Professional Documents
Culture Documents
CBM Final Module For Arts l1 l5
CBM Final Module For Arts l1 l5
Module
in
GE 8
ART APPRECIATION
Module 1
JORDAN S. TABUCALDE
Instructor I
TABLE OF CONTENTS
Table of Contents
References ………………………….. 37
Students information ………………………….. 38
Mission, vision ………………………….. 39
OVERVIEW
Vision
Mission
⬗ WPU commits to develop quality human resource and green technologies for a
dynamic economy and sustainable development through relevant instruction,
research and extension services.
This course will equip you a broad knowledge of the practical, historical,
philosophical and social relevance of the arts in order for you to understand
arts.
This course aims to develop your genuine appreciation for Philippine arts by
providing you opportunities to explore the diversity and richness and your
rootedness in Filipino culture.
Grading System
LECTURE LABORATORY
Weight for Lecture Subject / Laboratory 75.00% 25.00%
LEARNING OUTCOMES
PRE-TEST
IDENTIFICATION:
Directions: Identify the term as defined or describe.
DISCUSSION
What is ART?
• It is the by-product of Humanities that looking at things beyond matters.
• It comes from the Aryan root word, “AR” which means to join or to put together. The
Latin term “ARS” means everything that is artificially made or composed by man.
Ars which means a “craft or specialized form of skill, like carpentry or surgery”.
• Is used to describe almost any human activity which involved the achievement of a
predetermined result through the systematic application of skill or knowledge.
Importance of Arts
• Arts involved in most of the objects we see and use and the music we hear every day.
• The interest in beauty is the main concerns of arts.
• The ability to understand and appreciate those works of arts i.e., a painting, a
sculpture, a melody, a beautiful building, a dance or a literary piece truly become a
delightful experience.
• Human history has witnessed how man evolved not just physically but also culturally,
from cave painters to men of exquisite paintbrush users of the present.
• Even if one goes back to the time before written records of man’s civilization has
appeared, he can find cases of man’s attempts of not just crafting tools to live and
survive but also expressing his feelings and thoughts.
• Is the academic study of the history and development of painting, sculpture and other
visual arts?
• Historical study of the visual arts, being concerned with identifying, classifying,
describing, evaluating, interpreting and understanding the art products and historical
development in the fields of painting, sculpture, architecture, decorative arts,
drawing, Photography, etc.
Fill Me.
Direction: Answer the following questions using the given table below. Strictly no
erasures. Five (5) points each.
1. Who is your known artist? Give at least three (3) and state his/her complete name.
2. What is/are the masterpiece of the artist?
3. How does his/her work affect life?
Direction: Collect and paste the picture of an artist you listed above. Be sure that every
pictures have its own name. 15points
POST-TEST
ESSAY
Directions: Discuss the questions from the list provided with appropriate
content and analysis based on the questions given. Each essay should have
100 to 300 words, do not exceed to 300 words per essay. Exceeding to the
maximum words given will be deducted 10 points automatically in each essay.
Write your essay (answer) to the line given after each question. (20 points
each)
1. What is art? Why do we need to study art appreciation?
Ans.
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
2. Why do people create works of art?
Ans.
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
DISCUSSION
What is art appreciation?
Art appreciation is a general introduction to the visual arts, media, techniques, and
history. The course is designed to create a deeper appreciation of the creative
processes involved in the visual arts.
Art gives us meaning and helps us understand our world. Scientific studies have
proven that art appreciation improves our quality of life and makes us feel good.
When we create art, we elevate our mood, we improve our ability to solve problem,
and open our minds to new ideas.
What are the importance’s of :
a. art appreciation
b. creativity
c. expression
Art appreciation allows us to develop an open mind and understand that there is
more than just one solution to a problem. Having an appreciation for art also helps
us to develop an appreciation for each other and how we are all unique in our own
way.
Creativity allows us to view and solve problems more openly and with innovation.
Creativity opens the mind. A society that has lost touch with its creative side is an
Art as expression “What an artist does to an emotion is not to induce it, but
express it. Through expression, he/ she is able to explore his own emotions and at
the same time, create something beautiful out of them.” – Robin George Collingwood
Expressing emotions
Direction: Choose three (3) reasons why creativity is important and discuss it with your
own opinion. If your answer is base from the internet, make sure that references must be
sited. Put your answer inside the box. 10 points each.
POST-TEST
Collage making
DISCUSSION
1. Art is universal
- Timeless, spanning generations and continents through and through.
- Misconception: artistic made long time ago. Age is not a factor in
determining art.
