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Medieval Palaces and Royal Houses

Medieval Palaces and Royal Houses


Tom Beaumont James
The Oxford Handbook of Later Medieval Archaeology in Britain
Edited by Christopher Gerrard and Alejandra Gutiérrez

Print Publication Date: Jan 2018


Subject: Archaeology, Anglo-Saxon and Medieval Archaeology
Online Publication Date: Feb 2018 DOI: 10.1093/oxfordhb/9780198744719.013.18

Abstract and Keywords

This chapter revises the concept of ‘palaces’ as residences, their uses and evolution,
stressing the role that archaeology can play in their understanding and study. Royal
palaces in rural settings are associated with specialized landscapes and generate a dis­
tinctive archaeology because of their intermittent use and purpose; medieval kings and
their queens could be exceptionally mobile and households left little behind. Elements of
European design, some of which are considered here, could be influential and architec­
tural practice was often in the vanguard of fashionable taste. Personal taste too played its
part but by the mid-fifteenth century the more remote residences were less visited, while
the sixteenth century brought new residences into royal hands. Current projects and
themes are all outlined as well as threats to sites and standing buildings.

Keywords: royal residences, episcopal palaces, parks, Westminster Palace, royal material culture

THE concept of the palace in later medieval Britain derived from various origins: the
houses on the Palatine Hill in Rome, Anglo-Saxon royal houses such as Cheddar in Somer­
set (excavated by Philip Rahtz in the 1960s; Rahtz 1979), and Yeavering in Northumber­
land (excavated by Brian Hope-Taylor in the 1950s; Hope-Taylor 1977). These last two
were royal sites for pre-Conquest dynasties in different parts of Britain. By the time these
kingdoms were united under the Normans, the royal family had a base at Westminster,
outside the walls of the city of London, squeezed between the abbey and the Thames on a
rather indifferent site. In order to control its large and diverse population, the Tower of
London was built before 1100 and its orientation leaves no doubt as to its purpose: it oc­
cupies the south-east corner of the walled area and confronts the city. Apart from its ex­
ceptional size, the arrangement of the Tower, with its main royal accommodation on the
upper storey, speaks volumes not only for the vigour of the Norman kings, but also their
skill with fortifications, their ambition in controlling the London metropolis, and their for­
ward-looking architecture with its wall-fireplaces for added comfort (Ashbee 2006; Harris
2016; Hiller and Keevill 1995; Impey 2008; Keevill 2004; Parnell 1977; 2013; Thurley
1995; 1993).

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These two structures, the palace of Westminster and the Tower of London, epitomize the
two types of palatial residence occupied by royalty by 1100: the undefended palace and
the castle-palace. Other royal palaces and castle-palaces included more rural retreats
such as Clarendon in Wiltshire and Woodstock in Oxfordshire, both undefended resi­
dences in the grand villa rustica style. The other great castle-palace which developed in
the period 1100–1540 was Windsor in Berkshire (Thurley 1993).

In addition there were episcopal palaces. The collapse of the western Roman Empire from
the early fifth century, and the subsequent colonization by Islam from the seventh century
of most of the Christian centres of the eastern Mediterranean and north Africa height­
ened the focus on Rome, the centre of the western church. This political weakness in
western Europe propelled bishops into the role of managing large areas of (p. 372) the
Christian west in collaboration with local leaders. For this reason, and in contrast to the
episcopate in the eastern Church, western bishops found themselves working closely with
local rulers. In the Winchester diocese, for example, the kings of Wessex endowed the
bishopric with sufficient land to render it the wealthiest seen north of the Alps long be­
fore 1100. Church and state at the highest level of society were very closely connected. In
turn, such enormous landholdings enabled bishops to create luxurious residences funded
by the income from their many manors (Rollason 2017). Their principal Winchester resi­
dence, the mighty Romanesque structure called Wolvesey, was described in the twelfth
century variously as a domus quasi palatium, an element within de Blois’s wider scheme
of palatia sumptuosissima. Wolvesey was extensively, if partially, excavated and recorded
by Martin Biddle in the 1960s but remains unpublished (see, for example, Biddle 1970).
Lyddington Bede House (Figure 24.1) was originally a medieval wing of a palace of the
bishops of Lincoln. Like many palaces it later changed its use and was converted into an
almshouse by the end of the sixteenth century.

