Jonathan Harker

PUNTA DEL
ESTE TRIP —
JAN . 2023
Jonathan Harker

PUNTA DEL
ESTE TRIP —
JAN . 2023
© Jonathan Harker

https://www.youtube.com/JonathanHarkerVideos
https://odysee.com/@JonathanHarker:e
https://rumble.com/user/jonathan_harker
Dedicated to all those who enjoy travel, both
personal and intellectual; both physical and
ethereal.
PREFACE

This book is basically composed of the descriptions used in

the 115 videos that make up the playlist called "Punta del
Este 2023" on my Youtube channel.

I think it serves as a good travel guide to the place, as well

as a historical, journalistic and sociological description of it.

I would have loved to have more time to edit each part in

this "literary" format, but my obligations did not allow me to.

I hope you enjoy these pages, these experiences of this

incredible trip.
INTRODUCTION

Greetings to all! In relation to my trip to Punta del Este,

Uruguay, I decided to upload the photographic and
videographic material here [N.B. My Youtube channel].

The method will be the same as in my channel about

Argentine TV https://www.youtube.com/channel/
UCjxPW4rVuSmhew3WbyrKgQA — uploading videos in
packs of 10, each one with its own explanation and
commentary.

The raw footage of my 2023 Punta del Este trip comprises

more than 7000 photos and about 700 video clips. For the
sake of convenience, we start with the photos.

If you download the original PDF or EPUB, you will discover

that each of the photos is actually a video, perfectly
clickable — and even playable when using the latter.
PART 1
§1. I start with the Buquebus ferry trip, which connects
Buenos Aires and Montevideo, and Montevideo with Punta
del Este. It costs about $250 —half the price of a plane—
and takes about 5 hours.
§2. I continue with a brief view of Montevideo (I want to
clarify that these are only the photos; in a few weeks full
videos of each of the places will follow). It is a very beautiful
city that —unlike Buenos Aires— has beaches.
§3. I continue with the Casamar-Fabric beach club. It is
located between the beaches of Bikini and Montoya and
one of the most luxurious. Rave parties are held during the
summer, unlike the others. It has bigger infrastructure.
§4. Punta del Este shoreline is divided into stops —former or
current bus stops—, situated approximately every 200
meters. Bus stop 1 —as you can imagine— is the one in the
city center, where the Peninsula ends.
§5. I add the McDonald’s situated in the peninsula, as it is
the real heart of the place. Gorlero is the main avenue and
this is its center. It is the center of the city center.
§6. There are also places of interest in the streets parallel
and perpendicular to Gorlero, which I here include.
§7. Being Punta del Este a peninsula, beaches extend
northeastwards and westwards. They are divided into beach
stops [paradas], determined by where the bus service used
to pull up or still does. When we have a seaside resort or a
beach club near those stations, we call them paradores.
And as I said, there are two main coastlines. Westwards, to
the Maldonado Bay, the Playa Mansa [calm beach].
Northeastwards we come across Playa Brava [stormy
beach]. There are nearly 40 bus stops on each waterfront,
so we can spot Brava stop 1, Mansa stop 1, Brava stop 2,
Mansa stop 2, et cetera. [Parada 1 Playa Brava, Parada 1
Playa Mansa, Parada 2 Playa Brava, Parada 2 Playa Mansa]
§8. I complement the videos of Gorlero itself and its
surroundings with other images of the downtown area.
§9. Punta del Este shopping center (Punta Shopping)
burned down last year and here are some photos. A video
will follow later.
§10. Bikini beach is one of the most emblematic of Punta del
Este, along with Montoya
PART 2
§11., §12. and §13. I start this pack with Montoya beach,
which in my opinion is the best in Punta del Este. Basically
for 3 reasons: the prettiest girls, the best waves and the
proximity to La Barra and Manantiales, the most beautiful
and youthful places of the town. It is divided in 3 parts. All
the videos are in 4K (I used to publish the photos on Flickr,
but now that site has very little tra ic). Besides, video-
graphically it's not bad to tell things like this. Anyway,
videos will follow later.
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§14. La Barra shopping mall is one of the most beautiful. In
my other trip I had already been there https://youtu.be/
1gXMU9yslAo. It has grown a lot and is now a great meeting
point, mostly before going to nightclubs or parties.
§15. I divide La Barra —the mouth of the Maldonado creek
into the ocean— into two parts: one which borders the
stream (and points west) and the other —which faces the
Atlantic Ocean— pointing east. It is basically a ishing
village, which forms a kind of cape. In the last decades it
became a rustic luxury destination (that thing exists).

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§16., §17. and §18. The beaches of Western La Barra are also
very good. I must have taken refuge there on days when the
wind exceeded 15 knots, as the beaches of Bikini and
Montoya become useless in those situations. The problem is
that it is full of families and children. Because of the
situation mentioned before, there were also teenage
people, who normally attend Montoya and Bikini beaches. I
present 3 slideshows in 4K resolution.
§19. There is a bus service that —for 3 dollars— takes you to
La Barra and back to downtown Punta del Este. It is about
20 minutes long and very scenic. Here are the best photos
of the route.
§20. The bus terminal, located at the beginning of the
peninsula, is another of the nerve centers of the peninsula.
This is where the real pulse of Punta del Este can be
measured. Girls coming and going from La Barra, people
arriving from Montevideo or Buenos Aires, people heading
to José Ignacio or Rocha.
PART 3
§21. On January 4th two Argentinian girls died 1 kilometer
away from the coast of the beach resort of El Chorro,
bordering the town of Manantiales. It was at the beginning
of the trip and I was very surprised. I put it not only because
of the repercussion of a tweet about the issue, but also
because to make people aware (I understand) the cars were
at the entrance of the 12th police station of La Barra, on the
very sidewalk, during the whole month of January. Maybe it
was for lack of space, but I was surprised to see EVERY DAY,
in my transit to the beaches of Bikini or Montoya, those
"deadly" cars for these two girls. The case is still going on,
and the driver (Argentinian too) is being prosecuted by the
Uruguayan Justice. I have part of a video that will be shown
later, when they start with that kind of material.
§22. The beach called El Emir is one of the beaches that
make up the peninsula. It is next to stop 1 of the Brava and is
used by many family groups. What surprised me was that
THE EMIR OF CATAR was in Punta del Este in those days, so
it was kind of weird. I was also surprised to see a metal
prospector (like the ones looking for mines) on that beach
(the day before I had compared on Twitter the beaches of
Punta del Este and Odessa, adding that the former had no
mines: another double meaning). I hope you like it. Then I'll
start with the videos.
§23. The Virgin of Candelaria is the patron of Punta del Este.
Processions are held on February 2. Her characteristic is the
carrying of candles. I understand that this is why she was
advocated by the sailors, as was Our Lady of Buen Ayre. She
used to have a small hut, now her altar is at least 2 meters
high and 4 or 5 meters wide. There were pilgrims, despite
the sun splitting the stones at noon. A stony littoral
formation stretches out to sea behind it, littered with the
remains of snails and seabirds.
§24. I recorded almost completely the entire route to the
peninsula of Punta del Este, about 4 kilometers, on video,
using GoPro and iPhone. It took me almost 4 hours: the sun
was at UV level 13 and I stopped several times along the
way. These are some of the pictures I took. Playa de los
Ingleses, Punta de Salinas (o icial limit of the River Plate
and the Ocean on the Uruguayan side), the natural pools of
"Las Mesitas" or the luxury around the port, are some of the
things that can be seen. The complete tour, which extended
from stop 1 of La Brava to stop 1 of La Mansa, bordering the
sea, can be seen in a next video, when I inish uploading the
photos.
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§25. The small town of Manantiales, very similar to La Barra,
and about 3 kilometers away, resembles that area in its
beginning as a tourist place. It is a mini "La Barra" in a
sense: people move more and more towards the northeast
in search of tranquility and so small towns like this one, or
like José Ignacio, a few kilometers further on, emerge. Here
live or vacation the richest people in Argentina, and it is like
a mini "country club", in the open. There are usually
celebrities and millionaires everywhere. Its characteristic
beach, Bikini, was shown in a previous video. There used to
be discos, now there are none. Just a few restaurants with
bands, that turn into pubs at night. I couldn't go to José
Ignacio this time, but I understand that Manantiales is still
more luxurious, the other place being more rustic. There
must be private parties - called "casitas" - but I don't know.
There are also upscale restaurants, although its main
avenue extends for only 4 blocks. There will be videos in the
future.
§26. The Mailhos pier seems to have led to the estate of a
person with the same surname. It is just past the port (going
towards stop 1 of La Mansa). There is nothing special about
it. There are only a lot of children (not from the upper
classes of La Barra) and some adults who look like locals. It
has some ladders that go down to the sea, as if it were a
swimming pool (the sea/river is very calm there) and it is
carpeted by a rocky bottom, full of seaweed. There are
usually a lot of jelly ish in the area. The only good thing is
the restaurants at the back, which are a continuation of
those in the port, and the food is very good. It is about one
meter wide (be careful if go fully dressed) and the beaches
are stony, like all the beaches in the peninsula area (only
after stops 1 of the Brava and 1 of the Mansa you can ind
beaches almost completely with a sandy bottom).
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§27. Posta del Cangrejo beach is on the cape, which I
mentioned before, and is located in between Barra Este
(which faces the ocean) and Barra Oeste (which borders the
Maldonado creek). This cape more or less extends for 1200
meters and this beach is practically in the middle. Like La
Barra beaches, most of its visitors are families with children.
In another epoch I think there were parties with DJs, and
surely many people can be found in the darkness of the
night... It is a small beach, both in extension (length) and
depth (width). It resembles the Torreón del Monje beach in
Argentina. Some children seem to surf, so I understand it is
less dangerous than Montoya beach, which is a kilometer
away. It is more protected and the slope to the sea seems to
be less.
 §28. Piriápolis is a proto-Punta del Este (a luxury resort
founded almost a century before that one) and has many
reminiscences of the Belle Époque, like downtown Mar del
Plata in Argentina, also a resort for the rich in its beginnings.
Now it is visited mostly by Uruguayan people (it is rare to
ind an Argentine there), although it retains its beauty and
grandeur. I went there twice on this trip. Once when I went
to visit the medieval fair that will be re lected in the next
video. The other one when I was returning to Montevideo, in
order to board the Buquebus to Buenos Aires. Normally the
Buquebus doesn't go through there, but that time it picked
up two people. It takes about an hour to get there from
downtown Punta del Este (no matter what they tell you) and
is a must (I didn't visit it on this trip because I had done so
on the previous one). It is obviously much cheaper than
Punta del Este and its beaches are short and quiet, like
those of Playa Mansa. It has several kilometers of beach. It is
not convenient just to stay in the center.
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§29. Pittamiglio Castle is located about 7 kilometers from the
center of Piriápolis at the 17th stop of that seaside resort, in a
suburb called "Las Flores". Created by a hermetic (a fan of
Hermes Trismegistus) and alchemist, it is a beautiful place
surrounded by small hills. I was taken to that place by the
realization of a medieval fair (I didn't know that there were such
things in Uruguay and much less, in a seaside city) and my
tiredness of the beach life (sometimes beauty also tires; it is like
the sun that sometimes burns too much). So it was good for me
to go there, to clear my head a bit. I love medieval fairs https://
youtu.be/tgEaWFE_qvc and https://youtu.be/xul4QdPpp7Q and
that epoch. So on the one hand I was visiting a "metaphysician", a
logosophist, and on the other hand I was going back to that time
of castles and convents, of weapons and books, of palace
intrigues and love. I stuck a couple of axes and with the arrows I
did badly. They told me I would go well with the Franks, but I
prefer the Saxons.... There was a Celtic dance at the end, which
will be shown in the videos re lecting this.
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§30. Standup paddle (or paddle sur ing for others) is a
discipline that has become very popular in recent times. It
combines the tranquility of canoeing (or rowing) with a
certain fearlessness of sur ing. It requires one board, and
one paddle. Unlike last time, I saw it everywhere in Punta
del Este. And it was hard to ind anyone who didn't practice
it, whatever age they were. I ended up trying it myself. This
happened on an "abnormal" day, those days that seem like
one is dreaming. First, I meet the father of the president of
Uruguay, who was also president of that country, at the
restaurant and butcher shop "El Novillo Alegre" in La Barra.
Then, when I go down to the beach, I meet two girls in
black bikinis, who pose in front of me, when I was trying to

assimilate the aforementioned situation. They can be seen

in one of La Barra's videos. Almost perfect. Later, when they
leave, or I leave, which is almost the same thing, I go to the
Hotel F. parador and I ind two girls who face me, and ask
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me to take some pictures of them, before passing me their
e-mails. As a sort of corollary to this, a thing I still don't
know if it is real, The Three Graces start paddle sur ing a
few meters from where I am, doing all kinds of incredible
pirouettes (download this video before Youtube does) in
almost all kinds of positions. I can't elaborate too much, as
the pictures speaks for themselves. I don't know where
these three beauties came from, because I never saw them
again. They left for the beach on the cape (where there is
nothing), with their $600 board. Yes, I should have
approached them, but then the "quantum state" is broken.
And in front of so much beauty, life is never the same.

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PART 4
§31. There is in the corner of the aforementioned western

part of La Barra de Maldonado a beach, semicircular in

shape, that borders the exact limit between the Maldonado
creek and the Atlantic Ocean. The beach itself is not good:
the sand is very hard, the area is very windy and it is mostly
crowded by elderly people. But it is wide (it must be 200
meters deep in its widest area), o ers spectacular views of
the west coast of La Barra, the classic bridge and the
meanders formed by the sand in that place. In addition,
because the sand is hard, it is possible to play soccer there
(I think that because of the hardness of the sand you could
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even play tennis) and even run. In front of it (that is, on the
other side of the creek) is "La Gorgorita", a very rocky beach
visited by the locals, and notorious for its viewpoint. On its
left bank - facing the sea - we ind "La Posta del Cangrejo"
beach, shown in another video. I do not recommend this
beach unless you want to take good pictures.
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§32. I left La Barra one of the last days and went to dinner.
It must have been 7 o'clock in the evening. When I walked
up the small hill leading to the main street, I found the food
places closed. I thought it was because of the hour. But,
when I turned onto the main avenue (at the corner beach of
La Barra, where Surfo was located), I started to ind more
stores - and restaurants - in the same situation. It was there
when, after talking to some antique dealers, and after

nightfall, we realized that the electricity had been cut o . I

was very surprised, because I had been told that the
electricity was never cut there - Uruguay has the highest
energy prices in Latin America -, but I helped them to pack
up, and continued walking, looking for food. There I was
surprised to see all the restaurants closed, or with people in
darkness. Luxury restaurants. Only one had an electric
generator, which con irmed my amazement. I walked those
almost ten blocks in absolute darkness, perplexed by how
one of the most important seaside resorts in South America
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 had been left without electricity. In the end, I bought some
empanadas at Tienda Inglesa and ate them in the OH
shopping mall, under the open sky. There I decided to go
up to the top loor of the three loors and start taking
pictures of the place. Those postcards were spectacular,
which will be seen in a future video, and where only the
peninsula of Punta del Este shone. I was also amazed by the
sky, which is portrayed in the photos attached here. You
could see the entire Milky Way clearly, beyond the
transparency of the sky in that area, which was helped by
the winds and the drought. When the sky is so clear and you
look up, perpendicular to the ground, you feel vertigo in
reverse. That is to say: you are afraid of falling into space.
But I have rarely seen such a pristine sky. The light did not
return until many hours later. The outage was the result of a
ire in an electrical substation, caused by the same drought,
and lasted until late at night. It extended from José Ignacio
to stop 18 at Playa Brava, if I am not mistaken. And
according to a local, it was the biggest in 50 years. Luckily I
went back to the peninsula and did not su er so much
(people went to the shopping mall to charge their cell
phones).
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§33. On a previous trip I had already walked one by one the
paradores of La Brava and found them all to be a disaster.
That is to say, very good infrastructure - superior to those of
Manantiales and La Barra - but very mediocre in terms of
people. I mean, they are not the paradores where you are
going to see pretty girls, or pretty boys, as the case may be.
This one, number 30, surprised me because it was always
full of cars, sometimes bordering the road for a yard or two,
and the parking lot was always full. Knowing the "essence"
of these beaches, I only got o at this stop on one of the
last days, just out of curiosity. There seem to be a lot of
people from the interior of Argentina and if I tell you that I
don't remember seeing a pretty girl there all day, I'm not
wrong. A lot of Amex, a lot of cabins, huts, huge beach
umbrellas, a lot of restaurants, but few attractive people.
There don't seem to be good waves either, like in Montoya
or Bikini. Luckily I left quickly, on a "pilgrimage" to the
Virgen de la Gorgorita, which you will see in the next video.
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 §34. In the afternoon, when I left the parador 30, I slowly
walked (and recorded everything) towards the beach

named “La Gorgorita". That beach is located in front of this

one https://youtu.be/eVC7JJvOSk8, that is, at the corner
with the exit of the Maldonado stream to the sea, on one
side, and continuing a few meters (200) towards the
Atlantic Ocean. There were many people ishing and the
panoramic views were spectacular. They looked like science
iction or made by an arti icial intelligence. The mist of the
sea, added to the light of the sunset, with the PDE peninsula
in the background, create unimaginable and futuristic
views. I arrived at the VIrgen before sunset, luckily. This
corner, unlike the other one which is sandy, is stony, so
there is, as in Punta Ballena, an area where you could almost
"climb", because there are rocks everywhere. On the way
back there is a small beach, bordering the Maldonado, and
a forest, where there are food tracks and some non-private
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 electronic parties are held (or of little value, more popular). I
explored that area to see how was the place where the
ireworks would be organized one of the following days.
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§35. San Fernando de Maldonado (such is its full name) is a
city that is over 200 years old and was founded during the
Spanish domination. It is classically grid-shaped, unlike
Punta del Este, which is a circular (and at times labyrinthine)
city. Except for the peninsula, obviously, which is the oldest