- Works of Rizal and Francisco Balagtas
- Not read because they are old but they are beautifully written.
- Arts regardless of origin, time, and place are liked and enjoyed by people
continuously
- Greek epics (Illiad and the Odyssey)
- Mahabharata and Ramayana
-
2. Art is cultural
- influences society by changing opinions, instilling values and translating
experiences across space and time.
ALBERT EINSTEIN
A German physicist who had made significant and major contributions in
science and humanity demonstrations in science and humanity demonstrated that
knowledge is actually derived from imagination. He emphasized this idea through his
words: “Imagination is more important than knowledge. For knowledge is limited to
all we now know and understand, while imagination embraces the entire world, and
all there ever will be to know and understand.”
- Imagination is not constrained by the walls of the norm, but goes beyond
that.
- Through imagination, one is able to craft something bold, something new,
something better in the hopes of creating something that will stimulate
change. Imagination allows endless possibilities.
- An artwork does not need to be a real thing, but can be something that is
imaginary- COLLINGWOOD, 1938.
- In the same way that imagination produces art, art also inspires
imagination.
ART AS EXPRESSION
Robin George Collingwood, an English philosopher who is best known for his
work in aesthetics, explicated in his publication The Principles of Art 1938 that what
an artist does not to an emotion is not to induce it, but express it. Through
expression, he is able to explore his own emotions and at the same time, create
something beautiful out of them.
Collingwood further illustrated that expressing emotions is something
different from describing emotions. In his example, explicitly saying “I am angry” is
not an expression of an emotion, but a mere description.
There are countless ways of expressing oneself through art. The following list
includes, but is not limited to popular art expressions.
1. Popular art
- Includes any dance, literature, music, theatre, or other art form intended
to be received and appreciated by ordinary people in a literate,
technologically advanced society dominated by urban culture.
- Popular art in 20th century is usually dependent on such technologies of
production or distribution as television, printing, photography, digital
compact disc and tape recording, motion pictures, radio, and
videocassettes.
2. Visual art
- Are the art forms that create woks that are primarily visual in nature, such
as ceramics, drawing, painting, sculpture, printmaking, design, craft,
photography, video, film making and architecture.
- Is a being the kind of art form that the population is most likely more
exposed to, but its variations are so diverse- they range from sculptures
that you see in art galleries to the last movie you saw.
- Also included within the visual arts are the applied arts such as industrial
design, graphic design, fashion design, interior design and decorative art.
- The current usage of the term “visual arts” includes fine arts as well as the
applied, decorative art and crafts, but this was not always the case.
3. Film
- Refers to the art of putting together successions of still images in order to
create an illusion of movement.
- Focuses on its aesthetic, cultural, and social value and is considered as
both an art and an industry
- It can be created by using one or a combination of some or all of these
techniques: motion-picture camera also known as movie camera,
animation techniques, computer-generated imagery CGI, and more.
- Film making is so complex it has to take into account many important
elements such as lighting, musical core, visual effect, direction, and more.
1. If you were an artist, what kind of artist would you be? Why?
_____________________________________________________
_____________________________________________________
_____________________________________________________
_____________________________________________________
_____________________________________________________
_____________________________________________________.
Direction: Using the table below, write down the examples of the
different art forms studied in this lesson. Provide ways on how these art
forms express and unmask creativity from the artist. 25points
Type of art Example How does this How does this unmask
Expression Express the Artist’s creativity?
POST-TEST
Direction: Read and understand the following questions. Choose your answer and
write it on the space provided.
_____1. Where do ideas in making creative solutions begin?
a. Human mind
b. Imagination
c. Idea
d. All of these
_____2. “Imagination is more important than knowledge” this idea was emphasized
of _____.
a. Einstien
b. Albert Einstien
c. Albert Einstein
d. Collingwood
_____3. who claimed that it was “purely coincidental” and not plagiarized from
Switzerland slogan?
a. Albert Einstein
b. Collingwood
c. Ramon Jimenez Jr.
d. Robin George
_____4. It is a kind of art form that the population is most likely more exposed to,
but its variation is so diverse.
a. Film
b. Theatre
c. Visual arts
d. Art as expression
_____5. Who was the philosopher known for his work in aesthetics, explicated in
his publication THE PRINCIPLES OF ART?
a. Albert Einstein
b. Robin George Collingwood
c. Collingwood
d. Ramon Jimenez Jr.
Direction: Enumerate what is being ask. Strictly no erasures and you may add extra
sheets if needed.
