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Class or - Google Docs5
T
The ballad is a traditional narrative song, often dramatic in character.
The works of Guillaume de Machaut (1300-1375) contain around 80
ballades and "chansons balladées". Originally, they were dance songs,
very simple, widespread since the time of the troubadours and characterised
characterised by the presence of a refrain, probably sung by a choir. Schubert
composed ballads based on texts by Goethe.
The rondeau
The rondeau, a piece of music in which the first phrase, or "refrain", is repeated at regular
intervals, will always be remembered by the composer.
phrase or "refrain" is repeated at regular intervals.
th century, when it
merged with the rondo.
Sonata
Sonata (from the Italian sonare, "to perform by an instrument") is a monothematic
instrumental work.
monothematic instrumental work: a single theme is developed in the dominant
dominant. In the 16th and 17th centuries, more and more instrumental
instrumental compositions (da sonare) were entitled sonatas, as opposed to vocal works (da
cantata).
vocal works (da cantare).
Opera
The precursors of opera (from the Latin neuter opus, "work") were the comedians
the madrigals of the Italian Renaissance. Driven by the desire to renew
ancient drama, a group of composers and scholars gathered in the house of Count
house of Count Bardi, a patron of the arts, where they discuss their art.
hapter 5: A little sweetness in a rough world: music and dance Chapter 5: A little
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sweetness in a rough world: music and dance 193
The Italian and French currents are sometimes contrasted: the former works on bel canto
bel canto, opera seria ('serious'), on mythological subjects; the latter prefers
preferred opera buffa ("bouffe"), better integrated into the king's court and the origin of the
comedy ballet and court ballet. The following period saw the birth of the German singspiel
based on popular fiction.
Operetta p
Émile Littré, in his Dictionnaire de la langue française (1863-1873), gives the following
definition
gives the following definition: "small, unimportant operas". Light opera
style, deliberately putting gaiety and spectacle on its side, operetta,
from vaudeville, began on the pavement of Paris. This was the origin of opera comique
spoken dialogue interspersed with original songs. The name of Jacques
Offenbach (1819-1880) is associated with La Belle Hélène (1864), La Vie
parisienne (1866) and Les Contes d'Hoffmann (1881, posthumous).