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    Variations On Shostakovichs Waltz No For Violin and Piano

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    Amin Hosseini
    The document describes three variations on Shostakovich's Waltz No. 2 for violin and piano. It provides musical notation for the theme and variations. Variation I is marked "a tre mani" and features both instruments playing together. Variation II includes longer passages for the violin alone. Variation III further develops the theme with additional ornaments and flourishes for both instruments.

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    Variations On Shostakovichs Waltz No For Violin and Piano

    Uploaded by

    Amin Hosseini
    25 views6 pages
    The document describes three variations on Shostakovich's Waltz No. 2 for violin and piano. It provides musical notation for the theme and variations. Variation I is marked "a tre mani" and features both instruments playing together. Variation II includes longer passages for the violin alone. Variation III further develops the theme with additional ornaments and flourishes for both instruments.

    Original Description:

    Shostakovich waktz no 2

    Original Title

    _Variations_on_Shostakovichs_Waltz_no_for_Violin_and_Piano

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    The document describes three variations on Shostakovich's Waltz No. 2 for violin and piano. It provides musical notation for the theme and variations. Variation I is marked "a tre mani" and features both instruments playing together. Variation II includes longer passages for the violin alone. Variation III further develops the theme with additional ornaments and flourishes for both instruments.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    25 views6 pages

    Variations On Shostakovichs Waltz No For Violin and Piano

    Uploaded by

    Amin Hosseini
    The document describes three variations on Shostakovich's Waltz No. 2 for violin and piano. It provides musical notation for the theme and variations. Variation I is marked "a tre mani" and features both instruments playing together. Variation II includes longer passages for the violin alone. Variation III further develops the theme with additional ornaments and flourishes for both instruments.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 6

    3 Variations on Shostakovich's Waltz no.

    2
    For Violin and Piano
    D. Shostakovich/N. L.

         
    Theme: Tempo di Waltz,  = 180

            
    Violino
    

     
                                  

             
        
    Piano

        

       


                  
    10

    Vln.


                              
         
         
        
    Pf.


       
       

           
              
    18

    Vln.


                                 
         
           
           
    Pf.


         
        

             
                 
    27

    Vln.

                
                   
            
       
            
    Pf.


          
     
    2

      
    35

    Vln.

      
        
        
     
    Pf.

     

    Variation I, "a tre mani": Tempo I,  = 180


         
    
     
    Violino

           
                    
             

     
            
           
    Piano


       
     

                  


    6

        
    Vln.

       
             
    

               
            
                   
    6

                  
    Pf.


          
      

                  

    13


    Vln.

                           
      
         
                     
        
     
    Pf.


        
      
       
            
    3


    19

     
    Vln.

        
              
                        
      
                    
           
        
    Pf.


      
      

       
          
        
    25

    Vln.

       
      
       
                      
     
                           
            
    Pf.


         

          
           

    32

            
        
    Vln.

                  
            
    

                    
        
          
    Pf.

     

        

      

    38

    Vln.


        

       
      
    Pf.



    4 Variation II, "inverso": Tempo I,  = 180

                        
    
    pizz.

             
    Violino

     
          
               
           
         
    

          
    Piano

      

      
       

                        
    11

             
    Vln.

                         
              
             
            
           
    Pf.


       
        
               
             
    21 arco

          
    Vln.

    

            
          
        
            
         
          
            
    Pf.


       
          

             
                  
    pizz.

     
    30

            
     
    Vln.

            
                

             
              
               
    Pf.

    

        
    Variation III, "a capriccio": Tempo I,  = 180

                
    5

            arco
     
    pizz.


           
    Violino

               

    

                

    Piano

                 
          
     
    12
    pizz.

         
    Vln.


           

            

    Pf.


        
               
       
              
    arco


    19


        
    Vln.

             
    

              

    Pf.

      
              
           
     
         
    28

     
    Vln.


              

               

    Pf.


         
       
     
    6 pizz. arco



    38


    Vln.

       
    

        

    Pf.

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