Professional Documents
Culture Documents
Unit Plans-2
Unit Plans-2
● Outline
○ Start with knowledge of famous songs from musicals they may have seen and
○ Perform a group number where each can do one of these on their own! (if they
want)
○ Acting
○ Dance
○ Perform them
○ Make changes
○ Do a second time
● Abstract: Students will learn singing, acting, and dancing, and the intersection between
the three in musical theatre. The lesson combines watching, conversations, and
performing in every lesson, never sitting the whole time. At the end of the unit, they will
perform in a group number with solos to show what they learned and but their skills to
use.
Standards: TH:Pr4.1.1.a - Describe a story’s character actions and dialogue in a guided drama experience
(e.g., process drama, story drama, creative drama).
TH:Pr4.1.2.a - Interpret story elements in a guided drama experience (e.g., process drama, story drama,
creative drama).
TH:Re8.1.1.b - Identify causes of character actions in a guided drama experience (e.g., process drama, story
drama, or creative drama).
Materials: Board to write down responses, speaker system/way for everybody to listen to a
song.
Accommodations: Not everyone needs to perform alone, people can opt out of a certain
element if necessary. Movement will not just use one part of the body so people with mobility
issues can participate to some degree. Students with hearing disabilities can watch dance
visually, and movement will be described in detail for students with difficulty seeing.
5-10 Introduction: Ask students about what their favorite musicals are and
different songs from them. Discuss what happens in each song, why it’s
included. Compare each to make a cohesive definition.
what works
■ discuss dance
5 Closure: See what they learned. Gather some “I can” statements about
acting, singing, and dancing and the importance of each.
● Day 2: Acting
Objective: Build acting skills by understanding the text and purpose of scene
Standards: TH:Pr4.1.1.b - Use body, face, gestures, and voice to communicate character traits
and emotions in a guided drama experience (e.g., process drama, story drama, creative drama).
TH:Pr4.1.2.a - Interpret story elements in a guided drama experience (e.g., process drama, story
drama, creative drama).
TH:Pr4.1.2.b - Alter voice and body to expand and articulate nuances of a character in a guided
drama experience (e.g., (e.g., process drama, story drama, creative drama).
Accommodations: Each group is breaking off into separate parts of the room, so the
only people paying attention to the student’s work are their scene partner and the
teacher. They can be put in a 3 person scene and will have only a couple lines. Students
who cannot see can go off hearing the lines and students who cannot hear can sign with
acting/still figure out how to act the given words, or be “teacher’s assistant” and as the
teacher walks around to each group, student explains what feeling they see and what
they can figure out about the scene they are watching by gestures. Very little movement
necessary.
5-10 Foundation: Expand on last class. Give 2 volunteers a scene. Have them
do it monotone first and then with acting. Ask students what they
thought of each
20 Practice: Each pair gets a short scene to break off and talk about. They
practice acting it together
5 Closure: Talk as a class about what they each learned regarding acting,
sum up details on what they should remember about it.
Objective: To learn how to act a song and use their body onstage with the music component
Standards: TH:Cn11.1.2.a - Determine appropriate skills and knowledge from different art forms and
content areas to apply in a guided drama experience (e.g., process drama, story drama, creative drama).
TH:Cn11.1.1.a - Apply skills and knowledge from different art forms and content areas in a guided drama
experience (e.g., process drama, story drama, creative drama).
TH:Cn11.1.K.a - With prompting and support, identify skills and knowledge from other areas in dramatic
play or a guided drama experience (e.g., process drama, story drama, creative drama).
Accommodations: Again, no one has to perform alone for the full class. Visual impairment -
can use a song they know and don’t have to read. Hard of hearing - can sign lyrics (deaf west
theater example) or keep working with just the words. Very little movement necessary.
5 Introduction: Ask students what they remember from the first class about the
importance of acting in song.
10-15 Foundation: Describe how to decide acting choices to make in a song - use Part
of Your World and point out what the character wants, lyrics, mood of music.