part and retains the square of a checkerboard in its streets. I

think the Spanish settled a couple of kilometers towards the
mainland - and not on the peninsula itself - because of the
winds. It is a place very exposed to such contingencies (it is
just where the mouth of the Río de la Plata ends and joins
the sea) and according to what I was told, in winter, to the
cold. It is the capital of the departmental intendancy. There
are museums and a pedestrian street, apart from sites of
historical value. It is cheaper than PDE and many swallow
workers (who work only the summer season) settle there,
when not in the also bicentennial San Carlos, which on this
trip I could not visit. It is convenient to go there to buy
things you can't ind in PDE, or that you want to buy
cheaper. There is also San Carlos, but instead of being 5
kilometers from PDE, it is almost 25. The church and the
Cuartel de Dragones (militia) are places to visit.
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§36. The cultural (and art selling) space called "Pueblo
Narakán" is located in the south of the peninsula of Punta
del Este, behind the port. It takes its name from the
accusative plural declension of the Sanskrit word “naraka,”
which refers to the hells. It would be translated as "to the
hells" or "the hells", as direct object of a verb, according to
the preposition or the verb dictates. It is a place set in that
conception. How the creators of this restaurant, wine cellar,
concert hall or pub found out about the Sanskrit cases,
don't ask me. But what is certain is that the light and staging
of the place have that quality. I went there to see Diego
Frenkel, from the Argentinian group "La Portuaria" ;) who

was playing there that night. I arrived late, about 11 o'clock,

and the concert was ending. However, they let me in, with
the condition that I consumed something (normally the
entrance fee is paid separately). They have craft beers and a
decor similar to that of a restaurant in Palermo, Buenos
Aires. I told them that I was nicknamed Jonathan Harker,
that I was going to make videos about Punta del Este on my
channel and they played the movie Dracula in the
background. I don't know if it was a compliment or a sign of
hatred. It has a subterranean wine room, and a swimming
pool in the background. It seems to have been an old house
that once served as a hostel (there are some cheap hostels
around the port). The girl at the entrance is very nice. It has
a beautiful rooftop terrace overlooking the harbor and there
play important bands and soloists during January. It doesn't
seem to be very well known at the moment, as there were
few people the days I went.
§37. The nightlife in Punta del Este is managed in a very
particular way. On the one hand, we have the discotheques
of the port and the Enjoy hotel. On the other hand, there are
some restaurant-pubs where people dance in La Barra or
Manantiales. There are also many private parties, where
people attend by invitation or by paying a high fee. There
are also musical events on the beaches, especially in the
areas of La Barra. And the children go all around Gorlero or
the OH Shopping in La Barra at night. Here are some
“boliches” in the port, there must be 4 or 5 of them (you
can see the names in the photos). Tickets cost around 15
dollars, although in some of them - where you could have
dinner before -, you did not have to pay if you went in
before 12. I could only visit them at the end of the season.
There were some foreign couples over 30 years old and
people who seemed to be from Maldonado outside the
place. They are quite small and rowdy. One would not have
been able to get in during an epidemic. The drinks are quite
expensive. The prettiest girls seem to be at the private
parties, although as I mentioned before I didn't go to any.
 §38. On January 28th the end of the season was celebrated
with ireworks at La Gorgorita beach https://youtu.be/
0ueL3TElVt8 . Had I known that the Uruguayans (or the
Argentines vacationing there) were so fanatical about
ireworks I would never have gone. It took me almost an
hour to get there from the peninsula and almost two hours
to leave. There must have been 10,000 people around that
corner where the Maldonado creek ends. For a city and
conglomerate like Punta del Este, of less than 100 thousand
people (including tourists) is a lot. Everything was collapsed
and was a chaos. People, in the absence of toilets, urinated
on the rocks, risking falling o . You could hardly walk, with
cars everywhere, parked on the road as if it were the most
perfect picket line. There were no food trucks to eat. The
number of police - or guards - was minimal. The show lasted
about 30 minutes and although it had some good
moments, it was not a big deal. That's why I'm talking about

the chaos. It resembled the surroundings of a stadium in

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Buenos Aires when a major soccer team plays. Rumor had it
that people even came from Montevideo for this
presentation. And I also met some people from San Luis,
Argentina. Anyway, I wasted 3 hours for a show that was not
worth it. I hope that when I upload the video it will have
many views. The good thing: I was able to test the HDR in
these situations and the cinema mode of the iPhone, which
seems to work well.
§39. and §40. After processing more than 8000 photos for
the previous 38 slideshows, I start uploading the videos, in
HDR. The need of a new work low to operate with this
technology motivated the delay (frankly I didn't know how
amazing the videos recorded with this format can look, in a
TV or suitable display). The quality of the presentation, due

to the chromatic range and the new display devices, are

amazing: they look almost like reality. I have already talked
about the Buquebus trip, which costs about 250 dollars
round trip, the 5 hours of travel in total and the beautiful
beaches of Montevideo. I think this way of tripping is
convenient because of the spectacular Río de la Plata,
which is practically a sea. The ferry can reach 90 kilometers
per hour and has the same name as the argentine Pope. It is
the best ship the company has. It is comfortable, even in
tourist class, and has a duty free shop. As soon as one
arrives at the Montevideo customs, at the exit, one boards a
bus that leaves you at the terminal in Punta del Este. There
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are no intermediate stops, except in Piriápolis (and I don't
know if it is only for the return trip). A plane ticket costs
twice as much. And with the check-in and check-out times, I
estimate that the time is similar. Besides, the PDE airport is
almost 20 kilometers from downtown, so you have to add
that cost. I am posting a short in HDR (not yet in 4k,
although it works). Thanks to the people who helped me in
the forums to "understand" and process HDR (a new visual
revolution).
 PART 5
§41. Here we start with a long video in HDR. It should be
noted that very few channels work with this technology.
And here it is even at 60 frames per second. If you have
such a screen, or a MacBook Pro that supports this
technology, you can enjoy a mind-blowing video. In my
opinion, HDR technology, when viewed on a proper display
(and the latter is essential, because otherwise you will see a
standard video) beats the jump to 8K, which unfortunately
requires an 80-inch screen to look good and notice the

di erence with 4K. This actually looks very similar to reality,

and I don't understand why TV stations don't adopt this
standard. I think it is very poorly advertised. I only noticed it
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 recorded in such quality when I used the iPhone camera in
very bright situations and watched the videos on the new
MacBook I had bought. That was recently. It's not even used
on Instagram, and it's possible to use it. You have to see it in
order to understand the breakthrough. It's like the use of
arti icial intelligence, both in text and images. Plus, I add
embedded English subtitles, for non-Spanish speakers,
which are 75% of subscribers to this channel. I also add
non-embedded subtitles in English and Spanish (closed
captioning) in case the embedded ones are too small for
you. I hope you enjoy them as much as I do.
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§42. Upon arriving in Punta del Este, about 10 kilometers
away, the narrator notices the lights of the city. However,
their excitement is dampened by the presence of two
Americans who have been talking loudly behind for the past
half hour. In an attempt to capture their words, the narrator
decides to play their conversation in the following
sequence, amplifying their voices and providing captions.
The Americans express their surprise at seeing the Trump
Tower, although it is not visible at that moment. The tower is
located on the side of the peninsula, speci ically on Playa
Brava. By including the ampli ied voices and captions, the
narrator aims to both convey what was said and to "take
revenge" on the situation. The Americans discuss the
tower's entrance and mention a ire that had occurred
there. They re lect on the experience and comment on how

it was their irst encounter with such a situation. However, it

seems that they had not previously been aware of the
details surrounding the incident.
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 §43. The Casamar beach club, located in Punta del Este, is
well-known for its sushi restaurant called Fabric. It is a large
establishment with a capacity for more than 200 people
and is part of a franchise in Palermo. The parador o ers
breathtaking panoramic views of the beach, with the
lighthouse of Isla de Lobos visible in the background.

During the irst 7 days of January, the parador hosts

electronic parties featuring international artists, attracting
visitors with an entrance fee of around $200. The beach
itself is frequented by people playing paddle ball, and there
are nearby paradores such as Montoya and Bikini. The Isla
de Lobos lighthouse can be visited for approximately $50
per person, but swimming with sea wolves is not allowed.
The area is known for its tranquil atmosphere, and many
people enjoy running along the 3-kilometer stretch from
Bikini to Montoya. The beach experience is greatly
in luenced by the wind, as stronger winds can limit
activities after sunset and pose risks for sunbathing due to
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high levels of ultraviolet radiation. The recent weather has
consisted of clear days but with a dry spell and strong
winds. The Fabric Sushi Parador o ers stunning views and is
a relatively expensive dining option. Breathtaking sunsets
and sunrises can be enjoyed throughout Punta del Este,
including Manantiales, which is about 3 kilometers away
from Barra de Maldonado. The area is easily accessible by
bus, running every 20 minutes. Manantiales itself provides a
peaceful environment with many people engaging in
outdoor activities. Overall, the video captures the beauty
and charm of the region surrounding CasaMar Parador and
Fabric Sushi restaurant.
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 §44. This video describes the author's experiences and
observations during his visit to Punta del Este, Uruguay. He
starts by mentioning the rainy weather and his exploration
of the city's tourist o ice. He highlights the variety of tourist
attractions available in the area, despite its relatively small
population. The author then discusses their visit to Mansa
beach, sharing details about the surrounding streets, the
view of the downtown area, and the location of the o icial
boundary between the River Plate and the Atlantic Ocean.
He comments on the luxurious atmosphere of Punta del
Este and mention landmarks such as Gorriti Island and the
Enjoy Hotel. The author also captures scenes of paddle
sur ing, beach activities, cruise ships, and regattas. He
mentions the presence of yachts and water sports in the
bay, as well as the occasional cold water and jelly ish. The
text concludes by noting the variety of recreational options
available in Punta del Este, including trekking, water sports,
theater shows, nightlife, and ine dining.
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§45. This video describes a McDonald's restaurant located
in Punta del Este, speci ically on Gorlero and 27th street,
which is considered an important place in the city. The
author mentions that Gorlero is the main avenue,
comparable to a pedestrian street in Argentina. The
restaurant is four blocks from the start of the peninsula and
is a popular gathering place for various groups, including
families with children and teenagers before going out

dancing or hanging out at the beach. It is a central location,

with a Burger King across the street and a Mostaza (an
Argentine fast food chain) on the side. The author advises
against visiting during the early days of the season due to
long queues and limited seating, suggesting going late at
night or choosing alternative options on busy days. The
author praises the 24-hour service and the good customer
service at this McDonald's. The text mentions that ilming in
the crowded area is challenging but shows glimpses of the
diverse people passing by, including families and teenagers.
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 The author mentions nearby pubs called Bigote and Crepas,
which are popular among teenagers. Dancing places are
located a few blocks away near the port. The author
emphasizes having visited the place multiple times and
enjoying observing the people and cars passing by. The
McDonald's is considered an essential place to visit in Punta
del Este, even for those who don't like eating there, as it
o ers a chance to see the visitors to the city. The author
mentions a nearby plaza, a bank branch, and a tourist o ice.
In case of di iculty inding a place at McDonald's, the
author suggests going to other fast food options or a
nearby gas station. The author also notes the presence of
attractive girls who seemingly walk around repeatedly to be
noticed. The text concludes by mentioning the proximity of
the sea and the port to the restaurant, and the author's
recommendation to visit the area and enjoy the vibrant
atmosphere.
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§46. The video narrates experiences and observations in
Gorlero, Punta del Este. The author starts by describing his
visit to McDonald's, located at 27th and Gorlero, and then
moves towards the corner of 28th Street. They mention
various landmarks such as Lucianno's ice cream parlor, the
bank on Gorlero and 28th Street, and several restaurants in
the area.

The author highlights Artigas Square, which hosts artisan

fairs and has a tourist o ice. He mentions visiting Banco
República to exchange a torn 100-dollar bill and
recommend the tourist o ice for information on local
activities. The author provides a panoramic view of the park
and the traditional area of Punta del Este, which extends to
the River Plate and the Atlantic Ocean.

The narration continues with the author's observations on

the windy weather in Punta del Este and the presence of
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sailboats taking advantage of the conditions. He mentions a
regatta with larger boats and expresses surprise at the
popularity of a Scalextric track, a retro toy, among children
in the area.

The author discusses the presence of laundromats and

barbershops in the vicinity, mentioning their prices and
services. They capture the nightlife on Gorlero Street,
showcasing pubs and eateries like Betty's, Bigote, Crepas,
and Capi. The author notes the demographic of mostly
families and teenagers in the area.

The text includes footage of the McDonald's and Burger

King on Gorlero Street, emphasizing the central importance
of this location in downtown Punta del Este. The author
mentions the contrast between the port area, which attracts
older crowds, and Gorlero Street, which is popular among
young people. He recommends visiting Gorlero for a
youthful atmosphere or heading to La Barra for nightlife.

Towards the end, the author ilms Gorlero Street at 4:30 in

the morning, showcasing its deserted state. They mention
the municipality building and its relocation from the area
near the lighthouse. The author concludes by providing a
glimpse of the quiet streets of Punta del Este in late January,
leading towards the bus terminal.
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§47. The narrator describes an area in Punta del Este,
Uruguay, mentioning that it has a Mediterranean feel. He
explains that the area is a peninsula, with the River Plate on
one side and the Atlantic Ocean on the other. He points out
notable landmarks in the area, such as the Trump Tower and
upcoming concert by David Guetta.

The narrator highlights Brava Beach, which is directly

connected to the Atlantic Ocean and known for its large
waves, making it popular among surfers. He cautions that it
can be dangerous for swimming and advise people to go to
the other side, which is still the River Plate. He mentions the
neighboring areas of Manantiales, La Barra, and the village
of José Ignacio, which are frequented by celebrities.

The narration shifts to 31st Street, where the narrator points

out exchange houses, the Nogaró casino, and a place called
Quijote, known for its diverse o erings. He continues to
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Gorlero and 31st Street, highlighting the skate park and
heading towards Brava Beach Stop 1, known for the iconic
"Los Dedos" sculpture. The narrator captures the
atmosphere and di erences in the types of people found at
Brava Beach compared to Mansa Beach.

The narrator then provides a panoramic view of Brava

Beach, showcasing the rocky promontory that separates it
from El Emir Beach. He mentions the presence of surfers
and the clear skies during their visit. He emphasizes the
length of Brava Beach, which extends up to stop number
28. The narrator notes the presence of the Lady de la
Candelaria altar and points out the distinction in property
prices between Brava Beach and Mansa Beach.

The narration continues with scenes from various days,

highlighting the popularity of sur ing at Brava Beach and
mentioning that January is the high season in Punta del
Este. The narrator shows the lag of Uruguay and provides a
glimpse of the surf schools in the area. He mentions that
even on cloudy days, there are activities to do in Punta del
Este, such as visiting the theater, casino, or the nearby city
of Maldonado.

The video concludes with a 360-degree panoramic view of

the beach, showcasing the bus stop and surrounding
scenery. The narrator mentions the unique cloud formations
and the pier where people often gather to watch sunsets or
take a break after sur ing.
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§48. In the video, the narrator takes you on a tour of Punta
del Este, Uruguay. He shows various locations and
attractions in the area. The video begins with views of the
Moon and the central area where the lag of Uruguay is
located. He mentions a famous gas station called ANCAP
and a café called "A brillar Café," which is known for its good
service and food. The narrator also highlights a well-known
store called Lolita. He shows a cruise ship in Maldonado bay
and discuss the depth of the bay that allows these large
ships to anchor there. The iconic monument "Los Dedos" is
shown, along with a group singing on one of the main
streets of downtown Punta del Este. The narrator walks
along 31st street, passing by the Nogaró casino and a skate
park. He recommends a place called Fulana's, known for its
view and food, and mentions the central square in front of
the Punta del Este bus terminal. The Conrad Hotel and
Casino (now called Enjoy) is seen in the central square. The
narrator shares a panoramic view of the area and returns
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from Fulana's on January 30, 2023. He apologizes for the
video quality and stabilization issues due to using a di erent
camera. The video ends with a mention of exchange houses
and a comment on the problems related to liberalism and
the gaps between buying and selling prices of currencies
like the US dollar and Argentine peso.

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 §49. The narrator describes his visit to the Punta Shopping
mall, which held signi icance for him due to its importance
during his previous trip. He frequented the mall for various
activities, such as going to the movies, dining at the food
court, and visiting di erent stores, including the renowned
Tienda Inglesa supermarket. However, the mall burned
down on August 6, 2022, rendering most of the structure
unusable. The narrator expresses shock upon learning
about the ire and decides to visit the site to witness the
aftermath.

As the narrator explores the area, he points out the extent

of the damage caused by the ire, estimating that only
about 10% of the mall remains intact. He considers Punta
Shopping to be one of the three most important places in
Punta del Este, along with Gorlero Avenue and the Barra de
Maldonado area. He notes the presence of a casino and
mentions his search for a missing accessory for his GoPro
camera.

The narrator converses with guards and discovers that

Tienda Inglesa, which was part of the shopping center, has
been rebuilt separately. He gathers information about the
ire, learning that it originated in Tienda Inglesa and spread
throughout the mall. He expresses his emotional
connection to the mall and compares the experience to
witnessing the lames of the ongoing Ukrainian war, which
he covers online.

While exploring the area, the narrator encounters a

McDonald's restaurant and comments on the changes made
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 to accommodate the rebuilding process. He highlights the
signi icance of Roosevelt Avenue and the surrounding
commercial establishments that have sprung up in the

absence of the shopping mall. The narrator emphasizes the

importance of gathering information from locals while
traveling and addresses issues of tourism management and
customer service in Uruguay.

Throughout the video, the narrator captures footage using a

GoPro and an iPhone 13 Pro Max, pointing out the
di erences in stabilization. He laments not having the same
recording capabilities during his previous trip. The video
concludes with the narrator re lecting on the ires that have
occurred in shopping malls worldwide and expressing
gratitude for the wide-angle camera and stabilization
features of the iPhone 13 Pro Max. He ends by remarking on
the contrasting summer weather in Punta del Este
compared to freezing temperatures in Europe.
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§50. The video begins with an introduction to the course
viewers will see. The starting point is at the Manantiales
stop, which is the last stop of the Codesa bus that travels
from Punta del Este to Manantiales. The narrator explains
the route, which spans approximately 8 kilometers and
passes through La Barra de Maldonado. The route includes
a famous stretch of beaches, about 3 kilometers long, from
Bikini to Manantiales, including Montoya Beach.

The narrator mentions that the video will showcase the last
stop of the bus in Manantiales and proceeds to describe the
surroundings. He mentions a complex called Terrazas de
Manantiales and the route along the beach. The narrator
walks along the beach. He also mentions another beach
resort called Buenos Aires, possibly named after the

number of Argentines living in the area.

