Test Bank For Prebles Artforms 12th Edition Preble

Test Bank for Preblesâ€™ Artforms 12th Edition Preble
Test Bank for Preblesâ€™ Artforms 12th Edition

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Chapter 10: Cinema and Digital Arts
Multiple-Choice Questions
1. The production of movies as an art or industry is called __________.

a. cinema
b. film
c. cinematography
d. video art
Answer: a
Learning Objective: 10.1 Trace the development of cinema from its origins in photography.
Topic: The Birth of Cinema
Difficulty Level: Easy
Skill Level: Remember the Facts
2. Persistence of vision creates __________.

a. an emotional response to a shot
b. a complete panoramic view
c. the illusion of motion
d. an immersive experience
Answer: c
Difficulty Level: Moderate
3. How did Eadweard Muybridge capture the animated motion of The Horse in Motion?
a. He used a film camera and an electric motor to project 16 frames per second.
b. He lined up still cameras that photographed the horse as it ran by.
c. He created a montage of brief shots to emphasize the horse’s movement.
d. He experimented with black-and-white and color images of the horse.
Answer: b
Skill Level: Apply What You Know and Analyze It
Copyright © 2019, 2014, 2011 Pearson Education, Inc. All rights reserved.
4. In 1891, the first practical camera to produce movies used __________.
a. the motion capture process
b. the Kuleshov effect
c. photographic film
d. animation to generate movement
Answer: c
5. Which of the following is a characteristic of early cinema?

a. recorded sound
b. live music
c. animation
d. special effects
Answer: b
6. Which of the following most contributed to the acceptance of movies as an artform?

a. the use of still photography to record pantomime
b. films that looked like theatrical performances
c. filmmakers who experimented with color photography
d. the technology to record sound on film
Answer: b
Skill Level: Understand the Concepts
7. In filmmaking, each unbroken sequence of recorded action, with the camera still rolling, is
called a __________.
a. shot
b. close-up
c. montage
d. still photograph
Answer: a
Learning Objective: 10.2 Describe early technical innovations and techniques in movies.
Topic: Silent Cinema: Innovations and Techniques
8. Early filmmakers produced the illusion of very fast motion by using __________.
a. special effects
b. digital simulation
c. long shots
d. time-lapse photography
Answer: d
9. How did American director D. W. Griffith use film editing to better express narrative content
and increase the viewer’s feeling of involvement in a movie?
a. by assembling several shots taken from different angles
b. by creating visual effects with time-lapse photography
c. by using the Kuleshov effect to influence emotional responses
d. by combining a number of brief shots with related content
Answer: a
10. Sergei Eisenstein’s Battleship Potemkin demonstrates the compelling narrative that can be
achieved through the use of __________.
a. animation
b. special effects
c. montage
d. storyboards
Answer: c
11. Which of the following filmmakers pioneered the use of the long shot and close-up in
cinematography?
a. Ridley Scott
b. Federico Fellini
c. Georges Méliès
d. D. W. Griffith
Answer: d
12. Which film editing technique transfers a viewer’s emotional response from one shot to the
next regardless of the content?
a. Kuleshov effect
b. close-up
c. montage
d. long shot
Answer: a
13. After 1934, violating the Motion Picture Production Code would __________.
a. increase the film’s popularity
b. hinder a film’s distribution
c. decrease the film’s production cost
d. improve the film’s quality
Answer: b
Learning Objective: 10.3 Discuss the types of movie that originated in Hollywood and
internationally from the 1930s.
Topic: From the Talkies to the Seventies
14. Fantasia is an example of __________.