Figure 24.1 Lyddington Bede House in Leicester­


shire, part of a medieval bishop’s palace, probably
private chambers with extensive buried remains
which would once have enclosed an open courtyard

(© Paul Stamper)

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Royal houses were associated with specialized landscapes which were in place by 1100.
In France for example, the Capetian kings settled on Paris as their capital because of the
quality of the hunting grounds nearby; at a later date kings of Scotland were to select
Falkland (Fife) for similar reasons. William the Conqueror had been described as loving
deer as if they were his children (in any case the deer were more pleasant than his chil­
dren). His son Henry I (1100–35) was a keen hunter, creator of parks, and a keeper
(p. 373) of wild animals including camels, lynx, and porcupine in his park at Woodstock

(Bond 1987; for buildings here and elsewhere, see Brown et al. 1963; for lions at the Tow­
er of London, see Keevill 2000 and O’Regan et al. 2006). Deerparks were associated both
with royal houses and palaces and also with episcopal houses and palaces. Some resi­
dences were moated, such as Writtle, a hunting lodge in Essex associated with King John
(Rahtz 1969) and equipped with fashionable and labour-intensive fishponds, or Wells, the
episcopal residence in Somerset constructed for the bishops of the diocese of Bath and
Wells (Dunning 2010).

The use of palaces by royalty, and to a lesser extent by the archiepiscopate and episco­
pate, was intermittent (Figure 24.2). Some kings were more mobile than others. The early
Norman kings of England, William I (1066–89) and William II (1089–1100), began over­
size, ‘colonial’ building schemes such as the Tower of London, Winchester Cathedral with
its giant nave and westworks designed to be used for crown-wearing ceremony, and West­
minster great hall, the largest of its kind in Europe (Courtney and Mark 1987). It may be
argued that similar grand landscape schemes, such as the walled park at Woodstock,
where the buildings were lost in the early eighteenth century and thus are recorded now
only in antiquarian accounts, and the exceptionally sized park at Clarendon, were prod­
ucts of the same, ‘colonial’ regimes (Richardson 2005). Keen to impress and overawe the
local population, schemes such as these were created with funds seized from the previous
regime.

Norman rulers controlled large parts of Europe from Sicily to northern Europe to Eng­
land in the eleventh to thirteenth centuries. This produced cross-fertilization of design—
for example the introduction of the donjon keep into England from Normandy, while the
introduction of fallow deer and park culture flowed northwards from Sicily to England,
whence fallow deer culture was exported to Normandy, for example (Sykes 2004). Occa­
sionally elements of southern European palace design, e.g. interconnecting pools such as
those found at Palermo (Sicily) and later at the Alhambra (Granada, Spain), found their
way into England, for example into Everswell in Woodstock Park, the bijou residence cre­
ated in the royal park by Henry II for his young mistress Rosamund Clifford in the late
twelfth century (Bond 1987, 46). This structure echoed contemporary literature, the tale
of Tristan and Isolde, popular at that time, where an enclosed residence for Isolde neces­
sitated the passing of notes via waterways. There was, no doubt, a pan-European interest
among elites in aspects of these structures. Henry of Blois, brother of King Stephen
(1135–54) and the most likely candidate for extensive building work at Guildford Castle,
Surrey, was well known for his use of imported ancient Classical spolia to his episcopal
palace at Wolvesey in Winchester, while his dazzling Winchester Bible of c.1160 illus­

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trates Romanesque interiors, roofs, decorative schemes, palace life, and furnishings
(Donovan 1993).

By 1200 much Romanesque palace building was completed under the Norman and
Angevin kings, especially during the long reigns of Henry I (1100–35, the remains of his
Romanesque Great Hall at Woodstock being recorded by John Aubrey before 1700) and
Henry II (1154–89). John’s busy itineraries led to the creation of many facilities appropri­
ate for the arrival of royal retinues at short notice, such as the kitchen arrangements at
(p. 374) (p. 375) the royal castle of Marlborough in Wiltshire (not excavated but for a plan,

