major (B♭, E♭).
This is fairly straightforward. However, many musicians argue that it’s better to think of modes in
terms of a formula applied to scale degrees. Thinking about modes in this way lets you
understand the concept in terms of what we’ve done to alter the degrees of the major scale.
Bebop Scales
A bebop scale is built by taking a regular seven-note scale and adding a chromatic passing tone
to it. The most common bebop scales are the major bebop dominant bebop dorian bebop
, , ,
harmonic minor bebop and the melodic minor bebop Here’s the major bebop scale. You can
, .
see that it’s a regular seven-note C major scale with an added G-sharp/A-flat.
C Major Bebop Scale Notes: C-D-E-F-G-G♯-A-B-C
Seven-note scales are “bebop’d” to turn them into eight-note scales. This makes the scale have an
even number of notes so that chord tones can be played on the downbeat. Bebop scales were
popularized during the bebop era of jazz, when players scatted along to their playing (eg. “be-ba-
doo-ba-doo-ba!” ).
Diminished Scales
Diminished scales contain an alternating pattern of whole and half steps. There are two main
types of diminished scale: one starts with a whole step ( whole-half diminished ) and the other
starts with a half step ( half-whole diminished or “dominant” diminished ). You can also think of
the diminished scale as one diminished 7th chord superimposed on another diminished 7th
chord.
For example, here is a half-whole diminished scale starting on C visualized as a C#dim7 chord
over a Cdim7 chord.
We hope this introduction to piano scales and modes has been helpful to your piano journey!
Remember: practicing scales isn’t just for exercise. When you practice, notice how you alter
degrees of the scale, the accidentals you use, the sound and mood, and the scale “shape” your
hands play. With practice, you’ll internalize the formula for each scale.
Happy practicing!
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Charmaine Li is a Vancouver writer who has played piano for over 20 years.
She holds an Associate diploma (ARCT) from the Royal Conservatory of Music
and loves writing about the ways in which music—and music learning
—affects the human experience. Charmaine manages The Note. Learn more
about Charmaine here .
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