 The narrator emphasizes the distance between locations
and clari ies the length of di erent beaches. He expresses
surprise at the relatively low number of people on the
beach, considering it's January 9th, still during the high
season. He describes the area as exclusive and secluded,
with beaches that lack beach resorts but o er a sense of
privacy.

The narrator acknowledges the camera stabilization issues

in the video and apologizes for it. He highlights the
tranquility and spaciousness of the beach, mentioning that
many beach umbrellas belong to apartments and apart-
hotels along the road. The narrator captures the panoramic
view of the beach, showcasing the distance and the Punta
del Este peninsula in the background.

Continuing the journey, the narrator reaches Bikini Beach,

which is well-known and usually crowded during the high
season. He remarks on the presence of street vendors
selling clothes and mention the availability of public
restrooms. He approaches one of the two places to eat, a
hot-dog stand and a slightly more sophisticated option. He
notes the absence of food and drink vendors on the beach.

The narrator approaches the lifeguard's hut and comments

on the relatively low number of people despite it being
January 9th and around 4 o'clock in the afternoon. He
observes groups of girls on the beach, mentioning the
separation of young people, with girls on one side and boys
on the other. The narrator captures the color of the sea,
in luenced by the muddy tones of the nearby River Plate. He
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highlights the waves, which are not as big as those at
Montoya Beach.
PART 6
§51. The text describes a walking tour in Punta del Este,
Uruguay, starting from Manantiales and heading towards

Bikini beach. The narrator recommends watching a previous

video (number 50) that covers the same route. The route is
about 3 kilometers long and includes walking along the
beach, passing by beach resorts, and observing the
surroundings.

The narrator mentions a beach resort called Casamar

Fabric, where rave parties take place during the Punta del
Este electronic parties in January. The narrator managed to
sneak into the resort and witnessed the behind-the-scenes
preparations for the show.

The text emphasizes the physical exertion required to walk

the route, especially due to the hilly terrain. The narrator
mentions passing by Montoya beach, known for its sur ing,
and continues towards La Barra de Maldonado, where the
OH shopping mall is located. The area is described as
exclusive and popular among the upper class, with
expensive apartments and houses.

Throughout the tour, the narrator highlights the scenic

beauty of the beaches, the panoramic views, and the
spaciousness of the area. The narrator also points out the
presence of art galleries and real estate agencies in the
region. The rustic and untouched nature of the area is
highlighted as a value appreciated by visitors.

The text concludes with the narrator mentioning the former

Tequila beach resort, now called Lotos, and the hippie-chic
aesthetics of the place. Despite being the high season, the
narrator remarks on the relatively low number of people at
the beach. The tour continues towards La Barra, but due to
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the strong sun, the narrator decides to head back after
reaching the OH shopping mall.

Overall, the text provides a detailed account of a walking

tour along the Punta del Este coast, highlighting the
scenery, beach resorts, and the rustic charm of the area.
§52. A preview, in shorts format, as a form of advertising, of
the large number of this channel's videos on Bikini beach, in
Punta del Este, Uruguay, such as: https://youtu.be/ax3k-
NmNi_g , https://youtu.be/RjsV0RJB1k4 , https://youtu.be/
DJW8MqXJB6w o https://youtu.be/lPkFKqwfSkk.
§53. The text describes a video or a commentary about the
activities and scenes observed at Bikini Beach in Punta del
Este. The author mentions beach sports, speci ically two
girls playing paddle, which is a popular activity among
young people. The wide beaches are also highlighted, along
with the umbrellas of a nearby restaurant where the author
had lunch.

The author discusses the di iculty of ilming with the sun in

front of them but mentions using HDR to enhance the
contrast in the video. They suggest watching the video on a
television with HDR technology for the best experience.

The author captures a rare sequence of mixed soccer, with

boys and girls playing together on the beach. They express
surprise at witnessing this for the irst time and propose the
idea of FIFA organizing mixed soccer championships while
regulating the number of men and women for fairness.

Other observations include people kissing, a girl engaging

in an unknown activity, the availability of public restrooms
and access to the restaurant, and the use of bushes for
various purposes. The author points out the hill where La
Barra town is located and showcases the sunset, clouds,
and overall ambiance of the area.

The author remarks on the presence of di erent types of

people at the beach, including "super cool" girls and others
who are possibly Uruguayan or from the middle class. They
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 emphasize the novelty of coed soccer and its evolution
from being considered crazy to becoming a reality.

The author also shares a recommendation for YouTube,

suggesting the option of two audio tracks in videos to allow
viewers to choose between a voiceover explaining the
scenes or listening to the original audio.

The text concludes with a panoramic view of the beach,

showing numerous boys and girls playing, various places to
eat, people selling items on the beach, and the formation of
di erent groups. The main restaurant is highlighted, along
with the speci ic area where the boys and girls were playing
soccer.
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§54. The text describes an itinerary between bus stops 6
and 8 in Punta del Este, Uruguay, focusing on the area
where David Guetta performed a concert on January 2,
2023. The author mentions that the video shows the back of
the stage and the debris left after the concert, highlighting
the stop number 7 and the Codesa bus.

Approximately 12,000 people attended the concert, which

was held at a location di erent from the author's previous
experience in 2015 at El Jagüel park. The author continues
the route to Roll and Rock Parador at stop 8, pointing out
the parked cars remaining from the concert.

The author provides more details about the recorded route,

indicating the start and end of each bus stop and
mentioning the distance of approximately 300 meters. They
also show maps from mapy.cz and Google Maps,
emphasizing the exact location of the concert venue, its
size (around 5,000 square meters or 55,000 square feet),
and its central position in Punta del Este.

The author compares the maps, expressing a preference for

mapy.cz due to its better detail, such as beach umbrellas.
He mentions the previous concert at El Jagüel park and
speculates that the decision to choose a smaller venue for
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David Guetta's concert might be due to a decrease in the
number of people visiting Punta del Este in recent years.

The text concludes with the author bidding farewell, stating

that it was speci ically stop 7 where the concert took place.
They note that some lucky individuals residing in nearby
buildings could witness or record the concert from their
balconies and send greetings to the viewers, hoping they
enjoyed the video.
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 §55. The video describes the irst part of the Montoya beach
videos in Punta del Este, Uruguay. The author arrives at the
beach through one of the trails and notes that the sand is
ine. They point out the soccer ield and mention that the
video was taken around 2 pm on January 5, 2023. The
author comments that the beach is popular among
teenagers and children and that the busiest hours are
around 5 or 6 pm.

The author highlights the steepness of the area and explains

that the beach's unique topography allows for the formation
of large waves, making it renowned for its wave quality.
They advise caution when swimming due to the sudden
depth increase. The text includes footage of the beach area,
the lifeguard booth, and a paraglider. The author mentions
that Montoya beach is about 10 kilometers from the center
of the peninsula.
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 The video also mentions the presence of girls waiting for
proposals, which the author implies as a form of solicitation.
They show the Codesa bus stop and the crowded parking
lot on January 5th, noting that the scene would be di erent
in the following days. The author zooms out to show the
route to the peninsula, recorded on another day and with a
di erent camera.

Another trail closer to the soccer ield is shown, and the

author points out the natural dunes, contrasting them with
the planted trees commonly seen on the Argentine coast.
The video provides a panoramic view of Montoya beach,
featuring a volleyball court and a soccer ield. The author
emphasizes the di erence in services between Punta del
Este and Argentine beaches, mentioning that most facilities
in Punta del Este are free, while in Argentina, services are
usually paid.

The author notes the youth-oriented atmosphere of the area

and explains that teenagers often gather in groups,
particularly near a hot dog stand. He mentions the high
prices at restaurants and highlight that many kids travel to
the area alone, as it is common for children to be
independent in Punta del Este. The text concludes by
stating that kids can be seen walking around on their own at
any time in the area.
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§56. A break for tranquility and a departure from
rationalism. Just relax at the sight of this beach and the
waves, like me.
§57. On January 14th, 2023, between 6 pm and 8 pm, the
narrator experienced one of the best days in Punta del Este,
speci ically at Montoya beach. It was a perfect day with all
the right conditions, surrounded by happy and young
people. Montoya beach is known for its energetic
atmosphere and is popular among teenagers. The beach is
located at the western side, about 100 meters from the
lifeguard booth. The narrator noticed a shift in the gathering
spot of young people over the years, and now they
congregate closer to a hot-dog stand.

The video captures the vibrant atmosphere of the beach,

with a higher ratio of girls to boys. The narrator
acknowledges that some may criticize the focus on girls,
but it is a signi icant aspect of Punta del Este's culture,
which is often associated with luxury, fashion, and attractive
people. The narrator describes the simplicity and natural
beauty of the girls, without excessive tattoos or piercings.
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During the ideal day, a rugby team holds a demonstration
match on the beach, attracting a large crowd. Rugby is a
popular sport in Uruguay and Argentina, associated with the
middle and upper classes. The video also showcases the
large waves that Punta del Este is known for and people
engaging in activities like paddleboarding.

Families tend to stay closer to the middle of the beach,

while teenagers gather near the restaurant called Moby
Dick. The narrator advises visitors to use sunscreen due to
the intense sun in Punta del Este. The city is known for its
luxurious atmosphere and attracts people from various
countries. The narrator highlights the classic nature of the
people, resembling past decades without the in luence of
modern ideologies.

Throughout the video, the narrator captures various scenes

and interactions, including groups of girls, the rugby match,
and the beach environment. Despite the expensive
restaurant prices, a popular hot-dog stand o ers cheaper
options but may become crowded with young people. The
video concludes with the narrator expressing the
importance of enjoying such perfect days as long as
possible.

Overall, the video provides a glimpse into an ideal day at

Montoya beach, showcasing the energetic atmosphere,
beautiful surroundings, and lively beach culture that Punta
del Este is known for.
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§58. In this video, the author provides a summary of a video
series showcasing Montoya Beach in Punta del Este. The
series consists of four videos, each focusing on di erent
aspects of the beach. The irst video provides a general
view, the second shows the beach on a cloudy day, and the
third captures the teen scene. The fourth video
concentrates on the sea, sur ing, waves, and shore topics,
with a particularly interesting part ilmed on the last day of
January.

The author highlights the use of di erent cameras

throughout the series, explaining that the fourth video
bene its from a Panasonic Lumix FZ1000, which o ers
better zoom and video quality compared to an iPhone. The
author recommends using cameras with telephoto lenses
for capturing close-up shots, as they provide better image
quality than cell phones. However, he notes that using such
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cameras is more feasible when there are fewer people
around to avoid discomfort and unwanted attention.

The videos showcase the waves and sur ing at Montoya

Beach, emphasizing that it's a popular destination for
surfers of all ages and physical conditions. The author
mentions the presence of lifeguards and surf schools,
making it accessible to beginners as well. The text also
mentions the salinity of the water, the potential danger of
entering the water due to high slopes, and the popularity of
the beach during the summer season.

Towards the end, the author discusses the empty beach in

late January, recommending it as a time to visit if one
prefers a less crowded experience. They mention the
possibility of renting accommodations in the buildings near
the beach and the presence of Montoya Reserve and a
nature reserve in the area. The author also touches upon
the importance of sun protection and the liberal
atmosphere of Punta del Este compared to other places.
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§59. The passage describes the OH Shopping Center in La
Barra de Maldonado, located in the eastern part of the
town. The shopping center was inaugurated in December
2014 and features three loors and approximately 50
commercial spaces. It serves as a meeting place for the
people of La Barra and is designed to blend in with the
rustic surroundings.

Across the street from the shopping center is Tienda

Inglesa, another branch of the supermarket chain in Punta
del Este. The shopping center is described as a picturesque
and rustic place where people gather, similar to a park. It
lacks amenities such as benches, which are missing in the
area of La Barra.

The passage mentions speci ic locations within the

shopping center, such as the ice cream shop named Freddo
and La Panera Rosa, two places to eat. It also refers to a
fashion show that took place on the edges of a pool within
the shopping center. The commentary indicates that the
shopping center burned down on February 27th of the
mentioned year, causing distress to the author.

The passage brie ly mentions the layout of the shopping

center, including the third level, panoramic views during the
day, and the location of the restaurant called Barra Alta. It
notes that the shopping center is larger than it appears and
includes a pharmacy and a children's playground, which
unfortunately burned down.
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Additionally, the passage provides glimpses of the
surrounding areas, such as Punta del Este and San Carlos,
visible from the bridge that crosses the Maldonado creek. It
mentions the presence of a slideshow and a "catwalk"
where models paraded during a fashion show. The area is
described as having loud music, resembling a discotheque,

and being a gathering place for teenagers before going out

to dance at private parties in the vicinity.

The passage concludes by mentioning a journalist named

Leo Sarro who mocked people visiting the shopping center
on Twitter but was later seen in New York, questioning his
consistency. The author also hints at a forthcoming special
video about the blackout of Punta del Este and La Barra de
Maldonado.
§60. In the video, the YouTuber takes viewers on a
captivating journey through the vibrant and picturesque La
Barra de Maldonado area in Punta del Este, Uruguay. The
video begins with an introduction to one of the famous
"casitas," which are known for hosting clandestine parties.
The YouTuber explains that while the featured party is a
closed event, there are other casitas that hold open parties
as well.

To provide context and orientation, the YouTuber presents a

map of the area, highlighting key landmarks such as the OH
shopping center and the bus stop. The main street of La
Barra de Maldonado is emphasized as the focal point of the
video. The YouTuber then proceeds to mark the route he
took, starting from Montoya beach, passing through various
 locations, and inally reaching the beach and the sky for a
mesmerizing shot.

Throughout the video, the YouTuber showcases the unique

characteristics of the area. La Barra de Maldonado is
described as an enchanting region illed with small hills,
referred to as "cuchillas," which contribute to its rugged and
undulating landscape. The area appears simple and
sparsely populated, with basic buildings and a charming
hippie vibe. The undulating bridge of La Barra serves as a
gateway to this quaint town, where multi-story buildings are
notably absent.

As the YouTuber walks along the main avenue of La Barra de

Maldonado, the viewer gets a glimpse of the lively
atmosphere. The streets are bustling with cars, and the
narrow thoroughfares add to the vibrant ambiance. Gravel
roads can be seen in the background, further emphasizing
the area's rustic charm. The presence of the OH shopping
center, a notable landmark in the region for over eight
years, showcases the modernity that coexists with the
traditional and simplistic surroundings.

The video also highlights the amenities available to the local

community. The new Tienda Inglesa supermarket,
conveniently located within the area, serves as a valuable
resource for residents who would otherwise have to travel a
signi icant distance to access such facilities. A pharmacy
and perfumery are also featured, providing essential
services to the community.
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As the video progresses, nighttime scenes of Posta del
Cangrejo and the Milky Way captivate viewers, o ering
glimpses of the area's natural beauty and the luxurious
houses that line the beaches. The YouTuber emphasizes the
exclusivity and opulence of the region, noting that
properties in the area can command prices well over a
million dollars.

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§61. The text is a description of a beach called La Barra de
Maldonado in Punta del Este. The author starts by
introducing the location and mentions the presence of
crabs and girls on the beach. He describes the beach and
its natural pool formed by the mouth of the Maldonado
creek. The famous wavy bridge of La Barra is highlighted,
along with kayakers trying to approach the girls.

The author explains the signi icance of the name "Barra,"

referring to the sandbar that forms at the boundary
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between the creek and the sea. The beach is considered
safe but requires caution. The author mentions the windy
conditions during the season and his motivation for
exploring the area.

A walk along the beach is described, emphasizing the steep

entrance to the river and the formation of headlands. A
panoramic view of the area is shown, where the sea meets
the Maldonado creek. The author comments on three girls
paddle sur ing and mentions a separate video slideshow
dedicated to them.

The author brie ly discusses his YouTube channel,

expressing frustration with the platform's algorithms and
lack of inancial success. Returning to the beach topic, he
describes the beachgoers, noting that La Barra is
frequented by families with younger children compared to
other nearby beaches.

Various elements of the beach, such as the lifeguard hut,

the rental area for kayaks and paddle sur boards, and the
Fasano hotel restaurant, are mentioned. The author points
out the iner sand at La Barra and shares footage from the
rental gazebo.
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He observes a larger number of women than men on the
beach and caution viewers about the water's temperature,
currents, and deceptive appearance. The author recounts a
personal childhood experience of nearly drowning and
advises caution, especially for parents with children.

The text concludes with a mention of a tent set up for

rentals, a demonstration of training and safety measures for
paddle surfers, and the price of the boards. The author
hopes the viewers enjoyed the video and encourages them
to subscribe to their YouTube channel.
§62. The text takes us on a tour of the La Barra area in Punta
del Este. The author begins by explaining the route, starting
at the famous Leonel Viera Bridge. Along the way, they
mention landmarks such as El Novillo Alegre, a gas station,
and a mini-shopping center.

The author recounts his unexpected encounter with the

father of the current Uruguayan president during his walk.
He expresses his surprise and share his interaction with
him. Continuing the tour, he points out popular nightlife
spots like Popu and the renowned Medialunas Calentitas.

He discusses the lack of nightclubs in La Barra, explaining

that young people often gather at places like La Previa or
private parties. The author re lects on the route he took,
emphasizing the absence of sidewalks and the need for
caution when navigating the area.
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 The text includes a discussion about the organic meat
o ered at El Novillo Alegre, clarifying that it refers to animal
welfare rather than arti icial substitutes. He mentions
Medialunas Calentitas as a signi icant meeting point and
expresses his intention to create a dedicated video about it.

The author highlights the streets and lighting conditions in

La Barra, noting the dark and maze-like nature of the area.
He mentions the limited presence of paved roads and the
challenges pedestrians face. The text concludes by
mentioning bus stops and the emptiness of the buses
during his visit.

Overall, the text provides a comprehensive overview of the

La Barra area, sharing the author's experiences and insights
during their tour. It covers landmarks, nightlife spots,
encounters with notable individuals, and observations
about the environment and infrastructure.
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§63. In this video, the narrator takes the viewers on a tour
from La Barra de Maldonado beach to the church of Our
Lady of Rosario. The narrator starts by mentioning the
previous videos depicting the beach and explains that he
decided to explore the area. The journey begins with the
narrator walking down the streets of La Barra, a rustic and
natural area with few sidewalks and many cars. They point
out landmarks such as the El Dorado supermarket and
Zeppelines Park.