a. video art
b. experimental cinema
c. the film noir style
d. an animated movie
Answer: d
15. Which of the following refers to a series of drawings to visualize the major shots of a movie?
a. montage
b. storyboard
c. animation
d. video art
Answer: b
16. The film noir genre reinforces its dark criminal subject matter by using __________.
a. expressive lighting
b. distorting camera lenses
c. loosely connected scenes
d. surreal subject matter
Answer: a
17. Stan Brakhage’s Dog Star Man exemplifies experimental film because it features
__________.
a. computer graphics
b. time-lapse photography
c. virtual reality
d. radical film editing
Answer: d
18. Why is Gordon Parks’ Shaft considered part of the blaxploitation movement?
a. It creates an imaginary world by using special effects.
b. It satirizes the white actors of the film noir genre.
c. It reinforces stereotypes to protest the civil rights movement.
d. It depicts the urban life of a black private investigator.
Answer: d
19. In Pan’s Labyrinth, Guillermo del Toro produces vivid and realistic monsters by using which
technology?
a. animation
b. motion capture
c. special effects
d. virtual reality
Answer: c
Learning Objective: 10.4 Explain the impact of the digital revolution on special effects and
movie production.
Topic: Special Effects and Digital Cinema
20. The process of digitally recording the movements of actors for animation is called
__________.
a. simulation
b. digital projection
c. motion capture
d. virtual reality
Answer: c
movie production.
21. Which type of film prioritizes international distribution over character development and
social commentary?
a. blockbusters
b. silent movies
c. video art
d. montages
Answer: a
movie production.
22. Which of the following uses digital animation?

a. Guillermo del Toro’s Pan’s Labyrinth
b. Ridley Scott’s Prometheus
c. Diana Thater’s Science, Fiction
d. Orson Welles’ Citizen Kane
Answer: b
movie production.
23. Janicza Bravo emphasized the controversy surrounding police-involved shootings by

__________.
a. using extreme camera angles
b. creating a virtual reality movie
c. drawing upon the blaxploitation movement.
d. merging special effects and digital animation.
Answer: b
movie production.
24. What is the purpose of virtual reality movies?
a. to create an immersive experience for the viewer
b. to blend human actors with digital animation
c. to enhance traditional film with computer graphics
d. to produce video art without the use of film editing techniques
Answer: a
movie production.
25. Which technical innovation in cinema relies on the use of headsets and hand-held devices?
a. television
b. video installation
c. digital animation
d. virtual reality
Answer: d
movie production.
26. Who created the Portapak?

a. Walt Disney
b. Sony Corporation
c. Eadweard Muybridge
d. George Lucas
Answer: b
Learning Objective: 10.5 Summarize the use of digital video as an art medium.
Topic: Video Art
27. Many early video artists used __________.

a. television production equipment
b. still photographs
c. motion capture technology
d. computer programming
Answer: a
Topic: Video Art
28. Joan Jonas’ Volcano Saga is an example of __________.
a. digital simulation
b. film noir
c. video art
d. virtual reality
Answer: c
Topic: Video Art
29. Which artist is known for five movies known as the CREMASTER Cycle?
a. Ridley Scott
b. Guillermo del Toro
c. Edgar G. Ulmer
d. Matthew Barney
Answer: d
Topic: Video Art
30. Nam June Paik commented on the role of television in American society by __________.
a. creating a virtual reality movie in the film noir style
b. producing digital simulations of early silent movies
c. arranging television monitors to resemble the American flag
d. displaying distorted images of Disney animations on flat screens
Answer: c
Topic: Video Art
31. Which of the following uses digital video in multimedia installations?

a. Diana Thater
b. Nam June Paik
c. Guillermo del Toro
d. Robert Altman
Answer: a
Topic: Video Art
32. Which of the following uses plotters?
a. traditional film
b. animation
c. digital art
d. cinematography
Answer: c
Learning Objective: 10.6 Discuss how artists today use computers to produce digital artworks.
Topic: Digital Artforms
33. Why did Vera Molnar use a research lab in Paris to create Parcours?
a. Molnar helped develop virtual reality.
b. Early computers were expensive.
c. The image was derived from a database.
d. The video cyborg was the result of a science project.
Answer: b
34. Lynn Hershman Leeson’s DiNA is an example of a __________.