10 Brain Activation: Ask what acting achieves in a musical - what makes it more
interesting? Would it fit as well without it? Why can’t it just be singing and
dancing?
20-25 Practice: Have students pair up and give them the lyrics to part of a song. They
each take turns saying the words as a monologue. Then play the song and
everyone sing it together with the acting that they did without music
5-10 Closure: ask what carried over from the acting lesson, how they decided what
actions to do when
● Day 4: Dance
Accommodations: Dancing is only whole class together. People can stand in back if
they don’t want to be seen. Movement will not just use one part of the body so people
with mobility issues can participate to some degree. Students with hearing disabilities
can watch dance visually, and movement will be described in detail for students with
difficulty seeing.
5 Introduction: Ask them what musicals they can think of with dance or
any significant movement, describe them together and come up with
what the dance did for the plot
10-15 Brain Activation: teach them basic dance moves (grapevine, pivot turn,
etc)
15-20 Practice: create a dance together as a class for a part of a song. Let them
pick what fits the mood, music, and style
2-5 Closure: ask them how they’d picture each scene without the dance -
why is it more engaging with dance?
Accommodations: Not everyone needs to perform alone, people can opt out of a certain
element if necessary. Movement will not just use one part of the body so people with mobility
issues can participate to some degree. Students with hearing disabilities can watch dance
visually, and movement will be described in detail for students with difficulty seeing.
10 Introduction: Watch a video of Freak Flag. Identify big dance moments and
acting beats within the song
35 Foundation: Now they get to do a performance for an audience using what they
learned. Explain the performance we are going to do. Split up solos between
students. Teach them choreography for our performance.
5 Closure: Compliment their good work. Ask how the past lessons helped them in
this rehearsal.
Accommodations: Not everyone needs to perform alone, people can opt out of a
certain element if necessary. Movement will not just use one part of the body so people
with mobility issues can participate to some degree. Students with hearing disabilities
can watch dance visually, and movement will be described in detail for students with
difficulty seeing.
5 Introduction: Have each student write down what they thought they did
well on and something they want to improve on.
5 Practice: Performance
● Outline
○ Start with knowledge of famous songs from musicals they may have seen and
○ Acting
○ Dance
○ Perform them
● Abstract: Students will learn singing, acting, and dancing, and the intersection between
the three in musical theatre. The lesson combines watching, conversations, and
performing in every lesson, never sitting the whole time. At the end of the unit, they will
perform to show what they learned and put their skills to use.
Standards: TH:Re7.1.6.a - Describe and record personal reactions to artistic choices in a drama/theatre
work.
TH:Re7.1.8.a - Apply criteria to the evaluation of artistic choices in a drama/theatre work.
Materials: Board to write down responses, speaker system/way for everybody to listen to a
song.
Accommodations: Not everyone needs to perform alone, people can opt out of a certain
element if necessary. Movement will not just use one part of the body so people with mobility
issues can participate to some degree. Students with hearing disabilities can watch dance
visually, and movement will be described in detail for students with difficulty seeing.
5-10 Introduction: Ask students about what they know about singing and
dancing in musicals, why it happens, when it happens. Compare
different scenes they may know.
5 Closure: See what they learned. Gather some “I can” statements about
acting, singing, and dancing and the importance of each.
● Day 2: Acting
Objective: Build acting skills by understanding the text and purpose of scene
Accommodations: Each group is breaking off into separate parts of the room, so the
only people paying attention to the student’s work are their scene partner and the
teacher. They can be put in a 3 person scene and will have only a couple lines. Students
who cannot see can go off hearing the lines and students who cannot hear can sign with
acting/still figure out how to act the given words, or be “teacher’s assistant” and as the
teacher walks around to each group, student explains what feeling they see and what
they can figure out about the scene they are watching by gestures. Very little movement
necessary.
5-10 Foundation: Expand on the last class. Give 2 volunteers a scene. Have
students pay attention and ask what they thought the scene was about,
the relationship, and describe each character.
20 Practice: Each pair gets a short scene to break off and talk about. They
analyze objectives and obstacles and practice acting it together.