The narrator continues to describe the rough and wild

nature of the surroundings, with gravel roads and a contrast
between old and modern cars. He mentions the Negrita
Hostel, a popular place for foreigners, and highlight the
contrast between the rustic atmosphere and the more
sophisticated elements present in the area. The narrator
also mentions that properties in this area can be quite
valuable.

As he approaches the church of Our Lady of Rosario, the

narrator talks about the simplicity of the church and how it
reminded him of the circular church in Puerto Madero,
Buenos Aires. He mentions attending a mass o iciated by a
priest with a German or Polish accent, and the presence of
about 30 people, including former president Lacalle
Herrera.

After the mass, the narrator exits the church and mentions
seeing Zeppelines Park, an amusement park with in latables
that is popular among children. He assures viewers that
there will be a separate video dedicated to the park.
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In conclusion, the video provides a glimpse of the route
from La Barra de Maldonado beach to the church of Our
Lady of Rosario. It highlights the rustic and natural
characteristics of the area, the lack of sidewalks, and the
contrast between simplicity and luxury. The narrator also
mentions some landmarks, such as the El Dorado
supermarket and Zeppelines Park, and his unexpected
encounter with the former president during the mass.
 §64. In this video, the narrator takes us on a tour of
Zeppelines Park in La Barra de Maldonado, Punta del Este,
Uruguay. The park is located near El Dorado, a prominent
supermarket in the area. The narrator marks the route taken
by the Codesa bus to reach the park and highlights the
various attractions and amenities in the vicinity.

The narrator expresses his surprise at the park's compact

size and the abundance of activities it o ers. He mentions
seeing in latable structures, including a dinosaur, a shark, a
lion, and a crocodile. Additionally, there is a small wheel-like
ride suitable for children around 12 years old. The park is
bustling with families and energetic children enjoying the
swings and trampoline bed.

Despite the park's small size, it features an impressive array

of attractions. The narrator captures the lively atmosphere
and the enthusiasm of the children, remarking on their high
jumps and young age. He expresses his astonishment at
inding such a well-designed park in a serene location like
La Barra de Maldonado.

The video captures the park during the evening, with the
in latables partially in lated. The narrator mentions a soda
store nearby, where visitors can buy refreshments and
snacks. There are also bubble balls and slides for the kids to
enjoy. The narrator expresses curiosity about the park's
funding, considering the extensive variety of in latables and
equipment available.
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The narrator emphasizes the simplicity of La Barra de
Maldonado while appreciating the complexity and fun
options o ered at Zeppelines Park. He is amazed at how
everything seems concentrated in such a small area. The
video concludes with a shot of a girl jumping from a
considerable height, showcasing the park's thrilling
experiences.

Although the narrator would have liked to capture more

footage, the lively and noisy environment limited his ilming
time. Nonetheless, he hopes viewers enjoyed the general
overview of Zeppelines Park and its vibrant atmosphere.
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§65. The video showcases various aspects of La Barra de
Maldonado in Punta del Este, highlighting its geographical
features, beaches, hotels, and sunsets. The narrator starts
by describing the division between the River Plate and the
Atlantic Ocean and provides a perspective of Punta del Este
and La Barra de Maldonado. The video focuses on the
mouth of the Maldonado creek, capturing shots of the area,
including the currents, which would interest geographers
and geologists. The narrator mentions La Gorgorita beach
and shows panoramic shots from di erent locations.

The video then shifts to a hotel located in the area,

discussing the expensive nature of Hotel Fasano and
showcasing the beach restaurant. It also features some girls
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 taking sel ies and o ers a fast-motion sunset shot. The
narrator explains that the video is a synthesis of extensive
footage, hinting at the vast amount of material available.

The mouth of the Maldonado creek is revisited, highlighting

its connection to the Atlantic Ocean and the formation of
the sandbar. The video showcases wide beaches and the
interaction of sea and river waves. It also captures luxury
houses near La Barra town.

The narrator emphasizes the prohibition of swimming in the

area due to dangerous currents and mentions the presence
of crabs on the riverbed. The video provides slow-motion
footage of the waves using a long zoom lens, emphasizing
the clash of freshwater and saltwater. The narrator suggests
that the River Plate is di icult to navigate due to these
currents.

The video brie ly mentions the delta formed by the Paraná

and Uruguay rivers in Argentina and features images of
people on the beaches, representing the contrast between
the chic and luxurious areas of Punta del Este. The
importance of sunsets in the region is highlighted, and the
narrator describes the mesmerizing e ect they have on
people. The video also showcases the Hotel Fasano and the
remains of bon ires in the area.

The video concludes with more footage of girls taking

sel ies, the Isla de Lobos lighthouse, beach recliners, and
the sunset. The narrator expresses his fascination with
sunsets and invites feedback from viewers.
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Overall, the video provides a glimpse of La Barra de
Maldonado's natural beauty, geographical features,
luxurious establishments, and the hypnotic allure of its
sunsets.
§66. In this video, the narrator takes the viewer on a round
trip of the Codesa bus, which travels from Punta del Este to
the area of Manantiales in Uruguay. The narrator marks the
exact location of the bus terminal and explains that
Buquebus coaches also arrive at the same place. He
highlights di erent routes and destinations that can be
accessed from the terminal, such as Maldonado and Punta
Ballena.

The narrator starts the journey in La Barra de Maldonado

and records the route with his cell phone. He points out
landmarks along the way, such as Montoya beach and Bikini
beach, before reaching the inal destination of Manantiales.
From there, the bus continues northeastward to José
Ignacio. The narrator emphasizes that he will provide
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minimal voice-over during the video, aiming to provide an
immersive experience for the viewer.

Throughout the journey, the narrator captures panoramic

views, the wind, and various beach clubs. He cautions irst-
time visitors to be careful with tra ic police, who are known
to be strict with ines. He passes by the famous La Barra
bridge and showcase the surrounding forest and
recreational areas, including a church, food trucks, and
picnic spots.

The narrator also mentions the kindness of the bus drivers

and advises against getting o at certain stops without
beaches. They highlight notable locations like the ANCAP
gas station, El Novillo Alegre restaurant, and the 12th police
department of Maldonado. The video showcases di erent
parts of La Barra de Maldonado, the OH shopping center,
and Medialunas Calentitas, an iconic place in Punta del
Este.

During the return leg of the journey, the narrator points out
the rusticity of the area, the Lionel Viera Bridge, and the
prevalence of roundabouts. He captures views of the forest,
the beach on the other side of the creek, and the luxury
buildings along the route. The narrator comments on the
changing popularity of the bus route based on the tourist
seasons and exchange rates. He mentions the vibrant
nightlife and parties in the area and compare Punta del Este
to Buenos Aires' upscale neighborhood of Puerto Madero.
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As the journey concludes, the bus approaches the Punta del
Este peninsula, passing by stop 6 and showcasing the
"milipilis," the fashionable girls of the area. The video ends
with a quick shot of the bus arriving at the terminal, with the
promise of a future video speci ically dedicated to the
terminal itself.

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§67. The Leonel Viera bridge is a signi icant architectural
landmark in Uruguay, connecting La Barra de Maldonado to
Punta del Este. Constructed in 1965 by Leonel Viera, the
bridge spans 150 meters in length and is 10 meters wide in
each section. It holds historical importance as the previous
two bridges were destroyed by natural events. This video
focuses on two crossings of the bridge: the original one and
another one located 20 meters to the side, representing the
return to Punta del Este.

The Leonel Viera bridge is a prestressed concrete band

bridge designed for both vehicular and pedestrian tra ic. It
consists of three spans measuring 30, 90, and 30 meters,
which can be observed as the bus ascends and descends
slight slopes. On the left side of the bridge, there is a small
forest that hosts various recitals and concerts. It is said that
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the bridge was built to facilitate easier access to the Posta
del Cangrejo hotel, which is now a beach, as the previous
bridges were prone to damage.

While it was initially a single bridge, a second bridge was

added in 1999. There were rumors of refurbishment to
reduce the steepness of the bridge, but it seems that no
modi ications have been made in the past decade. The
perception of a smoother ride could be attributed to factors
such as slower bus speed or fewer passengers generating
less inertia. Similar to the Laguna Garzón bridge, which
faced resistance from locals but eventually became
necessary due to tourism, the Leonel Viera bridge was likely
met with similar circumstances.

The bridge holds cultural signi icance as it inspired a poem

by Pablo Neruda during his stay in La Barra de Maldonado
as a guest of Uruguay's then-president, Eduardo Víctor
Haedo. Unfortunately, the poem cannot be read due to
potential censorship concerns. Throughout the video,
various milipilis, fashionable girls, can be seen in the area.
Buildings, depicted during the eight-kilometer journey to
Punta del Este, showcase the opulence of the region.
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 The video provides a unique perspective of the Leonel Viera
bridge, showcasing di erent shots and even capturing
beautiful sunsets. It also highlights the surrounding forest,
concerts held there, and the impressive buildings along the
route to Punta del Este. Although the bus appears less
crowded during the lean season, in previous years it was
illed with passengers. The video aims to o er an engaging
experience and provide insights into the bridge's history
and its signi icance within the region.
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 §68. In this video, the narrator takes us on a tour of the
Punta del Este bus terminal, located near Brava and Mansa
beach. The terminal o ers a central location with a view of
Gorriti Island. Adjacent to the terminal is a synagogue or
Hebrew center, while on the opposite side, we ind the Los
Dedos monument and the skate park. The narrator
mentions that the buses from this terminal connect to
various destinations in Uruguay, including Rocha,
Montevideo, José Ignacio, La Barra, Manantiales, and
Piriápolis. The terminal serves as the second largest
transportation hub in Uruguay after the Tres Cruces
terminal in Montevideo.

The video then transitions into a walking tour. The narrator

mentions the Enjoy Hotel located two blocks away and
highlights the bustling atmosphere of Punta del Este, with
people coming and going. He comments on the presence
of attractive women, as many of them are either heading to
or arriving from La Barra and José Ignacio, making Punta del
Este a popular destination.

The narrator provides a glimpse inside the terminal,

mentioning the presence of various amenities such as a
kiosk, dining options, restrooms, and desks for di erent
travel companies. He notes that companies like Buquebus
and Colonia Express also arrive at the terminal as bus
transfers from ferries. The narrator describes the terminal as
larger than it appears and praises the helpfulness of the
sta in providing information.
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The video showcases people waiting at the terminal, but the
narrator mentions that this particular visit took place during
the low season, resulting in fewer passengers. The narrator
also includes footage of the coastline at night, highlighting
the nightlife of Punta del Este and mentioning encounters
with beggars in the area.

Towards the end of the video, the narrator expresses

frustration with the terminal sta for providing incorrect
information, causing him to waste time in a queue in
Montevideo when he should have checked in at Punta del
Este.
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In summary, the video takes viewers on a tour of the Punta
del Este bus terminal, showcasing its location and
amenities. It highlights the diverse bus connections
available from the terminal and the vibrant atmosphere of
Punta del Este. The narrator also comments on the
presence of attractive individuals and shares both positive
and negative experiences during the visit to the terminal.
§69. In this video, the narrator discusses a tragic
automobile accident that took place on January 4, 2023, on
route 104 near Punta del Este, Uruguay. Two Argentine girls,
who were allegedly models, lost their lives in the accident,
while seven others, including a businessman who was later
arrested, sustained injuries. The narrator expresses his
personal impression of the crash, emphasizing that it
occurred in an area he was familiar with and highlighting
the prevalence of accidents and incidents in Punta del Este
during the summer season.

The narrator mentions that drugs were found on both the

deceased individuals and the main suspect in the accident.
He emphasizes that the girls were not well-known models
outside their intimate Instagram circles. The video also
touches on the excesses and lack of police control in Punta
del Este, comparing it to Ibiza and noting the liberal
atmosphere in Uruguay.
The narrator states that the girls were not from the upper
class but rather from the middle class. He makes
observations about attending parties where he witnessed
young girls dressed in black, implying potential involvement
in questionable activities for inancial gain. However, the
narrator clari ies that upper-class girls do not engage in
such behaviors.

The video then transitions to a map of the area, showing the

location of the accident. The narrator points out the
proximity of the accident site to Punta del Este, Maldonado,
and La Barra de Maldonado. He explains that the accident
occurred around one kilometer into route 104, near a well-
known museum.

The narrator recalls passing by the destroyed cars every day

near Police Station number 12, expressing surprise that the
vehicles were left there for an extended period. He
mentions taking pictures of the cars and noting the lack of
security in the area, which could have potentially
compromised the evidence.

In conclusion, the video provides an overview of the tragic

automobile accident that occurred near Punta del Este. It
discusses the victims, the circumstances surrounding the
incident, the presence of drugs, and the social background
of the individuals involved. The narrator also highlights the
location of the accident on a map and shares personal
experiences and observations related to the event.
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§70. In this video, the presenter takes viewers on a tour of El
Emir beach in Punta del Este, Uruguay. The video begins
with panoramic views of the area, showcasing the starting
point of the walk along the beach. The beach is named after
a Turkish emigrant, an emir, who built a house there in the
1920s. Punta del Este became a popular destination for the
Argentine upper class after Mar del Plata and Piriápolis. El
Emir beach is known for its strong and sometimes
dangerous waves, making it a favorite spot for ishermen
and surfers.

The video highlights the location of Los Dedos beach club

and the monument known as Los Dedos (The Fingers). The
presenter mentions that the promenade, which stretches
from Playa de los Ingleses to El Emir, was likely built in the
1960s. The beach itself is described as being deep with
steep areas, and it is one of the irst beaches on the Atlantic
Ocean in Uruguay. The presenter also mentions that the
area is often windy.

The video showcases the beginning of La Barra de

Maldonado, marked by a 20-story building, which o ers a
panoramic view of the approximately 40 bus stops that
make up Brava Beach. The presenter explains that there are
two boundaries for El Emir beach: the rocky promontory
and the hermitage of the Lady of la Candelaria, which will
be featured in another video. The area is said to have some
danger, as evidenced by a shipwreck from 1965 and the
presence of rocks.
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 The presenter mentions the proximity of El Emir beach to
Gorlero Street and Plaza Artigas, indicating its central
location. He also notes that the beach has lost some of its
length due to the construction of a new promenade. The
video concludes with footage of the beach itself,
highlighting the wind and swell of the season. The
presenter also mentions an interesting discovery of a mine
inder on the beach and expresses curiosity about its
purpose.

Overall, the video provides viewers with a virtual tour of El

Emir beach, highlighting its features, historical signi icance,
and the surrounding area. The presenter shares personal
observations and invites viewers to appreciate the beauty of
the beach.
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§ 71. In this video, the presenter explores the hermitage
dedicated to Our Lady of Candle, the patroness of Punta del
Este. This patron saint, also honored in the Canary Islands,
originated in Tenerife between 1392 and 1400, when a black
image of the Virgin was discovered by Guanche Indians.
The feast celebrated on February 2nd commemorates Jesus'
presentation at the Jerusalem Temple and the Virgin Mary's
puri ication.

The name "Santa María de la Candelaria" was given to Punta

del Este and Maldonado, along with the bay, by Juan Díaz de
Solís in 1516 when he claimed the area for the Spanish
Crown. The presenter refers to the "milipilis," the typical
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girls of Punta del Este, as part of the landscape. The
hermitage has grown from a small structure to a signi icant
place of worship, honoring the Marian invocation.

The presenter notes the resemblance of Our Lady of Candle

to Saint Lucy, another favored saint, despite the di erences
due to Mary's various invocations. The Marian image is
portrayed holding candles, representing the "Candelaria"
aspect of her name. The presenter expresses respect for
worshippers and moves closer to the image, emphasizing
the increased size of the new hermitage.

The presenter provides context about the area's

foundational history, including the dangerous rocky
promontory where the hermitage stands. This region,
known as Punta Salina, used to be a salt mine. The
presenter recommends wearing proper footwear due to the
challenging terrain. The video captures the windy coastal
weather during the presenter's visit.

The presenter concludes the video with a view of El Emir

beach and bids farewell, hoping the viewers enjoyed the
presentation. The video o ers insights into the cultural and
historical signi icance of the hermitage, the region's
patroness, and the local landscape of Punta del Este.
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§ 72a. The text describes a comprehensive video tour of the
Punta del Este peninsula. The narrator takes the viewer on a
journey showcasing the entire peninsula, highlighting
various landmarks, beaches, historical points, and personal
observations. The tour covers both Brava and Mansa
beaches, showcasing lesser-known areas like Las Mesitas
and Punta Salina.

The narrator emphasizes the uniqueness of his video,

noting its high quality (4K HDR at 60fps) and completeness,
showing aspects of the peninsula that are rarely covered in
other videos. He used a GoPro Hero 4 Black to ilm most of
the tour and share insights into their ilming techniques,
including stabilization strategies.
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 Throughout the tour, the narrator provides historical,
geographical, and cultural information about Punta del Este.
He mentions the distinction between thalassocracy and
telurocracy, relating it to the dominance of the sea versus
land. The narrator highlights the in luence of the Greeks'
expansive mindset and the Romans' pragmatic approach,
paralleling this with the modern dichotomy between the
British and Germans in abstract and practical thinking.

The tour features various points of interest, such as Gorriti

Island, historical forts, the British Plaza, a port area with
luxury yachts, and an overview of the bustling nautical
scene. The narrator comments on the social dynamics of
di erent beaches, the character of tourists, and their
preferences. He also touches upon notable buildings, like
the Yacht Club and nightclubs in the port area.

Advice is given to potential visitors, such as wearing hats,

staying hydrated, and being prepared for strong solar
radiation. The narrator recommends checking local
information regarding lifeguard services and safety
precautions. The narration includes anecdotes about
ilming challenges, cleanliness of equipment, and personal
re lections on the experience.
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 The video ends at the tourist o ice, where the narrator
re lects on the completion of the journey. He express hope
that viewers enjoyed the tour, and he invites subscriptions
to his channel for more content. The text is both descriptive
and personal, capturing the narrator's observations,
historical knowledge, and insights into the beauty and
diversity of the Punta del Este peninsula.
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§ 72b. The text describes a video tour of the Punta del Este
peninsula, a famous resort city in Uruguay. The tour takes
place between 1 and 6 pm on January 8, 2023, and starts at
Brava beach (bus stop 1). The promenade at Brava beach
was inaugurated in 1979 and is named after José Gervasio
Artigas, a national leader of Uruguay. The narrator walks
along the coast, discussing various landmarks, beaches,
and historical aspects.