a. digital simulation
b. virtual reality film
c. montage
d. close-up shot
Answer: a
35. What distinguishes Rafael Lozano-Hemmer’s Vectorial Elevation from Vera Molnar’s
Parcours?
a. Lozano-Hemmer used a plotter to create abstract forms.
b. Lozano-Hemmer intermixed close-ups and long shots.
c. Lozano-Hemmer required viewer interaction in the creative process.
d. Lozano-Hemmer combined traditional film with video art.
Answer: c
Essay Questions
36. Describe the film editing techniques used by Sergei Eisenstein in the “Odessa Steps”
sequence of Battleship Potemkin and explain the effect produced by such techniques.
Answer: The ideal answer should include:
1. Eisenstein uses a montage of brief shots to portray a historic event.
2. Eisenstein intermixes close-ups rather than wide-angle shots.
3. The montage of close-up shots causes the viewer to feel like a participant in the violent actions
of the scene.
4. Eisenstein’s use of film editing techniques creates a compelling portrayal of the fear and
tragedy of the failed army revolt in Odessa.
Difficulty Level: Difficult
37. Explain Akira Kurosawa’s creative process and explain how this impacts the visual style of
his films.
1. Kurosawa often used storyboards to visualize the major shots of his movies.
2. The storyboards allowed Kurosawa to create pictorial compositions that resembled traditional
aspects of Japanese theatre rather than contemporary American film techniques.
38. What distinguishes Robert Altman’s The Long Goodbye in the history of cinema?
1. The decline of the Production Code in the late 1960s allowed films to explore previously
restricted story lines.
2. Altman’s movie subverts previous cinematic conventions by satirizing criminals, nudity,
murder, and police brutality.
39. Explain how Ridley Scott’s Prometheus embodies the impact of digital technology on
blockbuster trends.
1. Ridley Scott’s Prometheus uses multiple digital cameras to enable 3-D projection.
2. Scott uses digital animation to place human actors in realistic simulations of places in space.
3. Scott uses multi-ethnic actors for the crew of the spaceship and digital projection.
4. These aspects of Prometheus reflect the goal of blockbusters to be internationally distributed
and appealing to large groups of people.
movie production.
Difficulty Level: Difficult
40. Describe how Casey Reas used a video screen and computer processing to produce Today’s
Ideology (26 July 2015).
1. Reas connected a video screen to a database of photographs from the digital edition of the New
York Times.
2. She used the computer to distort the digital photos and display them as animated paint strokes,
providing new perspectives of the contemporary events depicted in the digital magazine images.
Revel Quizzes
The following questions appear at the end of each module and at the end of the chapter in
Revel for Prebles’ Artforms: An Introduction to the Visual Arts, 12e.
Quiz: The Birth of Cinema
EOM Q10.1.1
What was Eadweard Muybridge’s main contribution to early cinema?
a) rapid projection of still photographs
b) time-lapse photography
Consider This: Muybridge first experimented with multiple photographs that
could approximate motion. 10.1 Trace the development of cinema from its
origins in photography.
c) slow-motion projection
d) the moving camera
Answer: a
EOM Q10.1.2
What is one reason that early films were not readily accepted as an artform?
a) The camera seemed a recording device.
b) Films were not popular with the public.
Consider This: Early photography faced the same skepticism as early films. 10.1
Trace the development of cinema from its origins in photography.
c) Films did not show action.
d) Films were only in black and white.
Answer: a
EOM Q10.1.3
What optical effect is essential to the visual experience of motion pictures?
a) the persistence of vision
b) digital capture
Consider This: In this effect the eye and mind tend to hold images in the brain for
a fraction of a second after they disappear from view. 10.1 Trace the
development of cinema from its origins in photography.
c) zoöpraxiscope
d) vision from afar
Answer: a
EOM Q10.1.4
Who invented the zöopraxiscope, which projected still photographs in rapid succession?
a) Eadweard Muybridge
b) Oskar Fischinger
Consider This: The inventor also produced The Horse in Motion, which was a
series of still shots that proved a galloping horse was airborne for a brief moment.
10.1 Trace the development of cinema from its origins in photography.
c) D. W. Griffith
d) Sergei Eisenstein
Answer: a
Quiz: Silent Cinema: Innovations and Techniques
EOM Q10.2.1
What process is necessary to create a unified progression of a movie?
a) film editing
b) rapid cutting
Consider This: Assembling a scene requires combing shots from raw footage.
10.2 Describe early technical innovations and techniques in movies.
