Baile Cr) lee MALAI Aloo KIN solo dance, known for its emotional sweeping of the arms and rhythmic. stomping of the feet. While flamenco dancers (bailaores and bailaoras) TNV=siaee Meo gilt e-em] hE and practice into their art form, the dances are not choreographed, but are improvised along the palo or rhythm. The flamenco dance is basically pure gypsy, excluding the hand movements.Flamenco History e Flamenco is a Spanish word that is both for a musical genre with difficult passages, and a dance enre characterized by its audible footwork. The word Flamenco came to life in the 19th century. e Flamenco includes a complex musical and cultural tradition. PNitalol Ne) aM aero Ata aoe ae) part of the culture of Spain in ase flamenco actually comes COMA Mc= (ep Pee =] CEo UNISON Nise Lt} flamenco guitar.FLAMENCO oa CeThank you for your attentionTVET rie eNomThe Golden Age Pearce eel ge Ama rane between 1869-1910, flamenco music developed Cee NM Mane tote tecReell eles te tueta e) new type of place with ticketed public Siem Nes Age nen eed cS ie major public attraction in those cafés. Along RN ol ICIS Ig Peer iseetren sete ec Mea ett) acct eo ee eek (OL clay Eau aCclan cian In the 19th century, both flamenco and its Peed eM RO ese enn sel popular throughout Europe, even into Russia. lease OCR ann els they thought were Gypsy-flamenco themes. SOB eA Ramses aay Federicé Garcia Lorca, and famous composer Manuel de Falla, organised the Concurso de Cante Jondo, a folk music festival for cante ICS ee Tu Interest in some styles of flamenco, which were iu ecec I Mma Rm Keil fee CLMusical characteristics Harmony Pee gts om kp A ke rey A me native of Aden in modem day Yemen. Peels it frost ane een eee Pere aera eres Erte ere Nea etn at Be alee area eee pee ane cee) peed Ge ee ae on eal Patel en A ey eo ae er Sena trea et acta iene ce eae SSE ean poe ee una rae ee ear te eee ner ren ai Pe eye ek eee Se ron ae ake , PAO eel M ant a anc cic WAR eee eno Fe eee ree ne pore eer rea yee cpa eh or ya ei aaa errr ace pa eat a ea |Background eee eee Meets rise to flamenco, attention must be paid to the Eachus ecu tems Peninsula since Ancient times. Tt is not possible to find out what this music really sounded like, so the theory occ RUC eue eat Pee MSC ia ae LE Re sree Rey eo rep cerm Ae st hem eC AL Seco ene ay 7- ERR en eee laa Ura surruce tee mI Sms tog music still performed in North African countries, This PCS ere e uu ain eM oS Peseetamy Acne Mine lala iey caren C Noma Pheer ue minneeneen tcl} FM e Ree Sua eT Be Fea acl uu Sota PCE MMURsMIeuceN eRege tame grace ie late bs ay Ana) SCTE Meat pss a a eee uke aera eel Ce auc of Al-Andalus much stronger.The "Theatricé Seemed eee ay Pe ei de pce NO ee Cheer uted sccm Pare eee ec eed ace earned ene eee} Pellet te enc R cM al lamenco shows were born, where flamenco was ie RR a gre nee neon Cece eee The leading artist at the time was Pepe Marchena, RUA cach mT | spectacular vocal runs like bel canto coloratura, A ie eect cue Rr Mee a Pm mum al sna) Rec aca ectte Recah cakes ered aus traditionalist critics as a time of complete earls Pepe MarchenaPaco de Lucia it er 5 e Paco de Lucia, or Francisco Sanchez Gomez (in Algeciras, Cadiz on December 21, 1947), is a Spanish composer and guitarist, He is recognized as a virtuoso Flamenco guitarist Fl Moylan tat (eg (epee laal-ldi un =cmer-]|-1¢ ela -me) the greatest guitarists of all time, in an (ela come noe Ce) Heel recon es )V oO) Und Modern Flamenco style, and is one of the very few flamenco guitarists who have also successfully crossed over into other genres of music. He enjoys, and has been a le receemo i MnO er MPU SO See Ty classical, jazz and world music. He is the Ome a0) ae lue Mole clear ey Awards in Arts, and is the uncle of