see Brentnall 1938), where hearths were capable of roasting two oxen at once. However
costly these building works might be, they were dwarfed by other expenses such as the
furnishings recorded in the Exchequer Rolls which begin in regular series from 1154. The
earliest English royal household account of 1207 shows that the greatest expense in royal
travel was the fodder for the horses rather than the food and drink for the court trav­
ellers (Woolgar 1999). Hunting parks such as Clarendon, Woodstock, and elsewhere were
used seasonally by the kings according to set patterns of the hunting year, supply and
availability of sport, and so on. In the thirteenth century some evidence shows that kings
such as Henry III visited the park at Clarendon during the doe hunting season (today 1
November to 29 April), the buck hunting season was earlier, more of a summer activity
and that is when we find Edward II—who is documented engaged in hunting there in
1326—and Edward III at Clarendon (Richardson 2005). These palaces within their parks
were undefended sites in rural areas, the rural counterparts of Westminster, and with
their extensive paling fences and embankments have been described as ‘castles for deer’.

Figure 24.2 A map of royal palaces during the Mid­


dle Ages

(© Alejandra Gutiérrez)

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One of the reasons for King John’s (1199–1216) unpopularity in England was that he was
exceptionally mobile. He was never in the same place for more than a month in his seven­
teen-and-a-half year reign. This has resulted in a plethora of sites being dubbed ‘King
John’s’ house or palace and he no doubt visited many of them (e.g. Rahtz 1969). Many of
his subjects’ communities had not been visited by royalty for generations, if ever, al­
though it remains a moot point as to whether the king was welcomed by all, as the deba­
cle of Magna Carta and the civil war of 1215–16 was to demonstrate. The lifestyle of John
was mirrored by his Welsh counterparts, who were likewise itinerant and who also trav­
elled to royal and other sites during progresses, stopping for example at Rhuddlan or De­
gannwy, Gwynedd, to do business, justice, and ‘to eat [their] way through’ taxes (Pound
1994). This was a lifestyle readily recognizable in England and Scotland in the Middle
Ages among royalty, prelates, and nobility, but which in Wales came to an end for their
kings with the conquest of Wales in 1283 and subsequent attempts from a string of com­
fortable royal castles in North Wales to pacify the principality. Geophysical work at the
end of the last century identified some of these llys or royal complexes of the Welsh kings
(Smith 2014).

Then as now, fashions changed, and royalty often led the way, or at least picked the best
of what they saw others doing. Thus, when Romanesque architecture with its solid,
rounded arches, gave way to the pointed architecture of the Gothic, royalty were among
the leaders of this fashion. Louis IX of France (1226–70) inspired his brother-in-law Henry
III of England (1216–72) to become a ‘champion of the Gothic’. Various claims have been
made and disputed about the influence of Arab architecture on the transition from Ro­
manesque to Gothic arising from contacts made during the crusades which began in
1095. What is more certain is the spread of Christian material culture from Byzantium af­
ter the fourth crusade of 1207 when many relics were looted by the western European
crusaders who sacked the ancient capital of the eastern church. Of these relics, the
Crown of Thorns from Christ’s passion was the most prized. This led to the establishment
of a series of chapels of l’epine across France as individual thorns were disposed of
(p. 376) by the king. The most significant of these repositories in the Gothic style was the

Sainte-Chapelle in Paris, with is full-size reliquary design both exterior and interior (Co­
hen 2008). Chapels similar in design, tall and narrow, were built across Europe from the
middle of the thirteenth century, for example in London and at Clarendon in Wiltshire.
Among the European building stock, three from France might be highlighted. The first, at
Perpignan, was begun c.1270 for the kings of Majorca and incorporated Islamic influ­
ences (Passarius and Catafau 2014). The second, at Hesdin (Artois), was created c.1295
as a palatial pleasure garden over 940 hectares enclosed by a wall 13 km in length; it was
intended as a Garden of Eden complete with various machines which dispensed water,
feathers, and soot and further amused (or confused) visitors with mirrors (Van Buren
1986). Hesdin may have been the inspiration, after a visit in 1313, for Edward II to lavish
attention on enlarging his own parks. But if Hesdin was an inspirational garden, the
greatest palace in the early fourteenth century was the massive Palace of the Popes at
Avignon, built during the exile of the papacy from Rome between the early and mid-four­
teenth century (Renoux 1994). Claimed as the largest Gothic building in Europe, the cam­

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paigns of Benedict XII (1334–42) and subsequently Clement VI (1346–56) were outstand­
ing, the buildings combining the grandeur of French Gothic with decorative schemes by
Italian craftsmen.

