“HAPPY LAND?

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A. Subject/Topic

"HAPPY LAND?" is a documentary film that delves into the stark realities of life in Tondo,
Manila. While the title may suggest a place of joy and contentment, it is, in fact, a poignant contrast to the
challenging conditions faced by the residents of this area.
The film aims to shed light on the struggles and resilience of the people living in one of the most densely
populated areas in the world. It explores themes of poverty, survival, and the human spirit in the face of
adversity. The ironic title, "HAPPY LAND?", serves to draw viewers in, piquing their curiosity and
setting the stage for a deeper exploration of life in Tondo.
|Through intimate interviews and raw, unfiltered footage, "HAPPY LAND?" aims to give a voice to the
often unheard residents of Tondo, challenging viewers to confront the harsh realities behind the facade of
the 'happy land'.

B. Introduce the chosen community and/or family's background

Our chosen community for this documentary is Tondo, a district located in Manila, Philippines.
Known for its high population density, Tondo is one of the oldest areas of Manila, with a history dating
back over a thousand years.
Despite its rich history, Tondo is often associated with poverty and overcrowded living conditions. Many
of its residents live in informal settlements, often lacking access to basic amenities. The district is a stark
contrast of urban poverty amidst the bustling city life of Manila.
However, Tondo is also a place of resilience and community spirit. Its residents, despite the challenges
they face, are known for their strong sense of community, resilience, and relentless optimism. This
juxtaposition of hardship and hope, struggle and spirit, makes Tondo a compelling subject for our
documentary, "HAPPY LAND?".

C. Their story

In the heart of Tondo, Manila, lived the Santos family - a hardworking father, a dedicated mother,
and their three hopeful children. The father, Mang Joseph, was a garbage collector or sometimes Mang
Joseph cleans their river full of garbages, while the mother, Aling Rosana, sold homemade kakanin at the
local market. Despite their meager income, they managed to provide for their children and instill in them
the value of education.
However, as inflation began to rise, the cost of basic commodities soared. The Santos family found
themselves caught in the tightening grip of poverty. The price of rice, their staple food, doubled. The cost
of ingredients, crucial for Aling Rosana livelihood, skyrocketed. Aling Rosana's kakanin became too
expensive to make, as the price of ingredients.
The family found themselves having to make difficult choices. Meals became smaller and less frequent.
The children had to drop out of school to help their parents make ends meet. The once joyful household
was now filled with worry and uncertainty.
Despite these challenges, the Santos family refused to give up. They tightened their belts, worked harder,
and held onto each other. They found strength in their community, sharing resources, and supporting each
other through the tough times. Their story is a stark reflection of the realities faced by many families in
Tondo amidst rising inflation and poverty. Yet, it also serves as a testament to the resilience and spirit of
the people of Tondo, who, despite their circumstances, continue to hope, work, and fight for a better
future.

D. How do you plan to create a script related to the chosen topic?

Creating a script for our documentary, "HAPPY LAND?", begins with extensive research on
Tondo, its history, culture, and the current socio-economic conditions. We'll gather data on poverty and
inflation rates to understand their impact on the community. We'll then identify key narratives, such as the
story of the Santos family, outlining their struggles and resilience as a reflection of the wider community.
To add depth to our script, we plan to conduct interviews with residents, local leaders, and experts,
providing personal insights and perspectives. The script will then be written, weaving together our
research, narratives, and interview content into a compelling, cohesive story that accurately represents life
in Tondo. The script will undergo several rounds of review and refinement to ensure it effectively
communicates the realities of life in Tondo, keeps the audience engaged, and respects the dignity of the
community.

Group Leader: Trani, Ana Jacalne

Members:
Cristian Jack Ranario
Divine Billante
Friancesca Junice Ignacio
Jamaica Palaña
Jazel Espera
Jenelyn Garcia Tenedero
Joshua Maquilan
Marivic Alcantara
Marjun Alayon
Xyron Garnudo