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'Anthem For Doomed Youth' Summary
'Anthem For Doomed Youth' Summary
'Anthem For Doomed Youth' Summary
'Anthem For Doomed Youth' is an anti-war poem Owen wrote whilst recovering from shellshock
in a Scottish hospital. The year was 1917. Less than a year later, Owen was killed in battle. The
poem laments the loss of young life in war and describes the sensory horrors of combat. It takes
particular issue with the official pomp and ceremony that surrounds war (gestured to by the
word "Anthem" in the title), arguing that church bells, prayers, and choirs are inadequate
tributes to the realities of war. It is perhaps Owen's second most famous poem, after "Dulce et
Decorum Est."
• Wilfred Owen, a well-known British poet wrote this poem. It is one of the tragic
sonnets also known as a funeral dedication for soldiers in the First World War. It
was first published in 1917. The poem speaks about the death of soldiers either in
the Battle of Somme or Passchendaele. It explains how the soldiers die helplessly
on the battlefield. They do not have anyone to give them proper burial after their
sacrifice. One of the notable aspects of the poem is the poet’s rejection of God and
religion after seeing suffering around him.
2. The other setting is back home [Homefront]. This setting is described in lines 8 through 14,
and specifically, it's the nation of England (as demonstrated by the phrase "sad shires," which
refers to different areas of England). In the 2nd stanza, the focus shifts from the war front to the
"home front" (the home country in which civilian life goes on). The post-war future predicted in
the second stanza is a mournful, tentative one.
Analysis of the Poem
‘Anthem for Doomed Youth’ serves as a dual rejection: both of the brutality of war, and of
religion.
1st Stanza explanation:
Anthem for Doomed Youth’ opens, as do many of Owen’s poems, with a note of righteous
anger: what passing-bells for those who die as cattle? The use of the word ‘cattle’ in the
opening line sets the tone and the mood for the rest of it – it dehumanizes the soldiers much in
the same way that Owen sees the war dehumanizing the soldiers, bringing up imagery of
violence and unnecessary slaughter. Owen made no secret that he was a great critic of the war;
his criticism of pro-war poets has been immortalized in poems such as Dulce et Decorum Est,
and in letters where Wilfred Owen wrote home. In ‘Anthem for Doomed Youth,’ Owen makes
no secret of the fact that he believes the war is a horrific waste of human life.
The first stanza of ‘Anthem for Doomed Youth’ continues in the pattern of a pitched battle, as
though it were being written during the Pushover the trenches. Owen notes the ‘monstrous
anger’ of the guns, the ‘stuttering rifles’, and the ‘shrill, demented choirs of wailing shells’. It’s a
horrible world that Owen creates in those few lines, bringing forward the idea of complete
chaos and madness, of an almost animalistic loss of control – but in the same paragraph, he
also points out the near-reluctance of the soldiers fighting. At this point, a great deal of the
British Army had lost faith in the war as a noble cause and was only fighting out of fear of court-
martial, therefore the rifles stutter their ‘hasty orisons’. Orisons are a type of prayer, which
further points out Owen’s lack of faith – he believes that war has overshadowed faith, that it
has taken the place of belief. As he says in another poem, ‘we only know war lasts, rain soaks,
and clouds sag stormy’.
Ironically, the use of onomatopoeia for the guns and the shells humanizes war far more than its
counterparts. War seems a living being more than the soldiers, or the mourners, and the words
used – ‘monstrous anger’, ‘stuttering’, ‘shrill demented choirs’ – bring forward the image of war
as not only human, but alive, a great monster chewing up everything in its path, including the
soldiers that poured out their blood into shell holes. The quiet nature of the second stanza, and
the use of softened imagery, brings out, in sharp relief, the differences between war and
normal life.
Owen also frames this second stanza in the dusk. This is to signify the end, which of course for
many of the soldiers it was their end. The final line – ‘And each slow dusk a drawing-down of
blinds‘– highlights the inevitability and the quiet of the second stanza, the almost pattern-like
manner of mourning that has now become a way of life. It normalizes the funeral and hints at
the idea that this is not the first, second, nor last time that such mourning will be carried out.
• Major Themes in “Anthem for Doomed Youth”: Horrors of war, death, and
suffering are the major themes of this poem. The poet paints a realistic picture of the
battleground. The readers must realize how soldiers sacrifice their lives to defend
their country, but the civilians honor their deaths. They are killed like animals during
the wars. Usually, at funerals for the dead, the bells ring, and prayers are offered.
However, the soldiers do not have that privilege. Instead of bells and prayers,
sounds of guns, fires, and shells are heard after their death. Their families can only
cry on the news of their death.
1. Assonance: Assonance is the repetition of vowel sounds in the same line. For
example, the sound of /o/ in “No mockeries now for them; no prayers nor bells” and
“Only the monstrous anger of the guns.”
2. Consonance: Consonance is the repetition of consonant sounds in the same line.
For example, the sound of /l/ in “The shrill, demented choirs of wailing shells.”
3. Alliteration: Alliteration is the repetition of consonant sounds in the same line in
quick succession. For example, the sound of /r/ in “Only the stuttering rifles’ rapid
rattle”; the sound of /d/ “And each slow dusk a drawing-down of blinds” and the
sound of /g/ in “Shall shine the holy glimmers of goodbyes”.
4. Enjambment: It is defined as a thought in verse that does not come to an end at a
line break; instead, it continues to the next line. For example,