During the fourteenth century, war between France and England, insecurities of succes­
sion in the Capetian family, and dispossession of monarchs in England such as Edward II
(1327) and Richard II (1399) all inhibited grand palace development, although Richard
did create small-scale building-jewels, such as his palatial accommodation on the south
coast at Portchester, Hampshire (Cunliffe 1977; 1985), and his island retreat (now entire­
ly lost) at ‘La Nayght’ on the Thames at Surbiton, Surrey. He is recorded as adding ‘danc­
ing rooms’ at various palaces across England. Notably, he razed the palace at Sheen, Sur­
rey, to the ground following the death there of his wife Anne of Bohemia in 1392. Howev­
er, by far the greatest achievements in palace building in England were a result of the
coming together of the necessary leadership (for example by William of Wykeham and
William Wynford) and the required financial resources which arose from the capture and
ransom of John II of France at the Battle of Poitiers in 1356. This enabled the completion
of outstanding works such as the chapel of St Stephen at Westminster (traditionally be­
gun in the reign of King Stephen, d. 1154) which was achieved despite the shortage of
labour and skills following the Black Death of 1348–50. Greater still was the work carried
through after 1356 at Windsor castle-palace where the Norman keep was upgraded and
reroofed, and the unusual ‘Round Table’ building of 1344, based on a Mediterranean pro­
totype, was dismantled and replaced by a major building scheme in the upper bailey con­
sisting of an end-on hall and chapel under a single roof-ridge, accommodation for retain­
ers, upgraded kitchens etc., all of this on a grand scale (Tatton-Brown 2010).

Agency of popes, royalty, their relations, and leading staff, such as Wykeham (in the
1350s) and other prelates, is key in these works. As Edward III declined militarily, physi­
cally, and financially (ransom monies stopped with the death of King John II in 1364), roy­
al building slowed although the heir to the throne, Edward the Black Prince, (p. 377) up­
graded and modernized his palatial residence at Kennington, in London south of the
Thames. Both Edwards were dead by the end of 1377. The significant decline in royal and
episcopal incomes following the Black Death put a brake on the more grandiose schemes.
In England the change from richly carved, labour-intensive, decorated architecture to the
regional mass-produced conformity of the Perpendicular style illustrates the changing cir­
cumstances very well. Continuing international and civil wars in Europe drained re­
sources, with a kaleidoscope of changing fortunes and monarchs, as France recovered to­
wards the mid-fifteenth century, so England fell into disarray.

In common with his predecessor Richard II, Henry V (1412–22) took special delight in
small private and secluded sites, such as the moated ‘Pleasaunce’ at Kenilworth Castle in
Warwickshire, across the lake from the main magnate residence (Jamieson and Lane
2015). But he also drove forward grand schemes such as the reconstruction of a resi­
dence at Sheen adorned with antelope images on the roof. All this was in stark contrast to
Henry VI, who was not renowned as a builder of palaces (although his colleges at Eton,
Berkshire, and at King’s in Cambridge were, so far as they went, significant architectural

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achievements, left incomplete at his death). Meanwhile in Scotland, James I (1406–37),


after eighteen years of captivity in England, returned to Scotland in 1424 to a small
group of residences or palaces, notably Edinburgh and Stirling castles and Linlithgow
palace. Kings of an earlier era had been crowned at Scone Palace, Perthshire, an abbey
and abbatial palace adjacent to Perth on the Tay. Scone had long been a key site in Scot­
tish royal ceremony and remained so until dissolved as a monastery in 1559, analogous
arguably to Westminster Abbey and Palace near London (Dunbar 1999). Perhaps the
greatest extent of Scottish royal residences developed under James V (1514–42) with the
capable assistance of his advisers for he came to the throne aged only 1 year old. The roy­
al property portfolio of residences expanded into Angus and the lordship of Glamis at
which point in the mid-sixteenth century he laid claim to some thirty-six properties which
could be drawn upon during his itineraries.