The narrator highlights the solar radiation, explaining the

need for sunscreen due to the high UV index caused by
climatic factors. The tour showcases di erent types of
people on the beaches, with recommendations to bring
water and a charged cellphone for emergencies.

The video captures the atmosphere, discussing the

spectacular car leet and the luxury yachts in Punta del Este.
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The narrator shares comparisons with other places and their
historical contexts. The tour encompasses di erent
beaches, including El Emir, Playa de los Ingleses, and the
port area with its expensive restaurants and nautical
activities.

Gorriti Island, the Maldonado Bay, and Punta Salina are

mentioned as signi icant geographical features. The
narrator notes the prevalence of nautical sports and the
comparison between "telurocracy" (land-based empires)
and "thalassocracy" (sea-based empires) in historical
contexts.

The text emphasizes the diversity of thought in Greek and

Roman civilizations, drawing parallels with the modern
dialectic between Germans and the British. The narrator
also touches on the in luence of philosophers, the Stoic and
Epicurean schools of thought, and the impact of Roman and
Greek mentalities.

The video covers the inal stretch of the tour along the
coastline, where the narrator highlights the beach area at
Mansa, the tourist o ice, and the completion of the
peninsula tour.

The narration includes personal observations and insights

about the region's history, architecture, and culture. The
tone is conversational and informative, aiming to provide
viewers with an engaging virtual experience of Punta del
Este's scenic beauty and landmarks.
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 § 73. In this exploration, we will delve into the initial coastal
stretches of Punta del Este's harbor, speci ically tracing the
path of the primary beaches. Our focus will be on Punta del
Este itself, encompassing the entire peninsula. As we
embark on this journey, our route commences at the point
where the wooden boardwalk concludes, leading us to the
irst beach. Along the way, we will pass by Mailhos' Pier
beach, which will be highlighted in a separate video
segment. Our trajectory will continue, running parallel to
these various beaches, until we arrive at our irst
destination: Mansa Beach.

On our left-hand side, we will observe the prominent

Maílhos pier. Its historical narrative mirrors that of El Emir
beach, wherein a Portuguese or Brazilian settler supposedly
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established a residence approximately a century ago,
subsequently lending the pier its nomenclature. As we
gradually approach the shoreline at the initial bus stop near
La Mansa, an exclusive video feature will spotlight this
location, a ording us a closer look at its characteristics.

An often-noted misapprehension among many foreign

visitors pertains to Mansa Beach, situated within the
Maldonado bay. This particular beach, which forms the
expansive Mansa bay, should not be con lated with the
entirety of Punta del Este. Such misinterpretations tend to
disregard the signi icance of La Barra's beaches and those
of the Brava shoreline. These visitors erroneously construe
Punta del Este solely in terms of its visible aspects,
overlooking the entirety of its o erings, such as José
Ignacio, Manantiales itself, as well as the surrounding
beaches in the Manantiales vicinity and the Portezuelo
beaches, situated just beyond Punta Ballena. This stands as
a typical error committed by non-Argentine tourists when
exploring this locale.

Upon reaching our destination at the initial stop along

Mansa Beach, our video journey inds its conclusion. I trust
that you found this exploration engaging and insightful.
Should you have appreciated our endeavor, I encourage
you to consider subscribing to my channel, thus staying
connected with my future content o erings.
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§ 74. In this video, the presenter takes viewers on a journey
to the tip of the Punta del Este peninsula, where the exact
boundary between the River Plate and the Atlantic Ocean is
marked. The presenter begins by walking along the stones
and land ill that lead to the milestone separating these two
bodies of water. He highlights the signi icance of this
location, as it's the o icial meeting point between the
Atlantic Ocean and the River Plate, even though it's a
movable boundary due to natural forces.

Throughout the video, the presenter points out key

landmarks such as the Great Britain Square, the remains of
the Graf Spee and the Ajax ships, and a distinctive bench
that resembles one in Whitby, England. He describes the
surrounding beaches, including La Mansa, Playa de los
Ingleses, El Emir, Brava, and the Manantiales complex. The
presenter explains that the limit between the River Plate and
the Atlantic Ocean is demarcated by Punta de las Salinas in
Uruguay and Punta Rasa in Argentina.

He mentions the historical signi icance of the area, noting

that in the 19th century, a German named Luis Burmester
operated a salt mine in the region, which contributed to the
place's current name. The presenter discusses the unique
linguistic pronunciation di erences, such as how the
Spaniards separate the syllables "AT" and "LA" when saying
"Atlantic."
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The video showcases the meeting point itself, with views of
the Uruguayan lag and the River Plate on one side and the
Atlantic Ocean on the other. The presenter notes that this
spot represents the southernmost point of Uruguay,
providing the latitude and longitude coordinates for
reference. The video ends with the presenter sharing his
experience and intentions for his journey back.

Overall, the video provides a detailed exploration of the

Punta del Este peninsula's geographical signi icance,
historical context, and local landmarks. It emphasizes the
unique boundary between the River Plate and the Atlantic

Ocean and o ers viewers a rare look at this distinctive

meeting point.
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§ 75. The text discusses an o beat location known as "Las
Mesitas," a lesser-known beach area situated between 7th
street and the General Artigas boulevard in Punta del Este.
The author describes the area's unique geographical
features, including two natural pools separated by a narrow
wooden bridge. The name "Mesitas" derives from the small
concrete tables near the pools, resembling spots to have
drinks.

Accessing this beach involves crossing a challenging and

narrow wooden bridge, evoking comparisons to the Indiana
Jones movie scenes. The author advises against wearing full
attire due to the precarious bridge and suggests having
faith to navigate it safely. The two natural pools are
depicted, with the left one being suitable for scuba diving
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 due to its depth of 5 meters, while the right one is shallower
and suitable for playful activities.

Despite the appealing nature of the location, the author

reveals that it lacks a formal name and isn't widely known
among locals. Its remote and secretive nature is
highlighted, with the author mentioning how di icult it
would be to ind without prior knowledge. Additionally, the
author converses with others present at the site, discussing
the tides and accessibility to the beach.

The author captures their experience through video and

comments on the curvature of the Earth, using a ship on the
horizon as an example of how perceptions can di er
depending on the observer's viewpoint. The author
provides insights into the depths of the natural pools, the
temperature of the water, and advises caution regarding
jelly ish.

Further details include the geographical location in relation

to the surrounding area and the boundary between the
Atlantic Ocean and the River Plate. The return journey to the
promenade is described as potentially dangerous without
appropriate footwear.

In conclusion, the text portrays the author's exploration of

the unique and little-known beach area called Las Mesitas in
Punta del Este. The author captures the area's distinct
features, navigational challenges, and o ers observations
on local visitors and the boundary between the two bodies
of water.
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 § 76. In this video, the presenter explores the Manantiales
neighborhood, located 12 kilometers from Punta del Este
peninsula and about 3 kilometers from La Barra.
Manantiales is smaller and more compact than La Barra but
o ers a modern and luxurious atmosphere. The video
showcases various aspects of Manantiales, providing
insights into its attractions and character.

The narrator begins by introducing the neighborhood and

its proximity to Punta del Este and La Barra. He highlights
the small size of Manantiales compared to La Barra and
proceeds to describe a route that will be detailed in the
video.

The video takes the viewers through a journey starting at

the Codesa bus stop and proceeds with shots of La Barra de
Maldonado. The narrator provides commentary while
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 showing landmarks such as the lighthouse and various
locations in Manantiales.

The video emphasizes the luxurious nature of Manantiales,

indicating that it becomes more upscale as one moves
further eastward. This progression of luxury is evident in the
area's architecture, vehicle leet, and celebrity presence.
The narrator mentions several points of interest, including
luxury restaurants, viewpoints, and "No me olvides," a
signi icant and historical location in the area.

The video showcases Manantiales during both day and

night, giving viewers a sense of its vibrant nightlife. The
narrator explores the limited nightclub options in the area,
mentioning that private parties are a common way to
experience the nightlife scene.

Throughout the video, the narrator provides comparisons

between Manantiales and La Barra, emphasizing the
di erences in development and ruggedness. He also
highlights the exclusivity and high-end nature of
Manantiales, drawing parallels to elite destinations like
Monaco or Ibiza.

In conclusion, the video o ers a comprehensive overview of

Manantiales, capturing its beauty, luxury, and unique
atmosphere. The narrator's commentary provides valuable
insights into the area's attractions, landmarks, and nightlife.
Overall, the video serves as a guide for viewers interested in
exploring the distinctive charm of Manantiales.
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§ 77. Visiting Punta del Este would not be complete without
a stroll along the iconic Mailhos Pier, an emblematic place
to appreciate the characteristic sunsets of the region.
Located on Mansa Beach, this pier o ers a charming
experience with benches and viewpoints that allow you to
enjoy the coastal landscape in its maximum splendor.

To enjoy this experience to the fullest, we suggest starting

the tour at a nearby beach and ending at the picturesque
Mailhos Pier, facing Gorriti Island, which can be seen in the
distance. Before reaching the pier bridge, a pleasant
gazebo invites you to take a seat and admire one of the
emblematic images of Punta del Este. Near the pier, there is
a rocky beach accessible from the port.
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Located near the port and surrounded by rocky shores, the
pier o ers convenient access from the promenade, amidst a
charming natural environment and wooden terraces
overlooking the sea.

The history of the pier is peculiar. In the past, the

promenade did not resemble what it is today and the
wooden terraces did not exist. In front of the Mailhos
family's house, there was a beach with calm waters and a
sandbank formed a few meters from the shore. Both the
Mailhos family and their guests used to swim at this beach
and visit the sandbank, where they would hang their shoes
on a pole to protect themselves from the rocks before
going in.

To cope with this daily situation, a member of the Mailhos

family decided to build the jetty, providing safe access to
the sandbank. Every summer, a ladder was put up and the
pier was decorated. Over time, the pier has survived the
inclement weather and changes in the direction of the
currents, which a ected the sandbar.

Today, the Mailhos Pier remains standing, with a rich history

and a deep-rooted tradition in Punta del Este. It awaits to be
visited by those seeking to capture the unique essence of
this coastal destination.
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 § 78. In this video, the presenter takes viewers on a virtual
tour of La Barra de Maldonado, highlighting the scenic
route and various points of interest. The journey begins at
the Codesa bus stop, proceeding towards the OH shopping

mall. The narrator describes his path, including

encountering a person with a heart problem, though ilming
was limited due to the circumstances. The route showcases
a picturesque building and continues to Posta del Cangrejo,
the inal destination.

The presenter emphasizes the proximity of Montoya Beach

to La Posta del Cangrejo and points out the OH shopping
center as a prominent meeting point. He mentions the
steep slope leading to the beach, causing large waves
similar to Montoya Beach. The time of day is around 2:30 or
3 p.m., and the narrator provides insights into his
surroundings and observations.
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 The video captures an incident involving a man
experiencing cardiac arrest, with the police and an
ambulance responding promptly. The presenter engages
with a person at the scene, discussing the challenges of
recording such events. He proceeds to capture panoramic
views of lesser-known rocky beaches near Posta del
Cangrejo, situated adjacent to the OH shopping center.

The vlogger notes that the tall building marks the start of La
Barra de Maldonado and points out the peninsula of Punta
del Este in the distance. He mentions a noticeable
unpleasant smell in the vicinity. Despite the incident, the
man who experienced cardiac arrest is alive. The police
presence is documented as the presenter descends
towards the beaches.

Panoramic views of these unnamed beaches and the

walkway behind Posta del Cangrejo are showcased. The
narrator identi ies a large house resembling a building and
re lects on its architectural signi icance. The tour concludes
with a glimpse of a small beach, previously unvisited by the
presenter. The video provides viewers with insights into the
coastal landscape, notable landmarks, and unexpected
moments encountered during the tour.
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§ 79. La Posta del Cangrejo beach is one of the most
popular beaches in Punta del Este, Uruguay. It is located on
the peninsula of La Barra, about 10 kilometers east of the
city center. The beach has white sand and crystal clear
waters, and o ers a wide range of activities for visitors,
such as swimming, sunbathing, water sports, walking on
the beach or just relaxing on the sand.

In 1930, the hotel La Posta del Cangrejo was built on the

beach. The hotel is a Punta del Este classic, and has been
visited by celebrities from all over the world, such as Frank
Sinatra, Brigitte Bardot and Mick Jagger.

La Posta del Cangrejo beach is an ideal place to enjoy the

Uruguayan summer. The beach is beautiful, the waters are
calm and there are many activities to do.

Here are some additional facts about La Posta del Cangrejo

beach:

The beach is approximately 1 kilometer long.

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The beach o ers a wide range of activities for visitors, such
as swimming, sunbathing, water sports, walking on the
beach or just relaxing on the sand.

The beach is open to the public all year round.

The beach is located on the peninsula of La Barra, about 10

kilometers east of Punta del Este city center.

The beach is ideal for families, couples and groups of

friends.

The beach is a popular place to watch the sunset.

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 § 80. In this 80th installment, we're embarking on a
captivating journey through the inner streets of La Barra.
Our exploration commences at the renowned La Posta del
Cangrejo, a location featured in video number 79's walking
tour. From there, our expedition leads us along a
captivating route, allowing you to catch a vivid glimpse of
the ongoing construction site - a sight you won't want to
miss.

As our adventure unfolds, we'll traverse the distance to a

footbridge linking us to the expansive Montoya beach, an
iconic destination in its own right. Additional footage
presents an alternative route: a pedestrian pathway that
spans approximately 100 meters, o ering a panoramic vista
of Montoya. Notably, two distinct avenues facilitate the
connection between Montoya and Posta del Cangrejo. The
irst, a coastal road, meanders along the coastline, while the
second, showcased in this very video, charts its course
through the heart of this landscape, a route we've already
surveyed.
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For those intrigued by architecture and automobiles, this
experience holds particular allure, presenting both
elements in exquisite detail. This less-traveled parallel road
is a unique feature, purportedly linking Posta del Cangrejo
with Montoya. Transitioning from La Posta del Cangrejo to
Montoya, I can attest to the persistent and formidable
winds, clocking in at approximately 30 kilometers per hour.

Interestingly, the winds at La Posta del Cangrejo were

surprisingly tranquil, o ering a noteworthy contrast. This
insight might prove invaluable for those contemplating a
journey through this region, desiring to avoid the
challenges posed by the prevailing gusts of around 30
kilometers per hour, peaking at 48 as per the forecast. To
traverse the stretch between Posta del Cangrejo and this
point, allow for at least a kilometer's distance.

While interspersed beaches remain present, they

predominantly consist of stony expanses, o ering little
allure. Crossing into Montoya beach, my venture from the
inception point has spanned approximately 11 minutes.
Standing at the threshold of Montoya, just as it converges
with La Posta del Cangrejo behind me, I note the presence
of robust winds, approximately 33 kilometers per hour,
making it a challenge for swimmers. This gusty presence
contributes to the sparsity of beachgoers compared to the
bustling scene of yesterday.
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§ 81. Greetings, everyone, and a warm welcome back to our
channel! In this 81st installment, we're embarking on a
captivating journey through the western expanse of La
Barra de Maldonado. Our adventure commences right here,
at the bus stop operated by the Codesa company,
conveniently adjacent to the ANCAP gas station.

Join us as we explore the picturesque landscapes of West

La Barra de Maldonado. We'll traverse this area, taking in the
breathtaking panorama, observing the passing cars, and
more, until we reach our ultimate destination, hugging the
shoreline along the entire coast.

I must emphasize that this particular route is not one I

would readily recommend, and there are two primary
reasons for my caution. Firstly, as you'll witness in this
video, there are treacherous patches of quicksand scattered
throughout this region, making it perilous terrain where you
might ind yourself sinking in the muck. Moreover, you'll
encounter the lively presence of crabs, and I can attest that
I even had to tread carefully to avoid stepping on them in
one section of our journey.

Secondly, it's worth noting that part of this area skirts the
boundaries of what could be considered private property.
At one juncture, I had to seek permission from a local to
continue our exploration, particularly in the vicinity of this
dock. This situation raises an interesting predicament as, in
theory, the coasts of Uruguay, much like those of Argentina,
are regarded as state-owned territory. However, the reality
is that access to certain areas often requires navigating
through spaces that closely border on private land
ownership.

Nonetheless, there are some redeeming aspects to this

adventure. You'll be treated to enchanting views of the
initial island of La Barra de Maldonado, the very irst
sandbar in this locale. Additionally, you'll gain a unique
perspective on the formation of sand conglomerates within
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the Maldonado creek. All in all, despite its challenges, this
journey ranks among the most captivating ones I've
embarked upon.

As we wrap up this excursion, we'll retrace our steps to the

bus stop. This time, I'll be navigating my way down to the
beach, taking the reverse path from yesterday's adventure.
Now, to address a question that often arises: Can one
access the beach on foot? Indeed, it's possible, and there
are certain areas where you can walk comfortably without
sinking into the mud. However, I would advise exercising
caution as the terrain can be deceptive, resembling
quicksand in some spots. Additionally, watch out for the
lively crab population, which can make certain sections
particularly challenging..
§ 82. In this video, the narrator takes viewers on a detailed
bus journey from the Punta del Este peninsula to the
Piriápolis terminal, which is approximately 40 kilometers
away. The video serves as a comprehensive visual guide to
the route, highlighting various landmarks and providing
insights into the di erent neighborhoods and areas along
the way.

The journey begins at the Punta del Este bus terminal, and
the narrator follows the route along Artigas Boulevard and
Roosevelt Avenue. Viewers are treated to a virtual tour of
downtown Punta del Este, showcasing the city's distinct
neighborhoods, including Cantegril, characterized by low
houses. Despite its horizontal layout, Punta del Este is
described as a vast and diverse city.

As the bus continues along the coastal road, viewers get

glimpses of the beautiful beaches of La Mansa. The video
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emphasizes the panoramic views and highlights a famous
viewpoint called Punta del Chileno. The narrator expresses
regret about missing certain attractions, such as
CasaPueblo, on this particular trip.

The video then takes viewers through Solanas and

Portezuelo districts, known for their luxury and tranquil
environments. The narrator mentions the variety of beaches
and neighborhoods in Punta del Este, emphasizing that
each has its unique charm.

The journey proceeds towards Piriápolis, capturing the

serene and less-developed areas near the airport. The
narrator re lects on the ongoing construction in Punta del
Este and the city's transformation.

As the bus approaches Maldonado bus terminal, the

narrator points out notable landmarks, including the Enjoy
Hotel, formerly called Conrad. The video also features
interactions with other passengers during the ride.