c) storyboarding
d) special effects
Answer: a
EOM Q10.2.2
The Kuleshov effect refers to what film editing technique?
a) using one film shot to influence the audience about the next
b) shifting from a close-up to panning
Consider This: A viewer’s emotion to one shot will persist into the next. 10.2
Describe early technical innovations and techniques in movies.
c) using montage to heighten emotion
d) parallel editing to create different narratives
Answer: a
EOM Q10.2.3
What art movement influenced the movie Un Chien Andalou (An Andalusian Dog)?
a) Surrealism
b) Realism
Consider This: Like our dreams, the movie is a sequence of seemingly
unrelated and irrational events. 10.2 Describe early technical innovations and
techniques in movies.
c) Post-Impressionism
d) Abstract Expressionism
Answer: a
EOM Q10.2.4
Imagine that you are a filmmaker making a movie about zombies from outer space. What
technique would allow you to present their dramatic voyage to Earth in the shortest
amount of time?
a) montage
b) storyboarding
Consider This: An editing technique can combine many brief shots with
distinct but related subject matter. 10.2 Describe early technical innovations
and techniques in movies.
c) digital animation
d) 3-D projection
Answer: a
Learning Objective: 10.2 Describe early technical innovations and techniques in
movies.
Skill Level: Apply and Analyze
Quiz: From the Talkies to the Seventies
EOM Q10.3.1
What was the goal of the Motion Picture Production Code?
a) to regulate the moral content of movies
b) to establish fair working conditions for production personnel
Consider This: Movie studios submitted scripts to the Code authorities
before shooting. 10.3 Discuss the types of movies that originated in
Hollywood and internationally from the 1930s.
c) to formalize union scale for movie production workers
d) to regulate movie theater pricing
Answer: a
Learning Objective: 10.3 Discuss the types of movies that originated in Hollywood and
EOM Q10.3.2
Storyboards are used as part of planning and narrative development for
a) animations.
b) parallel editing.
Consider This: Artists work from a series of drawings or painting to
visualize the final work. 10.3 Discuss the types of movies that originated in
c) film editing.
d) video art.
Answer: a
EOM Q10.3.3
What genre depicted the dark side of the American Dream?
a) film noir
b) science fiction
Consider This: The genre uses expressive lighting and camera angle
techniques borrowed from Citizen Kane and European films. 10.3 Discuss
the types of movies that originated in Hollywood and internationally from
the 1930s.
c) blaxploitation
the 1930s.
d) westerns
the 1930s.
Answer: a
EOM Q10.3.4
Robert Altman’s The Long Goodbye draws on the tradition of
a) film noir.
b) blockbuster films.
Consider This: The movie’s plot was adapted from a detective story. 10.3
Discuss the types of movies that originated in Hollywood and
c) experimental film.
d) video installation.
Answer: a
Quiz: Special Effects and Digital Cinema
EOM Q10.4.1
What distinguishes a blockbuster film?
a) Its goals are mass appeal and economic success.
b) It employs digital technology to achieve special effects.
Consider This: Ridley Scott's Prometheus is a recent blockbuster. 10.4
Explain the impact of the digital revolution on special effects and movie
production.
c) It is the product of international co-production.
production.
d) It is widely accessible through DVDs and YouTube.
production.
Answer: a
Learning Objective: 10.4 Explain the impact of the digital revolution on special effects
and movie production.
EOM Q10.4.2
What is one factor that facilitates worldwide uniform distribution of movies today?
a) digital projection
b) computer editing
Consider This: Heavy film cans are rarely used today. 10.4 Explain the
impact of the digital revolution on special effects and movie production.
c) FedEx and United Parcel Service
d) live streaming
Answer: a
EOM Q10.4.3
What was one of George Lucas’s major achievements?
a) special effects that merge animation with computer technology
b) the explosion of science fiction movies
Consider This: Industrial Light and Magic (ILM) is a division of
Lucasfilm, Ltd. 10.4 Explain the impact of the digital revolution on special
effects and movie production.
c) an interest in space exploration
d) the development of independent movie production companies
Answer: a
Quiz: Video Art
EOM Q10.5.1
What was one reason that early videos by artists were relatively simple recordings?
a) Editing was not possible.
b) Artists were skeptical of the video format.
Consider This: Artists did not have a standardized tape that allowed them
to work with television production equipment. 10.5 Summarize the use of
digital video as an art medium.
c) Cameras were not able to zoom and do close-ups.
d) Cameras had very short recording capacity.
Answer: a