With the deposition of Henry VI and his untimely death in 1471, the Yorkist kings drew in
their ambitions for widespread travel and reduced use of the more remote residences
such as the most westerly at Clarendon, where Henry VI had suffered the first onset of
his mental collapse in 1453. So although ovens there were kept up as late as 1485 against
the visit of the ‘northern’ King Richard III, there is no evidence that he or his Tudor suc­
cessors visited the palace as a residence although Henry VII, Henry VIII, and Elizabeth
used the park (Beaumont James and Gerrard 2007). Under Henry VIII (1509–47), howev­
er, matters were to alter substantially so far as palaces were concerned. What first
changed the scene was the king’s falling out with his senior churchmen which brought
new palaces into royal hands. Among these were Cardinal Wolsey’s Hampton Court in
1529 and York Palace (Whitehall), as well as a range of other episcopal and archiepisco­
pal residences such as Mayfield in Sussex and Oatlands in Kent. Second, when this king
entered into his dispute with the monasteries, their dissolution provided further opportu­
nities for palatial royal endeavours, for example the conversion of part of the enormous St
Augustine’s Abbey in Canterbury, Kent, dissolved in 1538, to a royal (p. 378) residence
used for example by the new Queen Anne of Cleves as she made her way to London in
1540.

Undoubtedly the major achievement in palace building in the final phase of the period to
1540 was the creation of the eponymous Nonsuch Palace, Surrey (Biddle 2005), following
the birth of Prince Edward in 1537. Here the king drew on French and Italian craftsmen;
the materials, moulded plaster with gilded slate covering over an oak frame, were unique
in England, and not well suited to the climate. What is apparent from the layout and the
plans of Nonsuch, and other royal residences of the same period, is that in many respects
they followed the ancient gendered plans of apartments for the king, apartments for the
queen. When compared to the Tower of London of the Normans, Angevin, or Plantagenet
palaces—or indeed to palaces in use today for that matter—the royal apartments and per­
sons were deeply hidden (Richardson 2003; see Chapter 50 in this Handbook). Work on
queens’ accommodation, palaces, and landholdings is one area awaiting closer scrutiny.

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Archaeology and Complementary Sources for


Palaces
For England the greatest royal palace was undoubtedly Westminster which lies beyond
the walled area of the City of London. The Westminster complex of buildings, which in­
cludes the royal abbey, is most certainly the most significant source of evidence for the
medieval palace and for royal-ecclesiastical links, the abbey being the coronation church
of the kings with its late medieval coronation chair and its unique survivals of architectur­
al style and decorative schemes including the late thirteenth-century Cosmati pavements
(see cover), polychromy, and sculpture. Westminster boasts fossilized fragments of decor
which have vanished almost everywhere else. Although St Stephen’s chapel at the palace
has gone, the Chapel of the Pew in the Abbey contains in microcosm much detail which
matches records of what was once to be seen at St Stephen’s, from doorway to vaulting
and architectural detail of the 1370s (Spooner 2015).

Much of the medieval palace at Westminster was destroyed in the fire of 1834 but the
great hall of William II (Rufus) survives (Figure 24.3). Recent work argues for a remark­
able panelled ceiling to the eleventh-century hall, so that it was never an aisled hall (Har­
ris and Miles 2015). The 600-tonne hammer beam roof of the 1390s stands today as a
monument to the technical, lapidary, engineering, and craft skills of that era (Munby
2015). While archaeology is of great value, much of the historic palace has disappeared
over the centuries, not least in the fire of 1263. Changes, upgradings, and demolitions in
the early nineteenth century (for example of the queen’s apartments and her chapel)
were recorded by antiquarians and others, and they have provided, for example, a record
of the thirteenth-century Painted Chamber before its murals were wallpapered over.
These remarkable watercolour records by artists such as Capon and Stothard are (p. 379)
invaluable for understanding the later medieval structures and their décor (Emery 2006,
258). The fire of 1834 also cleared accretions to some buildings leaving, for example, the
outer walls of St Stephen’s Chapel, which had been used since the Reformation as the
parliament chamber (medieval parliaments having met in such spaces as the Chapter
House of the adjacent abbey). The reconstruction of the parliament debating space by
Barry post-1834 as a reproduction of the north and south confronting medieval canons’
stalls has been argued to have continued the tradition of adversarial English politics en­
couraged by the re-use of the facing stalls of the former canons, established by Edward
III (d. 1377) (Rodwell 2015).

