11.

The following facts are true about locomotor movements EXCEPT-

a. Hop is a spring from one foot landing on the same foot.

b. Skip is a series of fast step-hops done with alternate feet.
c. Leap a spring on one foot landing on the other foot.
d. Gallop is a spring from one or both feet, landing on both.

12. The following facts are true about non-locomotor movements EXCEPT-

a. Twisting is the rotation of the body around the base of support in a continuous line of direction.
b. Stretching is a full extension of the arms, legs, or trunk in any direction.
c. Flexing is a movement around a joint, forward, backward or sideward.
d. Swaying is the weight is transferred from one base of support to another with a rocking motion.

13. It is classified as one of the primitive dances that transform defense and livelihood activities into the
celebratory performances such as planting, fishing, and hunting.

a. Ritual dances
b. Life-cycle dances
c. Occupational Dances
d. Mimetic dances

14. This dance has a collective intent and is distinctive in that it is founded on the idea of group
participation. It also has a set pattern of dance routine that is typically prescribed and followed.

a. Social dance
b. Folk dance
c. Ethnic dance
d. Dance of Social Nature

15. The following facts are true about the Spanish colonial period EXCEPT-

a. In the Spanish era, the native dances started to lose most of their ancient traditions in the
literary, visual, and performing arts.
b. B. The elegance of the body and arm movements of foreign dances is one of the influences of
Spanish era.
c. C. In the Spanish era, they established schools where physical education was given a prominent
place in the program.
d. D. Jota, valse and hababera are some of the dances influence by the Spaniards.

16. The following facts are true about the primitive era EXCEPT-

a. Dance is considered to be art in its purest

b. It begins with the dance of the primitive man
c. It has been refined, developed and trained by artist
d. It was an expression of community life, rituals, and ceremonies.
17. This dance is closely attuned to nature, believing in the spirits that keep their environment fruitful
and their slaves alive, which connect the material world to the spiritual

a. Ritual dances
b. Life-cycle dances
c. Occupational Dances
d. Mimetic dances

18. This kind of dance celebrates an individual’s birth, baptism, courtship wedding, and demise.

a. Ritual dances
b. Life-cycle dances
c. Occupational Dances
d. Mimetic dances

19. It is categorized as one of the primitive dances, which imitated the natural world and animal life.

a. Ritual dances
b. Life-cycle dances
c. Occupational Dances
d. Mimetic dances

20 . The following facts are true about the American colonial period EXCEPT-

a. Philippine folk dances, which the natives thought were out-of-date, were relegated to the
background.
b. American is the one who introduced ballet, modem dance, and ballroom dancing to the
Philippines.
c. American introduced major changes in the political, economic, educational and cultural sectors.

Of dancing.

d. In American times, the wealthy Indios, who on state occasions socialized with colonial master,
had the privilege

21. Gat Munar is tasked to execute a basic dance step, which is to step his right foot forward and
continually step the left foot close to right in 3rd or 1 position of the foot, and gradually repeat the
movement by counting 1 and 2. What is the basic dance step of Gat Munar's execution?

a. Close step
b. Chasing step
c. Touch step
d. Change step
22. What do you call this basic dance step if the performer leaps his/her foot sideward, R ct (1) then
crosses his/her L foot over the R foot in front and step on it, ct (and) and follows by stepping the R foot
close to the L foot ct (2)?

a. Palit-palit step
b. Contraganza
c. Hop polka
d. Changing step

23. If you performed a little jump off the floor, land on both feet with the right foot and the left foot in
the rear (ct * 0.1) and reverse the position of the feet in count (2). What basic dance step does the
statement refer to?

a. Change Step
b. Hop- Step
c. Slow Bleke
d. Palit- Palit

24. What is the correct simplified step pattern of the plain polka?

a. Step, step, step pause

b. Step, close, pause
c. Step, close, step, pause
d. Step, step, close, pause

25. In count 1, Gat Talon steps his R in fourth in front, and he points his L in fourth in front on count 2.
What is the basic dance step of Gat Talon’s performance?

a. Step-Point
b. Touch Step
c. Hop-Step
d. Slow Bleke

26. In performing a 2/4-time signature, Gat Clavero points his R in fourth in front (ct 1) and steps his R
close to L (alpha, 2) What basic dance step does the statement refer to?

a. Step-Point
b. Touch Step
c. Hop- Step
d. Slow Bleke

27. What is the correct count pattern of the change step?

a. And 1 and 2
b. 1 and 2
c. 1, 2 and
d. 1,2
28. In performing this dance step, Gat Grande places his R heel in fourth in front ct. (1) and he gradually
close his R foot to L ct. (2) What is the basic dance step of Gat Grande’s execution?

a. Fast bleke
b. Heel and toe polka
c. Slow Bleke
d. Rocking step

29. What is the correct simplified step pattern of the Grapevine?

a. Side, rear, side, front

b. Step, rear, step, front
c. Step, point, step, close
d. Step, rear, close, step, front

30. What is the correct count pattern of the hop polka?

a. And 1 and 2
b. 1 and 2
c. 1, 2 and
d. 1.2

31. What do you call this dance term if the dancers are in square formation and they are occupying the
length of the hall?

a. Costados
b. Cabecceras
c. Cabessaras
d. Cast off

32. In doing this fundamental position, Gat Pragale’s Rarm is raised overhead while the left arm is in
second position opened at the side. The heel of his right foot touches the instep of the left foot. What
fundamental position of the arms and legs did Gat Pragale perform?

a. First Position
b. Second Position
c. Third Position
d. Fourth Position

33. How can you identify the fundamental position of the arms that are in the second position?

a. If both arms are raised overhead, arms are rounded, palms facing inward-downward.
b. If the arms are round and are raised in front of the waist.
c. If one arm is extended at the side while the other is elevated overhead.
d. If the arms are open to the sides, they are rounded, with palms facing each other.
34. Gat Cartagena raised one arm overhead and the other is in the first position. From the 3rd position,
his feet are placed in the front foot, diagonally forward position. What fundamental position of the arms
and legs did Gat Cartagena perform?

a. First Position
b. Second Position
c. Third Position
d. Fourth Position

35. It is a dance term that means “to flourish” or “sign of invitation” through offering a handkerchief or
glass of wine to somebody.

a. Sarok
b. Kewet
c. Jaleo
d. Hapay

36. What do you call a dance term wherein Gat Jaro moves simultaneously with both arms at one side,
either R or L?

a. Folder arms
b. Kumintang
c. Kewel
d. Arms in lateral position

37. Gat Animas asks to slightly close his fist, where the thumb is sticking out, and turns the wrist
outward. What is the term for the dance that Gat Animas executed?

a. Folder arms
b. Kumintang
c. Kewet
d. Arms in lateral position

38. Gat Lanabe bent his arms in front of his chest and put one forearm on top of the other. What is the
term for the dance Gat Lanabe executed?

a. Folded arms
b. Kumintang
c. Kewet
d. Arms in lateral position
39. What do you call the dance term that involves simply moving the hand from the wrist either in a
clockwise or counter. Clockwise direction?

a. Folder arms
b. Kumintang
c. Kewet
d. Arms in lateral position

40. If Gat Lucero swings his arm downward and upward to the fifth position, passing in front of the body
as if scooping. While his trunk is bent forward following the movement of the arm doing the “salok”.
What is the term for the dance Gat Lucero executed?

a. Sarok
b. Salok
c. Jaleo
d. Hapay