The narrator showcases the natural beauty of the region,

including the sandy terrain and lush forests along the
coastline. The bus route o ers picturesque views of the
Punta Ballena and the bay, which serves as a natural harbor
for cruise ships.

The video ends as the bus enters Piriápolis, known for its
streets bearing the same names as those in Buenos Aires.
The narrator highlights the city's historical connections with
Argentine upper-class tourists.
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§ 83. The narrator takes us on a virtual journey through the
charming city of Piriápolis, nestled on the outskirts of the
renowned Punta del Este in Uruguay. This adventure unfolds
as a fascinating exploration of a city with a rich history and
distinct character.

Piriápolis, which came into existence in 1890, owes its

creation to the visionary Uruguayan pioneer, Francisco Piria.
He acquired the land adjacent to the imposing Pan de
Azúcar mountain, located roughly 10 kilometers away. This
mountain, often referred to as a hill, is one of the highest in
Uruguay. Piriápolis, in its early days, was considered the
epitome of elegance and sophistication in the entire
southern cone of South America, a status it held before
Punta del Este rose to prominence. Before Punta del Este
acquired its current name, it was known as Puerto Ituzaingó.
Piriápolis served as the classy tourist hub of the region,
especially during the Belle Époque period before the First
World War.

One of the striking features of Piriápolis is its architecture,

which bears a striking resemblance to the European spas of
the late 19th and early 20th centuries. It exudes a distinct
European charm reminiscent of places like Odessa,
Monaco, and Biarritz. This architectural splendor is
attributed to Francisco Piria, who had traveled extensively in
Europe and had received his early education there. His
vision was to recreate this European allure in the heart of
Uruguay.
The video o ers breathtaking glimpses of the serene sea in
Piriápolis. The sea here is characterized by its greenish hue
and tranquil waters with minimal waves, resembling the
Mediterranean and the Black Sea. The beaches in Piriápolis,
unlike the bustling luxury of Punta del Este, are described as
short and peaceful, perfect for leisurely swims. These
beaches provide a more tranquil and a ordable alternative
for those seeking a less crowded seaside experience.

As the narrator travels along the coastal route, they point

out notable landmarks and natural features, such as Cerro
San Antonio (formerly known as Cerro de los Ingleses) and a
small chapel. The video also showcases local life, including
a builder's yard, a common sight in Uruguay, highlighting
the signi icance of construction in the country.
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Throughout the video, the narrator draws comparisons
between Piriápolis and Punta del Este, emphasizing the
unique charm and atmosphere of each destination.
Piriápolis is portrayed as a hidden gem, less frequented by
Argentine tourists who typically opt for day trips along the
promenade without exploring its beautiful beaches and
distinctive character.
§ 84. In this video, the creator takes us on a journey from
Bus Stop 17 at the beaches of Piriápolis to the Pittamiglio
Castle in Las Flores, Uruguay. It's video number 84 in their
series, and they provide some context by mentioning
videos 82 and 83, which covered related routes.

The journey begins near Pittamiglio Castle, which is

approximately 1.46 kilometers away from the starting point.
It's January 22, 2023, around 5:00 p.m. The creator notes
that the drive from Punta del Este to this location took
longer than expected, around 1.5 hours instead of the
anticipated 50 minutes.
 The primary focus of this video is to showcase the
Uruguayan countryside, particularly in the department of
Maldonado along the Atlantic Ocean. The route covers 1.46
kilometers but includes many hills, ups, and downs, making
it feel longer. The creator mentions a medieval fair at the
castle, which they decided to visit to disconnect from the
bustle of Punta del Este.

The video emphasizes the importance of understanding

that straight-line measurements on maps don't account for
terrain features. In this case, the 1.46 kilometers on the map
felt longer due to the landscape's topography.

During the journey, the creator walks along a bicycle lane or

road shoulder, but it's not well-constructed and poses some
risks, especially when returning because walking against
tra ic is necessary. There's also a mention of encountering
a barking dog, highlighting the importance of carrying
pepper spray for personal safety in such areas.

The video concludes with the arrival at the entrance to

Pittamiglio Castle.

In summary, this video documents a trek from Bus Stop 17

to Pittamiglio Castle, o ering viewers a glimpse of the
Uruguayan countryside and sharing practical advice for
hiking, including dealing with uneven terrain and potential
safety concerns.
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§ 85. The conversation begins with a discussion about hills
in an unspeci ied location, referred to as "cuchillas," and the
challenges they pose for walking or cycling. The speaker
mentions the importance of visibility due to the danger
posed by vehicles at night.

The dialogue shifts to a visit to a place with a reference to

an entrance that closes at 11 p.m. The visitor inquires about
options for eating and ticket prices for a museum and a fair.

The ticket seller explains the options and mentions that the
museum is self-guided, providing information about the
Pittamiglio Castle and its creator, Humberto Pittamiglio.
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The video description takes us on a tour of the Pittamiglio
Castle, highlighting its small size compared to its grand
exterior appearance. The video touches on the life of
Humberto Pittamiglio, his interests in occultism, and the
architectural projects he undertook in Uruguay. It brie ly
mentions connections to Masonry and the blending of
various spiritual and cultural in luences in the castle's
design.

The narrator recommends studying metaphysics and

alchemy to explore the mysteries beyond what is visible and
references the availability of historical books online. He
discusses the limitations of empirical sciences and the role
of faith in understanding reality.

The video encourages viewers to take their time exploring

the castle and mentions a backyard worth visiting. The
description also notes that the videos are duplicated in the
Internet Archive and emphasizes that the content is not
primarily about making money.

In summary, the text covers a conversation about hills, a

visit to the Pittamiglio Castle, a brief overview of its history
and design, recommendations for further study, and
information about the availability of videos in the Internet
Archive. It provides a glimpse into the narrator's interests
and perspective on exploring metaphysical and historical
topics.
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 § 86. The text unfolds at the entrance to a medieval fair held
within the enchanting backdrop of Pittamiglio Castle. The
conversation commences with a request for assistance in
taking a photograph. The individual with a camera is
reluctant to take a sel ie and looks to a fellow fairgoer for
help. They engage in a friendly exchange, delving into their
mutual interest in history and Indo-European tribes,
particularly focusing on the Celts and their relationship with
the Romans.

As they wander deeper into conversation, the participants

ind themselves captivated by the fair's array of intriguing
merchandise. Viking-themed artifacts, notebooks, and an
assortment of pendants catch their attention. They take a
moment to decipher the meanings behind symbols, such as
the Viking compass and Minerva's owl, adding an extra layer
of mystique to the fair's o erings.

Their conversation shifts towards the existence of

medievalist associations in Uruguay and Argentina. They
discuss various groups and clans that organize events,
sharing their experiences at di erent medieval fairs. The
participants reminisce about their encounters at such fairs,
underscoring the rich diversity of medieval-themed
gatherings in the region. They also express their interest in
traditional Nordic wrestling, known as combat glima, which
is a unique aspect of medieval reenactments.
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 Towards the conclusion of their exchange, they investigate
a replica Viking axe, delving into its historical context and
signi icance. They touch upon customs restrictions that
prevented one of them from purchasing the axe,
highlighting the complexities of acquiring such items.

In essence, this text provides a glimpse into a spontaneous

and engaging conversation between attendees of a
medieval fair. It showcases their curiosity about a wide
range of subjects, from photography to history, symbolism,
and the diverse array of items and activities available at the
fair. The dialogue paints a vivid picture of the immersive
and educational experience that such events can o er to
history enthusiasts and curious visitors alike.
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§ 87. The narrative opens with an intriguing scene of a
person participating in a rather unconventional activity –
simulating a hanging on the gallows. This unusual display
immediately captures the attention of fairgoers, sparking a
conversation laced with humor and ethical considerations.
As spectators watch with a mix of amusement and
astonishment, the potential for viral content on social media
is pondered. The discussion underscores the complex
intersection of entertainment, morality, and the digital age.

As the story unfolds, the spotlight shifts to a di erent

section of the fair, where attendees actively engage in
simulated sword ights and axe throwing. The process of
mastering axe-throwing is meticulously detailed, providing
valuable insights into the fair's hands-on experiences. This
segment not only showcases the fair's commitment to
interactive and immersive entertainment but also highlights
the enthusiasm of participants eager to try their hand at
medieval skills.

The picturesque setting of the fair is another noteworthy

aspect. The fairgoers are treated to breathtaking views of
majestic mountains that seem to have leaped out of the
Windows XP wallpaper. This natural backdrop adds a layer
of enchantment to the medieval atmosphere and serves as
a visual feast for visitors. matices de las técnicas de tiro con
arco. Destaca la importancia de una coordinación ojo-mano
precisa, un aspecto crucial para dominar el arte del tiro con
arco.
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The narrative then seamlessly transitions to the archery
area, where participants undergo a unique test to
determine their dominant eye for enhanced shooting
accuracy. This section delves into the fascinating
relationship between dominant eye and handedness,
shedding light on the nuances of archery techniques. It
emphasizes the importance of precise eye-hand
coordination, a crucial aspect of mastering the art of
archery.

Towards the conclusion of the story, attention is drawn to

practical aspects of attending the fair, such as purchasing
tickets for archery and the nuances of currency exchange,
as the fair takes place in Uruguay. The author o ers valuable
advice to potential attendees, suggesting the use of beach
mats due to the limited seating arrangements. These
practical tips demonstrate a genuine desire to enhance the
experience for future visitors.
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 In a captivating inal note, the author recommends
watching the sunset shots, where a unique and
mesmerizing optical illusion is described. The sun appears
to set twice, an enchanting phenomenon attributed to the
re lection of sunlight o clouds. This visual spectacle adds a
touch of magic to the fair's ambiance, leaving a lasting
impression on those fortunate enough to witness it.
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§ 88. In the 88th video of a 2023 Punta del Este trip, the
narrator invites viewers to witness a remarkable natural
phenomenon known as a "double" sunset, a sight rarely
captured on YouTube. This unique event unfolds in
chronological order, without any editing or manipulation.
The footage was taken from a courtyard within the
Pittamiglio castle, situated in Las Flores near Piriápolis,
approximately 7 kilometers from downtown Piriápolis and
50 kilometers from downtown Punta del Este in Uruguay.
The recording took place on January 22, 2023, spanning
from 7:23 pm to 8:07 pm.

As the video begins, the primary sunset occurs over the

horizon, marking the o icial setting of the sun. However,
what makes this occurrence extraordinary is the
subsequent appearance of a secondary sun-like e ect.
Approximately around 8 pm, an illusion materializes,
resembling a second sun emerging and re lecting through
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 clouds situated about 30 degrees above the horizon. This
optical phenomenon creates a captivating spectacle where
it appears as if there are two suns in the sky simultaneously,
one having set on the horizon and the other seemingly
re lected in the high-altitude clouds.

The narrator is awestruck by this rare occurrence,

emphasizing its uniqueness and the fact that it is being
documented from the Pittamiglio castle, a place steeped in
historical signi icance as it was once associated with the
renowned Uruguayan alchemist Humberto Pittamiglio. This
"metaphysical" event unfolding in such a mystical location
adds an additional layer of intrigue to the experience.

In summary, the video showcases a double sunset,

capturing the moment when the sun sets on the horizon
and a mesmerizing second sun-like phenomenon appears in
the clouds above. The footage is presented in chronological
order, without any edits, and o ers viewers a rare glimpse
of this natural wonder. The setting at the Pittamiglio castle
adds an element of mystery and fascination to the video,
making it a truly unique and captivating visual experience.
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§ 89. In Las Flores, a coastal village near Piriápolis,
Maldonado, Eastern Republic of Uruguay, a medieval fair
unfolds against the backdrop of a fading sunset at
Pittamiglio Castle. The event exudes an air of historical
authenticity, featuring gallows and stocks that transport
visitors back in time.

Amidst the fair, an intriguing distillation workshop catches

the attention of onlookers. Here, plants are meticulously
processed to extract essential oils containing the purest
essence of their aromas and therapeutic bene its. A
conversation unfolds, delving into the realm of alchemy.

The concept of alchemy, explained by a local, is portrayed

as the art of transmutation, a process of changing the
mutable into something more profound. The dialogue
between the two individuals evolves into a discussion about
personal transformation, highlighting the idea that as
humans embrace change, they become more akin to
alchemical practitioners seeking purer results.

The conversation shifts towards the practical aspects of

distillation and its historical connection to alchemy. The
discussion draws parallels between the methods used in the
distillation workshop and those employed in a chemistry
laboratory. Alchemy is described as the precursor to
modern chemistry, pharmacy, metallurgy, and the study of
metals and pigments—all encompassing natural sciences.
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The conversation takes an intriguing turn when Faust, a
legendary igure, is introduced. Faust, originally known as
Dr. John Faustus (Iohannes Faustus), was a real person who
lived in Germany. His life became the stu of legend, with
stories of his laboratory exploding, possibly due to the
dangerous nature of alchemical experiments. The narrative
of Faust making a pact with Mephistopheles is mentioned,
stemming from the real-life events and incidents
surrounding John Faust.

The dialogue ends with a jovial greeting from an unknown

individual, welcoming newcomers to the scene. The entire
exchange is marked by a sense of curiosity and wonder, as
participants explore the historical and philosophical
dimensions of alchemy, its links to distillation, and the
enduring legacy of igures like Faust in the world of science
and mysticism.
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§ 90. In the enchanting setting of a music recital that
unfolded just after twilight, a diverse audience gathered to
revel in the rich tapestry of Celtic, Scottish, and medieval
music. The stage was set in a picturesque outdoor
amphitheater, nestled amidst the rolling hills and verdant
meadows. As the sun dipped below the horizon, it cast a
warm, golden glow on the stage, setting the perfect
ambiance for an evening of musical enchantment.

The recital began with a soul-stirring performance of Celtic

music. The musicians, clad in traditional attire, skillfully
played the haunting melodies of Ireland and Scotland. The
lilting tunes of the iddle, the haunting drone of bagpipes,
and the ethereal tones of the harp transported the audience
to a world of mysticism and folklore. The enchanting
melodies resonated through the serene surroundings,
capturing the hearts of all in attendance.
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As the music continued to weave its magic, an unexpected
and heartwarming sight unfolded near the stage. Families
with children, drawn by the irresistible rhythms of the Celtic
tunes, began to gather closer to the performers. The
children, their eyes gleaming with joy and wonder, couldn't
resist the urge to dance. With laughter and glee, they
twirled and skipped, their innocent movements becoming
an impromptu dance that added an element of pure delight
to the performance.

Just as the night was reaching its peak of musical fervor, an

inexplicable and awe-inspiring event occurred. Behind the
stage, an eerie, otherworldly lightning appeared. It was
unlike any natural phenomenon, casting an iridescent,
almost magical glow. It danced and lickered, casting
captivating shadows and bathing the performers in an
unearthly, radiant light.

As the recital reached its crescendo, the musicians

seamlessly transitioned into medieval music. The strains of
ancient melodies illed the air, evoking the grandeur of
medieval courts and the chivalry of knights. The performers'
skill and passion were palpable, transporting the audience
to a bygone era of knights, maidens, and troubadours.
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The music recital concluded with thunderous applause, and
the audience, still entranced by the lingering echoes of the
music and the mystical lightning, departed with hearts full
of joy and wonder. It was an evening where the boundaries
between the past and the present, the ordinary and the
extraordinary, dissolved, leaving everyone with an indelible
memory of a magical night illed with Celtic, Scottish, and
medieval enchantment.
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PART 10
§ 91. In this video, the narrator explores the scenic route
between Esquina de La Barra Beach and Desembocadura de
La Barra Beach in La Barra de Maldonado, a popular area in
Punta del Este. The video, which is the 91st installment in a
series, o ers a di erent perspective as it was ilmed with an
iPhone. The narrator highlights the unique qualities of this
particular stretch, including its proximity to the mouth of
the Maldonado stream and the tip of a cape.
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The video showcases the natural beauty of the area, with
stunning views of the Atlantic Ocean and the meeting point
of the river and the sea. The narrator points out key features
such as lifeguard huts, a restaurant, a soccer beach ield,
and the tallest building in the vicinity. He emphasizes the
contrast between this beach and others in the area, noting
that it's popular among families and o ers a more relaxed
atmosphere without large waves.

The narrator discusses the treacherous nature of the sand

and the underwater slope, warning viewers about potential
hazards. He mentions a previous video that covers the same
route from a di erent perspective.

Throughout the video, the narrator observes the

beachgoers, noting that the area attracts families and
groups of teenagers. They mention the presence of two
separate beaches with di erent types of sand, each with its
own lifeguard hut. The video provides a sense of the relaxed
and peaceful atmosphere of La Barra de Maldonado, with a
focus on the youth and teen scene, including gatherings at
sunset and camp ires.

Overall, the video o ers viewers a glimpse into the natural

beauty and atmosphere of La Barra de Maldonado,
highlighting its unique features and attractions. It serves as
an informative and visually engaging exploration of this
coastal area in Punta del Este.
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 § 92. The video begins with the host welcoming viewers
back to the channel and introducing the topic: a tour of a
beach known as "Esquina de la Barra" or "Duende Azul." He
mentions a prior encounter with a lady who didn't want him
to ilm in the area but uses the incident as an opportunity to
explain the legal aspects of ilming in di erent places.

The host explores the beach and mentions that it doesn't

have an o icial name due to the absence of nearby bus
stops. However, he identi ies three distinct lifeguard huts:
La Posta del Cangrejo, La Boyita, and Montoya. He
emphasizes that the unnamed beach has unique
characteristics, such as di erent currents and sand types.

The tour takes viewers along the Maldonado creek's left

bank in La Barra, with the goal of visiting all the beaches in
the area. The host describes various landmarks, including
the ANCAP gas station, Medialunas Calentitas tea house, El
Dorado supermarket, and art galleries like Zuloaga. He also
mentions a strange encounter with someone who didn't
want him to ilm near their property.

The host emphasizes the importance of knowing one's

rights when ilming in public places and highlights that
ilming from the outside of a business is generally allowed.
He also speculates about the legitimacy of a business called
"lo de Mauricio" and suggests it may be worth investigating.
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The tour continues through La Barra's streets, where the
host observes the freedom of movement and the absence
of fences, making it resemble a country club or weekend
cottage area. He notes the unique characteristics of the
beach, including strong winds and compacted sand.