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Medieval Palaces and Royal Houses

Figure 24.3 Westminster palace and abbey, as de­


picted by Wenceslaus Hollar in 1647 (Thomas Fisher
Rare Book Library, University of Toronto, public do­
main)

Because of its scale, the ongoing use of Westminster as a centre of national government,
the needs for security, and the challenge of making the medieval abbey partly available to
interested members of the public through use of a ‘trail’, the detailed study of the struc­
ture is currently very difficult. In addition, there were many later changes when the ma­
jor medieval structures continued to be used not only for parliaments and royal religious
observance but also for key political events, such as the trial and condemnation of
Charles I (d. 1649) and also as the home for many centuries to the courts of Common
Pleas and King’s Bench, both sited also within the Great Hall. All this contributes to an
explanation as to why this supremely important complex has not been studied in its me­
dieval incarnations as it should have been. Nevertheless, of particular interest at West­
minster is the wide range of pigments and paintings which have survived from the period
c.1250 to 1350. Reds (including lac lake and vermilion), copper greens (verdigris and
malachite), yellows (e.g. orpiment in imitation of gold leaf), indigo, and many combina­
tions of these pigments with white, black, and other colourings and drawing media all
survive in the decoration at the Abbey (Howard and Sauerberg 2015). For example, the
scheme of vices and virtues in the window reveals of the Painted Chamber and recorded
in watercolour before their destruction would, (p. 380) like the furnishings in the abbey,
have been decorated with inlaid stones or jewels and with raised tinwork decorative
schemes. These echo royal commissions elsewhere such as at Clarendon palace where
fragments of azurite and ultramarine (lapis lazuli) have been recovered, as has minium
(red lead) foundation painting on stone fragments together with evidence for the gilding
of stonework and statuary (Beaumont James and Gerrard 2007, 78). Surviving pieces of
furniture, royally embellished such as the coronation chair of the late thirteenth century
and the altar retable both also in Westminster Abbey, illustrate just how lavish such fur­
nishing could be. The so-called Wilton Diptych of the late fourteenth century also once
stood in the Chapel of our Lady of the Pew while Richard II (d. 1399) revered it (Spooner
2015). This astonishing survival would have travelled with the king and have been set up
in the now lost palaces round the country, such as Woodstock and Clarendon, where the
kings had a special shelf for their travelling relics.

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Archaeology shows on the one hand how little royal material culture remained in palaces
unless it was broken on site and dumped. Among the fragments which survive is a re­
markable travelling chest from Knaresborough Castle in Yorkshire, once the possession of
Queen Philippa of Hainault (d. 1369). Muniment chests found today at the Public Record
Office also date from the medieval period (Steane 1993, 127); in situ storage arrange­
ments for records can be found in William of Wykeham’s colleges in Oxford and in Win­
chester. Elsewhere, surviving decorative schemes include tiles from Chertsey, Surrey,
which probably started out in Westminster before being passed on to the abbey and the
fine thirteenth-century palace floors from Clarendon which are now on display in the
British Museum (Figure 24.4), while part of the tile kiln in which they were made can be
seen at the Victoria and Albert Museum in London. The pre-1250 circular pavement from
Clarendon is exceptional both in survival and more significantly in the apparently excep­
tional skill of the English tilers who made it (Beaumont James and Gerrard 2007, 82–3).
Also from Clarendon are a handful of lead stars, linked to documentary references to scin­
tillis noted in documentation of Henry III’s reign.

Royalty, bishops, and nobility were peripatetic and carried all kinds of supplies from site
to site. Bishop Swinfield of Hereford, travelling from his westerly diocese to his London
house, suffered a disaster when a cart capsized and severely damaged the ceramics he
was transporting to the capital for his use. When the wagon train halted, potters were
found then and there to replace the damaged items. Foodstuffs too were required in
quantity. Food remains such as crab-carapaces were recovered from Kings Langley in
Hertfordshire, and from Clarendon there was a wide range of deer, as well as cod, conger
eel, ray, and wrasse from deep sea fishing and coastal-raised oysters. Documentary
sources show how fresh-water fish were transported to royal and episcopal sites (Dyer
2000, 107), in the case of the bishops of Winchester’s palace at Wolvesey for example, all
the way from Somerset in damp sacks for a feast attended by Richard II in 1393. Several
kitchens and their waste have been investigated archaeologically, including those at
Windsor Castle and Clarendon, while a standing medieval episcopal kitchen complete
with its roof is to be found at the bishop’s palace at Chichester (Sussex), with remains of
a (p. 381) (p. 382) later structure in the adjoining diocese of Winchester at Bishops
Waltham, although no below ground archaeology has been undertaken at either location
(Hare 1988).

