bape 16 CHAPTER SEVEN - Afro Lines in 6 ‘The African influence in Afro-Cuban music is most strongly felt in those pieces that are played in {6/8 (sometimes written as 3/4 or 12/8). The basic pulse is usually two dotted quarter notes per bar subdi- vided into two groups of three eighth notes each, as follows: or ‘The rhythmic complexity appears when you play three notes against this basic two pulse, as follows: os ‘As you can see, these triplets (three against a two pulse) are written here as quarter notes and can ceasily become the dominant pulse that you feel, but be sure you can also feel them as a polyrhythm against the basic two beats per bar. Itis the rhythmic tension of two against three that gives the Afro 6/8 groove its intensity. The following exercises are designed to show you how this all works. As before, integrating the rhythms written at the end of the transcriptions into your own playing is what will help you the most. So make sure you work on cach of them, one at atime. CD Two TRACK #10} 8 Dwi" Ge) wwwwwwewwwww ww www ww wwwwwww z 2 SAS AGS) AS)wewwwwwwe [rrr rrr rere eres 9 rere rew es Agt8) 118