5 Closure: Talk as a class about what they each learned regarding acting,
sum up details on what they should remember about it.
Objective: To learn how to act a song and use their body onstage with the music component
Accommodations: Again, no one has to perform alone for the full class. Visual impairment -
can use a song they know and don’t have to read. Hard of hearing - can sign lyrics (deaf west
theater example) or keep working with just the words. Very little movement necessary.
5 Introduction: Ask students what they remember from the first class about the
importance of acting in song.
10-15 Foundation: Describe how to decide acting choices to make in a song - use Out
of Your Head from A Bronx Tale and point out what the characters want, lyrics,
mood of music. Apply elements from last class and stress that it is not any
different for a song in theatre.
10 Brain Activation: Ask what acting achieves in a musical - what makes it more
interesting? Would it fit as well without it? Why can’t it just be singing and
dancing? Expand more on how to show emotion when singing - movement,
facial expressions.
20-25 Practice: Have students pair up and give them the lyrics to part of a song. They
each take turns identifying objective, beat shifts, etc. Then play the song and
everyone sing it together with the acting that they did without music
5-10 Closure: ask what carried over from the acting lesson, how they decided what
actions to do when
● Day 4: Dance
Accommodations: Dancing is only whole class together. People can stand in back if
they don’t want to be seen. Movement will not just use one part of the body so people
with mobility issues can participate to some degree. Students with hearing disabilities
can watch dance visually, and movement will be described in detail for students with
difficulty seeing.
5 Introduction: Ask them what musicals they can think of with dance or
any significant movement, describe them together and come up with
what the dance did for the plot
10-15 Brain Activation: teach them basic dance moves (3-point turn, triplet,
kick line, etc.)
15-20 Practice: each pair/group from last class comes back together and
incorporates dance in at least one part of their song, keep working on
them.
2-5 Closure: ask them how they’d picture each scene without the dance -
why is it more engaging with dance?
● Day 5: Work on their songs
Accommodations: Not everyone needs to perform alone, people can opt out of a certain
element if necessary. Movement will not just use one part of the body so people with mobility
issues can participate to some degree. Students with hearing disabilities can watch dance
visually, and movement will be described in detail for students with difficulty seeing.
5 Introduction: Each student identifies their goals for the day with their song.
40 Foundation: each group keeps working and I will come around, watch a run of
each, and give notes.
5 Closure: Compliment their good work. Ask how the past lessons helped them in
this
Accommodations: Not everyone needs to perform alone, people can opt out of a
certain element if necessary. Movement will not just use one part of the body so people
with mobility issues can participate to some degree. Students with hearing disabilities
can watch dance visually, and movement will be described in detail for students with
difficulty seeing.
● Outline
○ Start with knowledge of famous songs from musicals they may have seen and
○ Acting
○ Dance
○ Perform them
● Abstract: Students will learn singing, acting, and dancing, and the intersection between
the three in musical theatre. The lesson combines watching, conversations, and
performing in every lesson, never sitting the whole time. At the end of the unit, they will
perform to show what they learned and put their skills to use.
Standards: TH:Re8.1.HSII.a - Develop detailed supporting evidence and criteria to reinforce artistic
choices, when participating in or observing a drama/theatre work.
TH:Re8.1.HSII.c - Debate and distinguish multiple aesthetics, preferences, and beliefs through participation
in and observation of drama/theatre work.
Materials: Board to write down responses, speaker system/way for everybody to listen to a
song.
Accommodations: Not everyone needs to perform alone, people can opt out of a certain
element if necessary. Movement will not just use one part of the body so people with mobility
issues can participate to some degree. Students with hearing disabilities can watch dance
visually, and movement will be described in detail for students with difficulty seeing.
5-10 Introduction: Ask students about what they know about singing and
dancing in musicals, why it happens, when it happens. Compare
different scenes they may know.
40 Foundation:
● Watch videos of Seize the Day & Anything Goes together
○ figure out as a class elements such as why the character
starts singing, what it achieves in the plot, etc.
○ Discuss mood and style.
