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Making Sense of Death
Making Sense of Death
Making Sense of Death
Ostaseki was hired as the first director of the Zen Hospice From a Conversation with
Project in 1987. This project started in San Francisco in one of Frank Ostaseki
the epicenters of the AIDS epidemic. Many of the first clients
were inflicted with AIDS and the center focused on providing EPISODE #104
compassionate care informed by Buddhist and secular The Lessons Of Death
philosophies.
Drawing on the lessons he learned while caring for the dying, as well as his own personal journey, he
authored a book which almost serves as a workbook for dying on its own. He organized it into 5 distinct
ideas, which he called “Invitations.”
“Too often we hold back from life, not wanting to be hurt, not wanting to be disappointed. But in holding
back, we also hold ourselves apart from the richness and fullness of life. When we bring our whole selves
to the experience, we open ourselves up to the full spectrum of human emotions and experiences. We
may feel joy and we may feel sorrow, but by not holding back, we are able to fully engage with life in all
its richness.”
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MAKING SENSE OF DEATH
of the well-known “hierarchy of needs,” which is often represented Scott Barry Kaufman
as a pyramid that looks something like this:
EPISODE #209
A Good Life
Following a major heart attack in 1967, Abraham Maslow reexamined his hierarchy of needs and began to
question the idea that self-actualization was the ultimate goal of human motivation. Instead, he saw self-
actualization as a continuous process that could occur at any point on the hierarchy, rather than just at
the top. Maslow also explored other areas such as humanistic and transpersonal psychology, refining and
expanding his ideas about human motivation throughout the rest of his life.
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CONTINUED
Kaufman’s book Transcend is an effort to understand exactly what Maslow may have meant by “self-
actualization.” In the end, he keeps the shape of the of the pyramid and some remnants of the relationship
between different types of needs, but reimagines it as a sailboat like this:
Kaufman writes: “The pyramid from the 1960s told a story that Maslow never meant to tell: a story of
achievement, of mastering level by level until you’ve “won” the game of life. But that is most definitely not
the spirit of self-actualization that humanistic psychologists like Maslow emphasized. The human condition
isn’t a competition; it’s an experience.
Life isn’t a trek up a summit. It’s more like a vast ocean, full of new opportunities for meaning and
discovery but also danger and uncertainty. In this choppy surf, a pyramid is of little use. What we really
need is something more flexible and functional: a sailboat.”
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MAKING SENSE OF DEATH
Noetic Qualities
Griffiths has been spearheading the effort to study and promote From a Conversation with
In an interview about the study given to Scientific American Magazine, Griffith’s summarized what the
patients were telling him: “There is something about the core of this experience that opens people up to
the great mystery of what it is that we don’t know. It is not that everybody comes out of it and says, ‘Oh,
now I believe in life after death.’ That needn’t be the case at all. But the psilocybin experience enables a
sense of deeper meaning, and an understanding that in the largest frame everything is fine and that there
is nothing to be fearful of. There is a buoyancy that comes of that which is quite remarkable. To see people
who are so beaten down by this illness, and they start actually providing reassurance to the people who
love them most, telling them ‘it is all okay and there is no need to worry’— when a dying person can
provide that type of clarity for their caretakers, even we researchers are left with a sense of wonder.”
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MAKING SENSE OF DEATH
Reflections on Mortality
As we noted in the episode, Galloway is not particularly interested From a Conversation with
in death. Most of his commentary and insight is about business, Scott Galloway
technology, politics, and society. But as you heard in his exchange
with Sam, he does recognize the ever-present role of death- EPISODE #189
anxiety in shaping all emergent sociological phenomena, such as Wealth & Happiness
status seeking, war, greed, loneliness, and religion.