The video concludes with the host mentioning his plans to

feature the beach in an upcoming video and sending
greetings to the viewers.
§ 93. Hello everyone, welcome back to the channel! In this
video —number 93— we're going to see this beach here,
which I'm calling "Esquina de la Barra Beach". It's a di erent
beach —basically this beach here—; it's a di erent beach
than this one here, that has its own lifeguard hut over here.
—this one has it about here. It doesn't have a name per se. I
call it "Esquina de la Barra Beach"; others may call it
"Duende Azul", because of this street that you can see here.
There are three videos about this beach: this one —number
93— and the previous ones —number 92 shows all the way
over here, and there is one showing the route from this
beach to this beach, video number 91. I send you a greeting
and I hope you enjoy this video!
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§ 94a. The text describes a power outage in La Barra de
Maldonado, a popular area near Punta del Este, Uruguay.
The author is surprised by the outage, as this area is
considered the heart of Punta del Este and is known for
being trendy. He mentions that there is no electricity in the
region and ind it unusual.

The author takes a moment to appreciate the night sky,

particularly the Moon and what he believes is Venus,
dedicating the sight to his Turkish followers. They he
discusses how the lack of electricity is a ecting the local
businesses, particularly restaurants that are struggling due
to the outage.
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 The author engages in a brief conversation with someone
who con irms that the power outage extends from La Barra
de Maldonado up to José Ignacio, a distance of about 25
kilometers. They express surprise at the outage's rarity and
mention that even the shopping center has lost power
(false).

The author documents his e orts to ind food in the dark,

mentioning that all the restaurants are closed except for a
pizzeria that may still be operational due to a gas oven. He
also visits a shopping center and a supermarket with a
generator that still has electricity. He notes that this outage
is unprecedented, causing signi icant disruptions to daily
life in the area.

The author provides some context on the extent of the

power outage, estimating that around 50,000 people are
a ected. He mentions that even after four hours, the power
remains out, and the entire region is plunged into darkness.
He records a video at a bus stop, showing how the outage
extends beyond his immediate location.

Overall, the text conveys the author's surprise and

frustration with the unusual power outage in La Barra de
Maldonado, a ecting both residents and businesses. It
highlights the extent of the blackout, which is considered a
rare and signi icant event in the area.
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 § 94b. In January 2023, La Barra, a coastal town in Uruguay,
experienced an unprecedented power outage that lasted
for nearly 10 hours, stretching over approximately 25
kilometers from bus stop 26 to José Ignacio. This event,
captured in two videos (94A and 94B), was historically
signi icant due to its rarity, garnering attention on social
media.

The outage disrupted daily life, leaving residents and

visitors without electricity. Despite the darkness, the
narrator embarked on a journey to document the situation
and share it with viewers. He started by talking to antique
dealers in La Barra and noticed the power outage at around
7:30 p.m. With limited options for food and illumination, he
set out to explore the area.

Remarkably, he found an open pizzeria, one of the few

places with power, serving customers even though it was
early evening. The narrator also pointed out the appearance
of a crescent moon resembling the Turkish lag along with
the planet Venus in the night sky..
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Throughout his journey, the narrator engaged in
spontaneous conversations with locals, capturing their
natural reactions and opinions on the unusual power
outage. He explained his preference for these "short,
hidden camera" interviews, which he believed were more
genuine than scripted interviews seen on traditional media.

The narrator explored the OH shopping mall, which had its

own power source, and mentioned a nearby ice cream
parlor named "Freddo," a popular gathering spot for
teenagers. He also praised a restaurant called "Tatijuana" for
their hospitality and access to their restroom.
The videos showed La Barra in complete darkness,
contrasting with the illuminated peninsula of Punta del Este
in the distance. The narrator used arti icial intelligence
software to enhance the color in one of the videos, aiming
for a more aesthetic presentation.

Despite what YouTube's statistics suggested, the narrator

believed that his videos had a wider reach and mentioned
his presence on other platforms like Odysee and Rumble.
He expressed his frustration with YouTube and its alleged
fraudulent practices.

The narrative ended with the narrator's re lection on the

day's unexpected events, emphasizing the value of
spontaneous experiences over meticulously planned trips.
He encouraged viewers to explore La Barra, a less-explored
district on YouTube, and thanked them for watching.
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§ 95. In this video, the narrator takes us on a tour of the
Punta del Este skate park, situated in the Winston Churchill
square. This skatepark, located in the heart of Punta del
Este, was inaugurated on February 17th, 2022, after years of
planning and community initiative. It used to be a public
parking lot and retains some parking spaces in its new
layout.

The skate park covers approximately 1,900 square meters

and has become a central gathering point for people of all
ages. It's located near the bus terminal, making it easily
accessible. The narrator highlights a talented female skater
who stood out during his visit, describing her as one of the
best he has seen, regardless of gender.

The video includes footage from January 27th and January

29th, 2023, showcasing the vibrant skateboarding culture in
the area. Additionally, the narrator mentions that this square
becomes a teenage gathering center, especially in the
evenings.

The video also brie ly touches upon the issue of water

shortages, with the narrator engaging in a conversation
with a local who owns nearby ields. They discuss the
impact of drought on cattle raising in Uruguay, particularly
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 in the context of changing weather patterns associated with
El Niño and La Niña.

Throughout the video, viewers get a sense of the vibrant

atmosphere in the Punta del Este skate park and its
signi icance as a community space. The narrator also
mentions a monument dedicated to Winston Churchill in
the square, re lecting the English in luence in the area.

Towards the end of the video, the narrator recommends a

local shop called El Quijote and encourages viewers to
enjoy the footage. He also mentions the possibility of
uploading an enhanced color version if requested.
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§ 96. In this video, the narrator explores the American
Express Beach Club at bus stop 30 on Brava beach in Punta
del Este, Uruguay. The video was recorded at the end of
January, and the narrator decided to visit this particular
beach club, which had always piqued his interest due to its
popularity and infrastructure. He highlights that this beach
club has more sophisticated facilities compared to the
natural and untouched beaches in the area, in line with
Uruguay's branding as "Uruguay Natural."

The video takes viewers on a tour of the beach club,

showcasing various amenities, including mini changing
rooms reminiscent of classic seaside resorts from the past.
The narrator points out that such structures used to exist in
downtown Punta del Este several decades ago but were
removed to preserve the natural beauty of the area.
 Throughout the video, the narrator observes that the beach
is frequented by a diverse crowd, including young and older
people, as well as families with children. He expresses
curiosity about why this beach club is so popular and
decides to explore it further.

The video captures the cloudy weather on the day of

ilming, making it less suitable for sunbathing. However, the
narrator continues his exploration, mentioning the
presence of hot dog stands, volleyball courts, and exclusive
cabins, some of which are reserved for American Express
members.

The narrator notes that the beach at bus stop 30 seems to

have fewer waves compared to other nearby beaches like
Montoya. He also brie ly mentions experiencing unfriendly
treatment at some restaurants in the area.

Towards the end of the video, the narrator engages in a

conversation with a local, discussing the beach and its
activities. The conversation adds a humorous element to
the video as they talk about watching girls playing volleyball
and experiencing the local culture.
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 § 97. As the sun dipped toward the horizon on that tranquil
evening at the American Express Beach Club, visitors and
beachgoers gathered along the shoreline, eagerly
anticipating a breathtaking sunset. This particular spot on
Brava beach, bus stop 30, had earned a reputation for
o ering some of the most astonishing sunsets in Punta del
Este, and on this day, nature did not disappoint.

The sky was painted in various shades of orange, pink, and

purple, creating a mesmerizing kaleidoscope that stretched
across the heavens. As the sun's iery orb descended closer
to the water, the sea shimmered with a golden hue, its
gentle waves lapping against the sandy shore.

The beach club's guests, a mix of locals and tourists, stood

in awe, their eyes ixed on the horizon. Cameras and
smartphones were poised, ready to capture the magic
unfolding before them. The warm breeze carried the salty
scent of the ocean, and the atmosphere was illed with a
sense of shared wonder.

The sun's descent continued, and the sky transformed into a

riot of intense reds and oranges, casting a warm, golden
glow across the landscape. Couples held hands, children
laughed and played in the sand, and strangers exchanged
smiles, all united by the shared spectacle.

As the sun inally disappeared, a round of applause erupted

from the onlookers. It was a spontaneous expression of
appreciation for nature's magni icent performance. The sky
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continued to change, evolving into shades of deep purples
and indigos, punctuated by the irst twinkling stars.

As night descended over Brava beach, the American

Express Beach Club remained a place of beauty and

tranquility. People lingered a little longer, savoring the

memory of the astonishing sunset they had witnessed. It
was a reminder that sometimes, the most extraordinary
moments are the simplest ones, gifted to us by the natural
world, and best shared with those who appreciate the
wonder of it all..
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§ 98. Greetings, everyone! Welcome back to the channel. In
today's video, our 98th adventure in Punta del Este in 2023,
we embark on a captivating journey from the beach nestled
near bus stop 30 to the enchanting La Gorgorita viewpoint,
nestled at the mouth of the Maldonado stream. This
expedition, captured on January 26, 2023, spans roughly 1.5
kilometers and unfolds against the backdrop of a
breathtaking sunset. Along the way, we'll discover the
pristine beaches of Punta del Este, leading us to this
juncture where the Maldonado stream converges with the
charming town of La Barra.

The scenic escapade promises to be a visual feast,

meticulously recorded using a GoPro Hero 4 Black at a silky-
smooth 60 frames per second, expertly stabilized for your
viewing pleasure. As an added treat, the latter part of our
journey was documented with an iPhone, ensuring an even
crisper visual experience. I extend warm greetings to all of
you and hope you relish every moment of this cinematic
journey.

It's worth noting that the footage you're about to behold

was captured after the sun had gracefully dipped below the
horizon, bathing the landscape in the magical hues of the
"golden hour." Every awe-inspiring perspective you're about
to witness owes its splendor to this leeting and mystical
moment.

As we conclude our visit to the beach near bus stop 30, we

catch a glimpse of La Gorgorita beach, the gateway to La
Barra. In the distance, the iconic Punta del Este peninsula
rises majestically. The tranquil dusk has settled in, and we
continue our journey towards La Barra.

We pass by the Virgin's shelter and proceed towards the La

Barra viewpoint. The golden hour has waned, but there's
still enough light to appreciate the sweeping vistas. This
viewpoint o ers an unparalleled vantage point to survey the
Maldonado stream's meeting with the sea, an estuary
extending inland for about 50 kilometers before merging
into the ocean. In these inal 150 to 200 meters, the
shoreline yields to rocky outcrops, culminating in this very
viewpoint—a spot I had never ventured to, even during my
childhood. From here, we gain a panoramic perspective of
the entire La Barra region, a sight to behold.
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Despite the rugged condition of the beach, it's astonishing
to see the sheer number of cars dotting the landscape. This
locale remains a popular destination for enthusiasts, drawn
by its unique charm and natural beauty.
§ 99. Hello, everyone! Welcome back to the channel! In this
mesmerizing video, the 99th installment chronicling my
unforgettable 2023 journey through the enchanting
landscapes of Punta del Este, I present to you a collection of
truly breathtaking shots. What sets these visuals apart is
their sheer authenticity—no digital wizardry or retouching,
just pure, unadulterated beauty. Our journey takes us to a
remarkable location, nestled between bus stops 32 and 33,
a corner a ectionately known as La Gorgorita. Here, at the
precipice of Punta del Este's Brava beach, lies the very
beginning of the Barra de Maldonado.

La Gorgorita is a rocky promontory renowned for hosting

the spectacular end-of-season ireworks displays. It's a
place where nature's rugged magni icence converges with
human celebration. As you immerse yourself in these
visuals, it may seem like the work of a sophisticated
computer program, but I assure you, this is the real deal.
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 Every frame you see captures the unadulterated essence of
this stunning location.

In deference to the unparalleled beauty of the footage, I've

opted to keep my commentary to a minimum, allowing you
to savor the sights and sounds of this mesmerizing setting.
As you watch, you'll also catch a glimpse of some dedicated
ishermen, adding a touch of local life to the narrative.

For those of you who missed the previous video, number

98, fear not. It contains the entire walking tour between this
remarkable spot and the La Barra viewpoint. There, you'll
ind a seamless connection between these two captivating
locations, providing a comprehensive experience of the
stunning coastline.

I extend my warmest greetings to all of you, and I hope you

relish every moment of this video. It's a visual masterpiece,
one of the crowning jewels in our channel's collection.
These scenes serve as a testament to the unspoiled beauty
of Punta del Este, a place where the natural world and
human celebration coalesce in a symphony of wonder. So,
without further ado, let's embark on this visual journey and
revel in the splendor of La Gorgorita and its surroundings.
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§ 100. Greetings, everyone, and a warm welcome back to
our channel! In this video, a milestone in our collection as it
marks our 100th installment, we embark on a visual journey
to the picturesque village of La Barra de Maldonado, nestled
in the enchanting surroundings of Punta del Este in 2023. La
Barra de Maldonado, with its roots tracing back to 1914,
emerged when Argentine and Uruguayan families decided
to establish permanent residence in this splendid coastal
retreat.

This idyllic resort shares its boundaries with El Tesoro,

situated to the north, gracefully occupying the left side of
your screen. Historically, La Barra has been synonymous
with luxury, attracting its initial residents from aristocratic
backgrounds who sought refuge from the opulence of
 Punta del Este and the bustling crowds it already hosted. It
was on February 8, 1914, that La Barra de Maldonado was
o icially founded, its origins intertwined with the
neighboring city of San Carlos. Today, it straddles the line
between the Municipality of Punta del Este and the
Municipality of San Carlos, both within the Departmental
Municipality of Maldonado.

Turning our gaze towards the shoreline, we encounter "La

Gorgorita Beach." "Gorgorita" hints at both a bubble and the
melodious sounds of birds. With an abundance of avian life
in the vicinity, either interpretation seems itting. This
shoreline serves as a hub for ishing activities, attracting
enthusiasts from both sides of the bay.

Our viewpoint captures the San Carlos territory from within

the jurisdiction of Punta del Este. A notable sight here is the
monument commemorating the tail of a whale. During non-
summer seasons, this area provides a vantage point to
witness the magni icent spectacle of whales breeding. In
this rocky terrain, a testament to its inaccessibility in days
gone by, reaching it was an arduous task, with early
attempts at bridge construction often thwarted by the
formidable Maldonado stream. The Leonel Viera Bridge,
dating back to 1965, eventually triumphed over this
geographical challenge.

As our camera pans, we stumble upon an intriguing sight –

peculiar lights that could easily have beckoned Batman
himself! It's a mystery that leaves us with more questions
than answers. And inally, a noteworthy update - the
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 monument's name has been changed to "Magallanes-El
Cano" in commemoration of the 500th anniversary of the
irst circumnavigation of the globe. This location holds
signi icance as it lies in close proximity to the route
Magellan took during his historic voyage, ultimately
completed by Juan Sebastián Elcano, or Juan Sebastián de
Elcano.

In closing, it's worth noting that La Barra de Maldonado

o icially boasts a population of fewer than 1,000
inhabitants, a testament to its tranquil and unspoiled
charm.
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PART 11
§ 101. Video 101 of the January 2023 Punta del Este trip
takes viewers on a walking tour of Maldonado, Uruguay. The
video is part of a four-part series about the city and begins
at a bus stop. The narrator highlights the historical and
cultural aspects of Maldonado and its signi icance in
Uruguay's history.

Maldonado, the fourth largest city in Uruguay by

population, boasts around 80,000 inhabitants. It serves as
the capital of the Maldonado Department, which has a
population of around 180,000. The city's full name is San
Fernando de Maldonado, named after Francisco
Maldonado, who arrived in the bay of Maldonado in 1530.

The video explores the city's unique character, contrasting

with nearby Punta del Este's modernity. The narrator
suggests that visitors should explore both cities and even
consider a visit to San Carlos, a historic city in the same
department.

Viewers are treated to a glimpse of the city's neoclassical

cathedral, which began construction in 1801 and was
completed in 1895. The video also mentions the city's
history, such as the battle of Maldonado in 1816, the irst
constituent congress in 1836, and its earlier a iliation with
the department of Rocha.
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The walking tour continues, showcasing the Dragons'
Barracks, a historically signi icant building where José
Gervasio Artigas received his military training. The barracks
now house a museum dedicated to Artigas and the League
of Free Peoples.

The narrator provides insights into the city's British

invasions, which occurred in 1806 and 1807, during which
the area was occupied by the British for over ive months.

The video captures the city's unique urban layout with

square-shaped streets, a common feature in Hispanic cities.

Maldonado's streets are compared to the more modern
layout of Punta del Este.
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The video closes with the narrator boarding a bus back to
Punta del Este, highlighting the proximity of the two cities
and the ease of travel between them. The charming, narrow
streets and local businesses in Maldonado are showcased,
giving viewers a sense of the city's character and
atmosphere.de Punta del Este.
§ 102. The video description provides an overview of a
walking tour around the main square of Maldonado, known
as San Fernando de Maldonado. The square, which has a
history dating back to 1755, was founded by Governor José
Joaquín de Viana and named in honor of King Ferdinand VI
of Spain. This square covers an area of 8000 m2 and has a
rectangular shape, bordered by four streets: Sarandí, 25 de
mayo, 18 de julio, and Florida.

The square is not just a historic location; it's also a vibrant

cultural hub. It features a monument dedicated to the hero
José Gervasio Artigas, who played a signi icant role in the
region's history. The square is beautifully landscaped and
wooded, providing benches and rest areas for visitors. It
hosts a variety of cultural events, including concerts and
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cultural activities. There's even a children's playground,
making it family-friendly.

The square's surroundings include several notable

landmarks, such as the Mazzoni Museum, which houses an
impressive collection of art and historical objects. It's also
close to the School of Art of Maldonado, known for
producing talented artists and enriching the city's cultural
environment.

The video description mentions other locations surrounding

the square, including the Paseo de San Fernando, a cultural
space, and the Argentine Consulate, which is handy for
Argentines needing to handle paperwork in the area.
Additionally, the description points out the Sarandí
pedestrian street, a bustling area with a variety of dining
and shopping options.

The video introduces the church in the square, noted for its
pink exterior, a unique feature reminiscent of the Casa
Rosada in Buenos Aires. The video host highly recommends
visiting this beautiful square and the charming city of
Maldonado.
§ 103. I ind myself standing here at the heart of Maldonado,
right outside the impressive San Fernando de Maldonado
Church. It's truly unbelievable! This moment is an incredible
experience that has taken me back to my childhood when
my family and I used to visit Punta Este and explore this
charming place. Maldonado, which has transformed over
the years into more of a city than a town, was originally
established between 1755 and 1757.

