Mad Professor - Snow White Auto Wah

MP - SWAW
The SNOW WHITE AUTOWAH (SWAW) circuit is based on a 1991
BJF rack mount remote wah circuit and is tuned like a real wah.

The circuit was redesigned with envelope controls and built into
small size pedal.

It has very fast tracking and accuracy rarely found on auto wahs/
envelope filters. With the four knobs you can have total control of
the effect.

SWAW works both with guitar and bass and you can fine-tune the
pedal to suit your instru-ment, your playing style and your taste of
tone.

The pedal has a unique decay control for the filter frequency fall
speed. You can set it to be fast for wah effects on every note, or
slower for a more traditional auto wah sound.

Like all Mad Professor pedals SWAW is hand made in Finland using
only premium compo-nents, to give years of trouble free operation
with superb musical tone.

ㅁ SENSITIVITY: Sets the filter trigger level, tune this carefully to

fit your guitar/bass output and your playing touch.
You can further change the sensitivity from your guitar volume
knob while playing.

ㅁ BIAS: Controls the filter resonance frequency. When

Sensitivity is turned fully off the Bias can be used as a sweepable
filter.

ㅁ RESONANCE: Controls the sharpness or Q-factor of the filter.

ㅁ DECAY: Controls how fast the filter frequency falls back to

resting point (that is set with the Bias control). This can be set
fast (CW) so you get the wah effect on every note or slow for a
more traditional auto wah sound.

PLAYING: Please take time to get used to the controls and as this
is a voltage control filter it will react to your playing touch. The
envelope control circuit is carefully designed to follow the
dynamics of guitar/bass and it might take some time to master the
Auto Wah playing technics.

Try also adjusting guitar volume between 8 and 10 to further

expand use.

ㅁ Sensitivity - sets the filter trigger level and should be

adjusted to fit your guitar/bass output and your playing touch.
The sensitivity can also be adjusted from the guitar volume
knob while playing.
(감도 - 필터 트리거 레벨을 설정하며 기타/베이스 출력 및 연주 터치에
맞게 조정해야 합니다. 연주하는 동안 기타 볼륨 노브로 감도를 조정할 수
도 있습니다.)

ㅁ Bias - Controls the filter resonance frequency. When

Sensitivity is turned fully off the Bias can be used as a
sweepable filter.
(바이어스 - 필터 공진 주파수를 제어합니다. 감도가 완전히 꺼지면 바이
어스를 스위프 가능한 필터로 사용할 수 있습니다.)

ㅁ Resonance - Controls the sharpness or Q-factor of the filter.

(공명 - 필터의 선명도 또는 Q 인자를 제어합니다.)

ㅁ Decay - Controls how fast the filter frequency falls back to

resting point (that is set with the Bias control). This can be set
fast (CW) so you get the wah effect on every note or slow for a
more traditional auto wah sound.
(Decay - 필터 주파수가 휴지점(바이어스 컨트롤로 설정됨)으로 떨어지
는 속도를 제어합니다. 빠르게(CW) 설정하여 모든 음표에 와우 효과를
주거나 보다 전통적인 자동 와우 사운드를 위해 느리게 설정할 수 있습니
다.)

[네이버 블로그 퍼옴]

ㅁ SENSITIVITY : 필터 트리거 레벨을 조절합니다. 기타/베이스의 아
웃과 연주의 세기에 맞춰 주의 깊게 세팅해야 합니다.

ㅁ BIAS : 필터의 울림대역을 조절합니다. Sensitivity를 모두 줄였을 때

본 노브를 스윕 필터로 사용 할 수 있습니다.

ㅁ RESONANCE : 연주세기에 반응합니다.

ㅁ DECAY : 필터의 프리퀀시를 얼마나 빠르게 떨어뜨릴지를 결정합니

다.(Bias와 함께 사용).
시계방향으로 돌리면 모든 노트에서 빠르게 혹은 전통적인 와 사운드 처
럼 느리게 와 이펙팅 효과를 낼 수 있습니다.