In the subsequent years since that recording with Sam, Galloway has written about these topics much
more directly. In 2020, he published a book entitled Post Corona: From Crisis to Opportunity, which
emphasized the pandemic’s impact on our relationship to mortality. He writes:
“Death, or rather our avoidance of death, is an organizing principle of Western society. It’s the thing we
spend the most money on, from medicine to insurance to entertainment. It’s the one thing we can’t
outsource, can’t automate, can’t opt out of. And yet, for most of us, death remains an abstract concept. We
know it’s coming, but we don’t want to think about it. Until COVID-19, that is. The pandemic has forced us to
confront our own mortality, and the mortality of those we love, in a way that no other crisis has.”
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MAKING SENSE OF DEATH
4,000 Weeks
There is a paradox that can happen when a “mindlessness” of From a Conversation with
death manifests as anxiety and ultimately grows into a form of Oliver Burkeman
constant “busyness.” We can feel like we are in a race against the
relentless passage of time. But if we actually were ignoring or EPISODE #289
successfully denying death, then why would this feel like a race at Time Management for Mortals
all? Why would there be a finish line?
This paradoxical picture is likely due to the impossibility of actually forgetting death. That thesis is
famously explored in Ernest Becker’s “The Denial of Death” (in our recommended list). But Burkeman’s
Time Management for Mortals takes this paradox on directly and outlines some practical tools for readers
to use in order to find harmony with the limitations of mortality.
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MAKING SENSE OF DEATH
West is a theoretical physicist by training, but has applied From a Conversation with
this area of study towards cities, economies, companies, and Geoffrey West
biological organisms. This final application is what brings him into
this contemplation of death and dying. He does not go as far as EPISODE #86
the Silicon Valley dreamers who imagine an army of nanorobots From Cells to Cities
in our bloodstream constantly self-repairing the system in such a
way that a human organism could continue living indefinitely. But
he does bring a kind of mechanistic thinking to assessing why any system decays and dies.
When it comes to an organic living body, West notes the complex relationship between metabolism and
aging. He describes a kind of trade-off between metabolic rate and lifespan where larger organisms tend
to live longer due to their slower metabolic rate per unit of mass.
But the question is obvious: Do we want longer lifespans simply for the sake of having more time? Do we
want to be “couch potatoes,” as West jokes, living boring, slow, cold, but long lives? Or is there another
inherent trade off where the philosophical picture looks less like a futile game of hide and seek with
death, and more like an acceptance of its inevitability and a full, energetic, healthy engagement with the
opportunity to live well.
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MAKING SENSE OF DEATH
In this solo episode, Sam examines many paradoxes when it From a Conversation with
If one could view life from the perpetual philosophical “view from nowhere,” it might appear as something
like a flower which only blooms for a brief moment. The briefness of the thing amplifies its beauty and
provides a suggestion to savor it and be attentive to it, for it will not be here tomorrow.
As a meditation on this final point, consider the Tibetan Buddhist monk tradition of creating “mandalas.” This
tradition dates back over 2,500 years. The monks create elaborate circular designs out of colored grains of
sand. The results are intricately designed art pieces full of moral and religious symbolism. The art piece can
take weeks to produce, but then they are unceremoniously wiped away in a process called “dissolution,” an
homage to the impermanence of all things and the Buddhist concepts of non-attachment.
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SERIOUS QUESTIONS TO CONSIDER
Ostaseki says that one thing we know for certain about death is that it is more than a
“medical event.” Do you agree?
Have you used psychedelic drugs as an aid for explorations of death and mortality? If
not, is Roland Griffiths’ work intriguing to you? If so, how do your experiences inform
your mindfulness of death?
Would you like to know the exact time of your death? How about the deaths of your
friends and family?
How would meditations on your death affect your level of compassion towards others
and/or your daily behavior?
In 1951, Dylan Thomas wrote a famous poem called “Do Not Go Gentle Into That Good
Night,” which delivers an emotional plea to resist the inevitability of death and continue
fighting for life until the very end. The poem repeats the line “Do not go gentle into
that good night. Rage, rage against the dying of the light.” How does this plea strike
you after listening to this compilation?
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