Spanish pop singer Malu.Flamenco GuitarThe influence of the New World Rens eu ee ae nse eee me Sub-Saharan African music on fiamenco's prehistory. This developed en Renken Ae ene rat oon New World. There are 16th and 17th century manuscripts of classical Re cesses ces Renn un a ae od De eu aU eee Rens eae ae Cu) Pa aie un aC aman ea er eDy Peed NdeI ec mae) ort er Ce ae eek ‘mentioned in Spanish literary and musical works from the 1500s on. Revevemae ou ee Ub eee k ge saa cma Cen es aaa a ea tel om cary ae a NaN CM ned Crea RO mtn el ER MIS ed eRe Un CPM R soe ac Reece og atc ae aes Re ec ye ee eee dc) During this period. the "flamenco fiesta" developed. The cultural part of the flamenco fiesta is the basic thing about flamenco. A turning point in femenco came, with a change of instruments. In the late 18th Century the favoured guitar became the 6 string single- coursed guitar which replaced the double-coursed § string guitar in Pome gu Ae acne ig Re Me ees aad Flamenco became married to the 6 string guitar.Compas Compas isthe Spanish word for mete and time signature in asslcal muste tory. In Paar arene aa ea enti acne ae Be esa ete a era a a Fe ct a a tee Se ee aa famenco uses tee basc courts or measure: Binary, Temary andthe (unique to Pu erect nate aie Pane a eS Pan Inari Cree ue nent arsed ey Bee et) Ree ee Oe eee ee eee teas ae s ieee ee eC eee eh ietd Fr Ta eer an sor eres een em esac Gees erie e pee tn eres ad ett pee nent rear eC eer nn etd oe tea rae ton ay Peer weer sees er Ceres pean Ore rE Pere TL Frm he segulva, [Mana serrana ton Ivana, cabales: 123456789 10 11 12 The Be en er reine ae ea es fren ate ee eer een BeeFlamenco guitar The flamenco Ga (and the very similar classical guitar) comes from the lute. The first en are thought to have appeared in Spain in the 15th century. The traditional flamenco guitar is made of Seale Geli and spruce, and is lighter in weight and a bit smaller than a classical guitar, to give the output a 'sharper' sound. The flamenco guitar, in contrast to the classical, is also ssl Vea) barrier, called a golpeador. — rt ih aff ilTechniques FOREARM a KM miro TS classical guitar, using different strumming patterns and ug Flamenco is commonly played using a cejilla (capo) which somewhat causes the Metco MMi ec meld uae meget icy Pe VSAaauele) ean 2 in using a cejilla is to change the key of the guitar in order to suit the Rit penc cies BURL] tela co ega canine Reel Te RNS [6 guitar, flamenco guitar technique is uniquely fear Teta gel ovata col lel TaeHe Golpe. Picado Rasgueado, or Z)e)0T} TremoloOverview e Flamenco appeared from the lower [Ve eeev Nate Ure uiseel=nar-uensoe didn't have the prestige of art forms among the middle and higher levels. e "Flamencologists" have usually been flamenco players of no specific academic training in the fields of history or musicology. © There are questions not only about the music and dances of flamenco, but also about the very word flamenco. George Borrow writes that the word ufSulcule [sic] is synonymous with cyThe rise of flamenco During the late-eighteenth to mid-nineteenth centuries, flamenco took on a number of unique characteristics which separated it from local folk music and prepared the way to a higher professionalization and technical Pe Aaa a RRR ii: 1c styles and to the popularization of the genre iC DR AAU acd MUM ese] ieee eM Ie ema a mgh eMac FEI Rie OLSON eR ORM Rec Roa z RUG Ue (one-act plays) and tonadillas, the popular songbooks Pe ee ssem eeu ks ce on a) ote Seg a eu mma e ice koe Feira We ee oie Mule. sec M Neca fur eens A aus easy Gla Er Iam echt AUN eas ean thythm and the lyrics. (Quoted by Rios Ruiz 1997), Alvarez Caballero (1998 a eat about flamenco previous to its late 1780 mentions, it is Peete ema Ngee is