○ Decide how objectives, relationships, etc. come into
singing and dancing
5 Closure: See what they learned. Gather some “I can” statements about
acting, singing, and dancing and the importance of each.
● Day 2: Acting
Objective: Build acting skills by understanding the text and purpose of scene
Standards: TH:Pr4.1.HSI.a - Examine how character relationships assist in telling the story of a
drama/theatre work.
TH:Pr4.1.HSII.a - Discover how unique choices shape believable and sustainable drama/ theatre
work.
Accommodations: Each group is breaking off into separate parts of the room, so the
only people paying attention to the student’s work are their scene partner and the
teacher. They can be put in a 3 person scene and will have only a couple lines. Students
who cannot see can go off hearing the lines and students who cannot hear can sign with
acting/still figure out how to act the given words, or be “teacher’s assistant” and as the
teacher walks around to each group, student explains what feeling they see and what
they can figure out about the scene they are watching by gestures. Very little movement
necessary.
5-10 Introduction: Ask what they define a good actor as. Explain how
character & scene work will help with all of this
20-25 Practice: Each pair gets a short scene to break off and talk about. They
analyze objectives and obstacles and practice acting it together, using
exercises when they get stuck.
5 Closure: Talk as a class about what they each learned regarding acting,
sum up details on what they should remember about it.
Objective: To learn how to act a song and use their body onstage with the music component
Standards: TH:Pr4.1.HSI.b - Shape character choices using given circumstances in a drama/theatre work.
TH:Pr5.1.HSII.a - Refine a range of acting skills to build a believable and sustainable drama/theatre
performance.
Materials: A way to look at and listen to their song, access to the internet for research.
Accommodations: Again, no one has to perform alone for the full class. Visual impairment -
can use a song they know and don’t have to read. Hard of hearing - can sign lyrics (deaf west
theater example) or keep working with just the words. Very little movement necessary.
5 Introduction: Ask students what they remember from the first class about the
importance of acting in song.
10-15 Foundation: Describe how to decide acting choices to make in a song - use
Home from Beetlejuice and point out what the characters want, tactics, mood of
music and break down lyrics. Apply elements from last class and stress that it is
not any different for a song than a monologue.
10 Brain Activation: Ask what acting achieves in a musical - what makes it more
interesting? Would it fit as well without it? Why can’t it just be singing and
dancing? Expand more on how to show emotion when singing - movement,
facial expressions.
20-25 Practice: Hand out duets. They will identify objective, beat shifts, etc. and plan
out acting beats/tactics. Take time to research answers to character and plot
questions.
5-10 Closure: ask what carried over from the acting lesson, how they decided what
actions to do when
● Day 4: Dance
Accommodations: Dancing is only whole class together. People can stand in back if
they don’t want to be seen. Movement will not just use one part of the body so people
with mobility issues can participate to some degree. Students with hearing disabilities
can watch dance visually, and movement will be described in detail for students with
difficulty seeing.
Time (min) Lesson Phase & Details
5 Introduction: Ask them what dance musicals they think of and describe
the scene and what the dance accomplishes. Compare and contrast.
10-15 Brain Activation: teach them basic dance vocab and moves.
15-20 Practice: Each group pur choreography into part of their song.
2-5 Closure: ask them how they’d picture each scene without the dance -
why is it more engaging with dance?
Accommodations: Not everyone needs to perform alone, people can opt out of a certain
element if necessary. Movement will not just use one part of the body so people with mobility
issues can participate to some degree. Students with hearing disabilities can watch dance
visually, and movement will be described in detail for students with difficulty seeing.
5 Introduction: Each student identifies their goals for the day with their song.
40 Foundation: each pair does a practice performance and notes will be given after
each.
5 Closure: Compliment their good work. Ask how the past lessons helped them in
this
Accommodations: Not everyone needs to perform alone, people can opt out of a
certain element if necessary. Movement will not just use one part of the body so people
with mobility issues can participate to some degree. Students with hearing disabilities
can watch dance visually, and movement will be described in detail for students with
difficulty seeing.