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  • Chorinho

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    richard thurstans
    8 views2 pages
    The document contains musical notation for a chorinho guitar piece. It consists of multiple lines of musical staff with notes, rhythms, and indicators. The piece is in the key of G minor and contains variations on a melodic theme in the style of chorinho, a Brazilian musical genre. It utilizes techniques such as arpeggiation, tremolo, and changes in tempo and dynamics.

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    The document contains musical notation for a chorinho guitar piece. It consists of multiple lines of musical staff with notes, rhythms, and indicators. The piece is in the key of G minor and contains variations on a melodic theme in the style of chorinho, a Brazilian musical genre. It utilizes techniques such as arpeggiation, tremolo, and changes in tempo and dynamics.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    8 views2 pages

    Chorinho

    Uploaded by

    richard thurstans
    The document contains musical notation for a chorinho guitar piece. It consists of multiple lines of musical staff with notes, rhythms, and indicators. The piece is in the key of G minor and contains variations on a melodic theme in the style of chorinho, a Brazilian musical genre. It utilizes techniques such as arpeggiation, tremolo, and changes in tempo and dynamics.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Chorinho

    Guitar Two

               
       
     = 60

        
               
                   
       

    4

        
                
                   
        
     
    8

                 
         

    1.
                  
      
    G


    13

                            
     
                    
       
    18 2. C

     
                
    2

                    
       
    22

                 

                   
       

    26
    C

              
          
                 
         

    30
    C

        
              
         
            

    34

     
                              

       
           
     
    40

    
                
      

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