I'm currently in the central square, and in front of me stands

the majestic San Fernando de Maldonado Cathedral. Just
take a look at this magni icent structure! I'm not sure if it's
open to the public, but if it is, I'll de initely make my way
inside to discover its hidden treasures. This is Maldonado,
and it's a stark contrast to what I observed earlier – many
people were unwinding on the beaches of Punta del Este,
despite the overcast weather.

These are the places that hold a special place in my heart,

and I can't help but be amazed by their beauty. Without a
proper introduction, let me clarify that this video is number
103 in my Punta del Este 2023 trip collection, recorded on
January 27th of that year.
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 As I step out of the splendid San Fernando Cathedral, I'm
still overwhelmed with excitement and emotion from being
in this remarkable place. It's a profound experience that's
di icult to put into words. I'm truly grateful for the
opportunity to explore this historic city, and I can't wait to
share more of my adventures with you in the next video.

In the meantime, I hope you enjoyed this glimpse into

Maldonado and the awe-inspiring San Fernando de
Maldonado Church. Stay tuned for more as I continue my
journey through Punta del Este and its surroundings. Until
then, take care, and I'll see you in the next video!
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§ 104. The San Fernando cultural center in Maldonado,
Uruguay, is a historic building with a rich and varied history.
Originally constructed in 1909 as a military barracks for the
Eastern Army, it later served as a penitentiary. However, in
1985, the building underwent restoration and rehabilitation,
transforming it into a hub for culture and education. The
center has deep historical signi icance as it had also
functioned as a clandestine detention center during the
Uruguayan dictatorship, and it was o icially declared a
memorial site by the Departmental Municipality in 2014.

The San Fernando cultural center is home to various cultural

and educational institutions. These include the Municipal
Conservatory of Music, the Municipal School of Dance, the
University for the Elderly, and the unique Puppet Museum—
the only one of its kind in the country. The Municipal
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Conservatory of Music o ers violin lessons, contributing to
the center's role as a cultural hub.

Notably, the center is located on 25 de Mayo Street,

between Sarandí and 18 de Julio, in front of San Fernando
Square. It is situated on the site of one of the irst houses in
Maldonado, owned by the Veyra-Galup couple, which
hosted the politician José Lucas Obes in 1826. As part of the
Historic Circuit of Maldonado, it is surrounded by other sites
of interest, including the Cathedral of San Fernando, the
Watchtower, the Dragons Barracks, and the Ramirez School.

The Paseo de San Fernando, within the center, houses

temporary and permanent exhibitions of painting,
sculpture, photography, and other artistic expressions,
further enriching the cultural experience for visitors.

The center's transformation from a military barracks and

penitentiary to a thriving cultural and educational space
symbolizes the resilience and adaptability of historical
structures. It serves as a reminder of the complex history of
Uruguay, including the challenging times during the
dictatorship era.

In the video, the narrator also touches on the in lux of

Argentine visitors to the region. Due to economic
conditions and other factors in Argentina, many well-to-do
Argentines have been investing in Uruguay, particularly in
areas like Colonia, Montevideo, and Punta del Este. The
narrator mentions the various taxes and economic
challenges in Argentina that are driving these investments.
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§ 105. In this video, the narrator takes us on a tour of Pueblo
Narakán, a cultural and entertainment complex located in
Punta del Este, Uruguay. The video provides an overview of
the place and its various o erings.

Pueblo Narakán is situated on the Punta del Este peninsula,

approximately 10 blocks away from the skate park and the
bus terminal. It was inaugurated in August 2022 and is
known for hosting live music performances, with a
particular focus on the former member of the La Portuaria
music band, Diego Frenkel.

The video showcases the experience of visiting Pueblo

Narakán, where patrons can enjoy artistic performances for
an entrance fee of UYU 330 (approximately 9 USD). The
narrator explores the complex, including a brewery and
gourmet pizzeria called Bier, which is part of the venue. The
narrator highlights the quality of service and the ambiance
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of the place, which is set against a backdrop of high-quality
live music.

The complex also features a gourmet wine cellar where

wines and tapas are served, an atelier with art, design,
antiques, and framing elements, and a small teahouse
serving artisan co ee. The video provides a visual tour of
these areas and the general layout of Pueblo Narakán.

The narrator compares the complex to Paseo La Plaza in

Buenos Aires, emphasizing its concept as a cultural and
entertainment space. He also mentions the presence of a
craft brewery, live music, and a DJ, Bobby Flores, who has
performed in the underground cellar.

During the video, the narrator takes viewers on a journey

through the various sections of Pueblo Narakán and shares
interactions with sta and other visitors. He inquires about
the events and performances, the history of the place, and
the ambiance during di erent seasons.

The video ends with a list of some of the musicians and

bands that have performed at Pueblo Narakán, including
jazz and independent groups. The narrator discusses the
cost of entrance and dinner, as well as the popularity of the
venue during peak seasons.
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§ 106. Diego Frenkel is an Argentine rock singer, musician
and composer, born in Buenos Aires on August 19, 1965. His
musical career began in 1984 with the new wave and funk
band Clap, which released an eponymous album in 1986
and disbanded in 1988. Later, Frenkel formed La Portuaria, a
pop rock group with in luences of jazz, R&B and Latin
rhythms, which had a great impact on the Argentine music
scene from the nineties until 2009. La Portuaria released
ten albums, including Hasta despertar (1992), Devorador de
corazones (1994), Rio (2005) and 10000 km (2008).

Parallel to La Portuaria, Frenkel developed his solo career,

which began in 1999 with the album Diego Frenkel, under
the name Bel Mondo. In 2007, he released an instrumental
album called Música para bebés, and in 2010, an acoustic
album entitled El día después. In 2012, he presented Célula,
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a work that fuses rock, acoustic song and electronic pulse,
and in 2015, Ritmo, an album with 11 songs of various
genres. His latest album, Medusas, was released in 2022
and contains 10 tracks that explore pop, rock and
electronica.

Frenkel is recognized for his versatility, his interpretative

quality and his ability to create original melodies and
arrangements. He has collaborated with other artists such
as Charly García, Gustavo Cerati, Fito Páez, Andrés
Calamaro, Luis Alberto Spinetta, among others. He has also
participated in theater, ilm and television projects,
composing soundtracks and acting on some occasions.
Frenkel is considered one of the references of
contemporary Argentine rock and an innovative and
creative artist.
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§ 107. In video number 107 of a collection documenting a
trip to Punta del Este in 2023, the narrator explores various
nightclubs and entertainment spots in the area. The video
begins with a welcome to the viewers and an introduction
to the places they'll visit.

The narrator mentions a total of ive nightclubs in Punta del

Este. First, there's Moby Dick, located to the right of what's
being shown in the video. Next up is Soho, the main focus
of this particular video. Other clubs include Patio Puerto
and Borgia, which is described as one of the coolest clubs,
featuring a VIP lounge on top. To the left-most area, which
is not visible in the video, there's Manantiales Point.

The narrator notes that a diverse crowd frequents these

nightclubs, including people from Uruguay and other
places. He highlights the inclusive nature of the clubs, with
a mention of an over-40 swingers event at Moby Dick. It's
made clear that these clubs attract a wide range of people,
unlike the more exclusive nightclubs of La Barra in the past.

The video then transitions to a tour of Soho, which is

situated in the port of Punta del Este. Soho stands out as a
versatile venue that operates throughout the day. It serves
breakfast, lunch, afternoon snacks, and evening meals. At
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midnight, it transforms into a dance loor, where people
gather to dance the night away. The club is known for its
popularity, with two or three bouncers at the entrance and
even featuring dancers.

The video provides a glimpse of the surroundings,

showcasing the little streets that lead to the harbor. It was
recorded on January 30th at night, which is the last day of
the narrator's visit. Soho, as both a restaurant and
nightclub, is highlighted as one of the most famous and
versatile spots in the area.
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§ 108a. The ireworks celebration at the Magallanes-Elcano
viewpoint on January 28, 2023, was a dazzling spectacle
that illuminated the night sky of Punta del Este, creating a
mesmerizing experience for all who gathered to witness it.
The YouTuber's video o ered viewers a vivid portrayal of
this event.

As the clock struck 10 p.m., the anticipation in the air was

palpable. The crowd had gathered at this iconic location,
once known as La Gorgorita, which had been renamed
Magallanes-Elcano. The viewpoint provided an unparalleled
vantage point to take in the breathtaking display that was
about to unfold.
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 The ireworks show began with a burst of vibrant colors that
pierced through the darkness of the night. The special
ireworks chosen for this event were designed to be quieter
than the usual ones, giving the celebration an air of
sophistication and serenity. Each explosion was a work of
art, painting the sky with a symphony of colors that ranged
from deep blues and iery reds to brilliant greens and
golden yellows.

The performance continued for approximately half an hour,

and as time passed, it felt like a journey through a celestial
wonderland. The bursts of light and color danced across
the sky in various patterns and shapes, from cascading
waterfalls to intricate loral designs. The soundtrack of oohs
and aahs from the crowd added to the sense of wonder, as
people marveled at the beauty of the spectacle.

The atmosphere at the Magallanes-Elcano viewpoint was

one of unity and celebration. Families, friends, and
strangers came together to appreciate the artistry of the
ireworks and share in the joy of this moment. The event
marked not just a celebration of the end of January but also
the conclusion of the summer season in Punta del Este.

As the grand inale approached, the ireworks reached a

crescendo, illing the night sky with an explosion of
brilliance. It was a itting conclusion to a night illed with
wonder, awe, and shared moments of happiness.
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§ 108b. In video 108B of the 2023 Punta del Este trip
collection, the YouTuber welcomes viewers to a ireworks
party that took place at the Magallanes-Elcano viewpoint,
previously known as La Gorgorita, on January 28, 2023, at
10 p.m. The ireworks performance lasted around half an
hour and featured special, quieter ireworks. The content
was enhanced with arti icial intelligence, providing viewers
with a comparison to the unaltered video 108A, which was
left untouched to preserve the original ambiance.

The video begins with some context about the viewpoint's

name change and the YouTuber's journey to the event. The
YouTuber shares advice for future visitors, highlighting the
congested nature of the area due to its funnel-like shape,
which gets illed with cars, leading to tra ic chaos during
events. He also emphasizes the challenges of parking and
the time it takes to exit the area.

The video then transitions to the AI-enhanced ireworks

display, showcasing the special ireworks used to celebrate
the end of January. The AI enhancement aims to provide
viewers with a more visually appealing experience, with
improvements in the video quality.
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Throughout the video, the YouTuber uses visuals and
narration to convey the atmosphere and challenges of
attending such events, including the crowded bus terminal
and the necessity of taking a cab due to the congestion. He
shares images and scenes of the chaotic situation,
highlighting the need for caution when attending such
events by car.

In summary, video 108B of the Punta del Este trip collection

takes viewers to a ireworks party at the Magallanes-Elcano
viewpoint, showcasing special ireworks and AI
enhancements for an improved viewing experience. The
YouTuber provides context, advice for future visitors, and
visuals of the event's congestion, emphasizing the
importance of preparation and patience when attending
similar events in the area.
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§ 109. The video description provides an overview of a
nighttime visit to Punta del Este, speci ically focusing on the
La Barra de Maldonado area. The narrator highlights the use

of arti icial intelligence for enhancing the night shots,

recorded with an iPhone 13 Pro Max in cinematic mode. The
video captures the beauty of the region and its features,
such as the waves, the night sky, and the distant lights of
Punta del Este.

The primary focus of the video is the crag beneath La

Gorgorita viewpoint, now known as Magallanes-Elcano. The
narrator directs the audience's attention to the breathtaking
view of La Barra de Maldonado at night. The area is
illuminated with ishermen, creating a picturesque scene.
The use of arti icial intelligence adds a cinematic quality to
the video.
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The footage includes captivating views of the waves at
night as they approach the Maldonado creek. These scenes
were recorded after a ireworks party mentioned in the
previous video (number 108), with glimpses of departing
cars from the event.

La Barra de Maldonado is described as one of the most

elegant areas in South America, particularly in the Southern
Cone.

The video also takes the audience to bus stop 34,

approximately 8 kilometers from downtown Punta del Este,
providing a view of the night sky, possibly the Milky Way.
The narrator humorously mentions that, after the ireworks
party, many people used the area as a restroom due to a
lack of toilets.

The video o ers a unique perspective of Punta del Este's

lights from approximately 8 kilometers away, at the
entrance of the Maldonado creek into the ocean. The
narrator expresses a sense of disappointment that the
region isn't better promoted to a global audience, vowing to
do so through his channel.

The video concludes with additional views of La Barra

district and a message of gratitude to the viewers for their
support. The narrator recommends visiting Punta del Este, a
diverse paradise with something for everyone.
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§ 110. In video number 110 of the 2023 Punta del Este trip
collection, the narrator takes us on an exclusive journey to
Bikini Beach Club, located in the luxurious village of
Manantiales, near Punta del Este. The video showcases
unpublished footage recorded on January 29, 2023, o ering
a unique perspective of this lavish coastal area.

The video begins with a descent down the famous ramp,

leading to the beach. The narrator emphasizes the
sumptuousness of the location, highlighting its status as the
most luxurious, expensive, and prestigious area in Punta del
Este and its surroundings. The nighttime shots provide a
breathtaking view of Punta del Este and La Barra de
Maldonado, capturing the essence of this opulent region.

As the narrator approaches the staircase, he comments on

the popularity of the area, especially during the summer,
when it attracts the upper classes of the Southern Cone.
The footage was taken at around 1 a.m., following a
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 ireworks display, showcasing the beach club's vibrant
atmosphere at night.

The video o ers glimpses of upscale homes in the

Manantiales neighborhood, a small district with a limited
number of dwellings. Despite the late January timeframe,
the narrator is surprised to ind an empty beach, devoid of
people. He had hoped to encounter couples or friends
enjoying drinks on the beach, but it was unusually quiet.

The narrator notes the accessibility of Manantiales from the

Punta del Este bus terminal, making it a convenient
destination for visitors. The video also captures the
stunning perspectives of the Punta del Este peninsula and
the picturesque surroundings, highlighting the natural
beauty of the area.

As the video progresses, the narrator walks along the beach

itself, sharing the expectation of inding more people but
discovering a "dead" atmosphere. Nevertheless, he points
out the livelier La Barra quarter nearby. The video
showcases spectacular buildings and a walkway that,
during the high season, is usually bustling with people.

In the closing moments, the narrator takes viewers along

the catwalk, reminiscing about previous videos where they
explored the same path.
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§ 111. In this 111th episode of the Punta del Este trip
collection, the narrator introduces us to an iconic spot,
Medialunas Calentitas, situated at La Barra de Maldonado,
Uruguay. This charming location is perched near the mouth
of the Maldonado stream, close to where it meets the
Atlantic Ocean. Medialunas Calentitas holds a special place
in the hearts of the locals and tourists alike as a go-to
destination for post-beach tea and delightful croissants.

The setting is brimming with a lively mix of people, from

children to teenagers, parents, and individuals of all ages
who come together in the afternoons to enjoy the best
croissants in Uruguay. The venue also hosts live bands and
boasts a spacious area, covering approximately 400 square
meters. The narrator emphasizes the unique nature of La
Barra de Maldonado and Manantiales, contrasting them
with the more bourgeois or liberal center of Punta del Este.
Here, wealth takes a back seat, and one's lineage or
connections carry more weight.

Visitors to these places may initially experience less than

welcoming treatment as a sort of initiation ritual. However,
the key is to remain composed and persistent, as over time,
you'll earn acceptance in these aristocratic settings. The
narrator sheds light on the presence of "milipilis," the super
sexy girls featured in Montoya beaches' videos, who
frequent Medialunas Calentitas in the afternoons. If you
hope to get close or even capture a distant picture of these
well-dressed beauties, you'll have to endure long lines, but
it's undoubtedly worth the e ort.

The video was recorded on January 29th, and the narrator

notes that had he visited on December 29th, the place
would have been even more bustling. The video then
proceeds to showcase the anticipated live music
performance.
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 § 112. In this video, the content creator discusses the last
installment of a collection of 112 videos from his trip to
Punta del Este in Uruguay. He showcases the journey from
Piriápolis to Montevideo, highlighting various locations
along the way.

The creator expresses his disappointment at the relatively

low view counts on his videos, considering that he has been
on the platform for eight years. He compares his content to
other channels that have gained more views, even though
their quality and technical aspects may not be as high. He
inds this puzzling and question why his content has not
gained more attention.
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The video also re lects on the creator's intentions for the
trip and the video series. First, he expresses his gratitude to
the people of Punta del Este for their warm treatment and
the opportunity to visit the city, which holds a special place
in his heart. The creator shares a deep personal connection
with Punta del Este, considering it a magical and
metaphysical place.

Secondly, the creator aimed to revive his YouTube channel,

which had not seen new content for two years. This video
series was created over nine months, taking up a signi icant
amount of his time.

The third purpose of the video series was to provide a

therapeutic escape from his Twitter activism against
globalism. He acknowledges that the year 2022 was
challenging for those who advocate for sovereignty and
against globalism. The trip and video editing provided a
much-needed break from this activism.

The creator emphasizes that his views and beliefs remain

the same despite his temporary diversion. He maintains his
stance against globalism and the stark economic disparities
between the rich and poor, which are evident in his videos.
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The video also encourages viewers to re lect on why certain
content gains popularity and why society may prioritize
certain topics over cultural exploration. The creator
expresses some disappointment in the societal preference
for super icial content.

In conclusion, the creator expresses his satisfaction with his

videos, even if the view counts are not as high as he hoped.
He suggests that he may not continue making travel videos
in the future unless there is a speci ic request. He also
laments the errors in other channels' content about Punta
del Este and Maldonado.⸺
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ABOUT:

Cameras: Apple iPhone X, Apple iPhone 13 Pro Max, GoPro

Hero 4 Black and Panasonic FZ-1000.

Software: Apple Final Cut Pro, Aiko (STT and srt output),
Whisper Transcription (idem), DeepL (sub translation),
Aegisub (sub correction), ChatGPT (summaries), Adobe
Photoshop (thumbnails), Perfectly Clear Video (AI lighting),
Apple Pages.