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  • Je Te Veux: Violoncello 3

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    Harold Lemus
    3 views3 pages
    This document contains sheet music for the arrangement of "Je Te Veux" for cello trio by Erik Satie. The sheet music displays three staves with musical notation for three cellos. Tempo and dynamic markings such as "rit." are included to provide performance instructions.

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    5962769-d5cb19cb9620869f931776789db63b45 (2)

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    This document contains sheet music for the arrangement of "Je Te Veux" for cello trio by Erik Satie. The sheet music displays three staves with musical notation for three cellos. Tempo and dynamic markings such as "rit." are included to provide performance instructions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    3 views3 pages

    Je Te Veux: Violoncello 3

    Uploaded by

    Harold Lemus
    This document contains sheet music for the arrangement of "Je Te Veux" for cello trio by Erik Satie. The sheet music displays three staves with musical notation for three cellos. Tempo and dynamic markings such as "rit." are included to provide performance instructions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 3

    Violoncello 3 Je Te Veux

    for Cello Trio

        
     
    Arr. Grant Maiorana Erik Satie

    

               
         
     = 140

      
                   
    sim.

          
    11

      
             

       


     
     
      
    20

              
       
         
    rit.

    
    29

               
          
        
    37

                    
      
       
    46

              
         
        
    55

             
         
           
    rit.

     
    64

                     
           
    72

      

                 

     
      
    81
                
        
         
    90

       

      
          
      
    rit.

       
    98

       
                
     
    rit.

       
    107

         
       
                
    116 1. 2.

               
          
        
    125

             
         
         
    134

            
           
           

    144

     
              


    

          
    153

     
                     
      
    rit.

      
    163

                    
            
    171

    2
                 
             
      
    181

        
           
             
    rit.

     
    190

                
          
        
    199

              
          
        
    208

               
        
          
    217

            
              
      
    rit.

      
    226

            
         
       

       

    234

      
                 

       
      
    243

              
      
     
           
    252

             
     

         

    rit.

        
    260

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