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Prometheus 1
Prometheus 1
Ancient Greece was not the only culture that saw the trickster as a transformer of culture, or a culture
hero. Even though tricksters from other mythological systems are in many ways quite different, they
often share this characteristic. In Native American stories, the trickster is a figure often obsessed with his
appetites for food and sex. However, as time passes, other stories of the trickster may arise, representing
him as a savior, a creator, and a benefactor of the people.
In African tales, the trickster forges a contract with dupe and then betrays him. Why does this make him a
culture hero? In times of extreme physical hardship, this figure uses his wits to obtain the supplies he
needs. However, his behavior is not viewed as a model to be followed by others. He does not represent
the proper way to behave in this culture; rather, he is the exception that proves the rule. His negative
example affirms the community’s values and identity: his behavior is wrong, but necessary.
John W. Roberts explains that for African-Americans, the meaning of the trickster has changed. In Africa,
food shortages were due to natural disasters or war. In America, shortage of food and material goods was
artificially imposed by white masters in the midst of abundance produced by the slaves themselves. Thus,
African-American trickster stories represent a grim world in which the masters and slaves are pitted
against each other, and the slave survives only by the combination of cunning and luck. The role of the
trickster is based not on building culture, but on resisting and surviving culture that is out to use (or
abuse) him up. The trickster is a culture hero only in the sense of preventing the complete elimination of
his culture by forces out to destroy it.
In all of these instantiations, the trickster is a “liminal” creature. That is, he is on the threshold between
two worlds. He is part of society, but functions at its outer limits. He lives between nature and culture
and, because of his dual identity, is able to unmask or disorder the world of those with a more solid stake
in the established norms of society. He is a revolutionary who is likely to destroy the world as we know it
and forge a new reality from its ruins.
Prometheus, too, is a liminal figure. He is a god, but he takes the side of humans. His role is not to bolster
the power of Zeus but to question it. He is not just a builder of civilization who gave humans fire; he is the
revolutionary who rebels against the despot and stirs up the existing order. Another story told by Hesiod
about this great hero makes this clear. It is Prometheus who makes Zeus angry by tricking him into
accepting the less desirable of the two offerings. On the one hand, this makes Prometheus behave as
tricksters always do: he is the clever figure who outwits a dupe and takes his food away. On the other
hand, this represents Prometheus as a rebel against a certain divine order, the cosmic system in which
human beings are not cherished, valued, and protected.
HESIOD ON PROMETHEUS
Hesiod, a Greek poet, lived about 700 B.C.E. and composed two poems, the Theogony and the The Works
and the Days. The excerpt below comes from Theogony, a poem describing the nature and generations of
the gods, and it is in this context that the poet tells the story of Prometheus.
In this poem, Hesiod wants to show how Zeus became the supreme head of the gods. In recounting the
struggle of Prometheus against Zeus, he is not very favorable to the rebel. Rather, he portrays
Prometheus as playing an essentially pointless trick against the head god merely to win the better share
of the food for humans. Hesiod does not tell the story in chronological order; the sequence of events in his
story is as follows
Event Source
1. Prometheus cheats Zeus of the better Described in detail by Hesiod in the Theogony
sacrifice
2. Zeus withholds fire from humans Mentioned in both Theogony and the Works and Days
3. Prometheus steals fire for humans Mentioned in both Theogony and the Works and Days
4. Zeus punishes him by inflicting Pandora, the Described in detail by Hesiod in the Works and Days
first woman, on humans
5. Zeus binds Prometheus to a rock in chains Mentioned in both Theogony and the Works and Days
6. Zeus allows his son Heracles to free Mentioned in the first part of the story that Hesiod
Prometheus, to increase his son's fame describes, in the Theogony