Topic: Video Art
EOM Q10.5.2
What is one reason that the CREMASTER Cycle movies blur the line between video art
and cinematography?
a) They are usually projected in art galleries, but part of the series has been released
on DVD.
b) They have elaborate and expensive sets.
Consider This: Cinematography was developed as commercial
entertainment. 10.5 Summarize the use of digital video as an art medium.
c) They have complex narratives.
d) They have symbolic content.
Answer: a
Topic: Video Art
EOM Q10.5.3
What was the Portapak?
a) the first portable video recording camera
b) the first color video camera
Consider This: Sony offered this breakthrough technology for video art.
10.5 Summarize the use of digital video as an art medium.
c) the first handheld film camera
d) the first portable battery pack for a digital camera
Answer: a
Topic: Video Art
Quiz: Digital Artforms
EOM Q10.6.1
10.6.1 What distinguishes digital artwork such as Lynn Hershman Leeson’s DiNA from
traditional film and video?
a) their interaction with the viewer
b) their reliance on digital technology
Consider This: DiNA is a video cyborg. 10.6 Discuss how artists today use
computers to produce digital artworks.
c) their integration of the Internet
d) their reference to other forms of media
Answer: a
Learning Objective: 10.6 Discuss how artists today use computers to produce digital
artworks.
EOM Q10.6.2
What is a key innovation of Vectorial Elevation?
a) Viewers directly engage in the creative process.
b) The artist collaborated with Mexico City officials to execute the work.
Consider This: Viewers accessed computer terminals during the
installation period. 10.6 Discuss how artists today use computers to
produce digital artworks.
c) The work is a permanent installation.
d) The artist was onsite to work with the audience.
Answer: a
artworks.
EOM Q10.6.3
What is one reason that computers have accelerated the breakdown of boundaries
between media specializations?
a) Computers have multipurpose characteristics.
b) All artists use computers in their work today.
Consider This: Artists interested in digital media have learned how to
expand their work by using different software programs. 10.6 Discuss how
artists today use computers to produce digital artworks.
c) It is now possible to combine media.
d) Artists no longer are interested in specializing in a specific media.
Answer: a
artworks.
EOM Q10.6.4
One condition for artists using a plotter was
a) the plotter’s motions were not entirely predictable.
b) the plotter required complex programming.
Consider This: A plotter is a small, ink-bearing device that moves over a
piece of paper. 10.6 Discuss how artists today use computers to produce
digital artworks.
c) the plotter required a computer hookup.
digital artworks.
d) the plotter could not draw a colored line.
digital artworks.
Answer: a
artworks.
Chapter Quiz: Cinema and Digital Arts
EOC Q10.1
Why did Oskar Fischinger create Circles as an advertisement for a public relations
firm?
a) to circumvent Nazi censorship of abstract art
b) to protest Nazi regulations about artistic production
Consider This: The Nazis did not approve of experimental art forms. See:
Introduction.
c) to criticize the public for their preference for feature films
Introduction.
d) to contribute to the Nazi propaganda campaign
Introduction.
Answer: a
Topic: Cinema and Digital Arts
EOC Q10.2
Early movies often looked like filmed theater productions because
a) filmmakers wanted to gain popular acceptance.
b) theater provided the best scripts.
Consider This: Audiences were accustomed to a theater production format.
c) film studios needed to share props and actors with local theaters.
d) film studios had lavish budgets for elaborate stage effects.
Answer: a
Learning Objective: 10.1 Trace the development of cinema from its origins in
photography.
EOC Q10.3
What distinguishes Sergei Eisenstein’s use of montage from Eadweard Muybridge’s
earlier work?
a) distinct but related subject matter
b) sequential presentation of images
Consider This: Eisenstein used montage to heighten dramatic intensity in a
movie. 10.2 Describe early technical innovations and techniques in movies.
c) indication of the passage of time
d) brief independent shots
Answer: a
movies.
EOC Q10.4
One reason early films like Intolerance were enjoyed throughout the western world was
a) they were silent films.
b) they told popular stories.
Consider This: These movies did not depend on spoken language. 10.2
c) they were promoted internationally.
d) they had no political motives.
Answer: a
movies.
EOC Q10.5
Which early film influenced the hallucinatory content of late twentieth-century music
videos?
a) Un Chien Andalou (The Andalusian Dog)
b) Battleship Potemkin
Consider This: Surrealist art addressed illogic, repressed desire, and bizarre