6.-10. Assumptions of art
11.-15. Type of art expression
DISCUSSION
A Greek philosopher Aristotle claimed that every particular substance in the
world has an end, or TELOS in Greek, which translates into “purpose”.
Every substance, defined as a formed matter, moves according to a fixed path
toward to flying its aim.
This telos, according to Aristotle, is intricately linked with function. For a thing to
reach its purpose, it also has to fulfil its function.
Man, in Aristotle’s view of reality, is bound to achieve a life of fulfilment and
happiness, or in Greek, eudaiminia. Telos and function of a thing are both related to the
things identity. What makes a table is the fact that it does perform its function and thereby
reaching its telos? The telos, the function and the “whatness” of a thing are all
interconnected.
FUNCTIONS OF ART
An inquiry on the function of art is an inquiry on what art is for. Alternatively, the
answer to the question “what is it for” is the function of whatever “it” in the question refers
to. Suppose one ask, what is the Rizal monument for? Why was it erected in Rizal Park?
When it comes to function, different art forms come with distinctive functions.
Function of art are classified into three: personal (public display or expression),
social (celebration or to affect collective behaviour) and physical(utilitarian)
ART AS AN IMITATION
Plato (2000) in his masterpiece, The Republic, particularly
paints a picture of artist as imitators and art as mere imitation.
In his description of the ideal republic, Plato advices against the
inclusion of art as a subject in the curriculum and the banning of
artist in the Republic.
In Plato’s metaphysics or view of reality, the things in this world are only
copies of the original, the eternal, and the true entities that can only be found in the
World of Forms.
ART AS A REPRESENTATION
Aristotle, agreed with Plato that art is a form of imitation
However, Aristotle considered art as an aid to philosophy in revealing the
truth.
The kind of imitation that art does is not antithecal to the reaching of
fundamental truths in the world.
Aristotle conceived of art as representing possible versions of reality.
Aristotlelian worldview, art serves two particular purposes:
Art has remained relevant in our daily lives because most of it has played
some form of function for man. Since the dawn of the civilization, art has been at the
forefront of giving color to man’s existence. The different functions of art may be
classified as personal, social, or physical. An artist herself or sometimes still, the
audience of the art. There is a social function in art if and when it has a particular
social function, when it addresses a collective need of a group of people. Physical
function, finally, has something to do with direct, tangible uses of art. Not all
products at art have function. This should not qualify them as art through. As
mentioned and elucidated by some of the most important thinkers in history, art may
either as imitation, representation, disinterested judgement, or simply a
communication of emotion.
2. Does art always have to be functional? Why? Support your response. Provide
your example.
_____________________________________________________
_____________________________________________________
_____________________________________________________
_____________________________________________________
_____________________________________________________
_____________________________________________________
_____________________________________________________
_____________________________________________________
_____________________________________________________
_____________________________________________________.
POST-TEST
Let’s find this
Direction: Research the different museums in Palawan. Using the table 0ne below,
list down at least 10 artworks that you have seen in those particular museums. On the
second column, identify what it is for. On the table two paste those photos you have
listed in table. 30pts
Table 1
Artwork What is it for?
Table 2
DISCUSSION
In this chapter, subject and content will be discussed. To differentiate them
briefly, subject refers to the visual focus or the image that may be extracted from
examining the artwork, while content is the meaning that is communicated by the
artist or the artwork. Finally, the development and configuration of the artwork- how
elements and the medium or material are put together- is the form. In simpler terms,
the subject is seen as the “what”; the content is the “why”; and the form is the “how”.
TYPES OF SUBJECTS
Representational art
These types of art have subjects that refer to objects or events
occurring in the real world. Often it is also termed figurative art,
because as the name suggest, the figures depicted are easy to
make out and decipher.
Despite not knowing who Mona Lisa is, it is clear that the
painting is of a woman that is smile is flashed; and that the
background is landscape-probably a view from a window
Non-representational art
It does not make a reference to the real world whether it is person,
place, things or even particular events.
It is in this light that representational works are often favored because
they are easier to recognize. Viewers find a greater degree of comfort
when what they see register as something familiar.
When hit with a wall clock, the writer is often advised to look back and take from
what he knows. From there, a well a wealth of materials may be drawn. But for artist, where
they source the subject of their paintings? What do they paint?
For non-representational art, a higher level of perceptiveness and insights might be
required to fully grasp the feeling, emotion, or concept behind the work. It is perhaps easier
to infer where the subject matter come from if the artwork is an example of representational
art. From the figures depicted in the artwork, there is already suggestion as to its inspiration.