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Medieval Palaces and Royal Houses

Figure 24.4 A reconstruction of the thirteenth-centu­


ry palace floor from the king’s apartments at Claren­
don Palace, Wiltshire, together with other floor tiles
from other areas of the same site

(© Alejandra Gutiérrez)

Current Work
As a result of work by John Steane (1993; 2001) on the archaeology of the monarchy and
symbols of power, recent national syntheses (Dunbar 1999; James 1990; Keevill 2000;
Thurley 1993) and case studies (e.g. Beaumont James and Gerrard 2007 for Clarendon;
Gilchrist 2005 for Norwich Cathedral close; Payne 2003 for the palaces of the Bishops of
Bath and Wells; White and Cook 2015 for Sherborne Old Castle and the Bishops of Salis­
bury), medieval palaces are now emerging once again as a field of study and there is
much to look forward to. The themes outlined by Creighton (Chapter 23) stand equally
well for palaces. A selection of projects underway might include a major scheme to recov­
er a detailed plan of the palace of Westminster (under preparation at the University of
York) or landscape research at King’s Norton in Leicestershire, led by James Wright of
the Museum of London. A final report of the ‘spoilheap’ archaeology at Clarendon Palace
undertaken while the site was being rescued from the overgrowth and undergoing emer­
gency consolidation, is also in preparation. In Scotland a survey of deerparks is being car­
ried out by Derek Hall at Buzzart Dykes, Perthshire, and elsewhere while Penny Dransart
has run a long series of excavations at the bishop’s palace at Fetternear, Aberdeenshire.
Medieval palace studies are in search of champions for the new millennium and a major
international conference on medieval palaces at Bishop Auckland (Co. Durham) in 2015,
where excavations are underway in advance of a new museum within the episcopal
palace complex, set a new agenda (Rollason 2017).

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Threats continue. In 1972 the disastrous creation of the underground carpark at West­
minster destroyed much archaeology there without any recording (Gerrard 2003, 134).
Fragile structures such as the remains at Clarendon are once again heading towards Her­
itage England’s Buildings at Risk Register. However, new ideas are being posited about
the arrangement and sequencing of palace buildings nationally, heavily but almost entire­
ly unscientifically excavated at different periods from the eighteenth to the twentieth cen­
turies. Keyhole sites at Tudor palaces in London have brought much to light in recent
years, but are of necessity small-scale. So far as rural palace sites are concerned, new
sites are under investigation. Current work at Kings Clipstone (Nottinghamshire) led by
Andy Gaunt (Mercian Archaeological Services) and James Wright (Museum of London Ar­
chaeology) have involved standing remains survey, landscape work, and geophysical sur­
vey, similarly to community excavations at Woking Palace, Surrey (ongoing Heritage Lot­
tery Fund project). A plan of ‘John of Gaunt’s’ palace at King’s Somborne (Hampshire)
was recovered some years ago while outlines of what appears to be a Romanesque palace
hall and other buildings have likewise shown up dramatically in recent work at Old Sarum
by the University of Southampton. There is much to be done, not least considered excava­
tion using modern (p. 383) methods at sites where the surface has only been scraped, at
such sites as Clarendon, Kings Clipstone, and Woodstock. Such work promises to trans­
form our understanding of the archaeology, architecture, and ecology through properly
dated sequences. The combination of detailed documentary study in close relation to
physical archaeology and architectural study of these uniquely recorded sites is essential.
Among recent developments have been reconstructions of medieval décor of the twelfth
century (Dover Castle, Kent), thirteenth century (Tower of London, now largely replaced),
and the thirty-five-year programme of reconstruction on the Great Hall of Stirling Castle
including the manufacture of a medieval-style roof of c.1500 to recreate the hall of James
IV of 1503 with some furnishings. Such schemes are sometimes problematic and contro­
versial, but they are intended to breathe life back into buildings which have not seen roy­
al residents for many centuries.

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Tom Beaumont James

Tom Beaumont James is Professor Emeritus in Archaeology and History at Winches­


ter University. His main areas of interest are medieval buildings, especially medieval
palaces, and also the Black Death of 1348–50, having written books on Clarendon
Park, Wiltshire, and Winchester, among others.

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