visual images. 10.2 Describe early technical innovations and techniques in
movies.
c) A Voyage to the Moon
movies.
d) Citizen Kane
movies.
Answer: a
movies.
EOC Q10.6
What device in Citizen Kane reinforces the film’s political content?
a) the extreme camera angles
b) the use of black-and-white film
Consider This: Wells and his cinematographer pioneered new filming
techniques. 10.3 Discuss the types of movies that originated in Hollywood
and internationally from the 1930s.
c) the rapid-cut editing
d) the dramatic special effects
Answer: a
EOC Q10.7
Which film is an example of the film noir genre?
a) Detour
b) Citizen Kane
Consider This: Film noir is a genre primarily based on American detective
fiction. 10.3 Discuss the types of movies that originated in Hollywood and
c) La Dolce Vita
d) The Long Goodbye
Answer: a
EOC Q10.8
How is the moral content in movies regulated today?
a) a ratings system established by the Motion Picture Association of America in 1968
b) the Motion Picture Production Code established in 1934
Consider This: Film standards today are more lenient in relation to content
and nudity. 10.3. Discuss the types of movies that originated in Hollywood
c) a voluntary adherence policy upheld by major film studios since 1959
d) a department of the Federal Communications Commission established in 1975
Answer: a
EOC Q10.9
What was controversial about the blaxploitation movement?
a) It could reinforce African-American stereotypes.
b) It was popular with white audiences.
Consider This: The movement was an outgrowth of the civil rights
movement. 10.3 Discuss the types of movies that originated in Hollywood
c) It gave rise to sequels and TV shows.
d) It employed African-American directors and actors.
Answer: a
EOC Q10.10
What distinguishes Kenneth Anger’s Scorpio Rising as an underground film?
a) It was not intended for a popular audience.
b) It experimented with the formal effects of filmmaking.
Consider This: Underground films were usually shown in galleries and art
venues. 10.3 Discuss the types of movies that originated in Hollywood and
c) It promoted a subversive political message.
d) It did not influence mainstream filmmakers.
Answer: a
EOC Q10.11
Pan’s Labyrinth represents an example of
a) international co-production.
b) film noir.
Consider This: Shared financing and distribution minimizes risk. 10.4
production.
c) video art.
production.
d) non-representational filmmaking.
production.
Answer: a
EOC Q10.12
What makes virtual reality an immersive form of the movie-going experience?
a) Viewers don headsets and seem to move in the action around them.
b) Viewers participate in the casting, filming, and editing process.
Consider This: Virtual reality emerged in video gaming. 10.4 Explain the
c) Viewers watch the film on their phones or tablets.
d) Viewers select optional endings.
Answer: a
EOC Q10.13
What innovative filming technique was used in Prometheus?
a) motion capture
b) visual reality
Consider This: The film blends human actors with animation. 10.5
Summarize the use of digital video as an art medium.
c) multi-ethnic casting
d) special effects
Answer: a
EOC Q10.14
How are Federico Fellini’s La Dolce Vita and Nam June Paik’s Video Flag Z similar?
a) They both offer critiques of mass media.
b) They both rely on video technology.
Consider This: Both works are interested in the pervasive influence of
popular culture. 10.5 Summarize the use of digital video as an art medium.
c) They both employ black-and-white film.
d) They both emphasize symbolic structure over narrative structure.
Answer: a
Test Bank for Preblesâ€™ Artforms 12th Edition Preble
EOC Q10.15
Why does Lynn Hershman Leeson’s DiNA sound so smart?
a) Her responses come from the Internet.
b) Her responses are based on political speeches.
Consider This: Audiences are accustomed to finding information this way.
10.6 Discuss how artists today use computers to produce digital artworks.
c) Her responses are pre-recorded by the artist.
d) Her responses mimic viewers’ questions and comments.
Answer: a
artworks.
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1. The production of movies as an art or industry is called __________.

2. Persistence of vision creates __________.

5. Which of the following is a characteristic of early cinema?

6. Which of the following most contributed to the acceptance of movies as an artform?

14. Fantasia is an example of __________.

22. Which of the following uses digital animation?

23. Janicza Bravo emphasized the controversy surrounding police-involved shootings by

26. Who created the Portapak?

27. Many early video artists used __________.

31. Which of the following uses digital video in multimedia installations?

34. Lynn Hershman Leeson’s DiNA is an example of a __________.

Quiz: The Birth of Cinema

Quiz: Video Art

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