Studija br. 1 / Study no.


op. 19 br. 1 / op. 19 no. 1
za harmoniku / for accordion
 Allegro leggiero con moto ( = 132-138)
Faruk Mehić

            
 
      

  
 
       
            

 

 
                 
 subito

     


  
     



F.B.

           
       
          

5

  
    
   
                        

  

         
     


 
         
      
A

  
9

  

   
          
    
        
 

     


           


    
 


    
 
      
     
13


1.

  
     
   
  
 
  
   
                              


  


           


 
B

   
                    
17 2.

    
                     
     


 
                 
    
      



   

© 2023 Faruk Mehić



3

    

                             
21

 
                    
            


              
  



       
           
C

              
24

   
                     
                         


  


   
      
                               
27


                    
                      
  
             


       
         

    
                   
30

                    
                         
       


            


  
       
D


         
33


                    
                          
       


 


  
    
E

           
36

            
    

                
                      
   


            

© 2023 Faruk Mehić



  
     
4

     
 

   


39


         
             
                  
 

     
 subito


     


          
     
         
F

   
43

                      
                      
        
           


      


  
  
    
         
47


 
          
             


     
    
   
      


© 2023 Faruk Mehić

 Studija br. 2 / Study no. 2
op. 19 br. 2 / op. 19 no. 2


za harmoniku / for accordion
Faruk Mehić


Allegretto mormorando con spirito ( = 112)

        
                     
A

           

   
                
  

       
    


bellows shake/
tremolo simile



F.B.

                    
                                        
B


17

         

             


           


     


                   


                           
                                       
31
C D

      


    
 

         


 
                  
                  
                   
ritenuto

   
41


   


   
       


                                      
                                                 
a tempo
E


49


    
    

           

               

© 2023 Faruk Mehić


                
           
6 no bellows shake/

             
ritardando no tremolo

       
F


65

 
 




    
 


                      
           



© 2023 Faruk Mehić

 Studija br. 3 / Study no. 3
op. 19 br. 3 / op. 19 no. 3
za harmoniku / for accordion
Raspored materijala: / Disposition of the material:
A-B-C-D-E-F-E-G-E-B-A-C-H


Faruk Mehić


Vivo capriccioso con brio ( = 80)


                            
A (repeat this 5x-10x) B

     
(repeat this 5x-10x), no decrescendo on last repeat!

              
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

           

                      
 

       


 


         



F.B.

(repeat this 5x-10x),

             
                         

C reverse dynamics every repetition; ff-pp etc. D (repeat this 5x-10x)

   
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

     

                                    
   
()  

          


   
(repeat this 3x-6x),

 
  
reverse dynamics every repetition;

  
(repeat this 2x-4x), no decrescendo on last repeat!

                                        
E 3 3
F ff-pp etc.
3 3

 ()
3 3 3 3 3 3

               
 3 3 3


3 3 3

   


     


(repeat this 3x-6x), reverse dynamics

                                  bellows shake/tremolo simile

every repetition; ff-pp etc.

 
G

 
3 3

       
3 3
3 3 3 3 3 3        

                
()

      


        
3 3

  

                   
                    
H rallentando 3 lunga
3 3 3

 
 
3


3

         
3 3

          
 

               
        
    


© 2023 Faruk Mehić

 Studija br. 4 / Study no. 4
op. 19 br. 4 / op. 19 no. 4
za harmoniku / for accordion


              
Faruk Mehić

      
        
Moderato rustico con pesante ( = 96-102)


  
 
 
  


    



               
F.B.

                  
          



6






  


         
          
                           
A


9


 
 

  
           


  
               

12


  


 

              


    
         

14


  


 

                  


        
                       

16


   


  

© 2023 Faruk Mehić


           
        
                             
 9
B


19

   

  

  
  


                           
                   
22

   
   


  


       
                                                 
   
25

   
   


  


        
        
C

                    




  
28

  
 


   
  


               
       
                


  
31

  



 

   
  


               
         


         
          
D


34

   
 

 


   
  

© 2023 Faruk Mehić


10 E

  
               


           
37

          
  





   
  


 
                 
F

    
   
        


  
  
   
40

   
        

 

        


        
       

© 2023 Faruk Mehić

 Studija br. 5 / Study no. 5
op. 19 br. 5 / op. 19 no. 5
za harmoniku / for accordion
samo za lijevu ruku / for left hand only
Faruk Mehić

         

 
Larghetto andantemente un poco teneramente ( = 66-72)

         

legato


F.B. 


                   
       
A

            
4
5

  

                                             
5

      
7





          
B

  
11

          


 

                        
15


           

         
             
C

         
18

      
5

                          


           
  
21 5

 5


                  
24

               

              


        


   

27 D

       
   
            
                              

30

5
 5

© 2023 Faruk Mehić

                            
12


E

      
33

           
6
7

5
 


          
                     
 
37
5

5


        
F

          
        
40

    
stringendo


   



                                 
 
       
43




                              

                     
lunga

  
46 allargando

    


© 2023 Faruk Mehić

 Studija br. 6 / Study no. 6
op. 19 br. 6 / op. 19 no. 6


za harmoniku / for accordion
 Andante appassionato con fuoco ben ritmato ( = 84-90)
Faruk Mehić

  
                                         
     
        


 
  



F.B.

     

               
               
5

 
 
 
                      
 


          


 




                   
           
     
8
A

     
            
             
  

 
  


      
    
                          
11


          
              
 

    


        



              
B

     
14

   

 
                       


         
 

© 2023 Faruk Mehić



14

               
       
       
17

            
        


        
  
                 
     


   






         
21

        

    
                   


       


                 
     
                
 
 
24


 
     
 
  


          
                
  
27
C


                 
    
   


                


  
                     
               
30

 
          
         


       
  


   
                                
           
33

     
          


 


  
          


© 2023 Faruk Mehić


     

15

       
                    

36

   
              
   


    


      
   
D

                          
39

    

     
 


  


               
   
43


          
        
    
              
 
   
  

  



          
                     
46


     
    
  

                  
    
            


 
                
                         
49

   
 

   
   
                     


   

      
     
E

  
52

     
           
 
    



   


  

© 2023 Faruk Mehić


       
16

        
57

   
        

 
                 



      



Cadenza - ad libitum

                               
    
in modo improvvisando

     
F

  
  
63

 
3 3 3 3 3 3 3 3

  


 
 


             
                              
Grave brioso in modo

            
      
improvvisando ( = 42-45)

           
65

  
         
3 3 3 3 3 3 3 3

     


 



      
        

© 2023 Faruk Mehić