However, in discussing the sources and kinds of subject in artwork, it is important to
note that these two are often inextricably related. Often, even a singular source of inspiration
can yield multiple translations. A good starting point is nature.
Artist throughout history have explored diverse ways of representing nature: from
plants to animals; the qualities of bodies of water and the terrain of landmasses; and even
the perceivable cycles and changing of season. Often these depictions are seen as expressions
of sacred or the propane, sired by reality or supplemented by the artist’s imagination. One
artist who was attuned with nature was Vincent Van Gogh. He saw art and art and nature as
inseparable, often finding solace and happiness in painting in it. And painting from it. In a
letter to his brother Theo, he wrote “… if I felt no love for nature and my work, then I would
be unhappy.” Van Gogh Museum,1882.
Other artist with a considerable number of landscapes and seascapes are Claude
Monet, Camille Pissarro, Paul Cezanne, and JMW Turner. In the Philippines, National Artist
for painting Fernando Amorsolo and Fabian de la Rosa gained prominence from their
painted rural scenes such as women in the fields gathering harvest.
Breaking nature into small part is Jan van Kessel the elder who
did numerous still lives and small-scale, highly detailed
studies, and scientific illustrations of flowers, insects, shell,
fruit, garlands, and bouquets.
The formative years of church architecture can be traced in the fourth and fifth
century but different styles and plans were developed since then. Prevailing ideas and
philosophies became resource that was used by architects to reimagine what the church
sense that should look like. For instance, gothic churches were characterized by three things:
soaring heights or ceiling, volume or flying buttresses and ribbed vaults, and light or bright
stained glass windows, airy and pleasant interiors. Gothic style architecture is often
attributed as the brainchild of Abbot Suger. There is a definitive sense that pointed to the
feeling of owe on the part of the believer and the perceived majesty and power of God-all of
which happened during the time when religion was at the heart of everyday life. This echoes
her belief that “art was central to religious experience.”
CONTENT IN ARTS
As outlined in the beginning, in discussing works of art, the subject may be simply be
referred to as the “what”- what is readily seen relates to the art work, its inspiration, and the
many kinds of translation.
One of the foremost scholars that expounded on content analysis or how meaning is
arrive at is art historian ERWIN PANOFSKY in his seminal work meaning in the visual art.
His methodology will be later identified as iconology through the interpretation of
iconography.
3. Name an example of an artwork and speculate on the content of the artwork based on
its factual and conventional.
__________________________________________________________
__________________________________________________________
__________________________________________________________
__________________________________________________________
__________________________________________________________
__________________________________________________________
__________________________________________________________
__________________________________________________________.
Direction:
1. Look at the painting below by artist DAVID BAILLY entitled
“SELBSTBILDNISMIT VANITASSYMBOLEN”. List down everything that you
see within the four corners of the work. List as many items as you can in 3
minutes.
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
______________________________________________________________.
2. Based on your answers, write an assumption about what the painting means in
the space below.
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
______________________________________________________________.
POST-TEST
Direction: Watch the BBC documentary about Botticelli’s Venus: The making of an
Icon http://www.bbc.co.uk/programmes/b070sqb0. Write a reflection paper
regarding the said documentary.
REFERENCES
Collingwood, R.G. (1938) The Principles of Art. Worcestershire: Read Books Ltd.
Dudley, L., Faricy, A., and McGraw-Hill Book Company. (1960). The Humanities.
New York: McGrow-Hill.
Green, and Co. Scott, D. (2000). “Socrates and Alcibiades in the Symposium.”
Hermathena 16825-37
Greene, M. (1995). Art and Imagination: Reclaiming the sense of possibility, Indiana,
USA: Phi Delta Kappa International
B. Online References
http://en.wikipedia.org/wiki/Aesthetics
http://ww.iep.utm.edu/aestheti/
http://www.oil-painting-techniques.com/art-easthetics.html
http://www.visual-arts-cork.com
Disclaimer:
This module is prepared for instructional purposes only based in our course syllabus.
The teacher who prepared this does not claim ownership of this module but patterned
the ideas from different authors.
Privacy noticed
For this module, we collect your names, year and section, contact number, Facebook
account and messenger account when you register for purpose of coordination. All
personal information collected will be stored in a secure location and only authorized
staff will have access to them.
Student’s Information
Name:
Program:
Year and Section:
Contact No.:
E-mail address:
Facebook Account:
Messenger Account:
Vision 2020
WPU: the leading knowledge center for sustainable
development of West Philippines and beyond.
Mission 2020
WPU commits to develop quality human resource and
green technologies for a dynamic economy and
sustainable development through relevant instruction,
research and extension services.